All user reviews for the Peavey Delta Blues 115

Tube amp
Two channels
- Clean beautiful one of best ever
- Very good for crunch well slobbering blues
- I also bought the foot control two handy buttons.
- For connecting pedals, I tested it's better on the send and return that live on the clean

-more a boost I do not use too much at home that is too much when I push ...
- Spring Reverb excellent, really very good with a very effective setting
- A tremolo that can be improved. I think I'll have it changed because it cuts too early in the wave and the sound seems too jerky instead of waving. Anyway I must certainly be too purist it goes very well in most cases.
- 30 watts home is a 2 and a half or three then I module with the guitar and when I exploded I go to 4 on very rare occasions.

Very accurate and very easy -Settings

UTILIZATION

Yes the config is very simple, I get the desired result in the second
No need to graft it to power reduction that is perfectly manageable and especially in my room.
I think it just a standby because I intend to add a little slap if I played long missing.

SOUNDS

-there suits all my styles, blues, funk, reggae, jazz, a little hard and variety.
- A little flat on the tremolo.
- Excellent and really very very good with my standard telecaster and great for solos Gilmour, perfect on gibson. Well as on my Duesenberg and my guitars gibson style humbucker. A little bit off with my american vintage strat (but good come from this little texas special pickups mine because oddly it sounds better with my little Hotrails Squier that I modified a little on the handle).

OVERALL OPINION

I've had a year and a half
Yes I have tried many models before buying the classic 30 I liked the idea but the bass and format of it appealed to me more and I wanted a tremolo.
The only thing missing in my opinion only two small things:
A standby and better control of the wave tremolo, but I intend to do to change it correct the little things, because everything else is excellent.Je account keep it long.

Everything has been said.
30 watt lamps, two switchable channels + 1 tremolo, good reverb and effects loop.

UTILIZATION

We quickly found a good sound in a blues record blues / rock, rockabilly / surf. For jazz, look for a bit but you get there and a pretty nice result. For large metal could use some work, it's not made for that.
The bowl 15 'severe sends and not worry about out of the mix with this amp.

SOUNDS

It is quite suitable to my style of music. After trying Fender (junior blues, hot rod, twin ...) Vox (AC15) and Marshall (JCM900), I find that this combo Peavey has nothing to envy to the most prestigious and most fashionable styles.

I play blues / rock volume knob and the amp responds very well with a variety of shades and simply enjoyable grain!
The Clean channel and not the fender type, it has a real personality and cash well my gain pedals (OD and fuzz).
The Crunch channel is not a monster but with the gain knob gain between 6 and 7 there is something to have fun with a strat!
The tremolo is "vintage" and makes fun of surf music, for example, as well as the reverb is excellent, if you do not push too much.

OVERALL OPINION

I use it for 2 years without any particular concern. I still have not changed the lights and my faith it sounds!

The +

sound very hot vintage
sound due to the presence hp 15 '
Crunch channel much better than the Fender
the effects loop
weight (23kg, not very heavy in this range amp)
The superclass tweed

The -

no standby


I, I keep it and I do it again this choice without hesitation

30 w, all lamp hp output, loop, footswitch, reverb, boost and tremolo.

UTILIZATION

very simple, no manual, you branches, you're hot, you play, you turn the knobs, you press on the buttons to see the boost and distortion and it left my kiki, I never mounted volume has more than 4 on the light without boost (no more than 2 with boost), and c is super strong (stronger that a 100w lamp 2x12 V30 has 5, I think we do not believe me but yet the 15 inch moves such a volume of air), I think I became more muffled since I got it.

