All user reviews for the Line 6 Echo Park

Delay pedal that exudes solidity!

USE

- The use of the pedal is very simple
- The very clear manual (it even has examples settings)
- A little hard to snap at the beginning (you must press slightly to change the tempo of the delay, and press thoroughly to cut or snap the effect)

SOUND QUALITY

So first of all I have this pedal branch between my guitar (ltd F400) and my amp (peavey ultra +) and I have and totally of, delay n 'was no relief, dull, he was drowned by the other instruments by repeating ... more even when the effect was shot was heard even when the tempo of the delay ... in short the disaster ...
I have then branch the pedal in my effects loop and nothing to do! the sound is great! perfect for solos has satriani etc ... in fact I 'loved the delay on my pod pro and I have finally retrouv on the sound of my head, in short, I was hooked!
there 's no breath, no noise, the only defect which can gener is that the volume increases slightly when it engages the effect but since I use on solos and lead parts that n' not really annoying (Therefore it makes almost boost office to bring out the solos). I put 9 because of this little problem.

NOTICE GLOBAL

I use it for 1 month, I have to pay 99 euros a promo with the provided AC adapter, as saying that that price for the nine qualitprix the report is excellent!
I does not, however, have used other models to compare the one hand becaufe I 'really loved the delay resulting from the pod and secondly because I am fallen on a good promo, but I do not see that another Delay pedal can bring better! (Apart from the problem of volume increases some)

Good delay pedal with switch "type", "digital" and "analog". This is a stereo pedal, always more fun when it comes to delay. There are quite a nice effect, as the swell, the Sweap ... This is actually the sister of the DL4. The bypass also serves tape tempo. You can press gently to lock it. For the skeptics, there is no risk to extinguish during this manipulation ', you really want it ^ ^
Warning, this pedal is very ugly! Really x)

UTILIZATION

Setup could not be easier if you know a little delays. We have a mix knob, repetition, rhythm and modulation that is depending on the mode (chorus to tape, the digital modulation, and a kind of "squish" to get close to analog). After there is a lot of effect, but the pedal quickly took charge.

SOUND QUALITY

On this point I was a little disappointed. I had read almost as good articles and I found that rehearsals lacked life dynamics. But it is enough to add a booster, and the case must be set ... Otherwise I love the analog with this "gurgling" organic, and there are a lot of different fashion which can be interesting ( rhythm tap tempo function, ping pong, and especially the swell that allows you to save a volume pedal x))

OVERALL OPINION

I use it for a week or so, I find rather good effects, but there is still the lack of dynamics in rehearsals that bothers me a bit. After I also have a stereo memory man I prefer for its livelier side, but less effective and therefore less fun!

Goodies:
-Strength (bosses are now pale ...)
-The number of effect
Switch-tape, digital and analog
The tap-tempo
-Value / price

Cons:
-The rehearsals might be a little more realistic, but the sound is ok
Him, but requires strength weight

digital delay, but delay that lists all reverse to slap 50's to analog tape echo
for that, it is perfect, but we will not all.
Me, I'd prefer the digital delay that reproduces the notes.
there is a tap tempo foot big advantage.
the pedal is very strong but ... see below.

UTILIZATION

use is very simple.
there is rule set as delay, time, mix.
ON adds a chorus or not.

SOUND QUALITY

The quality is good, but there are drawbacks qq:
The chorus is not very far.
I noticed that when the pedal engages the volume increases and there is even a little reverb
then we like it or not.
I think noise could have been done better, but the pedal has everything you demand a delay
all types.
tap tempo.
and chorus / vibrato: light for 2.

OVERALL OPINION

IN the end, after qques years, I think the plug to the adapter and messing overnight: red: lack of battery!
but I had never put battery!.
In the opening, I saw nothing special, but closing it, it broke.
Other search conditions, it has always worked well.
There's very little delay as complete.
to choose, I'll go to another brand for a better more realistic sound
digital or less.

This thing has two types of delay (digital delay and a tape echo simulator)with tap tempo and doubles as a phrase sampler. This is a digital effect.
There is no editing except with the knobs and buttons on the device. As for connections, its all 1/4". There is one in, and five out. It is not set up to be rackmounted.


UTILIZATION

The sampling section did throw me a little, but once you figure it out, its not to bad.
-Start recording by hitting the right switch.
-Stop recording and start looping the phrase by hitting the left switch.
-To overdub, hit the right switch again.
-And to stop playback, hit the left again.
May sound confusing, and it does screw me up sometimes. In reality, I rarely use this section of the pedal.
As for editing, the delay side, its 6 knobs and 1 switch, pretty easy. I explained the loop side above.
The manual will guide you through most if not all your questions.


