All user reviews for the Yamaha 01V

Now known and recognized the 01V is a very good restaurant. No breath, sharpness, many possibilities depending on the use of everyone, this is my studio behind synths which must preserve the ultra fine adjustments.

UTILIZATION

Goodies:
Shipments to the bus and great practices, and outputs configurable inputs leisure a treat. Effects. The price secondhand.

SOUNDS

Converters, effects (reverb I prefer Lexicon), great dynamic.

Cons:
No inserts, no buttons to send in buses, the lack of analog inputs as standard.
The dynamics processors, I definitely can not be satisfied with these digital compressors, so I use the good old external devices.

OVERALL OPINION

Purchased new, always been used.

ok automation
for the effects I have ever used live so I can not comment on ca

UTILIZATION

for digital I find it rather easy but it is nevertheless a beautiful gas plant, as all tables ca numerical test requires a lot of test to use it well

SOUNDS

converters very good quality for the age of this table. but it must be more recent honnette products as a mere N8 I got are much hotter.
dynamics is very very well respected.

OVERALL OPINION

very very very good value for money only one of the digital inputs 12 XLR who possess this quality and age of this.

See data sheet

UTILIZATION

The config is pretty simple. I appreciate the side "while onboard." No need for external racks for live ...

SOUNDS

Converters for the very good .... live for the studio, it is a fair bit against by .... I added the Adat card, and suddenly becomes the 01v ideal complement to the fireface 800.
The effects are decent, nothing more.
Converters are a bit transparent, but provide for their price ...

OVERALL OPINION

I use it for 8 years and never bp. I have all my sound preset formations inside, and it gives incomparable comfort d.utilisation ....
on the other hand, it is impossible to parameterize a working sequencer, unlike the 01V96 ....
A classic live in caf conc ...

RCA connector, jack, XLR option you can install an input or output (Adat, XlR, jack ...) to 44.1 or 48 kHz sampling, built-in effects ...

UTILIZATION

For a beginner in digital console that is still a bit confusing, but it 's it quickly and the manual is well done

SOUNDS

converters / dynamic: I m too could not engage on these issues because I mostly used for recorded music

effects are effective (compressor, gate) reverbs are metal (very finely dosed)

OVERALL OPINION

I used 1 year sound sporting events (2-3 microphones and recorded music) I need compression and gate the slices microphones, ducking slices on music, so this table is the case and I can no longer lugging a rack of compressors since it is equipped as standard.

it is to start in digital after for use purely musical I find it lacks inserts on the edges microphones and signal routing seems a bit archaic when compared with just her big sister (01V96) that offers bcp more possibilities.

against by a small formation or animation / events we branch, we recall the scenes recorded and hop rolling! useful if you often play in the same bar or the same small room (that is the advantage of digital)

Is rack?

Yes

How many lanes, bus attendant, departures, returns ...)?

16 tracks, and 2 to 4 effects processors

What is the type of connectors (RCA, Jack, XLR ...)?

The parametric equalizer is it?

Equalisuer adjustable graphic: it is the rule curve, or by numerical value, very well done

An effects section is it integrated?

Two assignable effects, which shall settle separately.

UTILIZATION

The general configuration is it simple?

The grip of the console is very rapidemment, motorized faders and recalls memory of scene are really very practical, ideal for the live.

The usual functions are they easily accessible?

very easily, all the buttons to access the different console menu are grouped and very readable, which makes the console very easy to use

The manual is clear and sufficient? ...

As often happens, we are dealing with has a good paved this manual ... but if you look for something accurate, you will steer you in the right direction

SOUNDS

The A / D converters and D / A are transparent?

Yes


The effects and filters are effective?

Yes, very effective

The dynamics are respected? ...

Ouim the table possesses aillor by a compressor that works very very well (once good rule)

OVERALL OPINION

How long have you been using?

August 2012, at least 3 times a week

What is so special that you like most and least?

recalls memory of scene, motorized faders, 2 parametreables effects, compressor, band equalizer ...

Did you try many other models before buying it?

Some models

How do you rate the quality / price?

Very convincing

With experience, you do again this choice?

Quite without hesitation.

connections classic XLR, RCA ...
12 mic inputs only, as the range of 01V, which is too little on many configurations; shame because it is fairly complete. Parametric eq. Internal effects, dynamics processing on each channel.

UTILIZATION

Simple when you know a little numerical tables. I did not read the manual. Functions accessible even if you still have a little knowledge before being efficient.

SOUNDS

Then it becomes a bit difficult to judge. Today, she is overwhelmed level processing (EQ, dynamics, fx). I prefer to work with the same brand of analog with some external compressors. For eq, the screen is almost unreadable.