SOUNDS

As its name indicates dedicated to blues rock ... but I think that it is very much the case for jazz as with ca roundness and depth.
Clear sound to fall, crystalline desire, very close to the twin with more roundness and without aggression.
On strat on sy believes Lp not tested, but with a double aria cs350 old is more round and warm with the strat. The crunch is hardly clear before a very high volume as well say that apart en scene is complicated open play this volume. Appearing a hot rod that you push the volume that is not really ca , we have very clear very clean even at very high volume.
The crunch channel is happiness c, c 'own net to see even too much for my level of playing and knob c is the foot, it'll clear the wish or a crisp 15 sends a depth that I did never felt the boost gain and sending ca demenage we happen to do with the metal (albeit with a ca pedal should do but this is not its primary purpose), but it will greatly exceed the Acdc distortion types.

OVERALL OPINION

It was a moment that I wanted one, I found seven months of use due to a 2:30 per week, mine has a std added by lamp in EHX preamp, Sovtek power, the footswitch to switch light to crunch / saturated and put the tremolo.
I also have a tiny terror but I also recommend mono channel c is boring for the register reggae rock funk, I tested the hot rod that I find too loud, and the draft that we shoot (no real Clearly a high volume), I tested the twin that I find too loud and too powerful as super annoying to be settled, inoperable small room, I have a modified vk100 (lamp and ehx hp V30) which is not bad once modified amp less messy and less garish than the hot rod in her clear distortion but not crunchy at all, it is not blues.
The delta I liked two different equalisations clear / distortion, good in reality I have an old rack effect that I must reconfigure every time I change my amp and it starts to exhaust me especially the switch begins to give up the ghost.
Default is 22kg heavy, quality's hot clear clean and tidy, very clean and tidy default when the fingers cling ca means (especially clear, I realize that the higher the product range, plus c ' is a characteristic of good stuff, really ca retransmits the game and I do not play enough for the level of the amp). The tremolo that I do not use, as I would have liked a knob presence, a control of the reverb footswitch, reverb of aillor very honorable. Hindsight it is too clean for me, I'm thinking back on a 15w lugging a less boring and less clean, but that would be a pretty clear to me better forgive my imperfections (a rope frieze as badly pinched crossed, finger ripe riding on a hoop, in short the boring stuff that can go in distortion but really do pity her clear, yeah if I could buy fingers would what I want), and at the same time I love it when even good with his big sound, slamming 15 hp it is another thing that a 12 when even the jeans will tremble at every shot mediator, but good 4 amps, 2x112, 1x115 and 1X212, the sound with hp 3way and a big bass amp besides six guitars at home it starts to do, as my wife says, "must choose shit, therefore sell in your mess! there is more room to, you start to make me chi .. with your music!" And it was not so wrong as this, but women do not understand a passion, and then I would really like a Gibson Prs and also good'll have to decide on what I loose because:
1 it costs money even to one Prs occas
2 there is actually more space
3 c is true that I never play the 6 guitars both
4 or the 4 amps (I had one before and was ca)
5 I think I'll make a psychotherapy and keep only the deltablues.
6 In any case 90% of listeners do not realize addicts.
Conclusion if I sell it (because I put in announcement, and I even make a date for the test), and although I redeem one sooner or later.

For me it does not lack much in fact, a stand-by, a knob input level in the effects loop (for attention with new effects pedals here sending severe in the power stage and you have to lower the signal too inevitably lose the momentum) and the footswitch which is not provided.

UTILIZATION

Regarding the footswitch Peavey FS 2 common to several amps of the brand, two buttons control channel change and the outbreak of the vibrato. (On C30 it enables / disables the reverb). So not control reverb and nothing either about the boost switch?? I read that some do not use it, in fact, on the clean channel ok this is not essential, however you should try with a Les Paul in the drive channel you tell me the news ...
In terms of réclammations I would have appreciated the same in head / cabinet on the one hand knowing that the amp is abused in a combo that can generate unwanted noise or frequencies and secondo to find the cabinet expansion in 15 "of walou this side the Peavey does not make much effort to supply ...

