All user reviews for the Laney VC15-110

Amp 15w lamps

USE

Config. Very simple, the manual is good for the back: p it makes us easily pleased this gem, whatever style you play

SONORITS

So I play everything from Mark Knopfler (Dire Straits) Metallica (masi less), and I must say that the clean is exceptional. A distortion die for, believe me spit a good no worries Prcis and clear. I mainly a US Strat, Les Paul Custom with Seymour Duncan, Aria Pro II Custom Shop ... Whatever makes the guitar great. But I must say that even when this amp has a predominance for ballads requiring a clean sound and especially the blues. In addition, a long time now I seek an amp for home and lamp, well I found: D And that can not tell me it's too strong, it is the id al believe me. Preque longer needs my Vox Tonelab SE

Amend. of 15/08/06: To play metal, even when you will need to add a pedal (try the Master Digitech metal, the wedding with the amp is fine)

NOTICE GLOBAL

I reu today, but I'm sr my opinion, has been several times that I use and it is perfect, very versatile amp in my opinion but everyone adpend .dropoff window Qualitprix irreproachable, must fall into the right store: P And finally I would do this choice without problem but for now with a I have enough

All-tube amp (3x 12AX7 preamp and 2 x EL84 power), 15W. 2 channels. Reverb.

Pedal footswitch to activate the overdrive and reverb channel.
Input for external speaker as well as an effects loop.

EQ (Bass / Midle / trebble) and que'un additional knob Tone playing as a tone knob on a guitar

HP by Jensen sending!

Bright Switch which boosts the treble.

UTILIZATION

No manual, you quickly get a good sound thanks to the equalizer and a Bright switch for extra play on the treble.

Configuration very simple and fairly easy to access, it is a good full amp.

Perhaps the absence of stand-by we regret to start pre-heating lamps, but it is only a very slight detail just to watch and wait before attacking!

SOUNDS

Well suited for almost everything from classical to rather large hard rock rock to the course by blues-rock, the real area of ​​this amp in my opinion, maybe a little less for the metal (although ... ) but with a distortion pedal you get there! This is a rather typical vintage amp 'blues-rock' must still recognize it.

There are good sounds at all levels, be it cleans (although sometimes it crunch quickly before the halfway point of the volume on some clean guitar with powerful enough duplicates, but who can complain ??) to saturated that are really great for any rock / hard rock / blues rock!

Amp of great versatility once again.
Epiphone Les Paul played with a 96 as well as various other guitars (Cort G254, Southwestern Fender Strat, Ibanez ...)

OVERALL OPINION

I use it for almost two years, and I am not at all disappointed with my purchase, it's a great little tube amp, perfect to get acquainted with all its lamps with 15W which still send the severely steak.
For a quality / price ratio outright, it's just a great amp!

ALL LAMP 15 WATTS 2 CHANNEL LIGHT AND OVERDRIVE. + reverb effects loop.

UTILIZATION

VERY OFTEN AS SET ULTRA SIMPLE, plug it up the sound is adjusted slightly so very simple, and it sounds ...

Ideal for playing at home and in AS group. As part of a group that plays hard, maybe if you can, connect to a good external speaker, which automatically disconnects the hp.

SOUNDS

Ultra versatile amp except the extreme (pedal provide the trash, but it is not the target of this amp, although it is possible, no doubt ...)
Clear sound to fall, which looks very much like the Fender Princeton Reverb reissue gorgeous (as I have elsewhere), a bit thinner in the notes that the princeton (which still costs three times). They also share the same hp Excellent 10 inch jensen alnico.
We play some really clear on that channel all styles (blues, jazz, rock, country, ballad, funk, ... reaggae short while, given the quality of the light.

For comparison, I have a mesa Boogie Mark IV, a Peavey Classic 50, a fender field xp, a Fender Princeton, and well made by Princeton, he sounds better in natural light through its dynamic and that all small world, where the tariff for some has no common measure ...
He really respects the sound of each guitar. It is rare that amp will sound each instrument (Les Paul, Strat, tele, sg, half box etc. ..) with the same quality and also respectful way.

Saturation is as beautiful, it allows the game to the volume on the guitar to spend a beautiful rich and full saturation of harmonic crystal clear sound, through the wonderful crunch, really terrible ...
When I look back on the Mark IV (in my studio), I'm pretty confused at the beginning as the sound of the mesa seems to me more natural and less inflated on the mids (great amp anyway ....). Well we get on the mesa saturations much thicker and typed seen the power, but the Laney is .... natural for my taste. Attention saturation level to its max will not gigantic. For the big gain, will boost some desirable (but not necessarily necessary ...)

