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4.0/5(3 reviews)
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Lau.
bang
Published on 01/01/14 at 06:56 (This content has been automatically translated from French)on the accuracy because I put a while to find the info: internal table changes (explained in a document Mackie; google) allows to change the routing of many things including auxiliary outputs (eg 3 pairs of the post instead of eq 2)
1 eq semiparametric the medium mono tracks, 4 eq fixed on stereo tracks etc.
UTILIZATION
everything is clear!
SOUNDS
YUM! I had never had professional table so far, and having passed a viola L16 that there I no longer recognized my pieces! happiness! the table is difficult to saturate, when it goes into the red there is always sweet potato etc! For me it was a slap! On electribe that I branch with other synth groove box and I totally found it gave...…
1 eq semiparametric the medium mono tracks, 4 eq fixed on stereo tracks etc.
UTILIZATION
everything is clear!
SOUNDS
YUM! I had never had professional table so far, and having passed a viola L16 that there I no longer recognized my pieces! happiness! the table is difficult to saturate, when it goes into the red there is always sweet potato etc! For me it was a slap! On electribe that I branch with other synth groove box and I totally found it gave...…
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on the accuracy because I put a while to find the info: internal table changes (explained in a document Mackie; google) allows to change the routing of many things including auxiliary outputs (eg 3 pairs of the post instead of eq 2)
1 eq semiparametric the medium mono tracks, 4 eq fixed on stereo tracks etc.
UTILIZATION
everything is clear!
SOUNDS
YUM! I had never had professional table so far, and having passed a viola L16 that there I no longer recognized my pieces! happiness! the table is difficult to saturate, when it goes into the red there is always sweet potato etc! For me it was a slap! On electribe that I branch with other synth groove box and I totally found it gave them a second life presence level!
eq does its job, shame stereo tracks do not have a semi-parametric as well (for my use would have been better) etc ... the "air" function subgroups is effective to raise the eq so musical!
Maybe I get carried away but at that price ..
OVERALL OPINION
I used 5/6 months back, then row for nomadism ...
What horror to connect my groove boxes then live in the sound card ..
so I can quickly make a comparison with what I know, not necessarily in the same category:
A 2000 scene of an Alto L16
A 40 million places of samson 8 tracks that I forgot the name (my first table mix)
In "comparison" with audio interfaces:
When I put my electribe live in a tc Konnekt 24 D: beeeeeeerk! when I plugged in the Mackie SR24 Konnekt berk also but I have get used to it (the first time I put the hand out of the Mackie output directly on the yamaha HS80 paying attention to the VU meter ... ' javais never heard such a warmth of her home
I have a presonus studio firemobile also, it might be better but far,
a motu ultralite also, maybe it sounded not too bad too, but that was a long time ago and not with the same instruments
The particulité I like the least and that pushes me to find another solution: no direct outs ... not a problem for the live jam machine, but to compose songs quickly today or retouch improve ideas made on the flow afterwards ... erf ... if I can do I modify custody
I rather regret that there is a fixed 4 eq bands on stereo tracks, not a 2 fixed + 1 semi parametric bands
1 eq semiparametric the medium mono tracks, 4 eq fixed on stereo tracks etc.
UTILIZATION
everything is clear!
SOUNDS
YUM! I had never had professional table so far, and having passed a viola L16 that there I no longer recognized my pieces! happiness! the table is difficult to saturate, when it goes into the red there is always sweet potato etc! For me it was a slap! On electribe that I branch with other synth groove box and I totally found it gave them a second life presence level!
eq does its job, shame stereo tracks do not have a semi-parametric as well (for my use would have been better) etc ... the "air" function subgroups is effective to raise the eq so musical!
Maybe I get carried away but at that price ..
OVERALL OPINION
I used 5/6 months back, then row for nomadism ...