SOUNDS

a magical amp for clean sounds, it literally sublime the Strat, Tele and Gresch as a bassman that I find it is closest in spirit.
The vibrato is perhaps not at a Vibrolux but can stand comparison with a twin. The drive channel goes crucnch in overdrive, with a LP / SG gives the overdrive typical of the '70s.

OVERALL OPINION

A grain fantastic, his HP15 ", his vibrato, reverb and its good performance of its drive channel make it an excellent challenger to the market leaders combos Twin, Bassman, AC30, it is cheaper and can be more authentic than all these reissues . There is typed but less than the C30 and C50 slightly more compressed in their depiction and lighter than the C50, a pretty nice amp ...

Tube amp, declination of 30 Classic, plus a tremolo effect built and used by a speaker 15 inches. 1 input, 1 output hp, a footswitch connection (optional)

UTILIZATION

Extremely simple to use, instructions and opinions on improving the sound (changing lamps ...) are available on the internet it is very intuitive.

SOUNDS

When an amplifier is called "Delta Blues" is not made to play classical!
The clean sound is very nice, it may be attached to the tremolo effect, which is very correct for the effect transistor. The overdrive channel shares the equalizer with his clear, several presets are available in the leaflet, from blues to metal to rock. This board has really disto nia! The two sounds, bright and saturated, may be bathed in reverb.

OVERALL OPINION

I use it for about 2 years, it sticks well to his research and I was very complete (clear sound, distos, reverb, tremolo ...). I keep it!

The Delta Blues 115, tweed cover: For the last 10 I've used it for EVERYTHING. Gigs, recording, just playing around, rock, jazz, blues, it's dang near perfect. The guitars I use primarily are an Epiphone Sheridan and Peavey Wolfgang.

The guy at my local music store in MN (I think his name was Pat) suggested it to me. I played it, loved it and bought it for somewhere in the neighborhood of $400. Since then it's gone with me all across the country, south to Missouri and up and down both coasts, I now play it in a rock band in Philly.

Great tone. This seems to be what everyone says, but really that's it's greatest asset. Huge lows, pure highs, and the mid don't get muddy. The clean channel sounds great all the way through, and it has great gain in channel two. Tremolo and reverb both sound good, and if you need to give it more for some reason, it sounds great with a pedal in front. Oh yeah, and the dials don't go to 11, they go to 12!

My only issues are 1) it doesn't come with a footswitch, but almost no amps do, and that's a cheap purchase, and 2) the tubes are kind of fragile, though with all the traveling it's done I've only had to replace tubes a couple times, and you can by a tube guard.

Like a rock. My buddy was helping load me into a gig and dropped it 5 feet out of his van. I wouldn't recommend this as part of it's usual maintenance, but it suffered only a couple scratches to the tweed, and played as good as new that night.

Buy it, use it, love it. It'll be with you forever.

This review was originally published on http://www.musicgearreview.com

I found this little guy at a local pawnshop and knew it was for me. I only paid $350, which isn't a bad price considering it is all tube. Plus, I needed a new amp and I had never owned anything but Marshall.

I love the clean channel. It is so pure but with the slight hint of dirt. Lots of headroom, this is so different than my Marshall. I couldn't get a clean sound out of that thing. Tubes make all the difference.

I play a semi hollow body guitar, which really sounds great out of this amp. The amp has some real depth in its low end.


Basically the reverb is not the type I like. I think that it comes with a spring reverb and not a hall, so you get this bouncy sound instead of a long-drawn-out reverb.

The tremolo is not the best sounding one but it is not the worst either.

The dirty channel is a little muddy. So, I don't use the overdrive. Instead, I use a tube screamer, which sounds great on the clean channel.


This amp seems to be well put together. My only complaint construction wise; is the lack of a tube guard. Other than that it seems to be solid.

I thought about buying a fender and other amps but for the $$ this is the best choice. You can't beat it. Hands down this is a bargain amp no matter what you think. The sound is amazing and with the right overdrive pedal you can have some killer tone.

