Compression as Glue - A guide to mixing music - Part 38
LearningThis week we'll look into a side effect of compression that's beneficial, as long as you use it wisely. It's the so-called "glue" effect that takes place when you use a compressor on a group of track…
Sidechain Compression - A guide to mixing music - Part 37
LearningToday we'll continue unveiling new tricks and tips on compression with an installment dedicated to the sidechain.
Parallel Compression - A guide to mixing music - Part 36
LearningIn this week's chapter, we'll tackle a specific use of compression you have surely heard about before, not least in our series of articles dedicated to mastering. I'm talking about parallel compressi…
Serial Compression - A guide to mixing music - Part 35
LearningNow that we've seen the basic usage of compression when mixing, I'll walk you through a couple of tips and tricks that I'm sure you'll find quite useful. This week we'll look into a technique that mi…
An interview with Grammy-winning producer/engineer Reuv… - Energizing the Mix
Interview / Podcast“For me, the most important part is for the music to sound alive and to have good energy," says producer/engineer Reuven Amiel, "and I always base the mix on that. No matter what type of music it is,…
The Art of the Deal - Negotiating tips for when you're offered freelance mixing or session work
LearningIf you’re skilled on your instrument or have developed strong mixing or other engineering skills, you may find yourself offered freelance work at some point. When that happens, it’s important to know…
The Opposite of Punchy - A guide to mixing music - Part 34
LearningToday, I invite you to continue exploring the possibilities of dynamics processing at the microdynamic level. After having dealt with "punchy" sounds, we'll use dynamics to go for the opposite — "rou…
Make Your Mix Punchy with Compression - A guide to mixing music - Part 33
LearningAfter looking at some applications of compression at the macrodynamic level in the two previous articles, we'll deal here with microdynamics, starting with how to get a "punchy" sound.
Top Australian engineer Klaus Hill on mixing, mastering… - Hybrid Mixing from Down Under
Learning“I've always mixed people's records,” Klaus Hill says, “it's just something I've always been very good at.” In the eleven years since he moved from England, Hill has established himself as one of the…
More than Just the Full Mix - Alternate mixes that pro engineers do for every song — and so should you
LearningProfessional engineers typically render more than just a full version when they finish mixing a song. They also run a number of variations, which are referred to as "alternate mixes." In this article…
The Right Way to Loudness - A guide to mixing music - Part 32
LearningToday we'll continue our discovery of the use of compression with an application that will surely interest all of you: An increase in loudness.
Watching the Waves - Visual clues from a DAW’s waveform display can speed up your workflow
LearningIf you are someone who’s interested in learning more about recording technology — and you probably are, since you’re reading this — you may have come across interviews with big name engineers and pro…
Add Consistency with Compression - A guide to mixing music - Part 31
LearningIn this episode, we'll concentrate on dynamics processing during mixdown, and we'll see how to use compression to give consistency to your tracks. This usage, in my opinion, is the most important one…
Start Your Mix Out Right - Comparing different ways to approach the beginning of a mix
LearningMixing a song offers a cornucopia of creative choices. You decide how loud to make every instrument, where to place it in the stereo image, which effects to use, which tracks to mute, and so forth. I…
Ratio and Threshold in a Compressor - A guide to mixing music - Part 30
LearningThis week we'll proceed with the final steps of the method to learn about the sonic impact of the main parameters of a compressor. After having seen the attack and release times, now it's the turn of…
