PLG150-VL classified ad
Alerte nouvelle annonceImages
Videos
Reviews
4.0/5(4 reviews)
50 %
25 %
25 %
Write a user review
pyexperiencePublished on 09/25/09 at 08:53 (This content has been automatically translated from French)
One of the best synthesis shamefully abandoned by yamaha best for the wind instrument that rope.
Has less difficulty editable have an old mac and an old pc on windows 98 at a time.
I used with the SW1000XG and s30 without breath controller, and unlike the previous opinion sounds very interesting and surprising as the way we play
Has less difficulty editable have an old mac and an old pc on windows 98 at a time.
I used with the SW1000XG and s30 without breath controller, and unlike the previous opinion sounds very interesting and surprising as the way we play
00
»
citron69Breath Controller essential
Published on 04/30/14 at 00:20 (This content has been automatically translated from French)I use a Motif ES with a breath controller BC3.
PLG 150 VL uses a form of synthesis that has disappeared from the scene hardware Physical modeling Yamaha sauce, there has already patented 20 years. Yet the sounds that it can produce are unique, provided you use a breath controller BC3 kind (another technology that is passed to death).
The sounds of trumpet, flute, oboe and clarinet are excellent and expressive sounds of sax seem means and sounds of violins are really bad (only techno "Commuted waveguide synthesis" is capable of doing something right but it does not yet exist). …
PLG 150 VL uses a form of synthesis that has disappeared from the scene hardware Physical modeling Yamaha sauce, there has already patented 20 years. Yet the sounds that it can produce are unique, provided you use a breath controller BC3 kind (another technology that is passed to death).
The sounds of trumpet, flute, oboe and clarinet are excellent and expressive sounds of sax seem means and sounds of violins are really bad (only techno "Commuted waveguide synthesis" is capable of doing something right but it does not yet exist). …
Read more
I use a Motif ES with a breath controller BC3.
PLG 150 VL uses a form of synthesis that has disappeared from the scene hardware Physical modeling Yamaha sauce, there has already patented 20 years. Yet the sounds that it can produce are unique, provided you use a breath controller BC3 kind (another technology that is passed to death).
The sounds of trumpet, flute, oboe and clarinet are excellent and expressive sounds of sax seem means and sounds of violins are really bad (only techno "Commuted waveguide synthesis" is capable of doing something right but it does not yet exist).
PLG 150 VL uses a form of synthesis that has disappeared from the scene hardware Physical modeling Yamaha sauce, there has already patented 20 years. Yet the sounds that it can produce are unique, provided you use a breath controller BC3 kind (another technology that is passed to death).
The sounds of trumpet, flute, oboe and clarinet are excellent and expressive sounds of sax seem means and sounds of violins are really bad (only techno "Commuted waveguide synthesis" is capable of doing something right but it does not yet exist).
See less
31
»
davidsynthéPublished on 02/01/04 at 02:00 (This content has been automatically translated from French)
Extract http://virtualacoustic.free.fr
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 and VL70m PLG150-VL and mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with a single m my device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
The PLG150-VL offers numerous advantages in terms of music programming, not only in terms of sound...…
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 and VL70m PLG150-VL and mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with a single m my device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
The PLG150-VL offers numerous advantages in terms of music programming, not only in terms of sound...…
Read more
Extract http://virtualacoustic.free.fr
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 and VL70m PLG150-VL and mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with a single m my device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
The PLG150-VL offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in reproductive behaviors specific to acoustic instruments that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).
But it is only playing that can be rgler with precision the sound produced by a particular configuration. Because of its natural acoustic behavior, the PLG150-VL is naturally a little more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential .
Yamaha, Korg and Technics are the first manufacturers trying OF USE technique synthse by physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.
Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 and VL70m PLG150-VL and mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with a single m my device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
The PLG150-VL offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in reproductive behaviors specific to acoustic instruments that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).
But it is only playing that can be rgler with precision the sound produced by a particular configuration. Because of its natural acoustic behavior, the PLG150-VL is naturally a little more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential .
Yamaha, Korg and Technics are the first manufacturers trying OF USE technique synthse by physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.
Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.
See less
52
»
Anonymous Published on 03/18/07 at 16:09 (This content has been automatically translated from French)
Card format monophonic Virtual Acoustic PLG, equivalent to VL70m.
It is installed in my MU128.
Can not get out of drinking something with a master keyboard, I've never russi. It sounds "flat" as with any synth.
on the other hand, has from the time the card is a driver with a wind controller type XW7, WX5 and WX11, it's really SUPER TOP.
Who am clarinettist training is a real pleasure to use.
The sounds of reed intruments (Sax, Clarinet, Oboe) trs sound really good and go without problem in a mix.
For I am a bit against deu brass, but may be my WX7 is not the best controller for this kind of sound.
I never use the other (violins, guitars ...)
Overall, this is a must for...…
It is installed in my MU128.
Can not get out of drinking something with a master keyboard, I've never russi. It sounds "flat" as with any synth.
on the other hand, has from the time the card is a driver with a wind controller type XW7, WX5 and WX11, it's really SUPER TOP.
Who am clarinettist training is a real pleasure to use.
The sounds of reed intruments (Sax, Clarinet, Oboe) trs sound really good and go without problem in a mix.
For I am a bit against deu brass, but may be my WX7 is not the best controller for this kind of sound.
I never use the other (violins, guitars ...)
Overall, this is a must for...…
Read more
Card format monophonic Virtual Acoustic PLG, equivalent to VL70m.
It is installed in my MU128.
Can not get out of drinking something with a master keyboard, I've never russi. It sounds "flat" as with any synth.
on the other hand, has from the time the card is a driver with a wind controller type XW7, WX5 and WX11, it's really SUPER TOP.
Who am clarinettist training is a real pleasure to use.
The sounds of reed intruments (Sax, Clarinet, Oboe) trs sound really good and go without problem in a mix.
For I am a bit against deu brass, but may be my WX7 is not the best controller for this kind of sound.
I never use the other (violins, guitars ...)
Overall, this is a must for any saxophonist and clarinetist with a quip WX controller.
It is installed in my MU128.
Can not get out of drinking something with a master keyboard, I've never russi. It sounds "flat" as with any synth.
on the other hand, has from the time the card is a driver with a wind controller type XW7, WX5 and WX11, it's really SUPER TOP.
Who am clarinettist training is a real pleasure to use.
The sounds of reed intruments (Sax, Clarinet, Oboe) trs sound really good and go without problem in a mix.
For I am a bit against deu brass, but may be my WX7 is not the best controller for this kind of sound.
I never use the other (violins, guitars ...)
Overall, this is a must for any saxophonist and clarinetist with a quip WX controller.
See less
41
»
Tech. sheet
- Manufacturer: Yamaha
- Model: PLG150-VL
- Series: PLG
- Category: Expansion Boards for Electronic Instruments
- Added in our database on: 01/01/2003
We have no technical specifications for this product
but your help will be much welcomed
»
Manuals and other files
Other categories in Electronic instrument
Other names: plg150 vl, plg150vl, plg 150 vl