This review was originally published on http://www.musicgearreview.com

I got this little piece of heaven from a local music store in Sumter S.C. I gotta a hell of a deal too! I only paid 350 bucks, and the thing was brand new. I just had a tiny tear in the tweed. Big fu*king deal right? The reason I bought this amp was simply the SOUND!!!!!!!! There is only one word to describe it HEAVEN!

One 15" speaker, makes for deep bottom end, but not too bassy. It has Reverb, and Tremolo with speed and depth setting. No stand-by switch, but that isn't really needed on lower wattage amps.
I have owned marshall 50 watts, and this little 30w blows them out of the water with tone, volume and clarity. The clean channel is crisp and clear, like glass. The overdrive channel is real bluesy and also great for southern and classic rock. Three 12AX7's in the pre-amp, and four EL-84's in the power section. I hear people all the time say that solid state amps are just as good as tube amps, and that there is no difference in the tone or sound. Well, i've played all types of solid states, and the first three tube amps I ever played, hooked me! I don't give a shit what people say, MY EARS TELL ME THAT TUBES ARE BETTER!! And this little tube amp can be had for a reasonable price. I think it normally runs about 400 to 450, however if you shop around, you can find it cheaper. I can't describe in words the beautiful sound of this amp.
It also has PLENTY of head room. More then enough for even medium sized gigs. Besides, most of the time; me anyway, your amp will have a mic on it.


It has a solid state effects loop and rectifier, but even that's not a big deal. It is still all tube unless you use the tremolo and reverb.
The one I have didn't come with a tube guard, but that's only 20 bucks on ebay.

SOLID AS A ROCK!!! PERIOD. Nothing else to say.

The bottom line is this. THIS AMP IS SERIOUSLY UNDER PRICED! I used to be a Marshall fan, but every Marshall I ever owned just gave me mechanical and electrical problems. I AM NOW A DIE HARD PEAVEY FAN!!! Thank you Mr. Peavey. Keep em' commin'! I plan to buy the classic 50 next.

This is a great product. Even if you play heavy metal, just throw a pedal in front of it and there you go! I definately reccomend this amp!!!

GREAT PRODUCT PEAVEY!

This review was originally published on http://www.musicgearreview.com

I did not get one of these only because I did not have the money at the time. I heard the Peavy Delta Blues with a 15 inch speaker played A/B next to the Peavy 30 and 50's with 10's and 12's.

I liked the sound, price, and great value.
This amp was richer and more robust in sound compared to these other amps. It made the Peavy's with 12's sound weak. This is a good all round blues, jazz, country amp. It had a special made Peavy Sheffield 15 inch speaker with reverb. It also had a gain control and smooth well sounding breakup or beautiful clean's depending on how you set the controls. I really loved the Tweed look on it also. I do beleave it came in black. If one really looks around it can be purchased for $350 which is a fabulous price for the sound you get. I also is a full tube amp.I purchased a fender stereo chorus that was a good price for a used amp. While I love the chorus sound I miss the deep, vibrant tones of the Peavy Delta Blues.


I purchased a fender stereo chorus that was a good price for a used amp. While I love the chorus sound I miss the deep, vibrant tones of the Peavy Delta Blues. If there is anything I don't like about it is that being a tube amp you have to let it warm up and take more precautions than with a Solid State like I own. And the fact I do not own one. I now have to get some better speakers to even get close to the sound of this little amp.

Construction appeared very good. The sound was awsome. It is rich, vibrant, very clean or smooth breakup depending on the settings. i.e. gain control.
Reverb is good.

