The Importance of Contrast in a Mix - A guide to mixing music - Part 77
LearningToday I'll close the brief parenthesis I opened last week. And I'll do that tackling a notion that is crucial when it comes to mixing, namely...
Of Width and Depth - A guide to mixing music - Part 76
LearningI feel a bit compelled to add a brief parenthesis after what I wrote at the end of the previous article. So, in the next couple of articles I will not limit myself to working with space but rather to…
More About Compressing Reverb - A guide to mixing music - Part 75
LearningToday we'll continue exploring the use of reverb and dynamics processing by looking at post-reverb compression.
Producer/engineer/songwriter Joe West’s fearless approa… - Never Say Never!
LearningJoe West has never been afraid to take on a project, even early in his career when he didn’t always have the requisite experience. “If you turn a gig down,” he says, “you end up in a situation where …
Reverb Meets Compression - A guide to mixing music - Part 74
LearningToday we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove qui…
Gated Reverb - A guide to mixing music - Part 73
LearningIn this new episode we'll address the strange marriage between reverbs and gates.
Sculpting Reverb with EQ - A guide to mixing music - Part 72
LearningWith this article we'll close the study of spectral control of reverberation by looking at post-reverb EQ.
Reverb Damping - A guide to mixing music - Part 71
LearningToday we'll continue our study of frequency control applied to reverberation by addressing damping. Usually, if you have given enough care to choosing your starting preset, you shouldn't need to twea…
Reverb and EQ - A guide to mixing music - Part 70
LearningWhen it comes to reverberation, spectral content is crucial. Processing at the frequency level can happen at three distinct points in the audio path: before, during or after reverberation. Today, we'…
Early Reflections - A guide to mixing music - Part 69
LearningIn the last article, we discussed reverb time, which, in the end, corresponds more or less to the duration of the reverb tail. Today we'll take a look at what happens on the other side of the reverbe…
It's Reverb Time - A guide to mixing music - Part 68
LearningToday we'll dive into reverb time, a most crucial parameter that needs to be handled cautiously.
How to Use Pre-Delay - A guide to mixing music - Part 67
LearningNow that you've chosen the best reverb presets, the time has come to tinker with the parameters so you can adjust them to best fit your needs. In this article, we'll focus on a very important reverb …
How to track and mix your project so it has a cohesive … - Give Your Album its Own Sonic Signature
LearningA cohesive sonic signature helps make an album, EP or other multi-song project more appealing to listeners. If you listen to a classic album, whether it's Pink Floyd’s “Dark Side of the Moon,” The Be…
A Handy Rule for Choosing Reverb Presets - A guide to mixing music - Part 66
LearningMy goal today is to try to make it even easier for you to choose your starting reverb preset...Yes, I know, it's starting to feel a bit like an obsession, but your choice in this regard is so importa…
How to Use the Pink Noise Trick - A guide to mixing music - Part 65
LearningDespite everything I've told you, you might still be having some trouble trying to decide which preset is the best starting point for your song. Even more so considering that software makers are usua…