With this amp, the guitar makes sound, it will follow you wherever you go. This is not always the case with other gear will require guitarist adapts to the amp, then this is the amp that adapts to scratch.

The reverb sounds great, really well thought out amp.
I have not yet tested the effects loop "by pass" which is adjustable on 2 bd position 0, + 10 db.

OVERALL OPINION

I have this amp for 1 month, suddenly, I am selling my MESA MARK IV ... and the small fender Champ xp .... true, especially since I do not need much power.
My revelation ... it allows me to sound like every guitarist I try to imitate just touched without torture with tons of settings.
Oh I forgot, it is really affordable price level. Top value for money good finish. I would not be surprised to learn that many pros use in the studio or on stage (with fallback to front).

No, I do not work at Laney, I did not even know these amps a month ago.
I tested it in a shop in Paris on the advice of a friend, I went direct with ...
Deserves to be tried.

With this amp, plug, play, and we are pleased to make it sound good guitars.

Yes, I would do this choice ...

Good zic all.

What kind of amplification (lamp, transistor, ...)?
All lamp ... very good sound, very dynamic ...
15w easy to use in her room .. a loop of effect

UTILIZATION

I use it at home, but also in concert with recovery and recurrence in front of a SM57 ...

SOUNDS

This is not a Marshall, but the sound is very British style rather Vox, but I'd rather Laney Very Blues, Rock Very ... but with some good pedals he can do anything ...

OVERALL OPINION

SUper small amp, which can do a lot of things ... very good dynamic ... We could believe that the cabinet 10 is too small but ok, the sound is there ... can be well on him .. Connect an external cabinet I recommend for those who want to play in their room, but also considering playing in a band ...

1) The VC 15110 is:
- An amp all-tube Class A / B, equipped 3x12AX7 preamp and power 2xEL84
- 2 channels (bright and saturated)
- A power of 15W to 14kilos! Which IMHO is more than enough to rehearse and play concerts in bars. If you consider the greatest scenes, it will be essential to the transplant and / or hook up an external firm for better projection.
- 1 HP 10-inch Jensen.
2) For connectors, from left to right:
- 2 inputs: HIGH who brings more gain and LOW (softer sound)
- 1 volume knob for the clean channel
- 1 BRIGHT switch that works on top mediums
- 1 DRIVE button to manage the channel gain saturated and a volume knob.
- The switch to switch from one channel to the other
- A 3-band EQ (bass, middle, treble) common to both channels
- A reverb
- A TONE button is a button on the presence of other brands.
3) Back:
- Effect loop
- An output for an external firm
- Footswitch input (not supplied)
As you can see, it has everything a great! Ideal to play at home because it is very civilized amp. Even at low volume the sound is good. The only downside in my opinion, the size of HP. At high volume there is a slight loss of bass.

UTILIZATION

The manual has some settings that allow you to familiarize with the beast. The best is still to connect and search ... a bit! The grip is very simple. I would say natural.

SOUNDS

At her, everything will depend on what you are going to connect it.
Laney amps are famous for their clear sound, somewhere between Fender (too garish for my taste) and Vox (too colorful). Attention, it is not neutral as far as the Peavey Classic 30.
1) Clear Sound
They are round, creamy, full and warm. Whether with single coils or humbuckers, the amp responds to all the game variations of the right hand. With the volume to 4 simply attack a little more frankly the ropes to feel that little natural distortion.
Depending on the guitar you have browsed between Dire Straits and Geoges Benson. This still leaves a wide range of styles to express themselves.
2) Sound saturated
It has only the name! Fans of psycho-trash-core, go your way! This amp is deliberately aimed vintage. No big distortion taking off wallpaper. Let's talk about big crunch blues-rock genre 70s. Here, the VC 15 is at home.
3) The effects
Note that cash well the pedals of all kinds, and most importantly, it restores the sound! Above I tested a Fulltone OCD, Mi Audio Tubezone, Benrod RedFuzz and Screamer Classic, Clean Boost, plus all modulations (chorus, flange, phaser, wah, Univibe, delay). Well, everything goes! For some it takes time to find the right settings.
This amp deserves pedals if you want good quality look good.

