The Vintage Keys sound module being only one more, it must be used with either keyboard or other MIDI keyboard matre ... His number is dpendant octave keyboard which directs. It inherently more than 20 MIDI controller (virtual) and 3 between possde effects (wha-wha, reverb, etc. ...). It holds 256 ROM sounds and a place possde 256 sounds "traffickers" in RAM.Son advantage is shuffled instrument sounds included "virtually" every musician would like to have a fan of the seventies (Rhodes, ARP 2600, Minimoog, Odyssey, Hammond B3 with zippers, etc. .. .) so it can be used either to remake the good old Techno Funk or in short it is versatile.
It is not easy but what use does this rgal When compared to the standardization of all existing instruments.
Manuel clear for use simple.Si you want to use this tool 100% capacity it takes patience.
The sounds reflect those used by Lenny Kravitz even if some may be too numriques (lack of heat but it can be Anloga remdier with the effect) to VLOC and the aftertouch no problem ...
My sounds are prfres paradoxellement those he was the hardest well sampled: B3, Rhodes, Wurlitzer, Farfisa, clavinet and other instruments of the era trs hot ...
Those who ask me bcp still learning my lack of knowledge of 'radical' change its waves are the synth that can work on the Jean Michel Jarre and other ncessitant lot of LFO, X- insipid rndent instrument jubilant.
I use this instrument for 7 years and have improved by asking a ingnieur (Vincent MAURY) to get a synth like CRER Memorymoog with 50 potentiomtres plutt than using the DATA wheel expander your checks each edition of a work o collection for me (send me a photo that request). What I prfre is being able to change v ritablement sounds thanks to two low pass filters, the LFO with 5 styles, reverb planning and other ...
I had not tried other instruments of the same era style but knowing that the sampled sounds are from the Emulator III, could be as bon.Si can be find OCCAZ then do not because some sounds hsiter plug-in did not reach the ankle.