All user reviews for the Korg Triton 61

Ok

UTILIZATION

While

SOUNDS

Let's see ...

OVERALL OPINION

The Triton is a very multi-purpose machine independent. The sounds are exciting, all made in the coup, trs Varis, good dynamic. My only complaint: too low but is the qualiseur to satisfy me. There is even in a good squenceur. We can do all styles of music (hint: Listen to the DMOS directly to the headphone on the machine, no need to amp!). Arpgiateur pushed enough but be careful this is an arranger: your squence, we must make A Z (drums, bass, vocals etc. ...). Its weak point is the part that takes more sampling of the gadget. Ok you can sing (that 48 KHz) CRER of multisamples (good luck because it's more complicated than a K 2000) put effects, time stretch but still a little luxury for the worstation name. As for buying a triton studio (for the direct to disk), personal, I prfre my config Triton D + 12. Good buy.

Good ergonomics, excellent touch screen, touch keyboard okay
Easy to use, fairly intuitive at first, but if you want to dig a little and do the modeling, it becomes cotton.
The effects are very good.

UTILIZATION

Editing sounds not bad, but still a bit heavy in spite of the large touchscreen.
Arpégiatteurs impeccable.
The manual is fairly complete and well done for.

SOUNDS

The sounds are pretty standard but MUST THE (OPTIONAL) MOSS IS THE CARD: A MUST! (But expensive).
It is the sound card that I use as Moss.
While in the line of Korg, ie for sounds "synthetic" is very good, but the piano or guitar is still low, each his specialty ....

OVERALL OPINION

I have 2 years and I can not get enough (especially sound card MOSS)
Thank God for the touch screen, if not with the range of possibilities it would be impossible to cope. A good ergonomic level.
Price / quality ratio correct (except the map MOSS: too expensive)
MIDI implementation impeccable.

Instrument trs complete:

- Part-rich synth sounds (300 sounds of origin), the combis poustouflants
- Excellent squenceur
- Many large effects qualitbr /> - Arpgiateur convenient and effective
- Sampler very practical and easy to use
- Adverse weather rel

UTILIZATION

Simplicity itself.
I have not read the doc and I make beautiful compositions.
Using hyper intuitive.

Two docs trs compltes provided.

SOUNDS

Great for techno synths sounds, excellent percussion, good bass.
A little of symphony instruments by (violins, guitars especially), but not yet found numrique instrument that suits me.

However good piano sounds.

Excellent as an accompaniment to non synthetic instruments (bass, guitar, piano).

OVERALL OPINION

I use the Triton for a little over a year.

J'apprcie the ease of use, the floppy drive very practical. The number of synth sounds is impressive. I love the percussion, the use of squenceur, patterns.

I use the sampler. Sometimes I rework my samples to the PC and the TRITON by rinjecter in floppy drive. The TRITON plays WAV sounds pc is very practical.

I previously used a D20 with SC55 and Q80. I think now all the conviviality of these instruments in the TRITON runies.

I am happy with the TRITON trs.

Workstation 61 keys. Keyboard nice touch but a bit noisy. Less than one controllers analog synth but four assignable pots, a joystick? and a ribbon controller.
Many sounds ... Finally, everyone knows his CHARACTERISTICS.

UTILIZATION

This synth is ergonomically trs. This is enjoyable on scne trs and studio. Opportunities ditions are good. The manual is more than enough. I got immersed into it and it is the royal road to know what synth on the fingertip stop san is some new discoveries.

SOUNDS

I make music Varita Rn'B and sounds are just excellent. The acoustic piano sounds are not tops, however, we can make something happen by tweaking a little. The guitars are not good. In any event, nothing beats a real guitar, hand if we want to do as expr detiny's child. Ditables good amount of effects. This is not worth the Waves plugs but dja well to models.
I prfre sounds are those of copper, tablecloths and analog sounds that do not really cheap sonnet. The organs its really good too. The strings are pretty practitioner.

