All user reviews for the DigiTech RP50

Digital effects processor (DSP), large size pedal for guitar, editable (however slightly) on the same box, no computer access. dedicated power supply, but to my knowledge a standard 9v can do the trick (or four batteries). a jack in, jack out, and roll youth!

UTILIZATION

There is not a lot of buttons (two big switch to select the top or bottom) and two others to change the presets, but it is limited in the settings. This is in my opinion, is to discover the different effects on the market and see those we love and those who tell us less (after once again, the effects are sometimes very doubtful, and a pedal does 200euros not sound at all the same way). Attention to the fragility of the whole, in short, again I recommend it for the novice or casual user in the room.

The only downside to this model is the lack of expression pedal, which does not allow to discover the wah and volume effects to my two major senses.

And for use in live, you have to store your presets in the order, which can be downright headache if we change the set every concert.

SOUND QUALITY

I find cold and digital effects, however to start again this is perfect. Metalheads can be find their account, and yet it often lacks precision in sound. After the occasion it can be fun to use some effects studio, so some are weird / bad taste.

After all modulation effects, as often in digital are pretty good quality (for the price), but the saturation (especially overdrive and various crunches) go your way.

OVERALL OPINION

I do not touch it for a while longer, but it will be 10 years that I have yes. I like the price and the next discovery for the beginner, I do not like his unlisted practice and sound in general. This is the entry-level gear is to be plugged into the same type of gear. Taking this into consideration, then yes it is a good tool.

I've been playing the guitar casually for about 15 years. During that time, I've been in a few bands in various capacities (lead guitar, rhythm guitar, singer, bassist or combinations thereof). During this time, I have never had much in the way of money to steer towards satisfying a guitarist's inherent gearlust and usually relied on others to provide the heavy duty equipment, such as power amps, mics, etc. Ultimately, my true interest lies more in songwriting and recording, inspired by the King of All Guitar Effects (U2's The Edge) and U2's frequent producer, Brian Eno, who in addition to his own early work with Roxy Music and later solo abstract, super-processed, ambience-heavy compositions, has also worked with David Bowie, the Talking Heads, Jane Siberry and a number of other of my favorite artists. I have always had that passion to create (you either have it or you don't, and those who have it know how playing, composing, recording, and mixing is addictive as any drug!), but it always seemed like there was something that was a greater priority (though these things never brought the sheer joy of making original music). Thus, I have always been diverted from spending the time, energy and money necessary to seriously pursue this goal. However, when facing a series of back surgeries last year, I reevaluated my priorities in life and realized that if I don't start "now", there may never be a "now". So I unpacked my Fender Strat, a small Crate practice amp, some effects pedals and started playing again. I invested some money in Sony's ACID Music Studio software for composing and recording (both affordable, easy to use, and capable of producing a decent quality composition - at least, for purely personal enjoyment.) As I threw myself into recording and mixing, I realized that my meager stock of equipment was limiting the range of tones I needed to produce the type of music I want to make. I needed something that both suited my tight budget (a wife and 3 kids don't leave much for purchasing ripe gear!) and was compatible with my virtual studio setup while providing as many sonic options as possible. Thus, my purchase of the DigiTech RP50 Modeling Guitar Processor.

I had briefly experimented with the Line 6 Pod which I managed to purchase relatively cheaply in a local music store's clearance sale (the unit was scuffed up a bit, but otherwise fine). I loved the flexibility it provided. Unfortunately, I ran into compatibility problems between it and my recording setup which could not be easily or cheaply resolved. I began looking for alternatives that would allow a direct input into the Line In of my computer's sound card. A local music store (Rutland's) had a variety of guitar processors in stock, but most were out of my price range. However, at $69.95, the RP50 caught my eye. It possessed a fair number of effects plus a number of amp models, a built-in tuner and drum machine.

The RP50 has a lot of features that allow the user to create a massive range of sounds. It has 80 separate presets (though only 40 of them are programmable; the other 40 are static factory presets). Some people will always want more, of course, but this should cover most, if not all, a guitarist's basic needs. With this unit, I have the ability to create combinations of sounds that range from simple amplified, unprocessed tones to ultra-fuzzy, crunchy, or stratospheric ambience. When I record, I tend to use a LOT of guitar overlays and ethereal backing tracks to create as deep a nd subtle a feel as possible. This unit is an excellent starting point to achieving those desired sounds (though to truly complete the equation, I also use a lot of plug-ins and digital editing on the computer). For the sake of completeness, the effects available in this unit are: volume level, pick-up/wah effects (it can simulate humbuckers or single coils as well as automating three seperate wah effects), a compressor, 12 separate amp modelers with 9 separate settings (except the acoustic modeler which has a single setting), a noise gate with two separate modes, a basic 3 channel EQ, a host of modulating-type effects (chorus, flanger, phaser, tremelo, bender, Leslie, harmonizer, pitch shifter, detuner, and a few others), three different delays (digital, analog, and pong), and a slew of different reverb effects. The box has two pedals which allow you to cycle through the presets quickly just by holding the pedal down. Programming a preset is extremely easy (though this is due in large part to the very basic nature of the individual effects). Simply put, for my purposes, I have found the RP50 to be an excellent source of creativity and production.

