All user reviews for the Prodipe DM8

I'm not going back on CHARACTERISTICS, the kit is extremely complete.

I would add just that:

Capacitor microphones work only with a phantom power supply with batteries and not just as seen in other micro kit.

We regret the absence of clamps to secure the micro toms and CC info here for trade prices: 30 / clips if you like the Shure and 12 / clamp for stagg (which are the true Camelott)

OVERALL OPINION

I use it for a month, I must say that these are micro trs good overall.

I recorded with a good DJ Shure kit and is well worth rsultats.

report quality price is crying ... if only some manufacturer took the seed of music was no longer a gulf dough.

With the exprience? Of course I do it again this election!

Prodipe DM8 Claude Salmiéri

OVERALL OPINION

"I use this mic briefcase for 6 months and I was more than satisfied with the quality microphones.
-What I like most with these microphones is that the dynamic (toms and snare) have almost all the qualities of an SM57, and static but as though I have not tried other marks, I can not make comparisons.
-What I like least is the bass drum mic that tends to too much bass and does not return very well the sound of it but it's still okay anyway, because I bought a Beta 52 and there's no picture!
In any case, the value for money is very good, I highly recommend for people wanting to register or add sound with PEIT budget while having his very own.
-I would do it again because this choice is still much cheaper than buying directly from the high-end or you will easily reach the threshold of Euro 2000, knowing that later you can replace each individual micro making you fun in the high-end!

Kit drum microphones, eight microphones: 3 overhead, three tom mics, 1 bass drum mic, a snare mic.
Pretty box.

OVERALL OPINION

I made a recording, I do not know o they saw it as well as other Schoeps microphones rputs (I compared with another kit consists of microphones as brand AKG D112, Shure SM57, Audio Technica ATM, ... well the comparison shows that Prodipe has a gr .. of .. the gu).
Bass drum: cardboard
Snare: no potato
Overhead: aggressive
Tom: the carton
In short, nothing terrible. 299 euros for a, much to the trash.
Save money, buy the "real" microphone, at least in the long AA DIRECTION.
But do not buy this kit gnial thinking it is because a is not.

little follow up, the battery that uses t for registration with the kit prodipe RULES perfectly silent, and the drummer comes from the cycle of professional conservatory, so if the sound is rotten, just a good kit ...</ b>

- What kind of microphone? (Song, sound, mixed ..)

Drums and percussion

- What technology? (Electret, condenser ...)

dynamic and static 3
For the price it was a briefcase, and eight microphones, including 3 static, which really is not bad!

OVERALL OPINION

- How long have you use it?

I've had three months now, I sound manager of a concert hall and I beeps in every night with this kit.

I record groups galements

- What is the particular feature you like best and least?

+: Price, number of micro, the quality gnrale

-: No clip mics for toms and snare
- Have you tried many other models before acqurir?

Working in the show, I tested a lot of hardware, and I must say that this set me scotch. At each concert some people are tank, but in the end they are received by the sound concquis.

- How do you report qualitprix?

Exeptional! 8 microphones for 300 euros!

- With the exprience, you do again this choice? ...

Completely, I buy even two can be, moreover prodipe will increase the price as it starts selling it more!

Short tour of the microphones:

Bass drum: trs nergique I find, I love the grain
Snare: trs faithful to the original sound without the aggressive cot
Toms: trs microphone close to a 57 sm, for voice are not bad
Static huge! DEFINITIONS many, a broad spectrum trs.
The pickups are mtal and seem resistant trs.

It is a good investment, the concert hall o I will work to buy one before it increases. The picky stuck on brands with prices rputes standard but sound and APRS have recorded with many groups, I wonder if it's useful to have microphones berserk if it is to have a bad mix in the end!

This is the guy behind the console that makes the sound, the rest is dtail.

T any good Describes adj ...

OVERALL OPINION

I use them for a year, to save battery, and I use the overheads as room mics to record in Stereo rptitions.
I have not tried before in other models.
J'apprcie much the fact that there are eight microphones, and the briefcase included!
I think good mics trs toms, even on a big tom agreement trs serious. Everything goes great, the tone is very well respected. Ditto for that of the snare, making Fidler my snare drum.
For the bass drum, I can have something pretty good, with a kick drum absolutely rotten, it must be said, but with good placement, tuning the best possible (a lot of time pass this tuning ), and a little serious back the legalization, I get an honest its pretty good.
I close with overheads, vritable helping heart! They are for trs, trs make a good momentum, and a broad spectrum trs. I have utiliss for guitar amplifiers for the flte to the atmosphere, I'm just bluffing.
In short, I am more than satisfied with this kit, the report qualitpris is simply excellent, my only regret is the lack of clips of the microphones fts. In fact, buy four claws not too bad is almost half the price of the kit!
I do it again this choice without hsiter.

Describes the content t adj.
Whereas I am content as good and complete for this award as outstanding.

OVERALL OPINION

I possde these mics for over two years.

