DiMarzio DP159 Evolution Bridge - "DiMarzio Evolution bridge pickup "
I bought my first Dimarzio Evolution pickups in 1997, for an S,S,H basswood 1996 H,S,H Jackson JDR Reverse neck, mahogany 1984 H,H,H Randy Rhoads/ Jackson and an alder 1997 Jackson PS4 guitars. The…
DiMarzio DP215 Evo 2 Bridge - "Just Get a Breed"
Look, we aren't Vai. For mere mortals, just get a Breed.Unless you have techs that can adjust the settings on amps and and full band mix , even the Evo2 is a highly advanced pickup, still prone to be…
DiMarzio DP159 Evolution Bridge - Anonyme's review
translatedThe DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro ceramic 4 son. Adopt Steve Vai, more rput for his solos shredder for his passion for occarina and chamber music. I…
DiMarzio DP102 X2N - damienb's review
translatedTourn resolutely towards the metal, the real one! huge level of output. he transformed my little Yamaha RGX 121S raw guitar. I counsel all who want the potato !!!
DiMarzio DP102 X2N - ya89's review
translatedI use it for 2 years it is standard on my bc rich stealth Chuck Schuldiner. I played on a randall amp RG100 G3 and blackstar 104 6l6 I play mostly old school death metal. micro oriented nag, wh…
DiMarzio DP155 The Tone Zone - " Not too bad ..."
translatedI use it now for 20 years ... Initially mounted on a Lag Rockline Light from a Jackson Kelly Professional. This mic I was never really convinced about Lag, as he woke up the Kelly and microphone …
DiMarzio DP100 Super Distortion - " THE micro!"
translatedUsed for about 1 year. I tried everything, all prices .... and frankly the most expensive is not always the best by the way .... I bought this mic mainly because I'm a fan of Nirvana, Kurt and …
DiMarzio DP228 Crunch Lab - " crunch lab!"
translatedmounted on an easel jp 50 Indonesian, but it does not ask me pbl. The guitar comes in a voodu, I've been pretty surprised by this "opening" his incisive very far of a tone zone or other evo. there…
DiMarzio DP159 Evolution Bridge - " The voice of his master"
translatedMicro installed on a somewhat modified PLO Axis Floyd (new maple neck, rosewood fingerboard, Schaller floyd) basswood with maple veneer. If you are a shredder or lead guitarist in a metal record, it …
DiMarzio DP219 D Activator Neck - " very good"
translatedmicrophone mounted for 5 months on a Lag Roxane basswood, replacing the original pickups enough drafts. in the register saturated this neck pickup is interesting, with mediums for out of the mix q…
DiMarzio DP220 D Activator Bridge - " Very good microphone"
translatedmounted for 5 months on a Lag Roxane basswood. very good level of output, mid and low compressed just right, slightly sharp slap. the attack is returned, and palm mute are very expressive ... harmo…
DiMarzio DP215 Evo 2 Bridge - " Super Micro!!"
translatedI mittal a X2N in my RG550 by year EVO2. Perfect fit for me! I like it, not the Steve Vai tone purpose I found my tone. I can not stand not playing with it! Liked about it: Versatile, punchy, fits …
DiMarzio DP100 Super Distortion - " my favorite humbucker"
translatedAfter a year of intensive use of custom shop Strat HSS I can say without a problem that is the dual microphone to sound fabulous for the whole repertoire from rock to metal. For everything related…
DiMarzio DP102 X2N - " Cross Seymour HS-8"
translatedThis test is only intended to compare the HS-8, which is equivalent in terms of output level. I use it for a few days on a BC Rich Stealth Chuck tribute. Stealth is alder and mahogany Draco. …
DiMarzio DP155 The Tone Zone - " It also works in the neck position!"
translatedI had in the bridge position on a guitar made in japan in ash, maple neck and rosewood fingerboard. I tried to put it in the neck position, testing the standard config (series) but also split and p…