I would fully recommend this amp for anyone playing jazz, blues, or country. It is small enough to carry and a good value at $350 ( you will have to search around) I found one at this price at a nice little music shop in Weatherford Texas just west of Ft. Worth. I am in no way affiliated with Peavy or this music shop.This is a very honest objective opinion.
Gary

This review was originally published on http://www.musicgearreview.com

The "little" magic ii combo I speak of the 210 version is said 2x10 '1x15 and not'
we begin with three 12AX7 tubes in pramp and 4 El 84 or 6BQ5 power lamps is the cheapest on the market and it is time better! two big cots of each transformer.
Tolex solid design of the most beautiful effect mine and black, a protection BMOL lamps at the rear non-existent attention during transport to your tubes!
the adjustment knobs are very soft vintage style to manipulate and very precise, one od reverb and tremolo a spring stop adjustable speed and gain.
output in hp ext 16 ohm output effects loop.
attention to weight trans cover a long distance quickly becomes heavy trs

UTILIZATION

To use plutt simple control panel at the top (vintage forces) will soon maitrisbr /> The ITS then! and bein it had the ball just before a twin reverb, so I just tell you,
the peavey sounds like I like it trs bold if you push a little OD, no doubt this amp is doing for the blues is a groove in the caramel dripping clear sound c ' is just as beautiful notes slamming less than a twin but I got what it take longer and better.
talk about a little trmolo dsuet trs but effective for those who love the reverb (spring) that includes trs well, but we do not compare to that of a twin.

SOUNDS

I found this amp in a hell of a friend I had a lot and it's the sound I'm looking for the Delta Blues 210 is inimitable!
I play blues and pop rock mostly oldies of the 70 it does me no default, the 30 W class AB are more than enough on scne the worst dub you a sound system, but I can tell you with a 1x12 cab 'top knobs at noon drummer cringe.

OVERALL OPINION

This is an amp that I highly recommend for the price new! Fender is the equivalent Largusa soundly in light of the report quality price.
trs is more robust amplifier circuit components and simple design goes everywhere!
rglages and maintenance can coteuse
to have !!!!!!!!

I speak of the 115 version!
We start with three 12AX7 tubes and four in El pramp 84 or 6BQ5 power lamps is the cheapest in the market and so much the better!

A BMOL protection lamps at the rear non-existent, for Premire ... I carry all before I was careful, and I will now be forced to change my lamps because they are too old! So no worries for your lights!
the adjustment knobs are vintage style handle is very soft and very precise:
between a jack with a switch that provides either a clear channel with rglage volume and channel rglage saturated with gain and volume too! A reverb and tremolo has a spring stop adjustable speed and gain.
ext hp output in 16 ohms output effects loop.
attention to weight trans cover long distances quickly becomes trs heavy but he has a good grip!

UTILIZATION

This peavey sounds like I love them! mouai it's repeated but it's true!

Grip super easy: a clean channel and a channel Fully saturated both indpendants.

there is not much to look to make it sound great, in the manual, it explains how the rgler according to the sounds that you seek but you'll see that no, you will find trs fast!

The manual is clear and short enough. Must say that compared to a marshal, there's three times less buttons and that's good! Submitted enough people!

SOUNDS

The sound is clear trs net, I could compare her little ERRF, the C30 and its direct competitor: 30W Fender Deluxe ... Ba and there's no photo, Delta blues is by far the best: the sound is clear and trs with my strat's a rgal! I play a bit of funk: the sound "pete" Fawn trs net! I play the picking and the sound is rich trs, even in the low, hot and trs. It should be all done if vou spass of an electro-acoustic lctrique ... That's what I did I even ...

Ct its saturated you can choose between a saturation lgre dlicieuse or sound very fat: No doubt, there is plien the blues!! Be careful, do not expect to play metal, you'll rev it! But for people Polivalente, I recommend buying a pdalier numrique: I GNX2. It's perfect for the blues to metal through the pop and funky!

We must say thank you to 15 inches! I had the aoccasion to compare other amps ... ct qualitprix report can not be beat! I even made it play my bass in a BPS is silent all impressed even the bass player could not believe her ears!

Ct power, even if you play with friends "bcherons," you'll hear no worries!

