Articles on audio mixing: techniques for a professional sound

Adam “Nolly” Getgood is more than just the bass player in the progressive metal band Periphery. He's also a producer and engineer with an extremely intelligent approach to recording, and he played a …

Today we'll talk about the phenomenon of mic bleed, and how it can cause difficulties during a mix.

Now that we've seen the main parameters of a Noise Gate, let's move on to the practical side, starting with its most traditional use: suppressing noise.

This week we'll tackle a type of dynamics processing that was used all the time in the analog days, but, bizarrely enough, doesn't get called upon nearly as much in the all-digital era. And yet it's …

Located about 20 minutes northeast of Nashville, Fry Pharmacy Recording is a throwback to the days when tape ruled supreme. Audiofanzine visited the studio recently, and we produced this video tour.

While the compressor is the tool par excellence when it comes to treating the dynamics of an audio signal, you shouldn't forget that there are other types of processors that can prove just as effecti…

The number of compressor plug-ins on the market is overwhelming. As you'll surely understand, it would be impossible for me to create an complete list here. Nevertheless, my collaboration with Audiof…

In the previous article we saw how multiband compression can be used at the mixing stage. Today I'll show you how to dial in a multiband compressor to get the best results.

Before multitracks were invented, when all recording was done totally live, it was the arrangement more than anything that made the music sound balanced. The composer had to write for the ensemble as…

In this new installment we'll tackle multiband compression during mixdown.

This week we'll look into a side effect of compression that's beneficial, as long as you use it wisely. It's the so-called "glue" effect that takes place when you use a compressor on a group of track…

Today we'll continue unveiling new tricks and tips on compression with an installment dedicated to the sidechain.

In this week's chapter, we'll tackle a specific use of compression you have surely heard about before, not least in our series of articles dedicated to mastering. I'm talking about parallel compressi…

Now that we've seen the basic usage of compression when mixing, I'll walk you through a couple of tips and tricks that I'm sure you'll find quite useful. This week we'll look into a technique that mi…

“For me, the most important part is for the music to sound alive and to have good energy," says producer/engineer Reuven Amiel, "and I always base the mix on that. No matter what type of music it is,…

If you’re skilled on your instrument or have developed strong mixing or other engineering skills, you may find yourself offered freelance work at some point. When that happens, it’s important to know…

Today, I invite you to continue exploring the possibilities of dynamics processing at the microdynamic level. After having dealt with "punchy" sounds, we'll use dynamics to go for the opposite — "rou…

After looking at some applications of compression at the macrodynamic level in the two previous articles, we'll deal here with microdynamics, starting with how to get a "punchy" sound.

“I've always mixed people's records,” Klaus Hill says, “it's just something I've always been very good at.” In the eleven years since he moved from England, Hill has established himself as one of the…

Professional engineers typically render more than just a full version when they finish mixing a song. They also run a number of variations, which are referred to as "alternate mixes." In this article…

Today we'll continue our discovery of the use of compression with an application that will surely interest all of you: An increase in loudness.

If you are someone who’s interested in learning more about recording technology — and you probably are, since you’re reading this — you may have come across interviews with big name engineers and pro…

In this episode, we'll concentrate on dynamics processing during mixdown, and we'll see how to use compression to give consistency to your tracks. This usage, in my opinion, is the most important one…

Mixing a song offers a cornucopia of creative choices. You decide how loud to make every instrument, where to place it in the stereo image, which effects to use, which tracks to mute, and so forth. I…

This week we'll proceed with the final steps of the method to learn about the sonic impact of the main parameters of a compressor. After having seen the attack and release times, now it's the turn of…