The comfort of the performer - Part 3 - The ultimate guide to audio recording - Part 95
LearningThird and final installment of the chapter dedicated to the comfort of the singer during vocal recordings. Today, for the first time, we will discuss the gear used. However, before looking at it from…
The comfort of the performer - Part 2 - The ultimate guide to audio recording - Part 94
LearningSecond part of the chapter dedicated to the comfort of the singer when recording vocals. After discussing the place last week, today you'll see some really nice tricks that will allow the singer to f…
The comfort of the performer - Part 1 - The ultimate guide to audio recording - Part 93
LearningIn the previous article I mentioned the famous "comfort zone" of the singer. In the coming weeks we'll look into the material conditions around a vocal recording which are susceptible of helping the …
Singing or the art of performance - Part 4 - The ultimate guide to audio recording - Part 92
LearningTo finish with the performance question, today we'll discuss a somewhat particular topic which was inspired by a comment posted in the French forum by ex-Moderator in Chief, Will Zégal, in response t…
The return of the return of the pedal - Harmony Basics - Part 60
LearningDear friends, do allow me to open a brief parenthesis in our harmony series with this article.
Singing, or the art of performance - Part 3 - The ultimate guide to audio recording - Part 91
LearningToday we'll continue exploring the art of performance with an installment that could be easily renamed into "Theatrics for Dummies." However, anyone who takes the time to put into practice these tips…
Altered modes, the specific case of the half-diminished… - Harmony Basics - Part 59
LearningYou might be wondering why I'm writing about these scales as a "particular case" even though I hadn't mentioned them when talking about the altered and Bartok scales. Well, these two scales often lea…
Singing, or the art of performance - Part 2 - The ultimate guide to audio recording - Part 90
LearningAs you saw previously, the singer, as a performer, can be compared to an actor. However, unlike a "traditional actor," the singer must only rely on his/her voice to bring to life his/her character wi…
Altered modes, the specific case of the Bartok scale - Harmony Basics - Part 58
LearningIn the previous article we started studying two particular cases among altered modes. Remember that altered modes are those built from a scale that is not major. The two cases in question are the alt…
Altered modes, the specific case of the altered scale - Harmony Basics - Part 57
LearningIn the last article, I introduced you to the modes of harmonic and melodic minor scales. Before we begin to study each of them, I invite you to discover two of them more in detail right now, namely t…
Singing, or the art of performance - Part 1 - The ultimate guide to audio recording - Part 89
LearningIn this new installment of the chapter dedicated to vocal recording we will tackle the delicate issue of performance.
Introducing altered modes - Harmony Basics - Part 56
LearningIn the previous article we made a brief pause in the study of the characteristics of the different modes to introduce two particularly useful forms of writing in the modal system: the pedal and the o…
Taking care of the singer - Part 2 - The ultimate guide to audio recording - Part 88
LearningSecond installment dedicated to the things to do to prepare better for a recording session. Once again, certain things I'll write here might seem statements of the obvious for some of you. That said,…
Pedal and ostinato in the modal system - Harmony Basics - Part 55
LearningIn the last couple of articles we started to see how modes work, especially considering their harmonic characteristics and the cadences which support them.
Modal cadences 2 - Harmony Basics - Part 54
LearningIn this article we'll continue on the same path as last week, reviewing the characteristic cadences of each mode.
