All user reviews for the Vox AD50VT

See reviews prcdants. All t say

USE

No problems on this point. Very easy to use. When I put even a BMOL the effects section that is not quite simple when you do not know the amps. The noise gate is very effective too because sometimes see finally reduce considerably sustain the amplis.A use in moderation. I repeat this amp is very complete and very easy to use. You plug it plays.
The manual is clear enough and more than enough

SONORITS

The sonorits are splendid and varied that limits Mtal perspective. The sound is moin "flattering" and "rel" view more "raw" than other amps has modlisation of the market which is certainly of a pramplification the lamp. I play a gibson les pauls custom. The sound is very little dnatur. I am fairly versatile in my game and this amp is suitable for all with a certain limit for Mtal.

NOTICE GLOBAL

I use it for over a year. I find it very convenient because it has a wide range of sonorits and is very easy adplacer. I tried the majority of amps has modlisation dumarch before buying it and it does for me by far the best value qualitprix / performance. I do it again without hesitation that choice

Transistor amplifier with preamp lamp.
50Watts power adjustable.
Port guitar footswich, headset and speakerphone.
It possde 11modlisation amps and 11 effects, including some couples.
1 rglage for gain, volume and equalizer a classic treble, middle, bass and master.

UTILIZATION

The configuration allows a number of rglages more or less easy to use but any person used to the amplifiers of this type will not have difficulties reaching their end.
I for one, had a little trouble finding the "sound" I DSIR but I think I can still be better.
malheureseument no manual to facilitate utlisation but do lose a few minutes the user.

SOUNDS

For sound I think I'm looking to be on track given the quality of modlisation of this amp.
I am playing rock, hard, heavy, and punk and some sounds are well trs to address my style but I do agree saturations qua Moitiers.
Overall clean sound that I rgler trs well for me and one of rglage with one of my distortion pedals makes me sound pretty good.
The diffrent modlisations his asser different then agree a rather large audience.
I have yet to test everything not believe DEFINITIONS ...
modif of 26/08/05.:
The sound is present j'obtient Excellent (not like three times to correct my dreams but it is worth.)
a lack in the middle but buying a small equalizer reglerat the problem.
J'obtient trs metal sound (prt of the mesa) and precise, but it took me almost a month of testing to get l.
I am not at all deu m'tait but if I do not buy my beautiful esp viper (1700euros) I had a mesa (but good in 3 / 4 years old can be).
Obviously I can not put 10 because it's a modeling amp but the purchase does not regret trying conditions have a material identical to hers (because its really important level!)

OVERALL OPINION

I've had a hard days and I got it for 369euros.
I'm quite satisfied because a line j'hsiter spider2 6 2 * 75watts APRS and testing it and then that of the vox, the difference to my ears blow! The line 6 was winded and lower quality sound (especially with a sound similar to my ubber metal!) compared to the vox so APRS 2min games I buy without hsitation.
I had one before Marchall mg15dfx, trs good terms I find him a good sound but for the price it is quite another thing, I do not regret.
I preferred the quality of power, but some will reverse regret it later

C is a very good modeling amp with a lamp that acts on all the preamp (and not just heavy distortion) of a power of 50w good enough for the group and for the same scene (the concert hall often being equipped with their own sound system)
the connection is basic to say c is a guitar from a headphone or line out and an outlet for another branch in 8 ohm speaker
this amp has 11 different kind of amp and effect 11 well modeled (with autowah I adore)

UTILIZATION

Like any good amp to get the sound must be some adjustment time that although there is settings to factory perfectly correct
even if we regret the lack of clarity of the manual

SOUNDS

This amp is very versatile osn very clear lens of pop ballad to saturate very aggressive and very heavy the metal through the crunch dear to blues and rock
most is made by the lamp that allows you to get a warm sound of an amp a traditional lamp and avoids the effect "cold" style of modeling amp line 6 or behringer

OVERALL OPINION

An amplifier that we must learn to take responsibility to reveal all these capabilities but at a price of about 400 euro is extremely good acquisition for someone looking for versatility without losing heat in the
at a price I believe that there is nothing better so at least nothing as hot (the behringer making a solid alternative to this amp but at least I find it too cold too without soul)

Amp lamp end of the VOX Valvetronix technology with an output of 50W, provided enough connection (Footswitch, Line-out to HP, and headphone ... between a guitar).