But, yes there is a "but" because there's always ... The clear sound trs high volume, and I emphasize "trs" loses some of its sharpness ... But to hear it should be in the eye and quite prs: all tell you that you quickly become dull! But becomes impeceptible in condition "Live", and recording condition, as it plays so loud, does not pose a concern because there is the sharpness! And now I cry o that, I lamps origins: 4 years CSPR, concerts ... So suvre with beautiful lamps brand new!

OVERALL OPINION

So I have this amp for 4 years and I had no problems with ... And yet I emmne Despite its weight around! Even in the studio I rptition ammne with me ... I have a little tired of marshall (DSOL for Fan, but there's no comparison ...) and especially when you play it on a habitu 15pouces, it's hard to play on smaller ... APRS must play at least on the 212!

In this price range and quality is by far the best as I said prcdemment! APRS you need a much bigger wallet to rise above 1500 euros! FYI I bought the era 645 (4300frs) vau Tplus it now but it's worth it if your budget! (Or used, but it is difficult to find and for good reason: when something is we do not lche so easily!)

If you find an amplifier compatible with many sounds, you just found it then! Just buy yourself an APRS pdalier numrique (digitech: GNX2 is very well!) And you can play on a Mesa Dual Rectifier and a Marshall JCM900 and then .... and the list goes on with modlisation amp!

If you look a little more power in open air concert, a cabinet 112 or 212 you more than enough! Besides, this will be my next purchase! A firm such as MESA!

30 watt tube amp, for no lamp against grinding. 2 channels, one clean and one lead, reverb, and tremolo. In addition, the HP is 15 inches. In summary a slightly different version of CLASSIC 30 of the same brand. In addition there is a specific entry for the effects. Please note the buttons are on top, which can be a bit difficult because the buttons on the front are much more accessible and readable.

UTILIZATION

Setup is super simple, at the sound I love the clean channel and thanks to the HP 15-inch clean sounds are beautiful. The manual is clear and the sounds are varied. FYI I sold my Fender Blues Jr for this big beast too little known to me.

SOUNDS

The sounds I like knowing that I had really a budget constraint and I could not afford an amp too expensive ... I connect over a Telecaster, a Danelectro U56, a Gretsch Anniversary and also a Toronado and I confess that I do use the clean channel, and prefers to plug my vintage TS 808 on that channel instead of using the lead channel.
The clean sounds are super nice. Crunchy Bluesy sounds too (It would be bad for an amp with a name like that ...). I find this amp much better and more versatile than my little Fender Blues JR previous one. HOWEVER, I bought the amp new and reverb (not as good as the Fender) fell in the road after 5 minutes ... If not before and after repair of the reverb, after turning off the beast a residual noise was sometimes strident enrendre when I took care to put the volume knobs to zero ... but the noise has now disappeared?!
Older models without revealing the lamps to protect what has been seen since now they are under a grill that protects them effectively.

OVERALL OPINION

I have the beast for 3 months and I like it very good value for money, for it is against careful not planned to play at low volume. So if it is to play apart forget or choose a volume pedal you plug in the entrance effect.
For my part I do it again this purchase despite the small damage early as a good amp and more amps with an HP 15 "do not run the streets at this price level.

Combo All-30W lamps (this does not mean much, I remind the novice has a 100 watt amplifier transistors is not tear has a 30w lamps)
The Delta blues is the same classic 30, it has two channels, plus a boost of medium
It is also equipped with a very good reverb and a tremolo

UTILIZATION

Very easy to use manual correct, the amplifier delivers a lot of bass so it should not be set too high.