SOUND QUALITY

I use the normal delay the most and I love it. Nice and clear delay. It sounds great and with the tap tempo, its all I could ask for. I don't use the tape echo as often, but it sounds good also. They did a good job capturing the analog feel. The loop function i use only when I am practicing and come up with a quick idea. I have a roland rc-50 for all my live looping needs. I use this as the last effect in my Rhodes Piano/guitar effect chain. The normal delay is what I prefer.



OVERALL OPINION

I have been using this pedal for 6 months. The best thing for me is the built in tap tempo feature. Every digital delay pedal should have one. I own a Boss dd5. This thing sounds way better, and I got mine for only $100. They usually go around $125, which is still not bad. In the end, I am saving up for Diamonds Memory lane analog delay with tap tempo, which is probably the greatest delay pedal of all time. Its just like $500, so I will happily hang on to my Line 6 Echo Park . even when I do get the Diamond. Because most people like myself can't afford $500 on a delay pedal, I would totally buy this again.

At first listen c true giant that have can do with
rather strong, the knob is a bit small and it looks a little lightweight compared to the rest of the pedal
connectivity provides a stereo output

UTILIZATION

Operation is super intuitive
the edition of his too, too bad there have not backup preset as the DL4
Each delay has a specific grain especially if used in analog position

SOUND QUALITY

The effects are EXCELLENT

I compared it to the GIGA DELAY Roland, and I was bleuff the giga delay is simply fade
and can not hold a candle to this pedal I think, at least at first listen

c the only problem there is a slight breath on mine can be the cable of power supply that is rotten, why I c the drop was 8 because I live normally but can not breath be that my cable is not good.

a check in any case

OVERALL OPINION

For a price of 160 euro I find it very attractive. only the lack of backup and knob seems to me the weak point of this pedal. with regard to the sound I find rev pleasant and warm

You know that part

UTILIZATION

No need for manual, go it alone! we arrive in Tuva sounds fun with the Reverse

SOUND QUALITY

I bought the Line 6 Tone Core Echopark 3 months ago from the start I had what might be called a huge buzz by connecting my PSU One Spot in the ass of the beast (after 7 other pedals of course) so I try to put a battery and then the pedal to death kidding, hum hum, I thought the Made in China would make its effect. So I plug in a Boss power supply only of the craft. Otherwise, the "test" of the pedal on the site is not complete in my opinion, or maybe I'm wrong about the direction of it: there is no comparison test type "are there any losses due to conversion?" by plugging directly on the pedal the amp without a POD (2 conversions ---> bim sound takes two slaps), personally, there is a noticeable difference in the saturated: loss of attack, and above all gain, all this by connecting the pedal with no direct display on the amp! In short, it's a good pedal but for the record, do not plug it when you are guilty of distortion. Here now, I may be wrong, I await your opinion

OVERALL OPINION

This gives a range of sounds quickly and in good order thanks to the differing modes analog-digital-tape and button Modulation is a cheap pedal, nice but as I said above, it is therefore the conversion station the sound if you have other pedals without true bypass!

- What are the effects or types of effects available?

see site builder.

- What technology is used? (Analog, numrique, lamp ...)

modlisation

- Are they ditables? Via an editor Mac / PC?

no, via buttons with your fingers

- What is the connection? (Audio / MIDI)

in stereo TRS jack 6.35
TRS stereo out jack 6.35

UTILIZATION

- The configuration gnrale Is it easy?

archisimple Voui. if one has a untile Dlay once or twice in his life while traveling.

- The edition of sounds and effects is it easy?

no worries, there really is a lot of controllers for a pedal.

- The manual is clear and sufficient?

trs clear and ample. dj the pedals is simple in its operation and ergonomics, the doc achve put in the bath. you can almost throw a APRS reading!

SOUND QUALITY

- Effects are they effective, suitable and adequate ralistes?

n'tant not guitar (I use the pedals for the digital dub of a groovebox and a sampler) I can not speak to the quality of modlisation ...
However, in the way analog tape and I really found the sound I love vintage delays in the dubs of King Tubby and Lee Perry.
I find the modlisation dgradation or saturation echoes trs well done.

- Which instruments do you use?

groovebox mc909 which requires a 01V. The PDAL is send via a branch in the auxiliary outputs of the console and returns to a track thereof.

- What are those you prfrez, you dtest?