We propose the bte 11 modlisations amp and effects qu'11.

Basically, all you need is solid! And nothing useless for me, well worth the 10

UTILIZATION

Once in the hands, the amp does a lot of head. The configuration is childish, the knobs are easily adjustable and the manual is clear and almost useless: D The factory programming is potable, but we immediately tried to find his own sound!

And it's hard to beginners ... It was almost too many choices! Once a beautiful modlisation found, turn the knobs a bit, you can play, RULES, you can play, and it still RULES after a few days it is a particular sound.

SOUNDS

This machine should really EVERYTHING! Versatility is its main asset. The modlisations are varied, Fender Mesa Boogie through clbre AC30 or Marshall! It is quickly blown away by its possibilities. Thanks this palette of sounds trs varies, evolves even more, one is tempted to play a different style, toffe of his game!

The clean sound is crystalline wish. This gives a good quality regardless of its style. The Fender Tweed and JCM are my favorites

It reproduces well the characters of the guitar. My sound trs Jackson Jackson, a Fender sound trs Fender, etc..

The effects are neat and practical. One can easily exploit them even if some are not very useful

No sound dplait me, just getting used to and the peaufinner rglages. A machine of this hell VOX!

OVERALL OPINION

I use it for a few months and I am satisfied.

I normment rflchi before this purchase, I test a lot of stuff and for the price, I really nothing better. At his, some amps sound may be best for a particular sound, but none is so versatile.

qualitprix the report is excellent!

I was also impressed by its power 50w This is more than enough for group play and live, I've never pushed harder than 6-7: D

I wanted to find a weakness to be more crdible but ... I do not! DSOL

I feel like it, I keep it long vai!

PS: You hsitez? N'hsitez more, buy!

Containing a 12AX7 tube amp giving heat to the
the power delivered is 50Watts, in one or two of 10p hp (I have the AD50VT 212)

I have not been supplied with footswitch, and the price was a little delayed, 60 euros.

the settings are simple, one button to choose the type of amp simulation (simulated perfectly for most cleans and crunch tones see) and another on the desired effect!

UTILIZATION

Configuration is very simple, once you understand how simulated combined effect and amp no problem!

good sound easy? Obviously, no problem, it turns quickly make two button and three hop yaaahouuu! *
when the manual I do not know mine was all in German, and yes thomann has its flaws!

SOUNDS

I mainly play the Dire Straits, RHCP, things of that type
it suits me quite! I had a vavlestate VS100, they are really not comparable,
the sounds of the vox are excelente, me and totally agree! well I think the amp is not ideal for a big métalleu but hey, its saturated and remain good, but always in a Espri crunchy!

I prefer the crunch eviemment and clear sound, perfectly simulated, nothing to say on it, except that it is a pure joy ..

OVERALL OPINION

I use it for, well one week and is already the big loovvee!
I tried a line6 spider 212 .. nothing to do with the vox, sounds are much colder, more for the metal.

Although it is not good either given 420 euros for two hp, but well worth the time, especially when you have the pa by investing in a quality all-tube neuf.Mais reflects the brand!

with experience and although I would see in a while! for more info contact me

Cuckoo!

transistor amp I think it possde a lamp in the preamp as stated prcdemment.
50 w with everything you need in connectors. I still have an AIM from second to play two guitars! too bad!
22 effects total: two or three types of clean and crunch some LGERS AC15/30 the overdrive and finally, distos 70 'and 80', with also a US "HIGH GAIN" that shipments lot of potato and also a "nu metal" which is not at all made for mtal but is not bad to rock.
Other effects are the 11 types of modulations compressor, auto wah, chorus, flanger, phaser etc! and some combinations of style comp + chorus, chorus + reverb, and many others

trs is basically complete!
the fact is more than enough power for RPET and bars for example (I do not know if I say so I dja prcise)
it is more beauuuuuuuuuu trs! (Not the same as the picture: the grille is gray "metal" and the whole is soft, with knobs and all over

UTILIZATION

Configuration very simple and intuitive
Some knobs "gain" for Susten "volume" "treble" "bass" "middle" and then what the effects ...