OVERALL OPINION

Sturdy table can be easily trimballée, reliable (never seen a crash). Ideal for all small projects or try your hand too but just level sound quality compared to the current tables (even if it is difficult to find as robust and reliable with a small budget today)

Everything is good about these settings for my use.

UTILIZATION

This is my first table, I was very hard but hey this is for my needs I have in my hand but I still have much to discover I only use half of these possibilities.

SOUNDS

Everything I need is at my level in this table; impeccable.

OVERALL OPINION

As with any installation, it is not the table, there is the source and HPs.
I work with a Mac, Micro SM58 file without the 01V back MSR 400 and 2 front 2 DSR 215, I am very satisfied.

With 12 PCM channels, returns its four circuits, integrated effects and Equal parametric plutôy good to make the stage for amateur groups but demanding

UTILIZATION

Must be appropriated, it is a real computer, but once you understand his way of thinking .... a pleasure to speed

SOUNDS

The more we advance in sound, it is more demanding. The weak point of this table is the age of technology and pre amp exceeded. In spite of everything we come out good sound live

OVERALL OPINION

My table out every 3 weeks on average for the live.
Aside from a problem with the expansion slot which was rebooting the table if the extension is engaged, I am fully satisfied.
Obviously, when I have the chance to try a LS9 DM1000 or 01V96 or the last, I said .... but for the investment I made, I am satisfied.
If I invested in another table, I will keep this one anyway

Digital rackmount option.
XLR inputs jacks, rca to 2tracks
12 mic inputs + 4 line inputs
4 departures omni stereo out jack + XLR + stereo monitor out jacks in
4 eq parametric input and output
2 internal FX
automation, MIDI

UTILIZATION

config simple for anyone who knows the logic Yamaha
never opened the manual
basic functions clear and accessible

SOUNDS

Yamaha basic converters, preamps same, nothing magical
Parametric EQ precise

OVERALL OPINION

10 years, it was my first console
since I have used many, many, many. But I kept it because it did not bother fail, and even now I take with me for small concerts and I do not know what I'm going to console as M. .. E onsite at least with her I know what I have: a complete governed in a small box.
You can now find it for a pittance, it's still 1000 times better than the Berhinger

Rackable. Mounting rack option. Connectors XLR, Jack and RCA for the 2TR.
Sampling at 16 bit/48 kHz maximum. Just a little today but excellent at the time in 2000. 16 inputs: - 12 XLR mic inputs. - 2 line inputs stereo jack. - 1 Input / 1 RCA 2TR.
4 Auxiliary Bus 4. 2 Effects. (Powerful integrated multi-effects) 4-band parametric EQ complete. Automation with motorized faders. Synchro control system from the console. Noon. 48v Phantom power.

UTILIZATION

easy to use if you take a little time to read the manual very intuitive anyway!

SOUNDS

it is a little outdated to record an album, but sufficient for a model or to the live.
I use it mainly live and the sound is better than the current analog for the same price. Without the need for compressors and other external effects: they are already in the beast!

OVERALL OPINION

I use it for almost 4 years, and live again. No worries since it's tough!
For a group like mine, it is exactly what we are looking for a very good report his / ease of use.

I recommend this and I will ever use this option without problem.

I still have my 01v extension with 8 analog inputs for my keyboards.

of origin, it has 12 XLR inputs with 48v if needed + 2 stereo inputs (Line)
which I added my 8 line inputs on my card.
There are 4 bus, 4 outputs "mix" or you can send one to, 1 bus, 1 output L or R.
I used to 44Khzmmais I believe it can go up to 48.
EQs are 4 ways out of every parameter and master output too.
it is controllable by noon it 100 memories of scenes.
sync, except for MIDI, it should consult the doc because I do not use
that live.
there is a dynamics processor on each slice (comp or gate) and two multi-effects very nice. there are even reverb + delay, which allows the use of other multi-effect flanger + or another.
but it must tinker rack ears or find as option.

UTILIZATION

Commes all yamaha digital consoles, the 01v is simple to master once we spent a few hours on it.
I keyboards and I manage real-time effects, and returns the same EQ with my left hand playing at the same time ...

the record, I opened to understand the minimum, and then, .. it runs.
controls for MIDI, spdif, clocks, everything in there. I have friends who have had this console and mastered but personally I've never needed ..

SOUNDS

on sound and dynamic converters are already outdated
(It has more than 12 years) but I think it does a good job.
Yamaha's reputation, it is the lack of heat!
for me the effects are very clean (reverb, delay ...). compressors tops but not there!