I find that each effect is good in its class ...

OVERALL OPINION

- How long have you use it?

one week, but more than enough to go around.

- What is the particular feature you like best and least?

tap tempo delay to reset the in-game, there's a helping hand (yes, I use it with your hands and not feet) but it is terrible to.
you can torture the sound without the swings, even change the types of delays (eg DGRAD to a tape echo mode and switch to digital for a rcuprer of echoes and leave feedback loop with the bottom to keep it ... excellent)

- Have you tried many other models before acqurir?

. I tried the delays internal 01V, really quite unlike anything that is said, but forcment trs dan digital sound, and certainly not super easy edit live.
. also the delays of the BOSS SE70 / Rolland, as some pretty good, but ditto for the edition.
. a RP200 which is certainly comprehensive but delays in the rev limit (it is a multi-effect between end so fatally ...)

- How do you report qualitprix?

excellent. bought 130 euros on a German site. the price had just chosen to dpart, but given the quality of fabication, the algorithms, and the opportunities I have no regrets.
for use as I will do (live dub) is a perfect effect!

- With the exprience, you do again this choice?

Voui Voui

See other opinion, nothing more to say.

UTILIZATION

The general configuration is it simple?
Config super simple, easy to use tap tempo.

Editing sounds and effects is it easy?
One regret, being too small, otherwise difficult to read in the dark has less to sleep on it!

The manual is clear and sufficient?
What could be easier ....

SOUND QUALITY

This pedal is amazing for having had the TC Electronic, Rocktron Intelliflex, Fender Cybertwin .... I really did not expect was the time of such quality especially at this price! Options such as the "trail" are new on a pedal of this range. I can not find a coloring problem sounds excessive ... I play on a VOXAC30CCH and Godin guitars, I do not waste grain, no difference in level either. Just dosed properly "mix" and it does!
I love the effects Sweep Swell, who used the different modules offer unprecedented horizons for a simple delay pedal. The rest of the time are remarkable job.

OVERALL OPINION

I use it for a month
This pedal is really a great value, it drops, by far, the boss equivalent models.
I have no problems with power supplies, no buzz whatsoever with the power supply or other line6

This is a factory pedals sound intgre three types of delays: tape, analog and digital. The modes are also Varis: apart from the delay "traditional" modes are the slap, ducking, swell (which blurs the attack), reverse ... etc. As for the knobs of rglages, they allow every whim. There are so many possibilities that it takes a while before finding something that works! With so many possibilities, one would almost AIM a programmable pedals.

UTILIZATION

The Echo Park possde a tap tempo function handy: possibility to influence the rglage "time" (time between rptitions) foot. Obviously Intgre Stereo output. A big plus for those who use 9v batteries: change without screwdriver by a system that clever clip. For cons, the big gear (such as requiring all ToneCore pedals L6) eats batteries fast lane! Prfrez a power supply. You enter your expenses believe it, and a point that you can not imagine!

SOUND QUALITY

No problem. The rendering is excellent on all types of delays included the pedals. Line 6 and modlisation, worked!

OVERALL OPINION

Good buy and I think especially since I bought a power supply and left the batteries (the ruin). The price is fairly even when lev ... Given the number of opportunities and the quality we do not have headphones for nothing, but depending on the type of use, as the pedals are not programmable and must turn the knobs that ds one wants to change the type of delay, see if it is not wise for you to type in a cheaper and equally convincing in terms of rendering.

So this is a classic delay pedal: Mix, Reapeat, Time, except that there are 11 different modes and three different kinds of delay and a button that allows a dose effect variation with the type of delay selected .
The tape delay, "strip" echo gives a low-bandwidth and slightly saturated, the modualtion will enhance this effect even more, the digital mode is an echo very transparent and the modulation is a vibrato, the analog mode is half- way between the two and a chorus effect is added.

There are different modes: the black, the triplet to dotted eighth note (depending on the tempo typed, or the time position of the button), the mode gives slap to have a real precision in the "time" to make slapback , the method used to swell violoning play automatically (but the rise time is not programmable) mode is a ducking compressor will decrease the effect when playing the guitar and do back when it does not play very helpful but not configured either. The multiplayer modes and Ping Pong is their any reason to be in stereo, the reverse mode plays an inverted echo what you just played.

Note also the very good function "trails" that can let him finish the course so that echo off the pedal. Output on a gently echo is often better than the cut that is a natural with the switch of a conventional pedal.

It is completely stereo inputs and outputs, it can then be used for a lot of things alone, mostly synths ...