OVERALL OPINION

I hesitated with the Fender Blues Junior. What a disappointment! Cold, no personality, no adjustments compared to VC 15 for a price much higher.
I bought my VC 15 247 in England at the time DV or pound sterling was low. I paid € 260 with the FDP! Unbeatable!
The +:
- Very good quality / price ratio
- Ample power (15W) for a ridiculous weight (14 kgs)
- Low profile
- Very well equipped
- Sound! Clear that both saturated
The -:
- The size of HP, 10 "I remember.
In the end, this is a very good tube amp that can do many things. I remake that choice without hesitation if Mr. Laney decided to include an HP 12 "... but then I quibble.
Ideal companion for the home game, the répétitons and small scenes.
I regretted it soon after sold! I also stayed at Laney TT20 with a head. But this is another story. To be continued ...

15W all-tube combo class A, with two separate channels, two jack inputs (Hi and Low) effects loop, footswitch location for ...
The equalization is common to both channels. There is a general tone, reverb and a small switch "bright", which, as its name suggests, adds brightness to the sound.

In short, nothing extraordinary, but it's perfectly effective, especially as to have that kind of power with two separate channels can play at home at home, and possibly repeated '.

UTILIZATION

Use side, it's easy, I'm not even sure there is a manual that comes with, as it is useless.

I am not a beast on the EQ settings (this is my first tube amp), so a little trouble at first, but nothing to do with the quality of the amp.

SOUNDS

First of all, forget the Metal, the receiver does not lend itself, and pushed to the max drive is not enough to satisfy fans of the genre. For others, the books are very affordable wide: from Jazz to Hard Rock, as long as the guitar to follow.
For my part, I played with a Fender Stratocaster US, and it is a joy.

The sounds are beautiful cleans. By adjusting the settings and selected according to the microphones on the guitar, is easily obtained with beautiful round and full sound, which can make it trouble-free for biting a pretty slamming country. The set is crystalline and very musical personality of the guitar perfectly clear, and even seems magnified.

On boosted channel, with a slight crunch, we can get to the Dire Straits sound, easy and soft to the blues a little muscled registry where the amp excels. Once the drive cranked, it can attack riffs and power chords to AC / DC. The solos sound great with a nice sustain and inimitable heat lamps. The effects of play and nuances are fully respected, in short, it sounds.

Only downside: the reverb. Even pushing a bottom, it is extremely discreet, if not almost non-existent (though I suspect my model to have the trouble on this side, since the reverb in question seemed more prevalent at certain times without setting have moved ...). Note also that with a bad EQ, channel saturation can quickly sound a bit "showy", but this is easily corrected.

In any case, it does not detract from the pleasure, but I admit that a year and a half after the purchase, I wanted to add a delay (I opted for a Boss DD-3), for a its a bit less "dry".
And there is a real treat. The sound is there, whether it be a long delay to the play Gilmour, or shorter to enhance the beauty of clean.

For fans of heavy rock, adding a distortion pedal might be a relevant choice, but the sound of the amp itself is already very satisfactory.

OVERALL OPINION

I have about two years, and I do not regret the purchase. The very high saturations are to forget, but otherwise, this amp can do just about everything, well!

The price / quality ratio seems pretty unbeatable (it is also not very expensive for an all-tube 15W), and finishing "old white English" is, as a bonus, magnificent.

it is a class A amp 15W all-tube equalizer including a (low medium high) with two separate channels in clear channel as in a fender "boost medium" that clear and rounded sound that gain setting for saturate the channel.
standart an effects loop that does that by the power tubes and a footswitch output and an output for a firm to serve as no t ^ te amp
Settings the simple and the sound is immediately without fuss
The HP 10-inch is square in line for the desired sound that reduces the weight of this amp that reaches 14 kg (very convenient for resonance and troubadour).

UTILIZATION

RAS of pure happiness for all is simple to know can scratch his microphones therefore more or less acute low medium etc. .......
It sounds serious and all its registry crunch affordable, clear, saturated and especially powerful and precise denatured only scratched can no matter the brand with the chance to have the public good micro falls and I think the musician feels to wear and found the desire to give again and again

SOUNDS

great style are subjec to be addressed in the metal at the same tzemps is not intended that a
lack of color in jazz a little but I think frankly is just a lot of these colleagues and offers an exquisite, velvety sound with a warm round mostrueux
I'd promised a small video

OVERALL OPINION

Overall opinion: Every amp should have these characteristics when you consider that this series is no longer limited to make room for the manufacture standart model that already is good but this one was done with 150 to 350 copies for the kingdom united country of manufacture and 200 for the rest of the world.
Frankly if you find it go for preso I keep a life it is too little too good pretty handy and coupled with a boost Gary Moore (rest his soul) the note is held for 2 minutes casi easier sincerely sustain is I test
Otherwise it is a wonder Laney was not in my criteria to buy when I put in my style but it meets all my criteria and that's what good
Notice to seek the amateur !!!!!!!
A more
Musically
Magix Fingers

Amp 15W lamps (not ask me why, I know).
View previous ones for CF connectivity (rponse convenient when you too lazy to look)
Enough said.