I performed twice with the battery set. THE FIRST, a drummer mtal: micro GC has done its job perfectly, especially with double-pedals. A single micro DC (ct strikes), and had all of the body. Toms make less but still well Defines. Overheads s'avrent effective (no problem to render the hi-hat: /) and cash fine. The second decision using a different set of micro, but an overhead DM8 seized the two low toms: ing the sound has done a good job and made silent by trs good mix.

Finally, I have personally used the microphones toms in home studio to capture bongos (TOCA Traditional): the warmth and clarity are not empty, but there again, the sound is clean and especially deep.

In short, as an amateur, and in contexts of home studio and small studios o catches remained low sounds are working, the DM8 C. Salmieri are all made honorable. The sound is quality, distinguishing himself especially in the bass and mdiums; all is versatile. The pickups are strong and the briefcase being protected completely!

RAS

OVERALL OPINION

I bought this kit was released, I waited a long time before DPOS notice, because I wanted to try other micro and be sure it is not my battery that sounds bad.

Have you tried many other models before acqurir?
Before: no no.
APRS: I work with clubs so Beta52A benefits, beta91, AKG D112, SM57, beta98, E904, Oktava mk012, AKG C1000.

What is the particular feature you like best and least?

The best: the microphones oh not sound too bad: compared with overhead AT4040, is doing a not so bad. Work placement.

The least: The bass drum: it is pure crap, I insist. In rock, reggae, dub, electro, funk, metal etc, we seek a sound with the bass to vibrate the abdomen, and acute attack. For cons, the board of 250 500 Hz do not like it, but then at all. And micro is full of these frequencies. For me this is a peak frquences, which make it unusable, and then twisting the eq. A shit

Always the least: The Snare: Micro with a bump 250 Hz, can be INTERESTED, but in my case, where my skin typing is severe enough, it's pretty horrible. So I cut up to 200Hz. For the rest of the spectrum is not too bad.

Even the least: The tom: On a floor tom c'es really rotten! Unusable, except trigger.
Tom on acute cons is really not that bad. I do not trig same tom acute.

How do you report qualitprix?

Not good for the made in china with 3 microphones on a battery unusable classic rock.

Exprience with, you will do again this choice?

No, I strongly dcommande purchase. Ok I compared the big names, but the need arrter, these microphones mritent not support mdiatique and everything. It's low-end Chinese POINT! Never ssay kits T-bone, but at least I never had bad surprises with T-bone, so see!

I can send extracts, compared a beta 52 on kick and snare on a sm57. sent me a message.

5 dynamic, 3 electrets

OVERALL OPINION

I bought this kit about 6 months ago dmos to record with my band.
the case is robust, the microphones also. A micro lectret no longer works well, it puts crpitements (I put it too close to the hi-hat). for 300 you have 8 microphones, it was clear that will not sound like neumann, but working a little to the mix, there are ways to get something.

bass drum microphone is clearly wrong, a very steep slope above 100Hz, 150Hz trsdrangeante a bump. I ran to the microphone beginners to the place o hits the bat, I had that kick, not a qt low, now I bow down to 30, I r cupra a little more, I will not deny that you have good intrt Plug'ins a waves renaissance bass or equivalent may s'avrer essential.

my snare does not sound very well, so I have a little trouble to make it sound mix, but I have the same problem with my sm57. there is very little diffrence between the snare drum microphone kit and an sm57, a person generally the same (at least for the snare)

other microphones Plutt sound good, the toms have a round, well overheads transcribes the cymbals but lacks a bit of potato.

for 300 you have 8 microphones that do their work, neither more nor less, do not bother to compare high-end mics, it would be ridiculous. is very good for beginners in the audio recording.
if you want to listen to what gives, you can go to the top: WWW.myspace.com / xcluedead I recorded the drums with this kit.

Originally written by tomtom67 on Audiofanzine FR.

5 dynamic mics, 3 electret mics

OVERALL OPINION

I bought this set six 6 months ago to record demo tapes with my band.
The carry case and mics are sturdy. One of the electret mics doesn't work properly anymore: it produces noise (perhaps I placed it too close to the hi-hat). Considering the price of this set of eight mics, I knew they wouldn't sound like Neumann mics. But they provide a decent result you can enhance during the mix.

The bass drum mic sounds really bad, it has a cut below 100 Hz and an unpleasant boost at 150 Hz. In the beginning, I directed the mic to the beater but the sound had no resonance, it captured only the attack. Now, I tilt it down at 30° and I get a bit more lows. However, you'll absolutely need good plug-ins (like Waves Renaissance Bass) to enhance the recording.

The sound of my snare is also not very good but the problem comes from the instrument, not from the mic (I have the same problem with a SM57). In fact, I notice almost no difference between an SM57 and the set mic on my snare.

The other mics sound pretty good: the toms sound round, the overheads faithfully capture the sound of my cymbals, even though they lack some punch.

For a nice price, you get eight mics that do their job quite well. Don't compare them with high-grade mics, it doesn't make sense! They are a very good solution for beginners.
If you want to listen to them on my drum kit, follow this link: WWW.myspace.com/xcluedead.