So we are dealing with an echo pedal that makes 1000 more things than just a delay pedal, but all the more can be disengaged for a very classic delay.

UTILIZATION

So there are lots of different combinations to achieve, but we do not get lost, everything is very clear. The edition of all the sounds are simple, move the knob well, they have some resistance uniform throughout all knobs avoiding blunders and accidents of a misplaced foot. We must get used cepandant a little on / off and tap tempo pedal. Indeed, the pedal is a two-position switch, push the pedal normally to have access to tap tempo and push more deeply to activate / deactivate the effect. It should not be afraid to nag a bit then. I am making a lot sitting in my studio and I did not press hard enough sometimes to turn off the effect ... It is a blow to take and I think it is very fast, and stand the problem should not arise almost the contrary in this position is that the tap tempo and is on.off proved most effective and really well thought out. Nothing to do with bosses. Noted that the LED is switched on all the time trying to flash which is very practical to type the tempo before starting the effect.

Unlike many other pedals that are divided in "time" in several different range of values, I love u have one mode that covers the slowest tempo as the fastest, in addition it allows indeed make a fool just playing with the knobs!

I did not have the manual ... I have not needed except for the "trail" a very original, but the line6 site is well done for that.

EDIT, after 4 years of concerts and rehearsals: The principle of two levels in the switch of the pedal is actually not annoying to enable or disable the effect, it just takes a little nag, and I never had worries, the pedal is very solid. However it is spoiled for tap tempo, I have a group of melodic pop rock that the delay should be slow and perfectly in rhythm (like the black or the eighth on slow tempos), most of the adjustments that I do not live very successful and sometimes I go into the studio a lot of time finding the right pace (As on other I often delay the first time, I am not a rhythm-huh!) Enough galley to live, I think to change just for this function and I lower my note here ... I am eyeing a few pedal Capistan Strymon.

SOUND QUALITY

Nickel! really nothing to say we can do anything you want, the transparency of the digital mode is really well done, the tape mode is a bit grotesque, but all the better, sometimes you push a little impact in the cartoon to hear them and then if we do not like the analog mode will everyone agree ...

Everything works perfectly, two small flats note however, that swell and ducking modes are not configurable and I find the time to put together a little slow ... but hey, at the base is a delay pedal not Ebow or a volume pedal and not a compressor either, it's already really good it can do that.

I have so far used with guitar in mono, but I expect that the opportunity to test it on a stereo!

EDIT: I always like the grain of much this pedal, it is a caricature, but if you like why not, sometimes there are small "jump" the pedal is all alone, as if I moved the Time knob .. . I think today I'd like something more stable and also more "flexible, less strong, less parody (The same, I want a Capistan!)

OVERALL OPINION

Well I use it for a long time, I promise I would do one up if I need to correct something ... I've had five days ... but I played about 5 to 6 hours per day (vacation power!) so it's not a thoughtless opinion.

I love it in all possibility, coupled with my phaser and my whammy sounds I can not ... The tap tempo really easy to use (not like my boss phaser where it takes 2s pressed the switch to switch to tap tempo that may cause the effect, not practical at all, and it really takes time ...) And as it is particularly heavy There's no problem when the slip or triggers when you play the tap tempo.

I played on the boss and ibanez delays ... I have not found better than the line6. It is as good or better than the other two delays for basic ... but it is stuff and more!

I'll not put 10 because the echo is the slowest and 2s it is still a bit short for use as a JamMan for example. So not so much the possibility to use it to loop but it may be the only proper function to delay it does not.

A second small problem, it is obliged to have a personal power supply, the use of a string leading to a big buzz medium very aggressive and very bad ...

See above

Full of possibilities

PDAL massive, very heavy, very stable ...

UTILIZATION

Super simple setup, a lot of Settings, tons of possibilities.

We must look not bad for his wish to find.
Tap tempo super convenient

Big problem if the buzz does not use power supply SPECIFICATIONS, I shot a while to understand where was the monstrous buzz of spacial orde gnrait that the animal has avoided the battery and power supply of the whip ...

SOUND QUALITY

Trs trs good, good is the biensur numrique, let's blow raliste we never n'aurau the sound of an old tape delay, but the cot practice (except I alom I rpt), tons of possibilté make a great product.

OVERALL OPINION

A good product trs, trs good report quality price, but power supply spare ...

