Using Delay Instead of Reverb - A guide to mixing music - Part 88
LearningIn this installment, I'll show you how to use delay instead of reverb to reinforce the sonic cohesion of your mix.
Slapback and Doubling with Delay - A guide to mixing music - Part 87
LearningThis time around, we'll look at two "classic" uses of the delay effect.
Multitalented producer Greg Wells talks about his craft… - Producing for the Art of It
LearningAlthough he spent most of his childhood playing and studying music, it wasn’t until Greg Wells was 18 that he got bitten by the recording bug. “I got my parents to co-sign a loan, and I bought a Mac …
The Last Note - Recording a clean ending is not as simple as it may seem
LearningWhen recording an ensemble or just overdubbing one instrument, there's one part of the song that gets very little attention: right after the very last chord or note has been struck. Especially if the…
The Use of Delay - A guide to mixing music - Part 86
LearningAfter closing the chapter dedicated to the use of reverb during mixdown, we will now focus on a relatively similar topic: delay.
We interview the author of “The Great British Recording… - The Golden Age of British Recording
Interview / PodcastIn the early 1960s, at the beginning of the British Invasion, the studio scene in England was thriving, but the British studios used different gear and got a very different sound than their U.S. coun…
Reverb Tools of the Trade - A guide to mixing music - Part 85
LearningToday we'll close the chapter on reverb with one last suggestion and a short list of plug-ins I personally like to use when working with sound spaces.
Lateral Movement with Reverb - A guide to mixing music - Part 84
LearningThis week we'll discuss a swaying technique which will allow you to easily create the illusion of lateral movement using reverb exclusively.
Responsive Reverb - A guide to mixing music - Part 83
LearningSo far we have reviewed quite extensively the "classic" uses of reverb during mixdown, but I would now like to invite you to discover more exotic applications in the next couple of articles. These ar…
Unreal Soundscapes - A guide to mixing music - Part 82
LearningLast time, we saw how to recreate a realistic sound space with the three last buses of the setup I suggested to use when working with reverb. This week we'll address the concept of depth in a sound s…
How to Adjust Depth with Reverb - A guide to mixing music - Part 81
LearningIn this new episode, I'll show you how to recreate a realistic sound space with the last three buses of the reverb setup we've been using in the last couple of weeks.
Glue It Down with Reverb - A guide to mixing music - Part 80
LearningToday I'll focus on the sixth bus of my personal reverb mixing setup. As I told you before, this bus is aimed at producing the so-called "glue" effect. In other words, the more or less signal you sen…
How to Know When Your Mix is Finished - 5 questions to ask yourself to determine if your mix is ready to go
LearningTop mix engineers will tell you that they instinctively know when they're finished with a mix. But for those of us who haven’t reached that level yet, it’s usually hard to have that kind of certainty…
Choosing Reverb Sounds - A guide to mixing music - Part 79
LearningToday we'll follow up on the previous article by discussing the presets for five of the nine reverb buses of the template I proposed.
Getting Down to Work with Reverb - A guide to mixing music - Part 78
LearningWe have been discussing reverb for quite some time now, although in a more or less theoretical way. I know it can get a bit frustrating but, trust me, it was necessary. Now that we are done with all …
The Importance of Contrast in a Mix - A guide to mixing music - Part 77
LearningToday I'll close the brief parenthesis I opened last week. And I'll do that tackling a notion that is crucial when it comes to mixing, namely...
Of Width and Depth - A guide to mixing music - Part 76
LearningI feel a bit compelled to add a brief parenthesis after what I wrote at the end of the previous article. So, in the next couple of articles I will not limit myself to working with space but rather to…
More About Compressing Reverb - A guide to mixing music - Part 75
LearningToday we'll continue exploring the use of reverb and dynamics processing by looking at post-reverb compression.
Producer/engineer/songwriter Joe West’s fearless approa… - Never Say Never!
LearningJoe West has never been afraid to take on a project, even early in his career when he didn’t always have the requisite experience. “If you turn a gig down,” he says, “you end up in a situation where …
Reverb Meets Compression - A guide to mixing music - Part 74
LearningToday we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove qui…
Gated Reverb - A guide to mixing music - Part 73
LearningIn this new episode we'll address the strange marriage between reverbs and gates.
Sculpting Reverb with EQ - A guide to mixing music - Part 72
LearningWith this article we'll close the study of spectral control of reverberation by looking at post-reverb EQ.
Reverb Damping - A guide to mixing music - Part 71
LearningToday we'll continue our study of frequency control applied to reverberation by addressing damping. Usually, if you have given enough care to choosing your starting preset, you shouldn't need to twea…
Reverb and EQ - A guide to mixing music - Part 70
LearningWhen it comes to reverberation, spectral content is crucial. Processing at the frequency level can happen at three distinct points in the audio path: before, during or after reverberation. Today, we'…
Early Reflections - A guide to mixing music - Part 69
LearningIn the last article, we discussed reverb time, which, in the end, corresponds more or less to the duration of the reverb tail. Today we'll take a look at what happens on the other side of the reverbe…
