It's Reverb Time - A guide to mixing music - Part 68
LearningToday we'll dive into reverb time, a most crucial parameter that needs to be handled cautiously.
How to Use Pre-Delay - A guide to mixing music - Part 67
LearningNow that you've chosen the best reverb presets, the time has come to tinker with the parameters so you can adjust them to best fit your needs. In this article, we'll focus on a very important reverb …
How to track and mix your project so it has a cohesive … - Give Your Album its Own Sonic Signature
LearningA cohesive sonic signature helps make an album, EP or other multi-song project more appealing to listeners. If you listen to a classic album, whether it's Pink Floyd’s “Dark Side of the Moon,” The Be…
A Handy Rule for Choosing Reverb Presets - A guide to mixing music - Part 66
LearningMy goal today is to try to make it even easier for you to choose your starting reverb preset...Yes, I know, it's starting to feel a bit like an obsession, but your choice in this regard is so importa…
How to Use the Pink Noise Trick - A guide to mixing music - Part 65
LearningDespite everything I've told you, you might still be having some trouble trying to decide which preset is the best starting point for your song. Even more so considering that software makers are usua…
It's Just a Matter of Feeling - A guide to mixing music - Part 64
LearningBy now, after several articles dealing with the different reverb types, you ought to be able to determine which families match better the goals you have in mind. Now it's up to you to decide which pr…
Mixing with Room Reverb - A guide to mixing music - Part 63
LearningThis week we'll finish our overview of the different reverb families addressing the biggest one among them: rooms.
Mixing with Chamber and Ambience Reverb - A guide to mixing music - Part 62
LearningToday we'll look into chamber and ambience reverbs.
Mixing with Plate and Hall Reverb - A guide to mixing music - Part 61
LearningAs we continue looking at the different reverb families, we'll focus this time on plate and hall reverbs.
Mixing with Spring Reverb - A guide to mixing music - Part 60
LearningRegardless of whether your reverb is algorithmic or convolution, chances are the plug-in you use provides different types of reverb. And, in my view, the choice of reverb type is crucial to get the e…
Reverb: Pre- or Post-Fader? - A guide to mixing music - Part 59
LearningAs we saw in the previous article, it's often better to use reverbs on auxiliary buses. Consequently, it's only logical to ask yourself about the best way to send a signal to those aux buses.
Talking sonic repair with Converge guitarist/producer K… - Fixing It in the Mix
LearningKurt Ballou is a busy guy. In addition to being the guitarist in the popular metal band Converge, he’s a producer and engineer, and the owner of Godcity Studio in Massachusetts. In addition to record…
Reverb In or Aux? - A guide to mixing music - Part 58
LearningBefore you start working with reverb, you need to set up a couple of things. That's why this week we'll look into the different routing options available and examine their advantages and disadvantage…
Reverb Don'ts - A guide to mixing music - Part 57
LearningIn this episode we'll point out a couple of things to avoid when dialing in reverb settings.
Using Reverb - Step by Step - A guide to mixing music - Part 56
LearningToday I'll describe how we will be proceeding to be able to work with reverbs in all tranquility.
Space Invaders - The Whys of Using Reverb - A guide to mixing music - Part 55
LearningWe have now reached a stage where it seems appropriate to start unwrapping those nice little reverb plug-ins you all have lying around.
Take a Break - A guide to mixing music - Part 54
LearningIn the first article of this mixing series I told you it would be a long journey, both for you and me. As with every quest, sometimes it's good to take a pause to let it all sit for a while and start…
How to Make Good Use of Presets - A guide to mixing music - Part 53
LearningTo close the chapter regarding dynamics processing once and for all, I'll give you my take on making good use of presets for this type of processors.
Expanders, De-essers, Limiters and Dynamic EQs - A guide to mixing music - Part 52
LearningIn this penultimate article dedicated to managing dynamics during mixdown, I'll briefly mention some other processing options sometimes used at this stage, as well as the reasons why I won't look int…
The Best Noise Gate Plug-Ins - A guide to mixing music - Part 51
LearningThere is plenty more to say about the possible uses of a noise gate, especially from a creative point of view. However, that would divert us from the subject at hand. Besides, by now, I hope you have…
Ducking with a Noise Gate - A guide to mixing music - Part 50
LearningThis week we'll take a look at yet another technique specific to noise gates, namely ducking. Personally, it's not my cup of tea, but when you don't have the time for other solutions, it can really …
Enhancing Percussive Elements with a Noise Gate - A guide to mixing music - Part 49
LearningToday we'll see how to create a percussive instrument from scratch using an acoustic take.
Improve Your Drum Tracks With a Noise Gate - A guide to mixing music - Part 48
LearningThis week I'll show you how to use a Noise Gate to significantly improve your drum tracks.
Getting Creative with a Noise Gate - A guide to mixing music - Part 47
LearningUp to now we have only seen the more typical uses of a Noise Gate. Now we'll start looking into less obvious techniques that can make a gate much more interesting during mixdown.
Use a Gate to Kill the Spill - A guide to mixing music - Part 46
LearningIn the previous installment, we saw what bleed is, and the problems it can cause during mixdown. Today we'll look at how to remove or minimize this harmful phenomenon with a noise gate.
