Tips for Effective Buss Compression - Buss Compression
LearningBuss compression is certainly not a new concept, however, it is an effective and reliable engineering tool and its basic principles are vital considering you are affecting multiple voices.
Masterclass with George Massenburg on different topics … - In the studio with George Massenburg: In the Control Room, Part 3
Learning"Coloring the sound? That's bullshit"! ...according to George Massenburg, one of the best regarded sound engineers in the world. And he has plenty more to say, as you can learn in the sixth and final…
Masterclass with George Massenburg on Different Topics … - In the Studio with George Massenburg: In the Control Room, Part 2
LearningIn this next-to-last part of our video series dedicated to George Massenburg, he shares with us his opinion on headphones and goes on to describe the role of the producer in a recording session.
Masterclass with George Massenburg on different topics … - In The Studio with George Massenburg: In the Control Room, Part 1
LearningAfter a tour around the studio, George Massenburg takes us into the control room to share with us some of his choices and habits at work. And it's fascinating!
Tips for Mixing Rap Vocals: EQ - Mixing Rap Vocals – Part 2: EQ
LearningI’ve read (too) many articles about mixing vocals. Cut 300Hz, boost 2kHz, compress 4:1, yada yada. Unfortunately these articles don’t actually give you any real resource – they simply speculate on ge…
Audio Horoscope: insight into your mixing “character” - Quiz: Rate Your Audio Skills, Knowledge & Personality Type
LearningIn order to help understand where you are in this overwhelming audio maze, I have put together a quiz to help rate your knowledge and personality type.
How to Manage the Low End - Tips for Mixing the Low End
LearningBesides vocal mixing - I would say the most common question I read about on the internet is how to manage the low end. The kick and bass, or whatever else might be occupying that area, is the weight …
Some Basic Editing Processes - Editing: The Unsung Hero
LearningMy last article was on arrangement. This one is about editing. These two articles really both need to be read and absorbed to illustrate a greater point...
All About Dynamics Processing - Mysteries of Dynamics Processing Revealed
LearningA dynamic processor is something that outputs a signal, where the level of the outgoing signal is based on the level of the incoming signal. In other words, a loud signal coming in will come out diff…
World Class Mix Engineer Answers Some Questions - Exclusive Interview with Dave Pensado
LearningDave pensado is a man who requires minimal introduction. He’s a world class mix engineer who’s worked on countless hit records. He’s also a teacher & mentor to an entire generation of successful mix …
When it’s time to mix a recording, you need a strategy - Mixing - The 12 Step Program
LearningMixing is not only an art, it’s the crucial step that turns a collection of tracks into a finished piece of music. A good mix can bring out the best in your music—it spotlights a composition’s most i…
When Noise Attacks Your Signal, Fight Back! - Seven Ways to Reduce Noise
LearningIs noise really a problem? After all, analog tape hiss is almost extinct. We have 24-bit converters with signal-to-noise ratios that far exceed that of the CD. Low-level hum? Today's signals have ple…
Proven Ways to Enhance Your Vocals - Recording & Processing the Ultimate Vocal
LearningSo what’s the best way to record vocals these days? The answer, of course, is that anything goes if it gives the sound you want. Following are some of the possibilities.
It's Possible to Get "hot" Masters without Losing Dynam… - Big Sounds without Overcompressing
LearningI was driving along one of those Floridian roads that goes between the coasts, and is flatter than the Spice Girls without auto-tuning . . . in other words, a perfect place to crank up my car's CD pl…
Panning According to Craig Anderton - Panning Laws Revealed
LearningThe idea of panning seems pretty obvious, right? You turn a panpot (real or virtual) to place a sound somewhere in the stereo field...
