All user reviews for the Audio-Technica AT4050View price information
You can use this microphone for instruments but I think it should stay on vocals. If you want to get the best out of it, you will need to use it on vocals. It will sound great with male and female vocals of all vocal ranges. To me this is one of the best reasonably price vocal microphones that is on the market. We have recorded with this microphone over 40 times and several different artist and bands. We have not received a complaint yet. I actually wanted to see how this microphone would sound live but I just haven’t had the time to do it yet.
You can switch from figure 8, cardioid, or omnidirectional polar patterns right on the microphone. It comes with a shock mount and it is very durable, I do not think there is any need to worry about dropping it because it is made out of durable metals and the grill is very solid too.
The highs are clean and very transparent, the lows are rich and full just like I like them. I have been using this microphone personally since 2009 and in about 2011 I started recording other musicians with it. It has sounded great with all vocals. I am still kind of anxious to try it live and really try it out on some instruments.
James...'s review"Not just for vocals"
I feel like the easiest way to review this mic is to go through all its applications one by one.
Vocals - Obviously this is where the 4050 really shines. It's a very warm mic and when coupled with a solid preamp it can make pretty much anyone sound good. I would agree with this. I've had one in my studio for a couple of years now. For tenor male vocals it is probably one of my favorite mics. There are other more expensive mics that will sometimes beat it out for different singers, but this one at least gives them a run for their money. Honestly there is not much difference between this mic and the $3000 ones. Especially if you don't have a really good preamp. For the money it's a solid vocal mic for any studio.
Acoustic gtr - Okay, to be fair I usually pair it with some kind of pencil condenser, but I have tried it by itself and it's pretty amazing. If you use a lot of Jumbo guitars it might not work too well because of how warm the mic is. I have a Taylor GS with a lot of bass and this mic makes it sound much to boomy. For smaller acoustics it's one of my favorite mics though.
Guitar cabs - I don't use it like people might imagine. I will close mic the cab with some kind of dynamic and then stick this one a few feet back for ambient stuff. The warmth really gives my tracks the extra fullness they need.
I have never used this thing live. It gets used in my studio probably once a week at least. Usually for vocals and certain acoustic guitars. It works well as a room mic too.
Anonymous 's review"Jack of all trades, this one."
The AT4050 also has the 80 Hz roll-off and 10 dB pad that one would expect to find on most microphones, and it has a respectable signal to noise ratio of 77 dB and self-noise of 17 dB.
Audio-Technica never ceases to amaze me with the consistency of their line. They have very few microphones that would be terrible in any given situation, most likely due to the fact that they still manufacture out of China entirely. Even their AT20-series microphones are manufactured in Taiwan, last I checked. The 40's are manufactured in Japan. This may not seem like a big deal on its own, but this difference is what causes Audio-Technica to stand out in the crowd. Even though many of their microphones can be considered entry level, they still seem to be far above many midrange products offered by any other company. This isn't to say that Audio-Technica makes the best microphones in the world; it's to say that when it comes to studio microphones, I can't exactly pick out any mic they make as bad.
The AT4050 is certainly one of the coolest microphones in existence. Its versatility and relative affordability (I say this because I just happened to get a chance to play with one, and am not a high-end studio owner who can afford this microphone) make it a great prospect for anyone. The AT4050 doesn't particularly seem to flatter any sort of sound, but it's a multiple pattern microphone; you're not buying it for a specific use. It's a workhorse, it will always get the job done, and while it may not be a perfect fit for that vocalist you had to pull the Blue Baby Bottle out for, it won't make that person sound awful either.
A jack of all trades.