SOUNDS

The boost is strange but I use it for an even more bluesy in distortion. The clean is mangnifique, the distortion goes from slight overdrive to crunch more powerful kind acdc, ideal for playing 70's rock like Led Zeppelin. Amp perfect for jazz, rock, blues. For the metal, it is better to buy a distortion pedal to

OVERALL OPINION

I use it for over a year is a great amp, very powerful sounding variety, buy it!! compared to the fender that I would direct concurs, in my opinion it is much more interresting. His sound is less crystalline, less distortion and country much better. Finally, I digress the fenders are still very very well!
certainly I would do this choice, or else I would take a classic 50

Peavey Delta Blues Combo Amp Features:

Into 16 or 30W 8 ohms
All-tube (3 - 12AX7 and 4 EL84 tubes)
One 15 "Blue Marvel speaker: HP excellent!
2-channel preamp
Tremolo with speed and intensity
Pre and post gain controls on lead channel
Normal volume control on clean channel
3-band passive EQ (bass, middle, treble)
Boost switch
Master reverb
Footswitch-selectable channel switching and tremolo
Effects loop
Classic tweed material wraps
Chromeplated control panel
External speaker jack

No headphone jack (who cares!), A qualisation common to both channels.

UTILIZATION

Amp ultra simple to use. For all fans of plug-play!

SOUNDS

Well, I'll compare it to the last amp I had the chance to own, namely two bodies Marshall JCM 900, Fender Prosonic and Sunn Model T version three bodies.
Clear to me that peavey deltablues can afford to play in the big leagues! It's really all lamps: harmonies, lots of roundness and prsence a lgre compression, a large reserve of power, and heals qualisation prcise, many, many of music! Compar a fender lamp, it is certainly less slamming it really requires a sound particulire. I loved the clear sound of the Prosonic, delta blues gal is almost level. The 15 inch provides a significant reserve of low (excellent if utlise double coils), the sound of the body, it is necessary in space. It is a less aggressive fender - it's the very first time I criticize a Fender! - However, it should be compared directly with its competitor: the Hot version of Blues or road. Anyway, I'm sure no one can judge the sound clear ngativement Delta blues is falling!
On the reverb: it suits me, the 4-del I think she is too Submitted and you lose precision. A 4, perfect, discrte but essential. This applies to both channels.
Top: the Trmolo! Super efficiency if you like this one can qu'tre filled. Robert Cray uses much the trmolo, as well as on its rythimques chorus, it also plays a Fender Vibrolux or Vibroverb. Personally, I love it.
The distortion is a musical copy: you have to really try to understand! It's pretty bold, but qualisation diversifies the sound. If the channel is clear standard, saturated crativit is incredible!

I agree with the advice prcdant, the boost is weird: in fact, he adds a reserve of power. Good ide if you want more Boster's chorus. To see if the footswitch rpond, I have not tried.

So throw anything away!

And the look?
Vintage trs-class roots and both the tweed version (what I possde MODL) is simply beautiful. A beautiful object!

But be careful: I have not a problem of vibration of lamps included in the HP and only on the low E string B of the Ground B: I am ultra tonn is the very first time that I have this problem on an amp lamps. The great majority of users Clasica 30 also have this problem. Solutions exist (see forum). Vrifier first lamps, the fastening pin and, if vocal, non-slip foam FLAMMABLE to block the head lights (1 2 cm no more). I have yet to test these solutions, I'll do, I will note your exact in this notice.

10/10!

OVERALL OPINION

Right now, I play on a big ol Opry Hamer, 3 / 4 box with two double coils.
Excellent marriage.
I'm sure this amp meets the Personal guitars.
(With a Les Paul standard must be!)

Its sound quality is placed far del its selling price. Besides, I have not found a big difference in price between the United States and Europe (While a Fender lamp has a price 30 to 40% cheaper across the Atlantic). That's why I bought it directly in France plutt than doing import. Any fawn, the Fender high-end way too expensive here!

Do not rely on its price in the store, between 700 and 900 euros new. Dja is a lot of money but compared with a Fender is cheaper (Manufacturing US) is a professional quality amp, used both home, or in RPET scne on. In addition, it is easy to transport plutt.

12/10?