If we compare with the latest generation of this type of mix is ​​sure to € 1500, there's more!
For cons, the price of the occasion (€ 450) is a good plan!

OVERALL OPINION

my 01, I use it for more than 10 years on stage. I checked every year, a little help clean it off again! is reliable (more than 1000 concerts).
she traveled to fly, there is only me who uses it.

Before, I used a mix analog tascam and it was night and day!

in concert, sometimes in Zeniths, no sound engineer told me "it sounds" blah ".

short, I am more than happy!

it may be that I separated into year-end, if you're interested .....

A +

The Yamaha 01V is a digital mixing console that can do a lot for you right at your finger tips. Even though its no longer produced and has been replaced with the 01V96i version from Yamaha. There are still some in the used sections at music stores which could be a big break for you because the price will be way cheaper then what it was when it first came out. With 24 channel stereo and 24 bit digital recording you cant go wrong with the o1V. If its not about the money then sure go ahead and get the newer model Yamaha o1V96i and have the newest version.


UTILIZATION

The EQ in the 01v is very good and has worked great for me. You really have full control of the overall sound with the EQ on it. You can really get the best out of your music on the Yamaha o1V just from the EQ options alone. All of the eq seems to be distortion free as well.



SOUNDS

Sounds are great, effects are strong and don’t get distorted either. Love using this unit for a live setting. It provides me with all the tools that I need no matter what situation I am in. Im thankful that I got this at a good price and actually found this model. But the newer one Is so much more expensive that this one is.


OVERALL OPINION

Overall, great mixing console all I can really say is beware because after using for a while it seems to get really warm and I don’t think it has any type of built in fan at least from what I can tell so I keep a fan on it if its going to be on for a long period of time. Cant afford for anything to get fried. So you will have to make sure it doesn’t over heat on you, it may never over heat but that’s a risk im not willing to take with a piece of gear that I use often.

I paid about $1600 for this unit at a local Guitar Center store. I needed to move my home studio to more tracks and get something I could also use for live gigs.

I was very happy with the 01V until I outgrew it's track capacity and had to move up to an 02R. I still like some things about the 01V better. The effects are better sounding than my more recently acquired and much more expensive 02Rv2. The fader automation is handy for switching between projects. I had no trouble adapting to the control surface. There is about the right balance of individual channel controls vs. shared controls that act on the currently selected channel.

The 01V T-DIF cards for connecting to Tascam digital tape units (DA-38's in my case) don't handle word clock sync and the separate word clock output doesn't help any. I ended up going ADAT connectors to my MOTU and TDIF from there to the DA-38's. It was a bit hard to find a case for but I did find a semi-rigid well padded case (nightmarish ordering process - I don't recommend ordering custom cases or anything else that isn't in stock in store from Guitar Center).

Yamaha has timing down much better on the ADAT interfaces.Very solid. My initial concerns about taking it on the road to small gigs have been resolved as it is standing up very well.

Well I'd been out of mainstream audio for about 15 years. Compared to what $1600 got you when I was last active to what I got for my money with this purchase I was amazed! And it hasn't stopped there. The new AW-4416 is what I think the Roland VS-880 family should've been.If you're sure that 16 channels is enough for a while buy this unit or look at the 4416. I liked the unit so much that I almost bought a second one and chained them together when I needed to expand.


This review was originally published on http://www.musicgearreview.com

I paid about $1600 for this unit at a local Guitar Center store. I needed to move my home studio to more tracks and get something I could also use for live gigs.

I was very happy with the 01V until I outgrew it's track capacity and had to move up to an 02R. I still like some things about the 01V better. The effects are better sounding than my more recently acquired and much more expensive 02Rv2. The fader automation is handy for switching between projects. I had no trouble adapting to the control surface. There is about the right balance of individual channel controls vs. shared controls that act on the currently selected channel.

The 01V T-DIF cards for connecting to Tascam digital tape units (DA-38's in my case) don't handle word clock sync and the separate word clock output doesn't help any. I ended up going ADAT connectors to my MOTU and TDIF from there to the DA-38's.

Yamaha has timing down much better on the ADAT interfaces.Very solid. My initial concerns about taking it on the road to small gigs have been resolved as it is standing up very well. It was a bit hard to find a case for but I did find a semi-rigid well padded case (nightmarish ordering process - I don't recommend ordering custom cases or anything else that isn't in stock in store from Guitar Center).