OVERALL OPINION

I use the Triton for 2 years and I discovering every day. I do not spare it for the world. I love the sound, the squenseur arpgiateurs ... Biuen I tried other models but this one won me over. Many pros use. The fans are going well on the analog to criticize but I think we think that the use made of it and the style of music you play.
The price is now down making it more affordable. I would not take the Trition THE touch screen because it is default.

I have version 61 keys, with OS 2.1.
Good keyboard but the touch is too light.
A library of hallucinatory sounds of all styles.
A TRUE workstation.

UTILIZATION

The triton is very affordable. I must say that the touch screen makes operation simple like a dictation magic! Navigation is intuitive and can be found in a short time that we seek.
The effects are many and almost all editable.
The manuals are very clear but I confess to have set aside at the beginning, I was so anxious to discover the capabilities of this monster!

SOUNDS

Are the delight both fans of techno than cold-wave, reggae musette that: there is EVERYTHING!
The sheets are truly maddening! The strings are fine. The pianos are the road. The drums are also very good.
If you add the MOSS card (option) you get FM sounds crazy! Ideal for creating sounds strange! I also purchased the card VINTAGE SYNTH gives me satisfaction. For lovers of analog sounds, this is the card that it is essential to have!

OVERALL OPINION

The triton is for me more than a synth. I use it for almost 2 years and for me it became my best friend! All my delusions sound or techniques have been possible with this synth. It has it all, the sleek look and more. A great synth, a friend, an essential element in a home studio.
Only downside, it is used so that the sound is easily recognized in some productions!

Korg 61-key - great machine!

UTILIZATION

When you're a novice little hard but it's going to rev faster APRS with the touch screen!

SOUNDS

The sounds are nickel - so many possibilities - Intgr sampler (you can even sample a guitar!)

OVERALL OPINION

I use To create my songs, I cre-line bass, drums, guitars I sample, I add effects, I backup to disk! I have more that start the song, sing and play guitar! trs cool

I bought it more as a "workstation" as the synth (as the name suggests) and I am based guitarist

In the era I was pay 17000 F - y 'now has 1600 - Do not hesitate, go ahead buy it!

Conventional keyboard 61 notes
Controller: 4 potentiometers, a ribbon, two shortcuts scene, a joy xy, a zipper
Complete connectivity
102 effects, 89 master effects, 7-band equalizer
Synthesis system primbr Hi /> Expensible card
sequencer and all
sampler, which very well s'inetgre

only thing zero: volatile memory

UTILIZATION

So easy to handle, the two books are very accessible, in fact I know I have not opened!

SOUNDS

The sounds are gniaux, but cantons are mainly electro music
effects are very good
expression as
see them and the sheets are gniales, as the lead

OVERALL OPINION

It's been 6 months that I use, so I think I see
This is a very simple machine to use, a range of its possdant gnraliste, but of very good quality from the sound of a piano which is ridiculous
A very good support in place, and updates are frquentes,
Only downside, the squenceur, but good 2500 euros, do not ask for the moon ...

I had the normal 61-triton with scsi card
The touch screen is good but ultimately too slow in posting surout
when the sequencer is running

UTILIZATION

We do not need the manual too, for against the edition of the sounds is too long
and the backup scsi.

SOUNDS

Full of sound but the problem is not that 80% of interest.
The acoustic piano is zero (one listen yamaha p80 c else)
the violins are far behind roland
quite low
the brass means.
against by the loading of samples is too long even with a hard drive.

OVERALL OPINION

I use it for 4 years and I just sell it I do not think I will miss quil
after an MS20, d20, s50, w30, jv1000, I returned on Yamaha or Roland.
in addition to the triton is much too expensive.

We do this more!
Level connectivity: the six output lines are interesting to work with the sequencer.
The bank sound incredible quantity and quality for a first general synthetic
All in one specific to these products

UTILIZATION

It can stand on its own!

As this was my first synth, the manual is useful for getting started, especially since there are two volumes, the first one to quickly access all functions of the beast, and a second to explore the depths ... Manual clear, well translated and easy to use.
The touch screen is when you taste = hard to do without! Navigation is quick and easy.