In answering the question "What don't I like about this unit", let me first qualify this answer by saying that I love this unit, despite it lacking a number of different parameters for its effects that a more expensive unit would possess. There are definitely some obvious limitations, so - to use a painting analogy - it is rather like painting with broad strokes rather than, oh, say, the precision of impressionism. In a similar vein, as far as I can tell, there isn't a signal "chain" as such. It looks like all the effects are applied concurrently rather than consecutively. There are times, for example, when I would like to have my flanged signal echoed, or conversely, I'd like to have my echoes flanged. There isn't any obvious way in the unit itself to priorities or order these signals. Regarding the physical construction, the unit is plastic and, while I think it would probably be okay to use on stage, I don't know that I'd feel comfortable without some kind of backup (especially given the style of guitar that I play which tends to rely heavily on effects and processing to achieve a unique sound - what can I say? I'm a very much a product of the Edge/Robert Fripp/Jonny Greenwood/etc. school of guitar work). For my purposes doing pure recording while sitting at a desk, this isn't a problem, but the ability to stomp on a pedal in the heat of a performance without it breaking is worth a few extra bucks, to be sure.

First, this is not a physically large unit - if I had to guess, I'd say it's about 6"x5". As mentioned above, the RP50 is plastic, though it looks pretty sturdy. My kids have gotten ahold of it on occasion and it is no worse for the wear. It has two pedals for cycling through the presets and a small, red LED to display information. It also has 6 buttons on its face: two for cycling up/down the various effects, another two for cycling up/down the settings on those effects, another button to store those settings to a preset number, and another button to toggle the built in drum machine (the other buttons cycle through drum tracks and tempos). There's a tuner built into this unit, too, but I haven't actually used it, preferring my old Fender AG6 automatic tuner out of sheer force of habit. The RP50 is powered either by 6 AA batteries, but it also comes with a power adapter, which is what I use. There is a single input and output jack in the back, as well as the socket for the power adapter and a port for a DigiTech expression pedal. Like the tuner, I haven't used this particular function so I cannot speak with any authority about it except to say that it is there. Unless I'm mistaken, there is a similar unit from DigiTech - the RP70 - that has an expression pedal built into the device itself, which can really help add to a dynamic performance, I'm sure. For the sake of completeness, the effects available in this unit are: volume level, pick-up/wah effects (it can simulate humbuckers or single coils as well as automating three seperate wah effects), a compressor, 12 separate amp modelers with 9 separate settings (except the acoustic modeler which has a single setting), a noise gate with two separate modes, a basic 3 channel EQ, a host of modulating-type effects (chorus, flanger, phaser, tremelo, bender, Leslie, harmonizer, pitch shifter, detuner, and a few others), three different delays (digital, analog, and pong), and a slew of different reverb effects. The box has two pedals which allow you to cycle through the presets quickly just by holding the pedal down. Programming a preset is extremely easy (though this is due in large part to the very basic nature of the individual effects.) Overall, relative to the price, this is a very decent unit.

Bottom line: This is a very good product if you don't have a lot of money to spend on the higher end units but want a fair degree of flexibility and diversity in tone. It has its limitations to be sure, but it has served my purpose for home recording quite well. I wouldn't stake my performance at a gig on it, not because of the sound quality (which is very good), but because it is plastic and might get smooshed by an overly enthusiastic player. If you want something NOW but only have a limited budget, ths is the unit for you.

This review was originally published on http://www.musicgearreview.com

I have been playing guitar for five years in various garage bands and have played brass instruments for seven years. Currently I use an Ibanez GAX 70 as my throw around practice guitar because I like the agility of the neck, but for live shows and recording, I use an Epiphone Les Paul Classic (honey sunburst) which I love.
I like every style of music, but very electronic music with a lot of layers the best.

It was a Christmas present two years ago, but I think they paid about US$75 (although you can find it for a lot cheaper on musiciansfriend.com)

It has 40 preset effects that are excellent. Many of them dont even need to be messed with because there is such a range you can find whatever style you are looking for. Every setting can be tweaked, or even drastically changed, and saved on the pedal. There is fully adjustable built in drum machine with thirty or so beats that sounds a little electronic but can help you with your improvising and make sure your sticking to one tempo. I play brass too, and use it as a metronome by turning on the drum beat and either playing it though my amplifier, or hooking my headphones to the back up the unit. It is extrememly portable and I take it with me on trips as a private amplifier. You can hook speakers up to the output jack and use it as a little amp unit or you can get another cord and use it to directly record into your computer. It is a lot smaller and lighter than the RP100 series and its possibilities are endless. Good battery life and I have never had any problems with any of the jacks loosening. Extremely durable plastic. The built in tuner is awesome too.