It's cool that there is a dlivreur sustain for a modulation allows one to give your song a diffrent scale (eg a tiny reverb to aprges and a good chorus for a super m melody ...)

trs sound is good! very easy to obtain. dlivre you feel the heat from the lamp.

I have not had a manual: s I bought the last of the store that was so all need expo MODEL

there is a kind of grid on top to vent, I used to put all my picks top ^ ^ hehe practice (not worry they get it!)

SOUNDS

The sound quality is excellent! trs is versatile. DIFFERENT thanks to cleans it addresses the pop and arpges (+ modulation) with the slight crunch of vox ac he can play blues rock, even at the hendrix! and then the rest bah, rock, punk, but not too mtal either, or with an effect pedal!
I would also like the MD2 possde home and his boss dlivr trs is good. at the beginning I put on the clean channel and changeans of "clean" (eg twist) j'obtient sound carrment Different. which makes the sound palette even more usable: D
I absolutely love all the sounds. See my influences I do not use very much similar amp AC 15/30 but can be very symmpasthique for blues ballads.
There's also a compressor so I have not forgotten! trs is right all the same

I use a pedal and a guitar md2 Cort M600. I will soon have an acoustic electric ovation! I will say the new: D

> Edit (Ovation electroacoustic) good I test the bte of a acoustic electric ovation, has ben flies do the sound is clean and no more. There's no real grain of brilliance but it was not for any fawn

OVERALL OPINION

I use it for almost 5 months and I have had time to go around the corny
thanks to its many effects is very versatile! sure it is a weapon!
I think it's one of the best value q / p of the market. marshall of the cot with SERIES mgdfx did not measure one second!

Beware if you are looking for an amp of quality in the market for a modlisations amp is the best look no further. He spreads littralement Marshall (mgdfx), Roland (cube) Line6 (jesaispulenom) and other competitors!

Of course I would do this choice with the experience, although I sduit fender as well with their clean out of this world! but hey it's something else! here is the modlisation effects.
10/10

oops I think I remember something to wedge: the volume limiter trs important! trs good ide! it helps to have two knobs instead of one to adjust the volume (limiters + masters level). that is very practical. for example, the room I put a 1 / 4, the RPTES 1 / 2 see 3 / 4 concerts and a bottom bin

The Vox AD50VT at a glance:
- 50w Modeling
- Two user memories
- Hybrid technology like the Marshall AVT (1 = preamp distortion lamp warm)
- 11 amp models - presets (It goes through Marshall Fender, Vox and hi-gain as Soldano ... But beware, these are identified simus in other references, except for the Vox amps from the manufacturer. Ex : = UK90 JCM900's)
- Miscellaneous board effects (sometimes paired): compressor, flanger, phaser, rotary, chorus, delay, reverb, auto-wah ...
- A noise gate built
- Connectivity: jack instrument input (!!)+ direct line out + speaker + headphone + jack footswitch (sold as an option)
- A power attenuator to avoid entanglements neighborhood!
- on the other hand, a mega regret given the quality of the amp: no effects loop ... For that, my note on this topic from 9 to 7!

UTILIZATION

So there, no worries! It is simple as possible!
It "just" a preset from the amp, to refine the settings for carving his own sound (gain, volume, bass, middle and treeble) to choose (s) effect (s) to be applied and resolve and store it in one of two user memories.
These two memories (equivalent to 2 channels except that you can Bicol saturated or 2 channel 2 light or 1 of each) are switchable. The optional footswitch to switch from one channel to another and bypass the effect applied to the channel that is active.
Simple and effective!
on the other hand, there is a downside: with all the built-in effects that are really high bills (except the auto-wah abominable but that's not a scoop on what kind of effect), shame is impossible to connect a pedal to drive! If we add that Vox has certainly seen fit to dispense with an effects loop as there was built-in effects to the amp, one can say that the idea was not used until the end. Too bad because the quality is there, the possibilities are huge at the base, but maljheureusement somewhat constrained by the poor choice of the manufacturer. I put 10, but now I go down to 8.

