How to automate your mix - A guide to mixing music - Part 109
LearningUp to now we've seen automation from a relatively theoretical point of view. That's all very nice, but the time has come to really take the plunge. And that's when the questions start to arise: how s…
A guide to mixing music - Part 108 - The levers for artistic automation
LearningToday we'll look at the parameters better suited for artistic automation.
Acoustic treatment for a home studio - Setting Up Your Home Studio - Part 5
LearningHaving a soundproof home studio is very nice. But that's far from enough to make a room ideal to record and mix music. Enter acoustic treatment.
Artistic automation or what you can learn from movies - A guide to mixing music - Part 107
LearningSo, what can you learn from the movie analogy from last week? That's what we are about to see right this moment!
Artistic automation - A guide to mixing music - Part 106
LearningAfter having discussed the functional aspect of automation, it's time to look at it from an artistic point of view.
Alternatives to functional automation - A guide to mixing music - Part 105
LearningThe smartest among you might have realized, after reading the previous article, that most of the problems addressed with functional automation can be solved in other ways, which is something we'll lo…
Functional automation - A guide to mixing music - Part 104
LearningAfter addressing the "whys" of automation last week it's only logical that we start looking into the "hows" this week.
Introduction to automation - A guide to mixing music - Part 103
LearningIf you were to have the chance to look at the mix session of a commercial song you'd be more surprised by the sheer exuberance of automation lines than by the number of plug-ins used. However, most b…
Andrew Scheps talks compression, plug-ins, panning, EQ … - Mixing in Parallel (Part 2)
LearningWelcome to Part 2 of our interview with renowned mix engineer Andrew Scheps. This time around, Scheps offers more details on his mixing techniques, and talks about why he transitioned away from his p…
A guide to mixing music - Part 102 - Questions to ask yourself before moving on
LearningDarn, is this series dedicated to mixdown long! But remember that Rome wasn't built in a day! Learning a new craft, regardless of what it is, demands a lot of time. That's the way it is, I can't help…
Modulation Effects - The Phaser Effect - A guide to mixing music - Part 101
LearningThis is the last episode dedicated to he use of modulation tools during mixdown. Today we'll discuss the Phaser effect.
Modulation Effects - The Flanger Effect - A guide to mixing music - Part 100
LearningAfter having seen the chorus effect last week , today we'll discuss another beloved modulation tool, the Flanger.
Modulation Effects - The Chorus Effect - A guide to mixing music - Part 99
LearningMoving forward we'll be taking a look at some modulation tools that, even if not that useful on a day-to-day basis during mixdown, they can come in incredibly handy in some situations. Today we'll be…
The Andrew Scheps Interview - Mixing in Parallel (Part 1)
Interview / PodcastYou’d probably be surprised to discover that one of the top mixers in the world works on just a single pair of monitors, in a non-treated room, from a home studio. That engineer is Andrew Scheps, one…
How to use tape machine and mixing console emulators - A guide to mixing music - Part 97
LearningAs promised, this week we'll see how to make the most of tape machine and console-emulating plug-ins.
The whys of using tape machine and console emulators - A guide to mixing music - Part 96
LearningThis week we'll keep on discussing distortion by addressing plug-ins that emulate legendary tape machines and consoles.
How to use harmonic distortion in a mix - A guide to mixing music - Part 95
LearningToday you'll see how to put into practice everything you've learned so far about harmonic distortion.
Getting acquainted with harmonic distortion - A guide to mixing music - Part 94
LearningThis week we'll continue exploring harmonic distortion.
Using Distortion During Mixdown - A guide to mixing music - Part 93
LearningThis time around, we'll focus on distortion.
Using Buses to Make a Mix More Cohesive - A guide to mixing music - Part 92
LearningIn the coming weeks we'll discuss in detail the so-called "glue" effect, in other words how to make the mix more homogeneous using different procedures. Today we'll discuss a simple method to emphasi…
The Relationship Between Reverb and Delay - A guide to mixing music - Part 91
LearningTo close the chapter dedicated to the use of delay during mixdown, we'll look into the relationship between reverb and delay.
Breaking the rules is standard procedure for producer/e… - If It Sounds Good, Do It!
LearningPrince, Tom Petty, System of a Down, Tool, Red Hot Chili Peppers and Sevendust are just some of the artists on producer and engineer Sylvia Massy’s discography. The 30-year studio veteran has never b…
Fill It Up with Delay - A guide to mixing music - Part 90
LearningThis week we'll look into a somewhat particular use of delay ─ as a way of filling up a mix. You certainly won't be able to use this technique every day, but it can come in pretty handy to "dress up"…
Using Delay to Broaden Your Horizons - A guide to mixing music - Part 89
LearningAfter having explored depth with reverb, we will now move into another topic that is just as important during mixdown: width.
Producer Andrew Wade shares his mixing and guitar-recor… - Studio Tips from The Big Boss
LearningAndrew Wade (aka “The Big Boss”) knows a little something about guitar recording. Wade is a producer/engineer/songwriter who has focused heavily on the pop-punk/Emo genres and has produced music (inc…
