Where to buy 2104 JMP Master Volume Lead (1976-1981)?
Less
There are no classified ads for this product.
Tech. sheet
- Manufacturer: Marshall
- Model: 2104 JMP Master Volume Lead (1976-1981)
- Series: JMP
- Category: Tube Combo Guitar Amps
- Other names:2104 jmp master volume lead 1976 1981, 2104 jmp mastervolumelead 1976 1981, 2104jmpmastervolumelead19761981, 2104 jmpmastervolumelead19761981, 2104 jmp master volume lead1976 1981, 2104jmp master volume lead 1976 1981
We have no technical specifications for this product
but your help will be much welcomed
»
Videos
User reviews
5.0/5(1 reviews)
5
100 %
4
3
2
1
Published on 01/31/09 at 07:36 (This content has been automatically translated from French)
Lamps 50W combo amp dlivrant very muscles ...
2 EL 34 and 3 12AX7
Mine dates from 1978, the receiver is rustic, front: 1 between a high + low, then the knobs of qualisation, Pramper and master.
At the rear, to add between two cabs and a slecteur (good practice) Impedance who can choose between 4.8 and 16ohms
T appear to have components built to last.
UTILIZATION
I do not m'tendrai on manual ...
The clean sound is never really clear, the crunch is sumptuous, and the gain does not produce a background saturated fat but a big crunch MUSCL type ACDC.
The treble can be a bit low volume presents but this effect fades away in a little amount of the master, a modification that...…
2 EL 34 and 3 12AX7
Mine dates from 1978, the receiver is rustic, front: 1 between a high + low, then the knobs of qualisation, Pramper and master.
At the rear, to add between two cabs and a slecteur (good practice) Impedance who can choose between 4.8 and 16ohms
T appear to have components built to last.
UTILIZATION
I do not m'tendrai on manual ...
The clean sound is never really clear, the crunch is sumptuous, and the gain does not produce a background saturated fat but a big crunch MUSCL type ACDC.
The treble can be a bit low volume presents but this effect fades away in a little amount of the master, a modification that...…
Read more
Lamps 50W combo amp dlivrant very muscles ...
2 EL 34 and 3 12AX7
Mine dates from 1978, the receiver is rustic, front: 1 between a high + low, then the knobs of qualisation, Pramper and master.
At the rear, to add between two cabs and a slecteur (good practice) Impedance who can choose between 4.8 and 16ohms
T appear to have components built to last.
UTILIZATION
I do not m'tendrai on manual ...
The clean sound is never really clear, the crunch is sumptuous, and the gain does not produce a background saturated fat but a big crunch MUSCL type ACDC.
The treble can be a bit low volume presents but this effect fades away in a little amount of the master, a modification that turn a capacitor (brightcap) exists but I can not find it necessary to my amp.
The volume is very high, the 50 W are (too?) Hear a attnuateur would be welcome to enjoy the lights of this toy.
Equalizer is slightly better than the new Marshall without being either a model that has the knobs are not very specific on and we need to correct EXAGRES frequencies.
Finally it is a single channel, so you get no sound 10000, must love the grain on pain of being Marshall's
SOUNDS
I play rock muscle and this amp is incredible, we pass a beautiful big crunch sound (via a pedal of saturation), which allows me to do without the riff bp ratm.
I've had with 2x Celestion G12-65 that looked like too much to G12T75 is to say very good sound for a Marshall with the winning kind bottom ACDC or Led Zep ... just a bit on the other hand ds ventures that using a pedal on hi-gain sounds.
Mountains once a V30 and a G12H30 Heritage, we lose a little crunch by crmeux the cons in saturation through a pedal capable of saturating the fire.
I play through a Gibson Les Paul Studio, and then through a Shredmaster or Artec CoolDrive.
At versatility is 0, this amp does 10,000 sound, but what he does he does well.
This amp is amazing, the sound has a personnalitun ct surly and uncompromising specific vintage marshall and Me I'm Falling in love is the first time in 15years that I said TIMES "yes that's what the hair cell that I want ..."