SOUNDS

Its level, the Vox is in my opinion one of the amps modéliisation the most successful on the market! Nothing to do with some Line 6 certainly well filled, but I find some sounds very "synthetic".
I play mostly with sounds ranging from metal to blues / blues-rock.
I can tell you that tube amps are modeled quite impressive. I had a 100w JCM900 combo for a few years and I found her a very very very close to the modern UK model. A friend of mine who has seen the heyday of JCM700 tried the amp with his Telecaster on the corresponding simulation (Uk70's): he remained speechless!
For my part, to clean, I was won over by the simulation of the Fender Bassman, amp deemed to react in a very dynamic game of the guitarist. Here we find this feature, well rendered!
As for those who say that the amp is not suitable for large metalheads ... It depends on the guitar and his microphone. I have an Epiphone Les Paul Custom signature ZW rise with EMG active and I can tell you that modern UK gain in depth by digging mediums, that oats serious! With my Gibson Les Paul Standard and its original pickups, it sounds more rock again but frankly, it is far from lacking in power with the same settings.
Anyway, I remember the extraordinary versatility of this amp!

OVERALL OPINION

I use the amp for 7 months. I am delighted with the simplicity, versatility, quality 11 amp models and effects of that (except self-wah useless, I reaffirm!).
Only thing that is sorely lacking: the effects loop! It's a big mistake because the built-in effects can not control other than by turning a knob. It's the only reason I would really think about reinvesting in the same gear.
For besides that, what amp! And what a sound! Whether with my Epiphone ZW LP or my Gibson Les Paul and SG, is happiness! And for a price "ridiculous" and more!

Trnsistor prampli lamp

50 watts enough and small costal dtail that is important is power adjustable outside the volume that can play low without losing momentum (it is rglage judicieucement the rear of the site amp).

Say anything about the connections that have t say if only for myself on top of the rglages suit me well.

UTILIZATION

Yes, the setting is quiet and the sounds are really good. For an amp of this type, it respects an admirable instrument. I have no manual.

SOUNDS

In my opinion, it is all styles of music. I play with a Corthera cl-200 team of EMG HZ and the sound is full of bass, I have to limit low-level amplifier SETTING THE ... but hey, it's the guitar and microphones. I find it unfortunate that there is no effect loop, but otherwise it is nickel.

The sound is warm as a quilt by the fire when it snows outside.
Do you dplaise, the EQ is effective, there is no "DCON" and there is not a breath with my emg ...

OVERALL OPINION

I use it for a year. I do not understand some criticism about the fact not to buy an amp of this type ... is another dbat and we're not talking the type of amp but this amp in particular and This category, it is really IDAL. Of course, the Marshall all-tube 30 years of age ERRF with 4 X 10 speaker sound can be better but more expensive and must be added all the effects pedals ... the price is 4 5 times lev ...

For a price equivalent to almost one can buy a VOX Tech21 (amplifiers) and a pdalier ... and get good rsultats ... I guess if you add a prampli lamp ... it will sound too hot while maintaining versatility that is INTERESTED ... but even so this amp is a good choice once you get to this DCID CATEGORY.

Well, I think it all t said before, I'll nanmoins rler a little!
The connection is gnrale think I got a quoiqu'incomplte: an effects loop would welcome t, right? I also apprci between a CD, just to be able to return an MP3 player for example, and type of jam over backing tracks. Well, we will not complain; There's a lot of dj effects Intgr playbacks and running on the PC which is act of the amp.
I also wonder if the poor light in the prampli has an added value (I mean other than marketing) is a modlisation amp, right? The electronic circuit is out dj sounds Muls hot, I do not see what use a lamp over, but good. No claims, just one question.

Regarding amps modliss, j'apprcie cohrence the amp choices on offer: the REFERENCE of the market in clean, crunch and distortion in / disto higain. Trs big positive.
The effects are not bad at all (as said before, with the exception of the auto wah, which quickly becomes ridiculous in the passages a little fast) but I would have AIM greater freedom of choice and combinations. For example, you can not just have a chorus, since it is only available combined with the reverb (like the phaser, flanger and the trem for that matter) although the mix of the chorus is adjustable. The possibility of being able to connect a pdalier a little default. Well, when you can even paste in a footswitch that allows to change channel (Incidentally, just two is a bit &#39 and bypass the effects, but it is to buy and more ... And bing, 80 USD!

Rler and once more (I'm franais strain, never happy!) I understand the not too intrt to the knobs on top. I really apprci faade of knobs in order to accder playing, what could be more normal? So good, dsormais I know all the positions of knobs by heart, so my fingers "look" for me too, me ESG less.

