Recording bass guitar - A matter of phase (Part 1) - The ultimate guide to audio recording - Part 53
LearningUp to now, we've recorded a bass line in two different ways: directly from the instrument and via one or several mics placed in front of a bass amp. As you were able to hear, each of these methods ha…
Recording a bass amp - The ultimate guide to audio recording - Part 52
LearningIn the previous article, you saw how to direct record an electric bass. Although such recordings can be pretty good, they have a major drawback: lack of body. This can be a real problem when the prod…
Direct recording a bass guitar - The ultimate guide to audio recording - Part 51
LearningAfter two articles dealing with the pre-requisites for any bass recording worthy of the name, today we will dive into the heart of the matter with the direct recording of a bass guitar.
Recording bass guitar - Prerequisites (Part 2) - The ultimate guide to audio recording - Part 50
LearningIn the first installment of this chapter dedicated to the recording of bass guitar, you saw the impact the instrument itself can have on the overall result. But there's much more to consider before p…
Recording bass guitar - Prerequisites (Part 1) - The ultimate guide to audio recording - Part 49
LearningAfter the chapter dedicated to drums, it seems natural to continue with the second most important element of groove: the bass guitar. To begin this section I would really like to stress a notion I've…
Life-saving shortcuts - The ultimate guide to audio recording - Part 48
LearningIn the previous article we looked at some technical solutions that can ease the life of lone home studio owners. Mobile apps, MIDI pedalboards and wireless keyboards can prove very useful, as long as…
Recording yourself - The ultimate guide to audio recording - Part 47
LearningYou probably all know that technical tasks are mainly processed with one hemisphere of your brain while the artistic domain is handled by the other one. For reasons I won't get into here, it just so …
Recording drums — Last advice - The ultimate guide to audio recording - Part 46
LearningIn this last article dedicated to recording drums, I will give you three advice that ought to make your life easier when tracking drums.
Recording drums — Rough mix possibilities - The ultimate guide to audio recording - Part 45
LearningIn today's episode, we are going to make an assessment of the drum tracks we have exploring different rough mix possibilities. You will see that alone by playing with the volume faders of the tracks …
Recording drums — The importance of the musician - The ultimate guide to audio recording - Part 44
LearningToday I invite you to discuss a somewhat particular topic in this chapter dedicated to recording drums.
Recording drums — Layering in practice - The ultimate guide to audio recording - Part 43
LearningHaving seen the theory, the time has come to put the layering technique into practice and see what we can get with what we've recorded so far.
Recording drums — Stereo Room (Part 4) - The ultimate guide to audio recording - Part 40
LearningToday's article will be the last one dedicated to the Stereo Room recordings. This time we'll discuss more convoluted techniques.
Recording drums — Stereo Room (Part 3) - The ultimate guide to audio recording - Part 39
LearningIn this episode we will look into a new method to record the Stereo Room tracks, as well as one of its numerous variants, which, in my opinion, is particularly interesting.
Recording drums — Stereo Room (Part 2) - The ultimate guide to audio recording - Part 38
LearningSecond installment on the Stereo Room tracks within the chapter dedicated to recording drums. After having looked into the whys, today we'll discuss the hows of recording the Stereo Room mics.
Recording drums — Stereo Room (Part 1) - The ultimate guide to audio recording - Part 37
LearningThis time we'll discuss the commonly called Stereo Room mics. This topic will take us quite some time because, personally, I think it's crucial.