While I'm usually not one to recommend the microphones made by Audio-Technica, the AT 4050 is surely the best sounding microphone I've used that they make. While it isn't as cheap as most of their other mics, it is for good reason, as the AT 4050 sounds way better than most of the other ones and also offers up a lot more versatility. I'm sure that the main usage that the AT 4050 sees is for vocals, but it can definitely be used for other applications like drum overheads and acoustic piano and guitar. The mic isn't the greatest design out there, but for the price there isn't anything to complain about. Most people I'm sure will look to Audio-Technica for mics cheaper than this even, but if you're a home studio owner and are looking for a go to vocal and/or condenser microphone, this is one of the best deals out there. Even so, I'd recommend checking out a bunch of other microphones in this price range, as there are really a lot to choose from - some are better and some are worse, but before buying you should definitely do your research to see what will work best for you. Personally I'd recommend spending a few extra bucks on the Neumann TLM 102 or 103, but the Audio-Technica AT 4050 is a fine mic in it's own right and is one that I'm sure makes a lot of home studio owners very happy...
1 of 2 people found this review helpful
boogie-raf's review (This content has been automatically translated from French)" super - value"
5 Years, I have a lot of microphones. It's close enough to AKG C 414, a bit less bright, which is not bad, and much cheaper. it is a very versatile mic. great sound, beautiful finish. We could do a whole album with that.
5 of 10 people found this review helpful
Ad's review (This content has been automatically translated from French)" Swiss Army Knife"
I love this mic I own for 4 years, I do not use it all the time, but it does very well on a lot of sources, including small drums that often come with a little hard enough static out with this silky micro. I use it often omni (OH mono, 1.5 m amp guitar, voice ...), with a little distance where he is doing the best for me. More conventionally used on a voice cardio when others do not work, in addition to eight other micro.
To respond to other opinions, sobriety is a trait ...
4 of 7 people found this review helpful
Then use 4 years on the catch of votes (hip hop song). Micro trs rgulirement versatile compared to 414 in this area.
C'tait one of my first microphone.
What I like about this mic is its transparency and its small bump in the medium, can make warm voice, despite a lack of precision lightweight.
Today I made my decision to vote with a Neumann, but it is not uncommon for me out my 4050 for vocals.
Good qualitprix. It's not the case but the shekel is worth money.
Yes I would do this choice, if I had no more budget lev.
3 of 6 people found this review helpful
froidurematinale's review (This content has been automatically translated from French)
Microphone fairly neutral, which can collect high sound pressures, so no problem for the snare and bass drum (and other powerful sources).
I use it for a year in various configurations, overhead, singing microphone (depending on stamps of votes), making ambient sound, and other applications.
I tested others such as TLM103 microphones before, and I prefer the versatility of AT4050.
The suspension is heavy, with good elastic and the microphone is held by rubber bands, and not a clamp, which filter even better.
For its price, this microphone is an affordable luxury.
I could buy another couple of these mics, but I'd like to diversify the sound colors in my micro park by buying other microphones.
1 people found this review helpful
Cinematic Garden's review (This content has been automatically translated from French)
Everything but the kick for me. I use it a lot in voice, electric and acoustic guitars and Overhead. It works very well, transparent and faithful to sources, a light slope in the high range.
Monstrous if one takes several of these mics to a symphony orchestra.
Percussive instruments such Xylo, Marimba have much definitions with this microphone.
For how long have you been using it?
Have you tried many other models before acquiring this one?
Many, but for a first pair I needed a versatile tool that is why I chose this one.
What about in terms of price/quality ratio?
Honorable but a little promo does not hurt.
domos's review (This content has been automatically translated from French)
I use it for 6 years dj. I haven 't ever convinced by the microphone. I find it dull. It is far from being a bad microphone, but I must tell you that since I have a couple of studio projects C3, 4050 my rank is often in his little box! Indeed, the C3 suprieur well for me, transparent, finesse, put in default the audio technica. On a snare drum, it has no picture, on the votes, it has still not picture!
No notice 'that engages me, but if it' silent again, I 'achte directly studio projects.
I have sold my 4050 and AT C3, replaced by Neumann and KMS105 BEYER MC930.
The AT4050 lacked DEFINITIONS, poor rponse transient and complements "largus" compared to micro KMS105 voice, even on the instruments.
3 people did not find this review helpful