Delay pedals numrique with a simulated analog echo and cho band.
input / output mono and / or Stereo

Most:
+ Design original design
+ Pedals while massive mtal
+ Good readability and the resistance knob mcanique
+ Easy access battery
Tap tempo well pensbr + />
The -:
- Trs pedals fit in the big pedal board
- Need a spare power supply for compatibility problems when you have other brands of pedals. I wonder if it would not shuffled to the pedals and analog numriques, this is absolutely not an assertion I ask myself is all ... Besides, if you have the rponse: MP
- Not the possibility to save presets, but its not really that good a least considering the price and features offered (and then the proposed DL4 - 6 line does sell more if the echo park proposed this function ^ ^)

gnrale note: 8

UTILIZATION

5 knobs and 2 switches can be a fear, but the pedals trs is easy to use for who knows how to use a delay ...
for those discovering the delay, a walk in the full manual and preset trs Provided will easily take over the operation of each knob / switch, and to take control of the trs rapidemment b you to find the sought-.

SOUND QUALITY

The sound ...

So for the record, I'm a big fan of analog, only when trying / testing a delay, we quickly realized that:

1: analog expensive and the delay time is not long trs
2: the sound, it is ptetre more "hot", but on a clear bin is also much more dirty on delay time longer ...

In short we say that IDAL is to have a digital delay for clear, long delays, and to have a delay in complment analog sound with what inimitable strengths and weaknesses .

the budget is being explored so the numrique. several "standard" pedals are available in the format:
the digidelay, the boss DD6 DD3-and echo park

I have not the digidelay AIM ....
DD6 DD3-bosses have a lot to me plaisiat, some would say cold I say Fidler ... There's more ergonomic level but ...

APRS everything blah blah useless (you might say ...) we come to Echo Park, which for a price equivalent to DD6 offers a simulation of tape echo and analog delay and full of features (rptition the eighth, was black, was the eighth leading fashion swell, reverse, back slap ....).
this is my PDAL possssion since July and here's what emerges:

digital mode: echo trs clean sounding equivalent to DD6. no color signal impeccable!

analog and tape echo:
Incredibly, I require trs and I usually boycott simulation, but the I have to say I won t! the only complaint I have is that when you push the knob back modulation, the dgradations couraging the signal line starts to become too pressed (the edge of caricature ). Other than that, there is the typical sound of these two type of echo is really surprising! (Legris staining and degradation ...)

On modes of treatment on offer:

normal - tap tempo:
nothing exeptional, trs simple to use RPET ca we play according to the demand mode (note, eighth point, black ...)

Slap back:
excellent, it feels like an old barn to play his or her contry blues!

swell:
interesting use for background music or to make a pseudo violoning This mode blurs the attacks, APRS is not something that we use every day ..

sweep:
I scan the filter not really exploit I'll come back when I
detailed ...

Ducking:
very practical especially on the long delay, it cuts repeats qd eta is played when the rtable is stopped, I would say it's necessary There's moments!

Multi 1 and 2:
trs useful stro yet thorough

ping pong:
trs classic trs well made!

reverse:
ca password that you play backwards, trs useful and good rendering of the pedals on the rhythmic rockabilly 60's

It's really a good trs PDAL

OVERALL OPINION

I wanted to offer I have been offered for my birthday!

I would do without this choice hsiter ... I think the best delay pedals numrique in ormat on the market

This is one of delay pedals on the base (clbre) big sister the DL4, but the format type boss. The effects are not programmable via PC, it would have t can be a good idea.

UTILIZATION

The config is easier than it was in the air, you'll quickly in the hands bte. And in relation to musical possibilities of the BTE, we say that all fit in a small box, with the same ease of use is really a performance. The trs good job.
The tap tempo function is really gniale for the live and trs simple to use, not dicey.
It connects easily to a string of power supply (in my case a one spot).

SOUND QUALITY

The sounds are standard, I had a boss multi effects that I had to sell, I said "good I must rinvestisse at least a delay, it was good I know, no surprise" ... and he was wrong on Garon! I redcouvert delays the pikes of groups like Pink Floyd, Hendrix ... The sound "analog" delay give a dirty wish, but trs hot and vintage sounds "tape" we ramnent a delay hendrixien more ... I am using the delay ultimately more "classic"! Not to mention all the other functions (more or less useful, but many) including a reverse delay, a delay that does not start until your sentence ends, various rhythmic modes of delay, a delay that attack gum ... There's short for choice!

OVERALL OPINION

I have over the past year, I conquered. For me simply the best on the market with its big sister the DL4.

Does everything said. Trs is complete, and yet I have not had the opportunity to exploit the stro.