What horror to connect my groove boxes then live in the sound card ..
so I can quickly make a comparison with what I know, not necessarily in the same category:
A 2000 scene of an Alto L16
A 40 million places of samson 8 tracks that I forgot the name (my first table mix)
In "comparison" with audio interfaces:
When I put my electribe live in a tc Konnekt 24 D: beeeeeeerk! when I plugged in the Mackie SR24 Konnekt berk also but I have get used to it (the first time I put the hand out of the Mackie output directly on the yamaha HS80 paying attention to the VU meter ... ' javais never heard such a warmth of her home
I have a presonus studio firemobile also, it might be better but far,
a motu ultralite also, maybe it sounded not too bad too, but that was a long time ago and not with the same instruments
The particulité I like the least and that pushes me to find another solution: no direct outs ... not a problem for the live jam machine, but to compose songs quickly today or retouch improve ideas made on the flow afterwards ... erf ... if I can do I modify custody
I rather regret that there is a fixed 4 eq bands on stereo tracks, not a 2 fixed + 1 semi parametric bands
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20
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FF2S
At least we can start working!
Published on 11/01/11 at 08:19 (This content has been automatically translated from French)Obviously in our time, he may be accused of not being powered ... but otherwise, it is reliable, and his six auxiliary lines are useful (5 returns and an effect for example), and 4-way "sub" are very useful to manage a large battery.
UTILIZATION
Easy to use when we know.
SOUNDS
Its own, no significant blows.
OVERALL OPINION
Good food, ideal for the stage. Ideal for doing a good job at not too expensive!
UTILIZATION
Easy to use when we know.
SOUNDS
Its own, no significant blows.
OVERALL OPINION
Good food, ideal for the stage. Ideal for doing a good job at not too expensive!
20
»
Anonymous
Published on 05/24/06 at 14:32 (This content has been automatically translated from French)
This console is not rack (too large) but there is a very good flycasse for transport.
20 mono channels, 4 stereo, 4 subgroup.
the connection is to enter into his or XLR jack, there is one insertion per track. Outputs: XLR and JACK.
qualizer 4 bands.
no effect will integrate.
UTILIZATION
This mixer is very easy to use (analog).
SOUNDS
NO Soufli, sounds great, the qualizer is very reliable
OVERALL OPINION
I was using two days, I bocoup qualiser the graph and the (6). shame there is not an output for each.
I try another model before this one, of Pettie and big ... but if it is very good.
The value for money is good but it is expensive ...
if I could I buy it …
20 mono channels, 4 stereo, 4 subgroup.
the connection is to enter into his or XLR jack, there is one insertion per track. Outputs: XLR and JACK.
qualizer 4 bands.
no effect will integrate.
UTILIZATION
This mixer is very easy to use (analog).
SOUNDS
NO Soufli, sounds great, the qualizer is very reliable
OVERALL OPINION
I was using two days, I bocoup qualiser the graph and the (6). shame there is not an output for each.
I try another model before this one, of Pettie and big ... but if it is very good.
The value for money is good but it is expensive ...
if I could I buy it …
Read more
This console is not rack (too large) but there is a very good flycasse for transport.
20 mono channels, 4 stereo, 4 subgroup.
the connection is to enter into his or XLR jack, there is one insertion per track. Outputs: XLR and JACK.
qualizer 4 bands.
no effect will integrate.
UTILIZATION
This mixer is very easy to use (analog).
SOUNDS
NO Soufli, sounds great, the qualizer is very reliable
OVERALL OPINION
I was using two days, I bocoup qualiser the graph and the (6). shame there is not an output for each.
I try another model before this one, of Pettie and big ... but if it is very good.
The value for money is good but it is expensive ...
if I could I buy it
20 mono channels, 4 stereo, 4 subgroup.
the connection is to enter into his or XLR jack, there is one insertion per track. Outputs: XLR and JACK.
qualizer 4 bands.
no effect will integrate.
UTILIZATION
This mixer is very easy to use (analog).
SOUNDS
NO Soufli, sounds great, the qualizer is very reliable
OVERALL OPINION
I was using two days, I bocoup qualiser the graph and the (6). shame there is not an output for each.
I try another model before this one, of Pettie and big ... but if it is very good.
The value for money is good but it is expensive ...
if I could I buy it
See less
10
»
Tech. sheet
- Manufacturer: Mackie
- Model: SR 24.4
- Series: SR
- Category: Analog Mixers
- Added in our database on: 02/10/2003
http://www.flitemedia.com/downloads/mackie/sr24-4_sr32-4_om.pdf
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Other categories in Mixing Consoles
Other names: sr 24 4, sr 244, sr244, sr24 4, sr24