SOUNDS

The piano sounds are zero, the layers are too varied, for against the lead synth sounds are great, many effects and effective, and surprising sounds convincing enough, the guitars are immaculate, the strings correctly. We can do everything, but especially electronics. For vintage sounds fill the map EXPCM 5 fans! and gives breath to the instrument if necessary.
As against the keyboard is OK but no more.

OVERALL OPINION

I used it as is with a wiring noon with a digital piano for 4 ½ years, with which one can realize a project from A to Z that takes the road. It may be sufficient on its own. Given the excellent value for money. Only downside, after a year of use = the joystick was deficient (back of the controller that did not return completely to its initial position), but no problem SAV 3 years

Hello everyone.
I just give an overall opinion on the machine.

notice to critic of korg! the newt (base so) is a highly versatile machine, used by many groups (spyro gira, Herbie Hancock, Chick Corea in addition to the Fender Rhodes as well as many other artists) c it is still not closed out of interest. pianos are not top it's true but I personally sample of a Steinway concert and sound that takes up much space, but there is a tear vraiment.il superb bass among others for running jazz walkings c excellent.je is doing the scene for 20 years and I used the roland yamaha, korg, and I'm in a long time and I would not change what is plus.pour price, a member is cheap, but it's not a good Bontempi not, let us put things in perspective.

In conclusion, you have a great bike for the price, you can go without fear.

UTILIZATION

Config not very complicated.

editing is reserved for programmers (in my opinion).

the manual is very simple, quick start for the scene with the original sounds.

SOUNDS

The effects are basics, should not be too angry to that side.
biien keyboard reacts to velocity and aftertouch.

I find the sounds of hammond b3 not too bad on stage that also requires the fait.le piano (with a good sound engineer anyway).

OVERALL OPINION

I used the last 2 years.

value for money more than correct anything to say.

See tech sheet

UTILIZATION

Trs simple.
Manuel trs clear. See more at TRITONHAVEN for more.

SOUNDS

Sounds: incredible beauty.
It has everything.
To those who say that the piano is not good. Not true: It is good (they are good).
(I have a Yam CLP920, so I can compare.)
Effects: Whoah.
The keyboard enjoyable, soft

Sound prefried: MAGIC GUITAR !!!!!

OVERALL OPINION

1 month

Plus: Touchscreen

I had the X3 that I regret. So I turn to the CLASSIC to be found on the same stamp. It's still 10 times better.

Q / P: 900 euros with OCCAZ 64Ram, PCM04 and SCSI card.
There's nothing really to say is TOP.
I have long hsit with el TRITON LE. For the same price I OCCAZ slices for the CLASSIC

Yes, the same choice without a doubt.

Good features, we will not extend, it is available everywhere ....
For my part I have a Triton Pro (slightly larger)
The only weakness I found in the characteristics, the number of keys "stop" mode RPPR on a Triton Pro and ProX (I know, it's technical), I had spoken to the time on TritonHaven.
Otherwise it's all good! The knobs, ribbon nice, a good joystick (solid saw my use), six outputs ....
The only thing that has not aged is the SCSI port, it is clear that it is not USB. Vi Ah, another major weakness compared to newts following: no hard drive, so you need to load your samples at each ignition ...

UTILIZATION

As well tell you right away: my book is horny, erased, torn ... But now it is really rare that I open it.
Editing of sounds does not seem very complex (at the same time it's my first REAL synth editable after Roland XP10) and worth the trouble to look.
By flat against the mapping of samples (fair) and the sequencer (yuuuurk), but I think any musician no masochist turns to his computer for that.
Otherwise, the beautiful touch screen simplifies the task quite a lot for editing.

