All user reviews for the DigiTech RP50

Easy to use, the hick is the buttons.
I cared but over time the buttons rpondent 1 in 2 of the coup must be pressed hard on it and it becomes a self-destructive spiral lol
The adapter does not come with so little less (but considering the price it's understandable).

UTILIZATION

Pressing the two pedals at the same time to find the original sound of the guitar is not cool, but hey tell me can have a trs well rgler PDAL ddi e that ...

SOUND QUALITY

Chorus: Trs well
EQ: Bass Treble Chorus without
Simul. Amp: Ok for the price but hey it's not nanananananana gniale
Reverb: Trs well
Delay: Good
Noise Gate: Practically nonexistent
Compressor: Same
Wah Fun, Intrressant may have to find good sounds

OVERALL OPINION

OK OK OK for the price it's pretty good but I think if you want a good big sound palette, Avoid The series of RP.

Everything is explained below.
Features complete enough, the pedal addition expands the possibilities.

UTILIZATION

For novice, it is sincerely foot amendments and editions of sound very easy to use drum machine built, fun to start, presets interesting, in short, is complete. 2 big problems though:
-The sound hole that every change of his cabinet, which is not very clear when in group must move quickly and without breaking from one sound to another ...
-Having to press both pedals at the same time to switch to its "neutral" guitar / amp, it's boring! (It takes a lot of training to perform this movement podo-orteillologique) ... But for someone who starts these disadvantages are as dust before the full potential of the pedal.

SOUND QUALITY

Well, I think everyone has said enough: as home to work on a 10 or 15 watts is call, as a group is squarely on the breath as shit covers ALL (and I mean ALL) silences. So except if you have a whole new group focused on traditional music from the North Pole and its winds and tough on African traditions of the driest deserts, the RP50 is to be avoided! I used it during the first months in groups, and with my peavey 100 watts was a disaster. (Have to compress, grind the sound until you get something correct ...)
Even to register is a huge flop, I even speak. Long live the pod XT live.

OVERALL OPINION

Let's say it's a beginner and equipment ONLY beginner is to get into his head! Ok, the same way he taught me, he taught at a very young guitarist the art of manipulating sounds, create their own sounds according to his desires, his composed work. This can really be instructive. But as soon as the sound of your amp is over 30 watts, it's the biggest shit music market.

T explained everything I think. I put 9 because bcp opportunities but lack qqs such kind of dist.

UTILIZATION

The configuration is relatively simple, after a momentary known to use the pedals its just comes ^ ^.
the manual is essential to understand the corrspondance between the names and effects.

SOUND QUALITY

I use it with my fender frontman 25 a Cort Z42, it simulates a tube amp I use a ds1 and really good sound with.
I use it all the EQ and the disto Effes apart.

oh yes I have no breath unlike his other works very well I have used in concert: no problem for air, I put the notes up to 10

OVERALL OPINION

Its going to be a year since I have no ending for me and I will Sparer currently.

Deja described below <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" /> , Then model different amps and speakers especially for the metal and hard rock, a little less crunch and overdrive. <span style="font-weight: normal;">
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UTILIZATION

The setup is simple but not very accurate <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_sad.gif" alt="sad" /> and the big problem is having only 2 buttons to switch between distortion has a clear one must have saved in advance so be careful on stage <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> .



SOUND QUALITY

At the beginning I fell in love with good distal HARD <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> and clear sounds with tremolo and chorus effects small <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" /> . This pedal is a marvel to the parker fly home with my P42 and my amp peavey envoy 110 spat it well and it was a real pleasure. Until the day I play on the outdoor stage <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_sad.gif" alt="sad" /> And there is the drama. The volume was enough when I was alone but once the other instruments used, the volume was not enough so I mounted and there BFFFFFFFFF a big breath!

So sounds really satisfesant at home (we took a bit for John Petrucci and Steve Morse <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> ), But on stage, with a little volume, a horror level breath.


OVERALL OPINION

I use it for about 8 months, I was very pleased and I really break out with but not a working tool is a tool for leisure <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_wink.gif" alt="wink" /> with an amazing value for money! After trying various other multi-effects I've realized that the noise was disturbing but really good noise supressor will do <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" /> .

I advice to beginners wanting to learn music at home with a sound quite similar to the great artists.