Finally, there are generally enough cohrents choice but I find that a terrible lack of flexibility. I can not put more than 5.

Those are CHARACTERISTICS

UTILIZATION

The config is not too complicated, dj has a lot of hours that I use and I have not felt the need to read the manual, if not to understand the edit 1 / 2 / three effects.

With regard to the sound: One day a profesional guitarist said "a good amp, you not need to spend 2 hours on rgler: If you plug a sound and not going your way . The rglages is made for tweaking, nothing else. " has a Verify with all the amps I've had, but definitely not with the-l: D. Well, it's a modeling amp, be coated so that a particular characters. We must spend time to rgler is clear. It's not plug and play, so the note will be lifted. But once the right rglages (ie subjective) found ...

SOUNDS

... This is the nirvana We forget all the little default deficits previously, as there are many possibilities and quality. While not all amps connatre modlissa perfection, I stayed on the ass. The Black 2x12 in clean, with good compression and gain makes me draw the hair on the arms! It is crystalline crmeux, soft and harsh when pushed hard ... Like a really good Fender, same! I do not know how they could achieve this degree of Fidler but then the hat. The rglages are numerous but not as a tedious may be the case on a mesa, on one and the same MODEL amp, you can really exploit DIFFERENT rglages and rendering n ' forcment is not "good" in this case, but Fidler.
Crunch in the UK 80's position, we made a trs Fidler, and I speak from experience because I jou a JCM 800 for quite some time. The only difference is that a argler will be easier than the truth! We do not sound exactly the same, but we really connatre MODEL in the true knowing it.
Then, in the distortion very large hairy, I have not found my account too because I do not play mtal but the few I've tried I found outstanding value. By taking a few standards of Heavy Metal 90's Higain US position, with the microphones single stratum, I found a bit too lightweight and cold ... T as would the case in the real amp, quite logically: what reinforces my opinion that is modlisations trsrussies.

In overall the tone of my guitar is a respect me a little afraid before purchasing (na: I could not try it with my guitar before buying it, but with a copy). the sound of the microphones is very well transcribed, no altration sound, at least not a volume of apartment. We'll see if I RPTES during a chance to do with this amp!
The next step: to get my effect pedals, the amp j'espre that will accept them without flinching.

It's MRIT 9, I note, however, if rviserai do not cash my pedals.

EDIT of 21 October 2007, after two months of intensive use: it great my cash pedals: D especially my TS9 and my wah. My chorus (Marshall) sounds a bit synthetic but I can fix that with integr. I should therefore take note thoriated as I had promised ... But it blows! my things are of good quality as my cables I therefore find that the amp does not like the forward chaining the preamp ... And there's no loop! So I have to put the noise gate to stop and it is almost a little Gnant.
On the other hand, I realized that I always leave the bass knob to 0. APRS INVESTIGATION it is equipped with an HP support weaned low. Bad point, especially as the closed-back does not help. So I vir rear panel. At low volume the diffrence is not too noticeable, but high volume can feel the difference.
And to continue, I would add that a lack of momentum, but the fact is all normal for an amp of this design.
I pass the note 7.

OVERALL OPINION

For the record, I'm Prou ​​and I can sell my Marshall JTM 30 that I met pleinement.Il not fit in the suitcase!. At this point, I have nothing on the market of time; must also say that I am basically a pure lampeux! I have no exprience normment of either, but I had the opportunity to spend some time on a JTM 30 Therefore, a JCM 800, a Mesa Mark IV, a roland jazz chorus, A Hughes & Kettner I know what a Fender Blues Deluxe, a transistor and some others.

Well, the fact is that nine, I found a distributor Laney, but none of the range does not really convinced me (not the same LionHeart SERIES) testing, the at least not with my guitar. It is true that this time I did not let the chance to modlisations home Laney. Financirement I had the budget for the resale of my JTM + a small extension, so a limited choice. I then (for DPIT, must be said) tried the Vox and I immediately sduit t by the quality of clean sounds. I spent some more time and felt the potential of the machine, so I really questioned. It is pointless to buy a tube amp just to say have a tube amp, I opened my ears and finally I went back to try ... And I'm left with. Feedback, I pay 400 USD and it is less than the budget from the sale of my marshall. And above all, I am satisfied with TRS. Level compared qualitprix I trs, trs happy.