The only drawbacks would be the way you go about adjusting the effects. It is not hard, but would be a lot easier if this model included the adjustment knobs that the RP100 had (I deal with it because the RP100 is soo much bigger).

Excellent. Durable plastic and hardware. Clear display screen with excellent visiblily even under stage lights. The unit is completely functional with one foot.

If you want an effects pedal(40 effects!) and portable private amp for under US$70 all that can be adjusted at your discretion, BUY THIS. Highly recommended.

This review was originally published on http://www.musicgearreview.com

I bought this unit a while ago now.It was my first effects pedal, and so naturally, having nothing to compare it with, i found it great.

Once you get the hang of the system, it is incredibly easy to edit and store your own sounds. The digitech sounds are very good, these are the same effects found on the higher models that cost £800+, especially the reverbs and the delays, and the drives are good too. Really, because the sounds are so good, you could get away with never upgrading, but you wont listen to that.

There is a couple of silly blue stickers on the pedals, and like any sticker, they start wanting to jump off. However, I fixed this by melting them into the plastic, unconventional, but heartily satisfying.

Also after a while, one of the pedals started to become stiffer then the other, which was embarrassing when you wanted to change effect mid-song, and your band members turn round to see you frantically smashing the pedal repeatedly letting out a fierce war-cry. This probably didnt help much. I have had to open the pedal up and fix the problem twice, but I think its fixed now.

Otherwise very good, apart from the pedal/sticker problem. the pedal survived when a bed was put on top of it.

overall, this is one of the best pieces of electronics I've owned, some effects are better then on my new pedal, a zoom gfx8, and it totally changes the sound of your guitar, and the way you play, so i say, yay.

This review was originally published on http://www.musicgearreview.com

I got the RP50 at Guitar Center with credit
I had from a keyboard repair that I had paid
for but was decided to be their
responsibility. At the time of purchase, November of 2003, the RP50 ad just gone on sale from 79.99 to 69.99 and then for the holidays: 59.99. I even got a discount over that because the salesman didn't seem
to understand that I was buying it against
house credit... I think I walked away with
it being around 52.00. At this time, the
RP50 is discontinued and they have replaced
that market with an RP80 for 79.99.
Digitech makes a full line of RPs, but I chose this one because in reading the
literature (sent to me by Digitech), I didn’t see a great difference in the RP50 , RP100 and RP200. The several added features were ones that I could live without
for the savings. And this being my first guitar pedal, I wanted to get a good value that I could use to learn the world of effects.



The RP50 is a smokin deal! Why? Cause I got it free? No, because it is so versatile and inspiring!
You can get an unlimited variety of tones, sounds, effects, fake amps, etc. You can even change certain parameters and seemingly acquire more ampage from a practice amp. I played my acoustic through it, as well as my electric, AND just for kicks, I even ran a bass through it. (I was challenged to run my keyboard through it but I haven't done that yet...) All three had good response, but the tones from the acoustic and the tones from the electric were not the same at the same settings. (I wanted that said because my A-E is not a true A-E, having a Duncan soundhole pickup. This type of pickup should deliver a similar sound as electric, since the sound mechanics are the same as electrics, whereas a true acoustic electric has the sound magnified from under the bridge). I want to clarify that the RP was good with all three guitars, but the very best results came with my acoustic--a Fender Grand Concert with the Duncan sound hole pickup.
The effects were a bit muddier with my electric (WildKat Ltd by Epi) with the P-90 pickups, and really good with my Ibanez
with the HSS pickups. And as for the bass, it’s just a matter of time before we add the BP to our family...
Just some facts about it:
1) there are 12 amp models, each with gain and levels
2) EQ, Wah, Noise Gate, Delay, Reverb all come with many changeable parameters
3) 12 effects including panner, detune, pitch shift
4) 40 factory presets and 40 user
5) 13 light LED
IT’S REALLY EASY TO USE!



There are several problems with the RP50 that have to be said. I want to make it clear that I think this
unit is supercool, but I’m going to be honest about the practical issues I’ve encountered.

1) The unit has no on/ off switch. This means you have to unplug every time--a bit of a pain.
I don’t mean to be picky, but if you try it or have tried it, you probably know what I mean.
There are 2 pedals, and they’re made for girls! (I’m a girl, too!) They are simply there
to trigger functions-- not at all for stomping...

2) I’ve tried using this thing live, and if you can imagine, in between sets/ soundcheck, etc, I had to get on the floor to manually unplug the
thing so the battery wouldn’t drain and if I needed to do any parameter editing/drum machine triggering in the middle of the show,
the edit buttons are so little, I had talk to my audience while I took off my shoes and prayed I would hit the right button with my big toe at the right time, hoping no one noticed my footsies.