OVERALL OPINION
I have for some time now, he accompanied me on stage is either repeat, and as I already said I'm in love.
It is a rustic-channel amplifier that has a particular texture and a real personality, but the sound is good regardless of the quality of the guitar uses it.
One True inconvnient: it really PES does the weight of a death ...
I brought the U.S. a reasonable price 800E, compare with the 1200 E ask for some. It is a rare amp combo version of the document o leve.
With exprience, I do it again 100 times this choice.
2 EL 34 and 3 12AX7
Mine dates from 1978, the receiver is rustic, front: 1 between a high + low, then the knobs of qualisation, Pramper and master.
At the rear, to add between two cabs and a slecteur (good practice) Impedance who can choose between 4.8 and 16ohms
T appear to have components built to last.
UTILIZATION
I do not m'tendrai on manual ...
The clean sound is never really clear, the crunch is sumptuous, and the gain does not produce a background saturated fat but a big crunch MUSCL type ACDC.
The treble can be a bit low volume presents but this effect fades away in a little amount of the master, a modification that turn a capacitor (brightcap) exists but I can not find it necessary to my amp.
The volume is very high, the 50 W are (too?) Hear a attnuateur would be welcome to enjoy the lights of this toy.
Equalizer is slightly better than the new Marshall without being either a model that has the knobs are not very specific on and we need to correct EXAGRES frequencies.
Finally it is a single channel, so you get no sound 10000, must love the grain on pain of being Marshall's
SOUNDS
I play rock muscle and this amp is incredible, we pass a beautiful big crunch sound (via a pedal of saturation), which allows me to do without the riff bp ratm.
I've had with 2x Celestion G12-65 that looked like too much to G12T75 is to say very good sound for a Marshall with the winning kind bottom ACDC or Led Zep ... just a bit on the other hand ds ventures that using a pedal on hi-gain sounds.
Mountains once a V30 and a G12H30 Heritage, we lose a little crunch by crmeux the cons in saturation through a pedal capable of saturating the fire.
I play through a Gibson Les Paul Studio, and then through a Shredmaster or Artec CoolDrive.
At versatility is 0, this amp does 10,000 sound, but what he does he does well.
This amp is amazing, the sound has a personnalitun ct surly and uncompromising specific vintage marshall and Me I'm Falling in love is the first time in 15years that I said TIMES "yes that's what the hair cell that I want ..."
OVERALL OPINION
I have for some time now, he accompanied me on stage is either repeat, and as I already said I'm in love.
It is a rustic-channel amplifier that has a particular texture and a real personality, but the sound is good regardless of the quality of the guitar uses it.
One True inconvnient: it really PES does the weight of a death ...
I brought the U.S. a reasonable price 800E, compare with the 1200 E ask for some. It is a rare amp combo version of the document o leve.
With exprience, I do it again 100 times this choice.
See less
50
»
Other Marshall tube Combo Guitar Amps
-
2046 JMP Specialist (1972-1973)
Tube Combo Guitar Amp
-
2150 JMP Master Volume PowerCell (1978 - ? )
Tube Combo Guitar Amp
-
JCM602 (1997-2000)
Tube Combo Guitar Amp
-
4211 JCM800 Split Channel Reverb (1982-1989)
Tube Combo Guitar Amp
-
JTM312 (1995-1997)
Tube Combo Guitar Amp
-
JTM310 (1995-1997)
Tube Combo Guitar Amp
-
1962 Bluesbreaker
Tube Combo Guitar Amp
-
2101 JCM900 Master Volume (1990-1992)
Tube Combo Guitar Amp
-
JTM310 (1994-1997)
Tube Combo Guitar Amp
-
1970s JMP1C
Tube Combo Guitar Amp
Other categories in Guitar Combo Amplifiers
Where to buy 2104 JMP Master Volume Lead (1976-1981)?
Less
There are no classified ads for this product.