Edit 2 years later:
1. The Stereo, it works
2. A force, we say that having presets would be really nice. I go down to a nine, knowing that the pedals of this format to save presets do not run the streets either.

UTILIZATION

It is simple to use for a plutt delay. The tap tempo che simplifies a great Manir. The manual is brief but complete, with some examples of rglages to learn. Any fawn, I have a little trouble imagining a small pedals made to be accessible is a day tural difficulties. Just something that has nothing to do: when I tried it at the store, there were people. The seller, trs occupied dbrouiller me left me all alone with a Laney VC 15 and a wonderful Start. J'tais a little lost, and I could not use it. In fact I dared not press hard enough on the switch into place! Hum hum, ridicule does not kill ...

Edit 2 years later:

- Yes it's simple, but there are a lot and it is described very small, even when need to be careful. Squint like me who is not allowed, I know the list of DIFFERENT ways by heart knob bottom left, and I turn the number of notches ncessaires ... Live, this may include small risks.
- Trails feature is really fantastic. If we could switch the foot that would be great ...



SOUND QUALITY

Nial Gnial .. ... ... nial nial! I will never Echoplex, I've never tried but I can say that this delay numrique is hot, hot. A rgal! Full of possibilities, all sounds INTERESTED, whatever rglages. I agree with Previous notice: the Mod knob, also a gateway to exprience music should not be pushed back, especially in analog mode, has a bit too much in the dgradation. It's really a dtail This delay is really great. With an electric or electro is good as good bread! I love the sweep has makes you want to dub. The swell, Designed for violoning, IDAL is not a car for the sound rises to a single fawn. However, good rglages offer new sounds. The pedals, besides the high quality sound reproduction is an absolute weapon for the composition because it opens doors, in a dizzy, even if it is really not difficult to use.

Edit 2 years later;

Now I use the machine on all the lights and I've tried other stuff, I'm ... always delighted to Echo Park. I was in the hands of Maxon Analog Delay, something for once philosophically opposed vintage well. My conclusion: what the Maxon, it does rev well. It is a chouilla hotter than the Line6 (not standard either), and especially the rendering is better with distorted sounds dj. BUT score more than the Line6, whose remains trs good sound reproduction, and in fact some 100 times less prs. If it is that you show for a delay, take the Maxon. If you want to have fun, try new things, Echo Park is for you.

Indeed, these two toys are more than they oppose compltent.

I use the bte also an old keyboard. It makes a world of good (one day I will learn to do majscules). Whether with the guitar or keyboard, the ability to enter into self-oscillation is something that is fun and rev his little effect on scne (condition not fuck around, otherwise people are going).

OVERALL OPINION

I am eyeing it for a long time, and I'm the offered about a month ago. The PDAL is larger than a Boss, a little higher too, but the good pedalboard house is planned, so good. And why would it be the Boss REFERENCE? After all, we can also say that ToneCore is much smaller than many EHX ...

I knew the DD3, DD6 of the Digidelay. It is incomparable, for me it is not the same range, the Echo Park flies quietly competition. J'hsitais with Danelectro Reel Echo, Echo Park complte seemed more and more fun, and I do not regret that choice. Being given the price of a DD6, the ratio quality / price of the Echo Park is good trs. In addition seems a solid, good stuff.

Note that for my part I did not buzz with a One Spot power supply that provides the juice for a dozen other pedals, Boss Jp and Taiwan, Dano, Korg, Marshall ... I thought I was forced to buy a spare power supply for Line 6, and then no problem! Many people have trouble with the Line 6 ToneCore when they are not powered sparment, it is possible that a deuxime ToneCore in my set and a common power supply could pose a problem my, I do not know. Some of One Spot fair game, others do not. Me, I'm lucky. Anyway, Do not hesitate to buy the Echo Park for a simple matter of power supply, you would spend a delay fantastic for that price. It's as if you do not buy the amp because it is light sensitive ...

Edit 2 years later we say stupid things when you're young ...
1 - The pedalboard is still home to the same point ..
2 - DD3 and DD6 in their style, are great delays.
3 - I confirm the completeness of the characters trs Echo Park, which, as such, not too much competition. Likewise I had a lot of times the opportunity to play with Verbzilla, and I am surprised every time rsultat.
4 - trs is solid. I was afraid for the footswitch to beginners, but it is like new.
5 - I'll have a real m'achte power supply even when one day, but Echo Park is one of my pedals of the Poins rcalcitrantes ct l.

Edit 21/06/2011: I'm still hooked. And my pedalboard is over!