I prfr in AD30, which silent quip a HP 10 "because I was insufficient to find a guitar amp, I have always found this size of HP rang" boxy "and that was not rendered honor to the distorted sounds (except in the case of a 2x10", and again). Also I wanted it to be used at home AND in BPS, so 50w is a good compromise I think.

I also had the possibility to take a Marshall modlisation (I really know what models) but when I had tried a few months before, I found it really pourrave.

Sail for a while I would put his 9, note that I rviserai or not in the future, when I connatrai perfectly.

small rapid assessment:
+ + +: The quality of formulations
+ + +: Intgrit to the preservation of the guitar
+ +: The impact of rglages, opening a wide range of sounds hyper
+: The easy handling, one quickly understands how it works
+ / -: The rle of the lamp, for cons, I still do freelance ...
-: The knobs on top: No practice at all
-: Effects indpendants enough of each other.
---: The CONNECTIVITY Reduces too: no effects loop / footswitch too limited ... and in addition to surcrot!

Edict of 21 October 2007:
+ +: Well it pedals cash
-: It blows, it is nevertheless bearable but unpleasant.
-: Too low!

I drop in note 8.

See more advice ...

UTILIZATION

The manual is well done, very complete, I love Team Vox justification for the selection of amps modelismeme if a little boat).
The rglages are extremely prcis is pert very quickly these settings if the cleaning lady just made the dusts.
Overall a simple modeling amp, trs difficult when compared to traditional analog amplifier ... it is evident that no little to have different 13amplis on the same combo without some difficulty settings, for example, the button becomes a second gain volume knob with some type of amp and not with another, etc.. .. (It will take beginners to the manual to see what we do)
if not http://www.valvetronix.net/ presets easy to start copying.

SOUNDS

Should my style of music? ben ... We have a lot of amp models ... so yes
we can do anything with (Versatile jumbo)
I play telecaster american deluxe with a pickup with noiseless.
Well, the quality of sound ... this amp is a real Swiss army knife, but as any good Swiss Army knife is no good or really functional.
and very sound way (see horrible) if the settings are doing in a hurry .. not too bad if you lose a little time to look for them, but it will never sound truly faithful ... It models the signal of ... So ... even the timbre of the scraper :-(

OVERALL OPINION

I use it for a year and a half ...
I love due to economies of sub for effects and you can discover the gentle sound that I like most about an amp and especially light, convenient to go from left to right!
I will definitely change it to a tube amp, absolutely modeling!
If I can give you a tip: economic modeling (for Vox in the 300-400euro) bin is not very nice .....
I will not go this choice, although I must admit that to take to repeat, in concert or load it into the trunk of the car is great practice I think it's a good amp but only SUPPORT ...

RAS said it all t

UTILIZATION

This amp is fairly easy to use once PERIOD makes getting started. Indeed, at first glance, may seem rglages Drout. But what is more normal for a combo that accounts for 11 modlisations effects and as many DIFFERENT?

It is also very easy to get a good sound thanks to the way "preset", DSIR trs useful when playing fast without taking the head with rglages millimtr s.

The effects are of good quality overall. However, I regret the absence of a button rglage supplmentaire that would have allowed a more intuitive.

Finally, it is important to note that the PSE plutt heavy equipment ... Not always easy to climb my wooden staircase circumstances with the toy in his arms!

As for the manual is simple: I have never seen!

SOUNDS

It is the strong point!

I mainly play a PRS SE Single Cut, but also with a pack of type Guitar Stratocaster.

The 11 modlisations offered allow the user to navigate with ease dconcertante a clean well-rounded sound distortion too serious and slobbery.
However, amateur Heavy criticize him probably a lack of gain, which may prove pnalisant saturated hyper riff for the most extreme styles.

The trs Submitted modlisation appears low volume. However, ds which is somewhat higher time cadence, the natural color of the amp gum effectively ct somewhat Modl digital sound. And this for our pleasure!

Anyway, what a Vox possde tural personalis that s'loigne prdilection not the style of the brand: a round, warm, ideal for blues and pure rock and hard!

The rel weak on the bass, which in fact are far too got my patches. (And apparently got to all!) Dvissez rear plate, and you'll have no problem!