UTILIZATION

Given the number of knobs There's something to tamper with without getting lost, however. A good point above the (AIM amps I've ever style dashboard Boeing). I like simple and functional. Specially mention the bright switch that meets its efficacemet rle.

With easy you get a good sound, is a sr. Y'en to thirty-six thousand, but what makes this amp, it does it well. But we will return later on.

The manual? What manual? I have not had but I did with. And did not empch snoring, I assure you.

SOUNDS

So the we enter the heart of the matter.
I play this amp with my shovel prfre (as easy as the one in my possession), a Gibson SG Faded (the one with the moons on the key).

What kind of sound you get and with what rglages ("crystalline")?

MUHAHAHAHAAAAAAAA, ahem, sorry ....... I view the guitar, you revert to the crystalline sounds my coconut. Here, the sounds are trs axs rock and blues. Although the hard sounds (like AC / DC and the first Maiden) are available. For the supercharged mtal vein SOAD and others, you forget, so you have an o pedals derrire.
With this amp, there are crazy crunch and clean sounds superb. Curiously, however, I feel like the bass to stand in a spin when pushed. Should I change my amp or am I right? Or as I put the triangle?

No, honest, not fault this amp. Loving the punk-rock in the vein of Therapy? I am also happy when I play trs in this crneau.

Moreover, even from a height of 15W, it dmnage what combo! Will I try to connect a speaker derrire him, just to see what gives a ...

I am a user trs happy with his acquisition. This is not a monster bte versatility, but for the price, I think it is diffcile, if not impossible, to have better.

OVERALL OPINION

I have been ending for six months.

I love all the sounds it offers, from clean to crunch fluffy as surly.

I had previously on the Marsh jou ... transistors (Yeah) and the Pea ... always transistors (much more convincing, but since sold) before I get into the gear lights. And I do not regret my choice. Living apart 'I could not afford a high-powered amp (that would be LH), so does the choice quickly. CATEGORY in the "small combo lamps not too expensive" are not the REFERENCE lgion.

Rapprt prices impeccable quality ', I pay 450 euros saw nothing wrong benefits offered.

With exprience, I will not repeat that choice. Hol hol I see at the bottom telling me "wait, you singing the praises of this combo finally has to say?". The thing is that if I Rasht a receiver forgiveness, when I Rasht-one will be in another brand or another so REFERENCE brand to get more saturated sounds consistent, more couillus (yes, I like mtal too).

A great amp!

15W lamp
Schema very classic lamps 12A7 and EL84
Output for 8 Ohm extension cabinet no headphones or Aux
Can connect a loop effect

UTILIZATION

Easy to use. BUT down after 3 weeks ... Transformer of power I think. Replaced as warranty.
No need to push for the sound of sth nice, so puissanece exploitable even in an apartment, your neighbors are nice
Reverb somewhat artificial

SOUNDS

Its not aggressive, punchy serious but not down a lot, acute rather hot.
Overall, a very balanced and musical say, much less type of HP Celestion, I prefer.

OVERALL OPINION

Good sound, nice and dynamifque
But unreliable, especially not if you buy the n're not sure of the SAV ...

Small tube amp of 15 watts (more than enough for a room or even to play in a small room).

Classic Connection, with effects loop. 2 guitar input jack or Hi Lo for single coil or humbucker. An output amplifier. Pedal Jack (not enclosed).

Effects: reverb slight but not too bad, do not expect to effect a cathedral)

UTILIZATION

The configuration could not be simpler. One branch, turn the knobs and it works!

This gives a good sound without doing anything after, we must see if you want a clean sound or a crunchy sound.

A good point, we can push the drive being low volume, ideal for playing in a small room in an apartment and still get the crunchy lamps.

Some settings have little audible effect, it will really push them back or high volume to hear a subtlety. It gives all the same opportunities by adjusting the EQ or tone.

The manual is clear but given the simplicity, it is useless.