Classic is a 30 W with a 15-inch Blue Marvel HP (quite rare to find a 15 inch on a guitar amp).
Vintage Tremolo effect without the switch to "on" or "off": you have to turn the intensity to reset it.
Settings classical effects loop, speaker output external footswitch to change channels clear saturated.
No line out.

UTILIZATION

The manual is not worth it, you'll branches and you play. You just turn the equalizer to see the changes, the tremolo to see that it works (and it works well except that Peavey could still make a switch to cut it!)
This is a vintage style amp so the sound is there now, then this is the way to play that will create the sound, do not expect the possibility of change fulgurentes sounds: there is a clear The saturated and equalize it a little above it all.

SOUNDS

I play in the pop / rock / blues influences with SRV, Stones, Hendrix (the right time what) with a strato plugged into a Tube Screamer and a Boss ME 50 multi effects but mostly it's guitar + TS (crunch) directly into the amp and the amp there is need for fans of blues / rock that exudes a well moist.
Its clear it's true that it is not crystalline, it crunches slightly from 3 or 4 of volume but I tried a Fender Blues Deluxe (the same kind of amp) and it was even worse clear. In fact it is the same as the Classic 30 with more fullness and accuracy because of the HP 15. Be said that the original HP Classic 30 is not a success (it's not the Celestion).
I also have a semi-hollow Yamaha (SA1200) connected above one can very well do a good jazz thanks to the roundness of HP. I also did a test by putting a équalizeur in the effects loop and through the distortion of the Boss ME50, and there digging equalizer (Beringher FBQ1502) we arrive at a sound very interesting for many of the hard tough : good sense of power just as if played on a 4x12 cabinet.
As against the little less on this amp is like the Classic 30: The channel is saturated medium (flat, a little runny), it can help but honestly it's much better to connect a pedal to the clean channel, it does much better.
The tremolo, it can still be used on some pieces but the knob on the speed can not be used under 8 or so I did not understand the value of a tremolo speed slow - in short c ' is not really necessary especially as it takes effect plug a footswitch (not supplied) to cut it.
In short, it's an amp that can suit all types of music from jazz / blues / rock, even going so hard on the pedals you plug that go. I even plugged my Dobro on it and it came a super well rounded and very clear.

OVERALL OPINION

I bought this amp yesterday to 750 euros by sharing my Classic 30 of the same brand in my music store. It was on that I'm not into the unknown with this amp but I was fine to try other amps, I find the Peavey Classic has its own sound and this sound that I like (especially plug a good Start it and you tell me the news).
What I like most is "potato" of the amp when you put the volume at 6 and we feel the vibrations through the guitar and go into the guts, it's almost an orgasm . It's like a 100W head Marshall 4x12 with the body but here you only have to carry 24 kg ...
I tried the same week a Mesa Boogie Express 25: it is on is good, it's all over, it exudes quality manufacturing for 1400 euros but you just have a HP of 10. I tried a Hughes and Ketner 84 DUAL: it sounded good but maybe a little cold or a lack of personality (a bit subjective).
So I had to hesitate a bit tired so I took the Delta Blues (which otherwise could have been called since it is in fact not only for the blues)
and the problem is that in magazines and on the sites we see full of brand and variety of amps in the stores but to try, there is always the same. So I prefer to try before throwing 700 or 800 euros to the merchant.
For 750 euros is a fair price value compared to other brands (Fender Hot Rod Deluxe or Blues for example) and the build quality looks neat. The problem is that I noticed a vibration in the lamps (from the forum, it's a little Peavey Classic disease) but there must be a solution to dampen the vibrations.
This is an amp that I recommend because it has a well-balanced sound that can descend into the grave and it can make good service whether by example or arpeggio solo. He is not slamming / shiny Fender but a grain very well be Texas Blues. I plug in an external HP permanently Marshall cabinet with a Celestion Heritage and it gives her a truly enveloping and powerful.
Yesterday I made that choice, I do not know if I do it again in 3 or 4 years, by then there will be plenty of new models to test ...