large diaphragm dynamic microphone. the membrane is suspended. 50 <Hz 18KHz
vocal mic Snare HH
it exists in two versions. 1 with leather pouch and other UT I recommend for the price. otherwise different color: pink outch even sore eyes.
bought there almost a year. used on more than 150 concerts.
I used them on backing vocals at the beginning to discover that it is on the snare top.
vocal mic as I have already tried the SM58, e935, PR35, another 100 200 Ev 767 nd, beta 58 ...
sm on the snare 57 at 33he, ev nd468, Beta57, E903E905, pr31bw, D3 ...
the voice: it is a very good mic that is open enough, no need to stick on the mouth. the top end is very well made without being garish. the bottom is not bad although I prefer the PR35 of the same brand. UAS problem of feedback. The noisy scenes it tends, made the opening, á resume drums and amps. good but not serious. I advise more for acoustic groups and it is excellent.
Snare on top is excellent. the bottom is very good and super high. nothing to See the SM57 is for me too "tablet" and too limited in the upper spectrum. compared to pro23he and nd468 that are great for the serious snare but are limited at the top there is no picture is better. Anyway for me the ultimate micro Snare only 31bw pr is better but it costs more than double. pity that it is long. J would like to have a shorter version of this microphone. Mr. Bob Heil made us a short version as pr31bw Pleeeeasee.
I discovered that it is really, really good on the HH (charley) and so dynamic on the HH.
I may be back for 3 Underhead battery. when my banker will again smile.
not tried it on guitar amps because I have the PR30 for it.
His most is that the sound coming out of the connection and without EQ is very nice, a hollow in the lower midrange resonance.
Powerful bass (when the voice is low and no "pope" not too much)
a sharp light and airy, no more problem of feedback with other mics mentioned.
The price is very honète (especially when you find a good vein because it is not yet distributed by here and we need to make caffe "thieves" at my Customs that require exorbitant costs of opening package (25 €) and you charge a VAT that you have already paid!
I have yet to put one on yesterday evening with five different singers that follow? the sound is good "straight" and when the singer is in place editing is a bit extreme (bass and treble "as needed or as tastes.
The audix OM6 is super cardio and if the glue is not the mouth it has nothing!
The SM 58 is the one I like least for a long time. it never sounds "right" by his feedback at once and talks by shouting very loudly.
The prodipe TT1 has a nice sound flattering (but in too low), but the strength? and feedback ...
The PR22 it takes quite large (more than the sm58 and almost as much as TT1
But without having feedback problems (no more than the SM58 or OM6) It is truly amazing.
All singers who used it loved it.
I saw one of which would keep the SM58 can be because he sang with for many years and I think these singers change their voice to eclipse knew SM. In this case we then have very little bass and treble too much into a microphone as OM6 or PR22. But this case rarely happens.
In the range HEIL is a mid-range!!
below there to the PR20
above the PR35