3) There was a little deal Digitech did, offering a $10.00 gig pack including picks and power pack. I went for that offer which
promised my pack in 4-8 weeks. It took a full six months before I received it. (Just for your info, the power pack to purchase
is $25 and the 6 batteries you can use run for about 15 hours. You have to clock your hours because it doesn’t die slowly, it just goes.)

4) The built in drum machine is not something you should plan on using for performance or recording.
It’s a glorifed metronome with hokey beats and they are all edited by the big toe button.

5) The tuner’s sensitivity could be improved. It’s dull.


As far as the construction, the thing’s pretty tough. It’s compact and durable. I had previously ordered from Digitech a
press kit on the full line of processors, (which was quite impressive) and everything I had expected the RP50 to do
from what I read, it did, and did it well. The power cord should be stronger, since it gets a lot of handling.
Other than that, the computer components on the inside and the packaging on the outside should last at least
as long as it takes for someone to be born and graduate from high school. I wouldn’t hesitate in buying one used.
Please know that from reading the literature, in my heart, I had already purchased the RP50, and planned to purchase
the RP300 for recording at a later time. The Digitech text is honest and super clear.


Just to balance any of the less than stellar comments, I want to say that a whole new world has opened up for me--
going from acoustic to the unlimited choice of tones, sounds, effects, and power with the RP, AND what a great inspiration
has come from hearing myself through this ---some of the effects make bad playing sound good!

WHO NEEDS ONE?

1) If you are new to pedals, processors, etc, definitely get this. It’s so friendly, super easy to figure out even
musicians can use it within minutes!

2) If you’re a beginner looking to buy a first amp, save money on the DSP amp--get this
with a cheaper amp without the effects. You can always upgrade your amp and take the effects with you.

4) The RP 50 is a must have for anyone who is in the intermediate stages of acoustic or electric guitar and doesn’t have one
(or needs one pedal to do alot).

This unit is the best way to experiment with the sound you want before you invest any further money.

THIS IS A NO REGRET PURCHASE. I would have
paid more.

This review was originally published on http://www.musicgearreview.com

I bought it from a local music store for $70. I bought it because it is loaded with pretty cool fx and amp models and other cool stuff.

The effects in the RP50 are great, there are tons of different fx, like flanger, phaser, wah, auto wah, ya ya, volume, swells, octaves, rotary speaker, panner, pickup selector, sustain, compressor, chorus, detune, ping pong delay, analog delay, digital delay, the delays can go from 001 to 2 seconds (an ok delay length), harmonies, eq, and a bunch of reverbs. Some amp models are rectifier, black face, fuzz, acoustic, high gain, short stack, clean, overdrive, and a couple others. There are 40 presets and 40 patches where you can save your own tone. Pretty good fx processor for only $70, now it is $60! Also, it has an expression pedal input for the wah, volume and pitch shifting, it works if you plug in a volume pedal.

The only thing bad about the RP50 is that it is made of plastic, and the small arrows from which you select things start to not work after a while, you just need to push hard to get them to work once you have had it for like a year.

It lasts even though it is made of plastic.

The Digitech RP50 is a great little effects unit if you don't want to spend some big bucks on the more expensive stuff like the GNX3 or GNX4. It has some really good fx too.

This review was originally published on http://www.musicgearreview.com

I bought this at daddy's junky music in boston mass usa february 8th 2004. i wanted volume effects a good delay phaser and flange. this had them so i decided to buy it. I paid $69.95 plus tax. and hey it comes with the power supply

I like every effect like the envelope filter effect which on this is better than my DOD FX25B envelope filter which was a complete waste of $40. i like that you can get any amount of delay time that you could ever want. i like the flange types, the phaser types the reverb types, and everything else involved especially the auto-ya which is pretty fun to mess around with. the tuner and drum machine are excellent also.

there really isnt anything that i dont like about this unit ecxept for the fact that you have to press both pedals at the same time to turn it off everything else is great though.

even though this thing is made of plastic it is still pretty solid i dropped it by accident one time not even a scratch. it is really great unit construction wise

i think that this is one of the greatest multi effect pedals out there because it does not affect your tone and has great amp models from clean tube to hot rod its there definetly buy this if you want a low priced great quality tuner, drum machine, multi effect processor, and amp modeler

This review was originally published on http://www.musicgearreview.com

i bought the rp50 in a guitar shop in Columbus, OH. It was on sale, so I got it for a good price of about $75.

The versitility of the RP50 is really overwelming. It can do almost anything you want it to. It is also very light weight.

The only problem was switching to a clean effect. It also lacks a power switch, kind of wierd, but didn't get in the way at all

It is pretty durible, and light weight. It is put together really good, doesn't break easily.

