DiMarzio DP159 Evolution Bridge

I bought my first Dimarzio Evolution pickups in 1997, for an S,S,H basswood 1996 H,S,H Jackson JDR Reverse neck, mahogany 1984 H,H,H Randy Rhoads/ Jackson and an alder 1997 Jackson PS4 guitars.
The bridge are rated at 13.84k ohms and 13.04 for the neck pickup.

On the basswood S,S,H routed JDR Jackson, I have a Bill Lawrence L-250 pickup on the neck position, a Dimarzio Fast Track 2 in the middle and the Evo in the bridge position.
It delivered ( luckily) the Steve Vai sound in the bridge position. It delivered the DLR's Eate'em Smile sound, Passion And Warfare and his White Snake Slip of The Tongue tone, down cold.

With the alder H,S,H Jackson guitar with Evo neck pickup, Fast Track 2 in the middle and Evo bridge pickup, it turned out be a total Thrash monster guitar tone, much like Metallica's Master Of Puppets or Pantera's Vulgar Display Of Power Assault.

The mahogany H,H,H configured RR/Jackson with guitar w/ three concentric stacked pots, made that guitar versatile enough to play 80's Hair Metal, Thrash or Classic 1980's Shred Guitar tones.

The bridge pickup, like the neck pickup, are made to kick your amp into total over drive, give you fat rhythm and searing pinch harmonics with ease, when playing leads .

The neck is very hot and sweetens up when you lower the volume knob. Just add a treble bleed cap to keep your high frequencies and you can have flexible tone machine, especially if you add a push/pull or push/push or Seymour Duncan Triple Shot pickup ring , you can get a beefy semi single coil sound.
With that kind of circuit on Evo neck pickup, you can get a great acoustic guitar sound with a acoustic simulator pedal or Modeler patch or program. And achieve a Jumbo Acoustic sound.

Both pickups are very sensitive to volume, tone knob manipulations to achieve different tonal variations and the pickup is sensitive to bridge, nut materials and series, parallel or different pickup splitting circuit that you install.

Steve Vai has been a long time DiMarzio and Ibanez user. This is probably the most famous of his pickups and is the one everyone thinks of when they hear Steve Vai’s tone. If you’ve ever seen his white Ibanez guitar, then you’ve probably seen this pickup in action. It is a high output pickup, but it still has some dynamics to it. Granted, there are better pickups out there in the dynamics department, this still had more than some of the other DiMarzio offerings at the time. It has a lot of midrange and high end grind. That’s a common complaint that people have with this, actually. He originally made this with the intent of matching it with an alder body, but I’m not sure I totally agree with him in that aspect. To me, this pickup suits something like basswood or mahogany better. I would never use this pickup in swamp ash for fear of the treble becoming too brittle sounding. The pickup has some nice bass, and it’s not so overpowering that it’ll muddy up your tone. The pickup gets compared to an EMG 81 quite a bit, and there are some similarities between the two pickups. Both are very tight pickups, and the Evo is more dynamic overall, but they’re still not quite the same. The pickup is very good, but you just have to be careful what guitar you put this in. If you put it in a guitar that’s bright sounding, it’ll become too overbearing in the high end and kill the audience’s ears. One other trick to do would be to run a darker sounding amplifier, kind of like what Vai does. They’ll naturally complement each other then. I used this in an HSH configured guitar, and when it has the auto split thing going on, it matches nicely with the middle single coil for that old school stratocaster sound.

Steve Vai hooked up with Dimarzio a few years ago to create Steves ultimate pickup. Two years later they unveiled the Dimarzio Evolution pickup or EVO for short. The EVO features a 4 conductor wiring setup connected to a pickup with ceramic magnets. It has Dimarzios dual-resonance configuration which they claim produces more harmonic overtones than the conventional pickup. Vai wanted a particular sound from the pickup and the proof is in the results. The EVO produces a tone that is uniquely Steve Vai, but this may not mean its a good tone for you. The pickup is voiced to exaggerate the high end and mids. If you are having trouble cutting through your bands mix this pickup will cut through like a samurai sword but cutting through the mix and actually sounding good may be two different things. With the pickup itself balanced so far towards the high end it make make some guitars unsuitable for it. Putting this pickup in any guitar made of bright wood may result in some unpleasant tones. Even if you put it in a guitar with the right kind of wood that balances out the tone your amp may not be suitable for it. The modern high end sound may not work with some amps such as Marshalls or older style amps. When these amps were designed the guitar pickups at the time were low output and not voiced for the frequencies the Evolution is voiced for. The pick up may not even work with some players. Because it is so clear and defined mistakes that you can get away with on other guitars may come through loud and clear with the EVO. So if you just got to have the sharpest, most precise pickup on the market and have the skills and gear to support it, the EVO pickup may be the one for you.

The Evolution Bridge pickup was a humbucker created for Steve Vai and his signature Ibanez Jem guitars. Unlike the neck, this is a full on high output pickup that’ll drive nearly any amp into overdrive. Evolution is a big of a misnomer as this pickup doesn’t really sound like an evolution fo the PAF like the neck pickup is. It has its own little vibe going on, and it tends to be a very love/hate pickup. Like nearly all DiMarzio pickups, this comes standard with four conductor wiring, allen head bolts on both coils and a ceramic magnet. The ceramic magnet is part of this pickup’s secret. I’ll get to that later.

The DiMarzio Evolution Bridge is a pickup for those wanting very high output, note clarity, insane harmonics and a screaming tone. If you’re a sloppy player, you’ll probably hate this pickup. It has tons of note detail, so it’ll show any little mistake you might make. It’s very compressed and doesn’t clean up that great, so it’s actually probably better suited towards heavy metal players than anything else. The lows are extremely tight, the highs have a strong bite and the mids are very strong. Split coil sounds are pretty good with this, so I recommend trying those out if you have a push/pull pot or some other way of splitting it. A lot of people compare this so an EMG 81, and I can see the similarities, but I think the Evolution Bridge is a bit more organic sounding and actually a touch less compressed.

Steve Vai and DiMarzio tend to recommend this for guitars with alder bodies, and this is where a lot of people get their negativity towards this pickup. Because it’s a bright pickup, putting it in a neutral to bright tone wood will just overhype the frequencies and create a harsh situation. I recommend trying this in basswood or mahogany. Those woods tend to be the best suited for this pickup.