The modlisations type "crunch" as they seem a bit feeble. You will need privilgier crunch the amp's natural that I find frankly beautiful. (Thank you in the light pre-amp )

Finally, the receiver does not agree can be lovers of francs and crystalline clean tones, but you know what you want!

OVERALL OPINION

In conclusion, I would say that this amp hybrid modlisation reconciles versatility and personal. This is too rare not to the prciser!
Ideal for blues and rock, vintage spirit is undeniable. The look-General for the apareil is for dmontrer.

As time passes, the more bte sduit me ... I think it's me lontemps!

Because of its ultra COMPTITE price, I think this amp sduira guitarists who, like me, ® religion approach the all-tube amps sound, without the means!

Amp modeling, mixed (transistor and lamp), 50 watts, the rest has already been said ... Relatively powerful.

UTILIZATION

The configuration is relatively simple, however, requires careful, presets may not make very good with some guitar without parameter changes. The manual is more than enough. The sound is correct. It's a bit complicated to change a sound that was already registered ...

SOUNDS

It should normally have any type of music, and any type of guitar condition to spend a little time to adjust. Tested with a épihone DOT and fender tele, both sound pretty good. The effects are pretty good too. One of my favorite preset is AC30. The problem is the selector, or it is limited to two sounds to be cut because there is three different sounds, but you can not turn off the effect. I find it a pity, in addition it is not possible to record a sound indicating "no effect" and another "effective" ... shame ...

OVERALL OPINION

I think it is a good modeling amp even though I have not tested much. But I sold it. I'm not made for modeling, I much prefer the whole lamp. I think this amp range is when we started and we are looking for a little, or that one needs to play a little bit of everything without wanting to invest too much (several types of amplifier and several built-in effects). Otherwise, buy a better amp has totally lamp and possibly separate effects. In addition, the switching delay between two sounds is in my opinion too long, which limits the use of several sounds in one song ... Finally an amp that incorporates many elements but is still way over all.

Modlisation amp 50 watts, but dj t say below

UTILIZATION

The setup is simple enough, the record is clear enough but I have a lot to galr beginners to find the sounds I was looking for. I spent more time searching the sounds that play the guitar.
Once found sounds, there are just two backup presets and I found it a bit lightweight.
In the default operating scne it when changing presets, there is a loss due to sound change in the config and you have to touch a rglage rcuprer level volume, at least on mine, I do not know about others.
And then I had no pdalier, is that why??
As against what is top is the adjustable volume gnral derrire the amp, which allows to use the amp low volume while leveraging SETTING THE face (and master volume) background

SOUNDS

I really jou top with a strat US std and headphone and made silent plutt well.
taient sounds well made and the effects taient correct.
I really will appreciate the modlisation of Vox AC 30 and AC 15, in fact for these c'tait modlisations I opted for the amp.
on the other hand in repeated high volume, I could not find the warmth of sounds through headphones and it pains me because I thought the same sounds a little too shrill and too numriques.

OVERALL OPINION

I kept it six months and I sold it for a good amp viel lamps and there is no picture, sound is the lamp's light.
That's what I do at beginners, wait a little longer and pay me directly a lamp.

In any case I do not regret my purchase of the Vox AD50, it has served me well at night with headphones home and more importantly, it made me realize that this amp lamp c'tait that it was, I did not understand at all beginners and in life it is to grow by step, we know why we change and we apprcie even his new stuff

It said before! little to say at this level

Connection is missing a loop insertion in / out (only on the AD100!)
Too bad there are only two canux memory and not two guitar inputs (1lead/1clair)

UTILIZATION

Settings range of possibilities and less intuitive than the old ad 60 & 120 vtx

There were combinations of keys & buttons that make it a little floundering pd the 1st time.

You can play access to a good variety of settings at once with the presets and after tweaking manually.

By opening the record and taking the mark with a step back you get there safely

You can play right away with the presets and after manually tweaking.

SOUNDS

It goes both blues, rock, hard clear that it has no weak point with the guitar that I have 60 PC's strato

I use different combinations of amp tones and effects

I would say that only the effect wha-wha is below other effects very realistic for a little nasal!

OVERALL OPINION

It's been so soon since February 5 months and am not ready to change it.

I have not tried other amp models but I opted for the Ad 30 from
but bowl and brighter ds the medium (smaller sounding amp) made me prefer the Ad 50 especially with the power limiter in the back does not detract from these qualities at low volume!

