The Dave Smit Mopho is one of my first analog synths. I spent two hours playing with it the day it arrived. There were things in my studio vibrating that never did before. There are types of sounds I'm finding myself jamming on that I never liked the digital emulations of. The tonal capacity of this thing is mind blowing, from speaker-damaging bass tones to vintage & modern sounding lead sounds with TONS of expressive possibilities.
Midi setup between Sound Editor and Midi USB keys still have bugs. Manual is nice but could be a little more helpful and laid out better.
The keyboard version is out so if you are a serious tweaker, save your cash and get that instead.
Sounds amazing. If you have been working with soft synths as I have for years instead of hardware, you will immediately know the difference. All the knobs needed for the beginner are here and for the intermediate to expert everything else should be pretty intuitive.
It's also got plenty of quirky patches & sound FX. I haven't delved into editing yet, but out of the box it's easily the most fun I've had playing in years. The endless encoders are kind of annoying, but the price paid for this level of sound quality crushes any little gripes I have. You should have a good MIDI controller for playing anyway, the knobs are just fine for editing, perhaps even better suited. Yeah, I just can't say enough good things about this unit.
Overall, I`ll have to put my Alesis Qs7 into the audio input and see if I can`t use a couple LFO`s to turn my full organ sound into The Who`s Baba O`reilly intro. You owe it to yourself to get one of these as soon as possible this thing is great! Buy It!
(Originally written by pvi/translated from Audiofanzine FR)
â€¢ Two oscillators + white noise generator
â€¢ Low-pass Curtis filter (2 or 4 poles)
â€¢ Analog VCAs
â€¢ Three envelop generators (ADSR plus delay)
â€¢ Two octavers (one and two octaves below)
â€¢ External input with feedback
â€¢ Four assignable controllers per program
â€¢ Four non-assignable additional controllers for cutoff, resonance, attack, decay/release
â€¢ 16 x 4 step sequencer
â€¢ Comprehensive modulation matrix
â€¢ MIDI in, MIDI out/thru, audio in, L/R audio out, headphone out
â€¢ Free PC and Mac editor software
Lots of videos on youtube:
Easy sound editing thanks to the Mac/PC editor, many routing possibilities, complicated sequenced sounds.
You can change the assignment of the four controllers directly on the synth, but it's not very practical in emergency situations (you need 10-20 seconds to do it).
The knobs are encoders so they have a unusual response, which requires a certain time to adapt to them. They don't have a linear response so it's sometimes difficult to set the parameter value you want. Certainly an OS upgrade will solve this problem.
Another disadvantage is that the attack and release controls affect the overall sound, in other words you change all three envelopes simultaneously, which is not convenient for all presets.
To keep it short, you'll need a sequencer or a control surface to get the best out of this synth.
The sound is the main asset of the synth. The circuitry is 100% analog and you can hear it. The sound has an impressive presence even without using the sub-oscillators.
The envelopes have a great punch. The device produces deep and percussive bass sounds as well as great lead and techno sounds (check the Introverted program).
Nice synth considering its price.
It's perfect to get a big and powerful bass sound in my home studio.