I would recommend the RP50 to anyone, except the people just starting out. there is a lot of stuff that might not make sence if you don't know what it is.

This review was originally published on http://www.musicgearreview.com

I bought this pedal in a local Musician's Warehouse for $69, I wanted access to a variety of effects but had very limited money, so it seemed like the best choice for me at the time, lots of effects in one unit for a really good price.

I like the delay, you can layer it on any of the other effects. It has pretty good noise gate, ok amp modelling, good flange and phaser, an ok equalizer, and over-all good effect, especially considering the price.

There's not much I don't like about it, except maybe that you have limited distortion, you have to rely on the amp models for that part.

Very good, I think. It's never malfunctioned on me, once I thought it was, but it just turned out my batteries ran out. It's good and solid, you'd have to put a lot of effort into it if you wanted to break it, maybe throwing it off a building would do the trick.

Overall good pedal, the next step up is the same price as the RP50 when I bought it (several months ago), prices went down about $10 last time I checked, so I would recommend it.

This review was originally published on http://www.musicgearreview.com

I got this for my birthday from Samuel Music for about $65 cuz i wanted an effect pedal.

It has the space for 80 effects and you can customize forty of them. HTe other forty are factory settings. It has a really heavy distortion for a little pedal. It also has some good presets. Its also pretty fun to hook a mic up to it and mess around.

It could use a foot pedal thing where you can make the wah and stuff wave. Other ythan that, it is pretty good for my first effect pedal.

Plastic casing with a small screen and a few buttons. I've stomped on it pretty damn hard and nothing has happened yet.

This is a nice little pedal but if you have the money, go bigger. Otherwise, its great considering i have a squier strat and a squier champ 15.

This review was originally published on http://www.musicgearreview.com

i paid 80 quid for the rp50 from the drum and guitar centre in cambridge, i had long needed a pedal that gave me more than just distotion i had tried several others but i found this to my liking the most.

it was probably the best 80quid id ever spent it done everthing i wanted it to at the time. I have had it now for about a year the drum beats where really handy for practising with and you could make your own effects wich is cool it makes you sound unique, the effects were really clean and id get a really nice tone from them, some of them were a bit farout! but im sure someone would find a use for them.

id didnt like it how i had to scroll through the effects to get the one i wanted, you can set the ones you want to like numbers 1...2...3..etc but if you wanted to get too effect 4 quickly from effect 1 you had to click 3 times and doing that while playing live can be really dodgy if you hold it for to long youl go to the totally wrong one and i could be a bit embbarasing but thats probably the only thing wrong with it.

its lastest me a year of constant use and its not even started to show any sign of wear so it seems very durable.

deffinatley worth getting if youv never had an effects pedal before but if you have and youv been playing more than about a year i would suggest gettin the rp200 or even the rp300(thats what i have now)its the best out of them all.

This review was originally published on http://www.musicgearreview.com

I bought this unit at a local shop. It was $69. I wanted something that would add more excitement to my playing. Boy, did I get it!

The price is certainly right. The built-in drum machine sounds fabulous to me. There are more built-in effects than I can possibly use. This thing can really make you more professional-sounding. Few people ever realize how common guitar effects are on recordings.

It's not so easy to program good-sounding effects yourself. The programming codes are not easy to decipher through the LED. But the capabilities are there if you are patient. It uses too many batteries for too short a time, and it's hard to get them in. You might as well consider the $20 AC adapter as a necessity.

Mostly plastic, but very solid-feeling. I think it's weighted in some way.

Something that would really be nice would be a "Test Button" that would pluck a string or strum a chord. That way, you could program the unit without having to hold a guitar at the same time. But my final conclusion is: for the price you pay, this is one great deal.

This review was originally published on http://www.musicgearreview.com

I paid $200 australian dollers for it. I use it mainly as a compact headphone/practice amp when I can't carry my gt 6 with me. It's great for its the price and beats other multi effectors at this price range.

There's many different amps and effects you can choose from and there's a drum machine with a variety of patterns. That's everything I need to practise with. Acoustic guitar sound sounds amazingly good.most of the patches are actually useful in songs unlike some other uints where they just put in the patches to show you what it can do.
Compact size and batteries last a lot longer than a Zoom multi that I used to have.

Downside is the limit of changing parameters of each effect. What I mean is that you can hear a huge different between delay 1 and 2 (like how much delay you want) since there's no knobs but buttons.
Distortion sounds digital but good enough for practices and some rehearesals.
Changing patches isn't as smooth as i'd have wished. The most anoying thing about this unit is that drum pattern starts from the first beat again as soon as you change patch



Quality is great. Tough for being plastic. The jacks are plastic but they are really good. I've been using it for 6 months or so and they are not loose yet, which is great.

Bottom line is that the unit us great for what you pay for. Excellent for beginners who want to check out about effects (you can definitely find usable ones with it.) Good as a copact practice pedal when you can't take your whole rig with you.