Well I'd been out of mainstream audio for about 15 years. Compared to what $1600 got you when I was last active to what I got for my money with this purchase I was amazed! And it hasn't stopped there. The new AW-4416 is what I think the Roland VS-880 family should've been.If you're sure that 16 channels is enough for a while buy this unit or look at the 4416. I liked the unit so much that I almost bought a second one and chained them together when I needed to expand.

This review was originally published on http://www.musicgearreview.com

Rackable. Optional rack brackets. Connectors XLR and RCA Jack for 2TR.
Sampling rate up to 16 bit/48 kHz. A fair bit today but excellent at the time in 2000. 16 inputs: - 12 XLR mic inputs. - 2 line stereo jack. - 1 Input / 1 RCA 2TR.
4 auxiliaries, 4 Bus. Two effects. (Integrated powerful multi-effects) 4-band parametric equalizer complete. Automation with motorized faders. Sync and control system from the console. Noon. 48v Phantom power.

UTILIZATION

Simple configuration, easy to use. The manual is clear and sufficient. I find this console very easy to use despite many opportunities in the studio or live. All functions are easily accessible.

SOUNDS

Very good sound. Effects, dynamic processors available effective on all channels and mix. Good momentum at the time. Now the 24 bits is required. See 01V96.

OVERALL OPINION

I use it for 12 years without reliability problems. I added a map to get four additional outputs for a total of 8 outputs for saving me a battery. I've used other consoles but analog. Nothing to see, the possibilities are multiplied in digital. I used the RAMSA WR-T820 which is very comprehensive but very heavy. A carry at least 2.
- What I love most:
I love just about everything (I love that console). The ease of use.
The ability to add a card (ADAT, 4 outputs, ...) I appreciate the digital opportunities. Effects, dynamic processors available for each entry way, the complete equalization on each channel. Can store these propes equalization, dynamics processors, mixes ... The weight (12.5 kg) portable for live (rackmount). The versatile studio / live.
The accuracy of digital (saving settings). Automation. MIDI. We can control the console from a computer (fader, pan, ...) The digital output. These capabilities into a small space (rack).
I forget certainly other things I like.
- What I like least:
There is a dust problem that goes behind the screen (see screen cleaning tutorial), despite the great care that I bring. No one to insert the two integrated multi-effects are not enough.
You understood that this choice I would do without thinking. Very good material. To be replaced by 01V96 today. A buying opportunity now to live for these numerous possibilities, required for groups.

See CHARACTERISTICS dj deals.

UTILIZATION

Config gnle rather simple, you plug and running.
A manual trs 300 pages full of useful s'avre who does not know Yamaha ....
The handling is simple asser must get used to navigate through menus and sub menus.
01v of the M7CL, Yamh kept the same logic.
7 / 10

SOUNDS

The Yamaha 01V pmris a few wrinkles of course. But it remains for me very practical for a small group or aA sound. It should "kick the EQ" does not expect a sound that will put your ass on the floor ... But for the price, especially now occas', though I find I find it.
The practice of having ct, compress' gate, limiter, etc. effects. just to walk around in without his rack.
Pramps of a little cold. But in any fawn they will not play with a 01V system or Christan Adamson Hell ... It will fit your small, medium and fill out its config rle.
6 / 10

OVERALL OPINION

I used two, sometimes link together for seven years. The 01v silent the best quality price numrique.
I tried mackie, today I have a live studio prsonus 24. I will not speak of the "larger" essay because numrique see anything ...
I think I buy a 01V96V2 for small benefits and live thatre.
I like the least and the navigation a bit cold in ct pramp.
Excellent price quality ratio, I possd four in all. Never fault or bug. these preparations in loc, and I shot a lot of concerts. Yam Costaud anyway.
7 / 10

I think that says all t, if not just for the record rcuprer a.
On leaving, c't at the top, now it is true that it is a bit technically Exceeds (number of limit chantillonage, ect ..)
Every time I use the point that I toujoursn ESG as the number of ...
(So ​​I Intgr 4 Behringer RX1602 rack my set for input synths, it's a solution that suits me).
On leaving I would have put more than 7.

UTILIZATION

All is well for me, but this is subjective and probably li the fact that I can use it for quite some time.
It can also serve as a major controller noon if we take a little time, which is to live INTERESTED.

SOUNDS

Everything is okay trs.
Since even if there are better.
L as a few years ago I would have put more than 7.

OVERALL OPINION

I use it for 10-12 years.
Before I had a console not numrique, c't bcp more complicated to "keep" his rglages. OCCAZ now is a good deal, the rest of the hardware was "semi-pro".
I would do my choice of the era without hsitation.
Today I do not know if I bought a console (which I am not planning for it agree!) I would look at the newer version.