SOUNDS

The amp suits my style of music (rock / grunge), but since I also like the hard or metal, and this amp has no distortion, it is imperative to add a type overdrive pedal to play in this style. With a pedal Dunlop Zakk Wylde on the clean channel I have a sound of hell!

I play with a Les Paul, an ESP with EMG or a Guild acoustic. I think with a Telecaster, this amp must be very nice, very sharp and very crunchy, then try

The clean channel is superb, totally pure, it is simple I have never heard a clear sound with my Les Paul as pure. Great! Ideal for pop or rock such effects.
on the other hand, it's not a Fender type clean sound is more neutral and flat.

The drive channel is not really saturated, say it is crunchy, the drive up to give you a well crunchy style of modern Brit groups. on the other hand, you will never have a distortion in the Marshall and even less in Mesa.

With an overdrive pedal from Boss SD1 type or MXR ZW is superb! The sound I was looking for.

I mostly use the amp with the drive or driven a lot on because I play almost never clear sound without adding a chorus with the Les Paul, I find it too "perfect" is good for the pop but not what I play. on the other hand, with audio, the clean channel is nickel.
EDIT: I have since tried it with my ESP and EMG and it sounds good to drive, it's not good plain with 81 but 85 sounds not too bad with my Boss chorus. To use this amp in its clear, you really have a guitar that has a grain and a guitar especially not too "metal" or else go through a distortion pedal or chorus.

OVERALL OPINION

I use it for several months.

I finish, you feel that it is the quality level of knobs that do not spit, or solid casing closed. It changes the low-end Marshall!

In fact the first time I plugged my Les Paul on the Laney, I did not believe, no buzz, no spitting knob. I never heard my guitar with such quality. At one time I even think that the buzz came from my Les Paul but in fact it came from Marshall!

I tried other Marshall amps mainly, Vox and Line 6. I hesitated a lot with a modeling amp but in the end, I preferred the sound of tubes especially since I already had Guitar Rig 2 to model and already a lot of pedals.

Also, given the size of my room and playing in the apartment, I could not take a 30 W or worse among some manufacturers that do not offer small amps. Otherwise I would probably have made another choice (big Marshall for distortion and Fender clean sound with good).

The value for money (if you buy the amp new at about 300 euros) is unbeatable. I saw nothing in tubes of this quality at this price. Not talking about the low-end Marshall or other brands, with transistors often (unfortunately) not so good finishes there, with the Laney was a quality amp that is versatile enough (it's not typed Fender or Marshall ).

In short, with the experience, I referrer this choice without hesitation. Ok, so that a distortion in the Marshall and his dirtiest I miss a little but with the addition of my overdrive pedal ZW or SD1, the concern does not really arise. And the crunch sound of the amp I like good, ideal for playing alternative rock. It goes very well with all my effects.

Laney VC15-110 All Tube
15 watts
2 channels

UTILIZATION

Archi simple, we get a sound 12sec10
The manual itself is interesting because it gives four configurations of sounds for a fast approach.

SOUNDS

Making the blues, rock, jazz rock, it is my style perfectly.
In addition I have: an Epiphone Les Paul Standard Plus "gibsonise" (PAF Gibson US)
Start a US seventies absolutely original
Musicmaster of 1963! absolutely original
and I confess that this little amp, not mine paying the 3 ring beautifully, the texture is very well micro refund (a serious twang)
Admittedly, it's an amp really suited my style, if you are fan of big sound heavy or metallic, I think you have to go his way.
The clean channel is a marvel, and the drive channel sounds trs fort with a crunch breathtaking.

OVERALL OPINION

I use it for 10 days non-stop (almost 10h/jour). What is significant is that it is small, we can be the walk anywhere without understanding the transport galre tiring.
Before buying it, even when I tried a lot of all-tube amps ranging in price from 400 in 1400. I must say that in the end of the range I had not the means to ensure, but there's no harm s'faire well (as would say pp), gives a worse when m ide me an order: that this rate band there really a time you pay the brand for a sound result 'equivalent'!
I do it again without any hsitations this choice because it is a really great amp.

Well, this is a 15 watt all-tube.
-3x 12AX7 and 2x for prampli EL84 power for the Tagus.
-2 Between Hi and Lo to the level of output of your scratch.
-2 Channels: Clean and Drive.
3-band EQ common + a + Tone SETTING THE reverb.
Hp-10 "Custom Driver Jensen
-Hp 8-16 ohm output, effects loop, making footswich FS2.