This review was originally published on http://www.musicgearreview.com

I bought this pedal for 70 dollars at Guitar Center. I thought I would add more effects to my guitar sound besides clean, distorted, and reverb.

This pedal has 80 presets. You can have 8 diferent effects playing at one time. Has an assortment of effects. Cheap, easy to use, and fun to experiment with.

To bypass the pedal you have to step on both the pedals at the same time sometimes one gets pushed before the other and it just changes the preset. Thats basically it.

Made of plastic with a clear LCD screen. Well built and probably wont break if dropped, but i haven't tried.

Good pedal, average quality, and good price.

This review was originally published on http://www.musicgearreview.com

Acquired at Guitar Center in Danvers MA for my birthday. Paid $70.00 plus tax. It seemed to be a top seller there and had the most bang for the buck. Internet reviews seemed good as well.

My favorite thing about this pedal is that, for the price of one good effects pedal, you get a whole series of them, plus eleven high quality sounding amplifier sims. The features are very easy to use and are logically laid out. This pedal literally contains everything I have ever wanted as an amateur musician looking to develop my own unique sound but also wanting to emulate some of the great ones. An added bonus is a website where one can download a replacement manual if one loses the original, and one can also exchange "patches" or programmed sequences with other owners over the net. Despite the plastic, lightweight look and feel, it is a pretty sturdy machine. One can plug in an expression pedal. The output can be either stereo or monaural. You can either use your existing amp or run the pedal into headphones or anything that takes an input.

I only dislike a few things, and these are not too important to me as I do not use them much. One is, in my opinion, a poor copy of a wah wah effect. You need an expression pedal to use wah and whammy effects and, when I bought one, I didn't like using it. So I returned the expression pedal and am happy without it. Batteries are very hard to fit in and they do not last very long at all. Probably my biggest complaint is that,when using several effects at once, particularly compression and chorus, the pedal makes a noisy hum and hiss which the noise gate effect does not do well to cancel out. Other users have also complained of this as well as occasional pops, which I also experience when running it through a PA system. Despite these drawbacks, this pedal produces a huge variety of quality sounds and effects which, at the price, is an amazing value. Finally, I personally wish the amplifier emulation could produce a tone that would resemble that used by Cream (a warm tone with a high-frequency distortion, hard to describe, trademark to listen to). You can't do everything with this pedal, but at $70, how could you expect to?

Construction seems okay, but not superb. It is, after all, plastic. A metal case probably would last longer, and heavier weight would help stabilize the unit on a stage. Despite this, the unit seems like it will last a long time and not wear out. Plug connections are solid. Layout is fantastic.

Bottom line: the most bang for the buck. You are getting your money's worth. You can't do everything with this pedal, but it does more and sounds better than anything else at this price range. If you want more effects and programmability, go for a higher model of Digitech's (100, 200, 300, etc.). If you want ease of use with what you need for getting started, this is the pedal for you. It is also nice to have a website with a patch sharing community and discussion forums.

This review was originally published on http://www.musicgearreview.com

I acquired this unit at Monster music,
I paid $74.95 for the processor.

I like some of the factory preset, but
would like to program my own settings.
HELP HELP HELP.

The Digitech users guide is a little
overwhelming to set the sounds I like.
Is there a website that can help me,or a step by step dvd?


The Quality of the unit is great,from years
passed,from my old BOSS delay box the construction is very effective.

Again my final comments are, that for us old
timers from back in the late 1965.The user
guide is not very understandable.
I'll leave my e-mail address, maybe you can help me get through this new toy of mine.


This review was originally published on http://www.musicgearreview.com

Acquired Unit at Local Music store... Basically looking for a headphone practice amp device..Paid 120.00 Canadian

Previous, I had purchased and returned both the Zoom 505II and 606. I found that these products had tones of effects but basically seem to be TONE killers… I figured I just wasn’t’ going to be please with such inexpensive units… Well the RP 50 has changed my view on that, I was immediately impressed with the preset effects and the great tone associated with these effects, you see I have been spoiled with tube amps and classic Fender Strat’s.. As an added bonus it has a built in drum patterns , great for honing your time if you don’t regular Jam…

I wish more of the effects could be control by an add-on expression pedal.. For example the panning effect, it would be great top be able to pan left and right via the expression pedal... Hard to get the batteries in the unit, feels like you are going to break something, but hey I'm nit picking..

Not as study as the Individual Boss Pedals I own, but then again it has multiple effects ands cost about the same as one single Boss stomp box...

Great Value for the money, great tone, multiple effects, tuner and drum patterns for a very reasonable price.. Highly recommended

This review was originally published on http://www.musicgearreview.com

I bought this unit (actually, two of them) online from Musician's Friend as soon as they came out. They were $69.99 each, and we added a bass amp and stand to get the free shipping, which made it even better. Since I'm a tone freak and have actually been looking at tube amps, this gets the job done for 1/10 the price, and adds the other features too.