Yes (via Querre a purchase sup)

12 XLR / TRS jack, 2 input jack Stros
Between I / O RCA tape

Sampling 16bits/44, 1kHz

4 to mono - 4 Stereo Bus - 2 I / O to internal effect

Paramtrique EQ and dynamics processing on all channels

No automation, but motorized faders for backup / restore paramtres

UTILIZATION

Very simple configuration for connoisseurs of OS Yamaha

Manuel ultra complete and on paper.

The interface is complte trs. It is trs ais to take all of intrts numrique (routing, effects)

SOUNDS

A / D converters and D / A and pramp trs dishes.
They especially 10 years.

Effects effective but not necessarily beautiful

OVERALL OPINION

I use it for 10 years

I did basically all models of numriques dernires years (benefits).
I like my little 01V even if it is now hyper Exceeds.

I like the versatility of numrique

I bought 10 years ago in 1000.
Used for 500, was worth

Rackable
16 channel / 4 bus / 4 In / 2 Effects
Connectors XLR & Jack
4-band EQ on paramtrique
Effect of type 2 x REV500

441,000 16bits
Automation controller and MIDI sysx
Midi clock sync

UTILIZATION

APRS simple configuration gnrale a thorough reading of the record
Classification logic functions easily accessible from the menus
Manual FR light and full of examples

SOUNDS

For this price the sound is relatively transparent ... For large habitus Systmes studio it will be found a little mtallique
Effects are effective when torture (full paramtres)
Dynamic trs correct ...
For some synths INTERESTED is not to the-20dB PAD and almost zero-gain and use and the whole dynamic of the bte ...

OVERALL OPINION

A report qualitprix unbeatable
A complte automation in the computer via MIDI squenceurs

I even bought two!

TRS is a good tool!

16 channel console numrique INTERESTED trs.
The similar but more compact and O2R without his headband VU meters (with damage!).
The 12 XLR inputs with phantom power supply justifies some of its price ...
otherwise, there is the basic connection (RCA 2TR/in, jack of all age ... etc) but also numrique connectors (AES / EBU for magnto eg, SPDIF).
It is 3-band equalizer to dot with FM Settings, and dynamics processing and effects like the O2R.
It supports 44.1 kHz autosync, also ms in 48kHz extsync ... INTERESTED.
It does not rel automation (and yes this is not a O2R!) Ms it can save scnes.
if not, there are 4 to which s'avre trs quickly indispensable.

UTILIZATION

The typical use is very easy and getting started is fast (for designers to console numrique).
I used both in the studio and concert sound small.
In the first case, it can quickly problmatique s'avrer trs:
- Dj must be added ADAT IO option can be used in a normal studio numrique (eg with a pro tools with an ADAT bridge).
- More when the branch with the pro tools and a DAT magnto numrique .... we must constantly juggle the external sync .... IO Option ... Syncro and internal c ... is even more difficult when you want to work in 48 .. kHz (48kHz not internally!)
- And the lack of large and beautiful VU meters lack the readability ...

In the case deuxime is more interesting:
- The effects and dynamics processing in-house are more than enough for the cafés-concert.
- The changeover is quick DIFFERENT menus (APRS uses qq).
But, the notch s'avre soon too small, and therefore should not be too shortsighted!

SOUNDS

The pramplificateurs are good quality, and the converters are pretty good (certainly it is not apogee!).
Are transparent enough ... she did not envy that level but the trs well know to be forgotten at the sound.

OVERALL OPINION

Console trs well for medium budgets who want to have fun ..
However, the notch, the meters, Option IO, and sync for studio numrique, are not paramtres ngliger for users express.
However, it is trs many small sound systems config.
However, for around 1600, you still have the rflchir useful if you want to do.

This is a rackmount console, it possde 16, 20 or 24 between depending on the option board. Has 4 bus, 4For, plus 2 of the effect. the connectors are XLR and jack, the equalizer is parametric in number by 4, and 2 possde effect internally.

UTILIZATION

The configuration is very simple, intuitive and above and the doc is very well realis

SOUNDS

The overall sound is clean and the trs converter are invisible, the dynamic effects of both the reverb trs are effective and they are setting on all the angles

OVERALL OPINION

I am a user of the 01V scne studio and is a good trs console, which is configured as you wish. (I tested the Behringer DDX3216 and promix) these consoles are not comparable to the 01V. the price is very well placed is the only missing a default port for aditional card option because I have the desire 4xlr as input and four output xlr but n is not couraging. (Too bad, but rather forgive quickly) the handling is quick because it possde 7 button then 3 for rotary control EQ and panning. I suggest the console is a well thought trs.

(In time it is in 1200)