The box offers a compact design for a good impression of solidity.
The rear is being protected by a grid Vitantis CHAC intepestif lamps.
The bte weighs only 14kg, as it features a single 10-hp "... Ok, it's not standard but it is a Jensen!

UTILIZATION

Tres simple! The manual is superfluous!
Specifically, the operating range of the knobs is efficiency.
It's a tube amp ... the sound is!
Rgler the rest to your liking!

SOUNDS

Bin, with a Fender Jaguar Japan, it really gets a standard palette of sound.
Crystal clear light of a little distortion through dirty jugs gnreux.
The funk? No fear! Good attack and rich mdium.
Pop rock? You bet! As a letter in the mail.
Metal? Uh ... OK, but adding a PDAL.

Epiphone SG with a lot of versatility is pert ...
The distortion is a little more muscle and gaining DEFINITIONS.
By pushing the amp into a corner, we get a good sound typical AC / DC.
With a crunch gnreux all s'avre formidable blues.

OVERALL OPINION

I use it for a month and I do not spend more!
The transistors seem bland now ...

I tried a Vox ac-15 and a Fender Blues Junior before I DCID for Laney.
The first 2 both typs too. (Fender fender make a hand ...)

100-200 for less than its competitor, this amp is worth its weight cacahute!
Submit an all-tube amp, "made in England", is under 500 ... I say bravo!

And if the volume you miss it fits easily in a 4x12 or firms in the same extension SERIES available in 1x12 or 2x10 for 200.

I do it again this election about 853 227 times!
After I return can be see ... concurence

15 Watts lamps good

UTILIZATION

Extremely simple to use. Trs wide range of sounds

SOUNDS

The one enters the heart of the matter.
This is not a fate to amp distortion sound big.
The clean is superb, without the pure crystalline ct (a little cold) of the fenders. It's a bit diffrent, with a clean life ... Difficult to explain. Trs a beautiful stamp.
If you put the drive channel, we arrive, measure a lightweight rpond crunch that although the attack on each note, great for blues or jazz. It sounds around.
I forgot to add that the sound is Grable same apartment. I can grow up to 5, 6 or 7 on the volume, and it Grable.
APRS, if more power is a transplanted with an SM57 in a console, it's easy, cheap and roll my chicken ...

OVERALL OPINION

I use it for 1 month.
Small, compact, lightweight, well finished and pretty to boot.
Connectivity complte.
I put 9 because a 12-HP 't have a rve.
Try an amp.

Every lamp, 15 watts nominal. Connectivity standard, no line out.
Three-band EQ
Spring Reverb

UTILIZATION

There is no configuration: you turn the knobs, it works, that's all.

Accuracy: before I decide, I tested two extremes:

> Orange Tiny Terror head: beautiful grain, but a bit limited for me with a single channel
> The Fender Super Champ XD (lamp + modeling preamp) gas plant!

In short, the VC15 is the right balance ...

SOUNDS

Everything has been said, but I can confirm that ... and simple words: it is an amp that sounds right away, no need to spend three hours to resolve the "voicings" (Fender Super Champ) or shoot buttons to boost frequencies.

Its clear beautiful, my Les Paul sounds Custopm of 78 as I rarely heard - ever in this price range. Clear crystal with a nice presence but "blues" in the lower medium ... it's hot and precise at the same time.

Drive sound: again everything has been said, it's not for the steelworkers, but for others it's a real pleasure. Blues - garage rock to hard wood, which sends it sounds and especially music that remains regardless of the frequency range ...

A word about the EQ: a first listen, it seems a bit "limited" but use (10 intensive days), it is highly musical.

The amp was recommended to me by the tube amp to Pigalle - special mention: the guys are very cool and even pushed me to go to test other they had no other before deciding !.

It is perfect for my style, rather wide: from pop ballads to hard rock 70's typed, say, between the White Stripes and Pink Floyd

OVERALL OPINION

Before you buy, so I tested:

- Orange Tiny Terror: beautiful sound, huge potato (5 watts but above 4 on the knob you are deaf), but more expensive (to buy the speakers and more) and still limited settings ... no eq, a single channel. But it is an honest amp head.

- Fender Super Champ XD: not my cup of tea. Too many settings, effects a little cheap - I have a TC Electronics, no need for the Fender tremolo - and above all the different voicings of the modeling are unmanageable: the different levels and presence that make it to me unusable live.

Value for money very hard to beat in my opinion. For me it's like the Joe Meek preamps in the studio: English, pure sound, affordable, no frills.

A purchase that I would do it eyes closed! 9 out of 10 because perfection is not of this world