It's all about the features and the sounds. In addition to the usual Delays and Reverbs, it has better sounds than my Zoom 505 due to the Amp Modeling - which actually does work. Nice Brit Stack, Combo, Tube -clean, crunch, and hi-gain, Fender Blackface, Tweed, everything. It even has that tube-like crunch on chords. If I didn't know better, I would think I was playing a vintage Fender Twin tube amp from the 70s.
One feature that is a huge improvement, the EQ has a separate Bass, Mid and Treble setting, just like an amp.
It also has a Pickup Modeling feature, which goes from Single to Humbucking Mode and Humbucking to Single Mode. This is a cool feature, and you can use it even if you already have Hummers or Singles, for a butter-smooth variation. I've been playing a Cort with stock bottom-line EMG S-S-H pickups, normally a plain-vanilla sound, through a Peavey practice amp. With this unit the sound is thrilling - killer clean and dirty Hendrix/SRV sounds. I even programmed some clean, almost clean, and reverb/tremelo surf sounds (think James Bond-007). I could never get these straight from the clean channel, but they are very usable here. Also great for playing slide.
It also has a built in drum machine so you don't need a metronome anymore - or you can play up to 30 different rhythms for song practice. Suddenly playing Surf tunes is fun, and you can play progressions and jam like with a band.
The Chromatic Tuner - which I rely on - is easily the best I have used.


The plastic enclosure looks pretty fragile. I would be afraid to drop it from waist high, or have something heavy fall on it.

As stated, the plastic housing may not be very sturdy, but the switches, pedals, and read-outs are first rate, not cheap at all. One other thing the unit is very compact, which I like. It's not much bigger than a stompbox, but does the work of about 10 of them.
I use a Wal-wart adaptor - no special one required.

This is a great processor. You could play a gig with one guitar and amp and get any sound.
The second unit was for a friend that is learning to play. I talked him into getting the unit to spice up his practice rig. He read the manual and found the unit very easy to use, and now won't play without it. He keeps bragging about the sound and features, and what a great deal it was.


This review was originally published on http://www.musicgearreview.com

View Previous notice perfect

UTILIZATION

Super simple

SOUND QUALITY

I made 3 days APRS have bought as connect directly to the input of an amp lamp good quality it blows standard (must love to hear the wind between the notes a guitar unsaturated !!!).
(I have 100 times more blows with the RP50/200 with my Boss and Ibanez pedals 4!)
Shame because the sound of the guitar does not cause breath supplmentaire
I changed it against a test on a Prior RP200 amp store a dot noisegate automatic. Arriving home, I found the same pb (what a pleasure when I unplug the RP200 and jou live on the amp) and brought him back to the store the next day to really pit ...

OVERALL OPINION

Great value quality price for someone playing in a group (when the breath is not audible)
A deprecated purists who plays in the studio and transparency apprcient

It's simple: NICKEL!
All that need! (For 120 of course!)

The models are quite diverse to find their account!

UTILIZATION

A real "rattle"! : O)

SOUND QUALITY

Go ... For distos 10/10, 8 / 10 for clean, 7 / 10 for the effects (except reverb, no top)

But it blows !!!!!!!!!!!
In group, nickel, and only then, it's really embarrassing!

Without NoiseGate, its just more usable! they deconnent at Digitech!
How can do they create sounds as approaching vraix (lamp, analog, etc ...) and let a blast like that !??!?

You really have to try it!!

OVERALL OPINION

It'll be five months that I have, and I'm happy even if I think a switch from analog now ...
Quality / price excellent!

80 factory presets, all editable, use the amp modlisation add effects, reverb, etc..
Intgr Tuner (moderately prcis I think, but hey it's personal), false bypass (that is, if I remove the power supply, is able of his passes).
16 Patterns for Rythmik s'entraner. HOWEVER! (ARGH) 199BPM tempo limit. Scratch faster, go your way too
Powered by 4 block power supply or battery (yep I have a whole hour Discoveries)
When even the price, nothing to complain.
Numrique technology, connectors Plug to scratch, MIDI or pro digital go your way. This is one you pedals on the floor, on which you press with your foot. Scrap metal chassis, plastic button on the other hand. Must not jump both feet on it ...
Level connection: Input / output (classical) and expression. I plugged in a personal volume pedals bepinco (kk thing as a. pedals 20 euros) and expressionist. It has presets with diffrent wah, if not worse bin has been using volume pedals, but just a lot c tite pedals as a.

