Akai Professional GX-630D - "Great entry machine, get one!"
I wanted a Reel To Reel for years. And i wanted a machine which i am capable of servicing and there shouldn`t be that big hassle when i need parts. After digging into the matter i came to Akai. This…
dbx 166A - "All-purpose compressor"
Two channels: Gate, VCA compressor, over easy/hard knee, peak limiter. UTILIZATION Very easy to use because it has only the most basic controls, which allows you to find the right setting pretty fa…
Neumann KH 120 A - "Small but accurate"
What motivated my choice was the frequency response curve. I wanted them mainly to mix, so I wanted some quality nearfield monitors that were as flat as possible, and I got them. I use them with my …
Sonodyne SM 100AK - " Catastrophic"
translatedChoice motivated by the excellent feedback everywhere (gearslutz, etc). SOUNDS The horror ... From the distortion of the signal, cutting the decay of piano, reverb tails, etc. ... OVERALL OPINI…
Inkel MX-642 - " I have one too"
translatedRackable: yes XLR microphone inputs Line mono inputs 6.35 Jack outings 6.35 (one master output) 6 mic / line mono 4 stereo channels (no gain adjustment) UTILIZATION The potentiometers a…
dbx 286 s - " Preamp really stunning"
translatedAlready described in the notice of traumax UTILIZATION Features are fairly obvious if one takes the time to read the manual. It is necessary to make a number of attempts to understand the subtlet…
The T.bone SC400 - " Good value for money"
translatedLarge diaphragm mic : Cardioid Frequency response: 20 Hz - 20 kHz Requires 48V phantom power Low-cut filter: 100 Hz Suspension and bag included OVERALL OPINION The sound quality is a pl…
Shure SM137 - " efficient & versatile"
translatedelectret condenser microphone http://www.shure.com/americas/products/microphones/sm/sm137-instrument microphone OVERALL OPINION I stumbled upon this mic show. Immediately when my balance its uphi…
SSL Sigma - " A true summing !!!"
translatedSumming 16 input channels (mono or stereo), up 32 channels! Direct output for each channel 2 Bus stereo mix and individual insertion points (which among other PARALLEL compression) 2 outputs of…
Behringer Ultra-G GI100 - " Surprising !!!!!!"
translatedRAS easy to use UTILIZATION I use it mainly for home recording, but this week I tested for a live touring band who showed up without an amp (very pro is not it!) And I was surprised at the sound …
SCV Electronics Model 209 Dual Parametric Room Equalizer - " handy"
translatedhighpass lowpass mono / stereo knobs for parameters, sliders for volumes 19 "rack analog XLR UTILIZATION very easy to know who use the equalizer no manual but no need you turn th…
Shure Beta 58A - " Very good"
translatedMicro Dynamics OVERALL OPINION Used for a few months. Much more clearly than the sm58, great presence, sort of a mix very easily. Very insensitive to feedback. Excellent choice
SPL GoldMike - " Great product"
translatedThe lamps are their taff. Flair button brings some clarity (say treble frequencies) but it's not obvious. 48v a knob, a phase reverse for each channel is significant. THE compression is the compressi…
Inkel MX-991 - vital11's review
translatedA very 70's style, imposing a size larger than a can Technics SL-1210. 4-track stereo RCA / jack 6.35 and 6.35 4 mono track Effects section dedicated to Delay (delay has very good old really inte…
Tascam M-3500 - " old Tascam"
translatednon rackable XLR and TRS connectors on 32 chanel inline 8 bus, 6 to 4 to return parametric eq semi switchable tape return on chanel for the eq etc to the mix B between mic, line between, ta…