SOUNDS

So it's especially good that I wish to speak ...
For my part, I like the sounds grimey, the NIN, Aphex Twin, Squarepusher ...
I transferred all sounds "realistic" and now my Triton is composed almost sounds as characters, created from scratch or by torturing presets.
So much to say right away that I have not managed to make great filter effects analos hot, but for everything else .... SONNE this synth! And I insist heavily on it! You can safely do so screaming, moaning, screaming, cooing, purring, crying ... Combi mode, synth waves more than adequate, the effects hallucinations, four LFOs, give you plenty of opportunities to make big sound or sound that zarb squeaky fart and burp. Seeking, plenty of effects and features that you can turn to the drill, the feedback, the parasite, etc ...
So yes, it's a ROMpler (I said that I have no éextension or MOSS), but hey, to stop spitting on it, it can do a little of everything and a lot more than that, we can make zarb, electronica, etc., on a ROMpler!
I add to what I found the aftertouch (essential for my game) more than adequate.

OVERALL OPINION

Ralalah my Triton is a solid love story ...
As strong as my lower back, which they start to complain!
at the time, I remember too that I had tested other, but for me it was sure it was him and no other. I think in retrospect to have been close to two years to exploit 80% of possibilities, but hey, hey, this is my first REAL synth, again!
I love its effects 7, the ribbon, its outputs (which prevents the sound engineer farts more cable than is necessary ... for the record, the first question I always balance it, " the distortion is normal? ")
I do not like his sequencer, sound samples and mapping ... that his successors (studio, extreme ...) are so attractive!
One more thing: there is a community ULTRA ACTIVE Tritonhaven on, among other sites, which allow beginners and confirmed to move faster
Today, I confess, I am reluctant to sell it to relieve my lower back and to turn to a keyboard and a micromodular ion or other microQ or something like that .... But I confess that I am very afraid to take the plunge! We will see in the future!

Hi I will not dwell on the subject, just donenr my opinion, and at first I had a lot of synth general and all the brands.

UTILIZATION

This is the top level ergonomics with a small problem, the change of sound on stage should have been even easier but hey, it's worth 10/10

SOUNDS

The pros: the organs are very good, the strings and brass, synths in general.
the -: especially the rhodes pianos, the lead missing potato.

The effects are very good to my taste, at least well enough for a synth.

OVERALL OPINION

So I have this beast that seems still be huge, and frankly if there are not happiness, I think you have to question, because when you see some guys making music with spoons ...

Triton Classic 61 key
A polyphony of sufficient live (without sequencer)
A plethora of sounds (I must have at least 2000!)

UTILIZATION

Super easy to use thanks to the touchscreen. Still, should be husked manual thoroughly.
Using the performance mode is great thought and I find it regrettable that there are only eight shares in this mode
Only the arpeggiator seems very complicated to program (unless programmed to chance ...)

SOUNDS

The sounds are generally great. Notament thanks to the many effects of good quality.
Saw the 5 insert effects. In performance mode, it makes sacred services when using several sounds used to restructure the different effects.
It's true that the pianos are very limited (to be nice), the strings too varied, and acoustic sounds, there's good and bad.
In association with Roland, the sonic palette expands staggering!

OVERALL OPINION

I bought it in 2000 and the only live with.
I did not need to try other since I panache with other machines (01w D70 and soon X7) so my palette of sounds is well covered.
The only big flaw is the storage via SCSI. it's handling more time and read / write are long ... If it again, I waited for the Triton Extreme before buying because of that.

Trs good ....

UTILIZATION

Trs good ...

SOUNDS

Trs good ...

OVERALL OPINION

APRS prsence several years, the Triton is an excellent synth far from being deprecated ... If you are looking for acoustic sounds, it's good and it's not the top step him that he must look ... everything scratches, piano, brass, it's really rough, but acceptable on a scne (but not in a compound pro). but cons, level ground, strings, basses, there is excellent. MOSS card is mandatory when you have this synth is not having a ...... crime! In fact, all sounds electro, electronic hacking original sounds and will be able RALIS grace this card, and it increases enormously and much of the sound quality of your card without the Triton .... It becomes a simple workstation capacity to limit council .... I also purchased a card to replace the piano preset trs trs existing poor quality ...
Finally, still NEWS workstation for a quality price ratio trs Hon! MOSS think the map ...