UTILIZATION

With the right button, I pass the following, with the left I spend Previous effect. Yeah ok. Pressing both (ARGH) I go into bypass, and leaving supported in tuner. Sometimes a miracle Relva, have good timing toes
Each sound is ditable using small buttons on the dial. In short, you decline, you ask yourself down, and you have fun ... Vitantis to enter into the neck of the guitar straight left. Funny two seconds, but when you spend hours to find a sound that you like it, it galre. Note a good mini qualisation intgre, not bad, but hey, a is not my GE7B ...
The manual? Um I have not read it I think. Not a remains fairly intuitive, I preset the mug, I choose The argument to change, I change, and I play to see if was me. It suits me?? I save the preset, and basta forward.
(I put eight Paske I am demanding, I am a great and not make me laugh me to cum on the floor for hours to finally ...)( rgler sound sound on the pedals). ..

SOUND QUALITY

And we arrive at the bottom that hurts ...
On the same rigor in him a will. I love the clean sounds and reverbs choruss of origin, they please me well. Distos are not bad, and at worst it qualize ... no pb ...
But as my confrres the prcisent ... a breath ... This is the Antarctic, the North ple. C windy ... I do not know why. Then on the marshall lamps fit the f * is ...
Worse rigor cpnible same group because I play the personal mtal and we have portions of rhythmic back and forth, interspersed with silences make it clear. Ben when the amp blows during the silence, or when I put the guitar during the break and a breath continues as blizard in the Sahara, well I was not flat ...
I put 5 because possibly noisy group (grunge) o clarity of sound is not necessary to be without. But frankly got adpend each. (I put in dpart 3!

OVERALL OPINION

C simple. Now I use it on my fifteen watts pedals for work in my room ... L c perfect. It's been ptt expensive to the extent I use two or three presets max, but hey, at least as a, g the mtronome, tuner, a scraper, and I work scales, solos, my rhythm, and I'll try to record any a. So I'm dj recording (only a dmo) coming out of the pedals live ... c useless for society ... It blows over but then as its digital c, lifeless. C sawtooth worth nothing if you know what I mean.
So to use that I do now, c nickel.
Possibly can be for beginners guitarist, who is no amplification of the big stuff (style to let's say 100 watts transistor) which acts as a group and not forcment of Yngwie Malmsteen. It allows for moultes distos and weird sounds from under the feet without breaking the bank too much too. And can work alone and agree (based j'tais happy to have a tuner Intgr) pis the scope of the expression pedals for a little as a brothel , even when c INTERESTED enough.

The big blast of the default c *** m e c because otherwise really well thought out and well Designed and trs trs honnte.

So the stuff for that price honnte l (about 150 euros), but not fate those seeking a crisp, dnu parasite.

Rectification of certain messages: there are 40 effects pre-program (40 numros 80) that can change but that is recorded on the previous ones 40 (0 20).
There is still a good possibility of choice to change.

UTILIZATION

As beginners, it is rel a pleasure to be able to have fun right away, really instinctive trs. Manual quick read, easy to record its own effects.

SOUND QUALITY

Personally, I have a Marshall MG 30 dfx amp (30 watts) and the breath does not feel as, on the contrary, it has taken me pdalier nan distos are really good and clean too!
For little trick against the teacher, is that all the presets are not the same noise level ...

OVERALL OPINION

Report qualitprix super good! Students for musicians and beginners trs is good. Being able to add an expression pedals goes back even this small pdalier! I believe that even in pro musicians, the pedalboard can be a small place ....

I think it is necessary for better caractrristiques rfrer the manufacturer's website.
http://www.digitech.com/products/rp50.htm

UTILIZATION

The use could not be pkyus simple. Ms me who was afraid of not understanding the fonctionnenment I understood without a manual!! I have not yet tried couraging personal presets so I can not express on this point .. but it is not good for complicated!

SOUND QUALITY

So the critical point is the apparemmen .. as well not me I was going I am not at all.
I chose this "multi-purpose" pouir use it on a trip and so it suits me perfectly this level from the noise level is a bit too low.
On my amp (Valvestate 8080) I use a set of pedals couraging by me, but I tried and it's not bad, I do not just love me say that the quality transcand but it's a nice little hardware for first-time effects.
At the hum .. then the I do not really understand why many people say that a breath, I have not had this problem at all.
résumé: it is above the noise level that I Drang, is as low low low ... The number effect is more than enough, but not really useful!

EDIT 13/06/05: I withdraw what I said, after testing most comprehensive multi FORT A BREATH ds you push the amp (so I came back to play with my amp I use more than rp sound or work with headphones it is great for this use

OVERALL OPINION

I would say that the report is very well qualitprix .. I must say that I pay only 60 so that price I expect no better.
I recommend it for a pramp travel to play quietly in his room at night without parents or shit in the hotel to not piss off other accupants opu adjoining rooms for beginners is the limit be nice for those who do not know the effects and learn DSIR.
For purely for use against "multi-purpose" go your way and head to a MODEL suprieur aps because it is his strong point.
On stage ... unusable, a breath too much noise gate is too ... Finally, not efficient enough ..