Missing dand the absolute but the sight of it is hyper competitive sonprix:
- No scratches 2 entries
- No loop in / out like the AD100VT
- 2 memories a bit limiting in terms of possibilities it has!

I read that he was rarely a lack of momentum, something I have not seen a reasonable amount!
A choice I would definitely do it again !!!!!

Everything is told below. simulation in the lamp power amp. What's great is the reduction in volume that practically no sound.
The 50 W is more than enough to play on stage or at home.
The connection's fine with me, I'm kind of plug and play and rock me babe (jack directly into the amp).
No need for effects pedals, bottom bracket and company, just a pedal that allows you to play all three channels (two channel stored and manual) for me is a clear, saturated with a "soft" and a solo ( disto thoroughly and more acute).
I use three reverb effects all the time, and the autowah a song (but it's almost a toy) and comp phaser (on a piece reggae-sounding).
Oh the grid Feraille shining and well I like it.

UTILIZATION

Very simple configuration, while the amp offers a variety of settings.
We get easily a good sound, but the interest is to find the buttons and turn in any direction to discover a multitude of different sounds and pleasant.
This amp is tame for paufiner sound with the factory settings is sought after and broadly is refined gently to get the right sound.
Oh yes this amp meets the microphones, I have a real serious difference between the micro and micro acute. On my guitar I have more saturated with micro micro acute with the grave. Is low and the micro severe (normal).
Ah yes, it's not a real tube amp, but I think that enough is not far away.

SOUNDS

Oh yes it suits my style check out my link.
I play with a gibson paul firebrand deluxe the.
And I think that sounds pretty rock'n'roll.
It takes a bit of volume to burst up well or if you put too much bass sound becomes a little synthetic.
I do not play with all the sound configs that I like are the "marshall" for Satus and "Fender" for clean sounds.
Surprisingly sounds "Vox" does make me neither hot nor cold, such as mesa * (see further, I flat my words).

Supplement to 29/02/08: I moderate my comments. The channel or mesa vox and was almost insignificant with my gibson, I tried my amp with a scraper hacked and especially single coils Fender quality. And! This is not the same amp, which was fine with my double gibson is more bland with Simble coil, which was pretty bland with my gibson (Vox and mega) is smart, bright and brilliant with Fender single coils. This is consistent with my comments above, on my guitar and two microphones. You are dealing with a real amp, the quality and type of micro intervenes heavily on sound quality, the channels do not work like the type of guitar, as on the real vintage tube amps, so to speak.

OVERALL OPINION

I use it for more than six months.
I repeat at least two hours a week, I did two concerts.
I tried other amps in the same price range, I found no equivalent (in the saturated line 6 was pretty good, but its clear to pick up).
I consider the very good value for money, I dream of an all-tube amp, but to carry around to right to left I'm not sure what is better, and then issue diversity of sounds my amp is doing very well in many situations .
With the experience I would do the same choice without asking questions. This is a great companion. And the multitude of sounds promotes inspiration and composition.
Ah yes, if one day it crashes, turn off and turn on, off again and it instantly (it happened to me once because of a power failure).
Come and listen on my myspace: http://www.myspace.com/twoboneyann

For my part I think this amp is much better than a small all-tube amp from the same budeget! Contrary to the view from below.

Supplement to 29/02/08: after more than a year of faithful service is an amp as a musician, so if you're a brute unable to set the equalizer, to search for sound, go your way If you are a lover of his who like best to define your sound, go listen, or better VOX AD50VT type in you tube and open your ears. And there are great chances that you may be attracted if you like vintage sounds (see and listen to the XL range for metal). It sells tons of AD30VT, I think the sound quality of 50 is higher (as the price!), The 50 was low when I listened to the 30 I do not remember.

Edict of 19/10/08, it is essential pourqu'il rings put the volume all the way behind the power limiter on the master and play. The lamp is in the power amp and suddenly it works best is the day and night. I think I'll get him a big brother all-tube, but I still loves, he has always been faithful to the concerts, the plug and play, presets in place, and again, contrary to what I read it 3 Channel this amp, two stored and modifaible, but found as soon as you press the pedal .. So 3 Channel. feel free to come listen to it on my myspace: http://www.myspace.com/twoboneyann