The T.bone SC-180 Stereo Set

Small condenser microphone, ideal for making acoustic instruments or overhead. Possibly to be used on voice Manir point, but not in a Designed to departure.

OVERALL OPINION

Reu I have this morning. Ct so back, I will not lie, it's lightweight. Nanmoins I also atm10a of an Audio-Technica 8 years which is the same type, so I can compare. I'll say up front that I prfre T-bone. Warmer, and further unites prcis is a slap in the sacred tariff. Plugged into a Konnekt 24D, pramplis embedded gain in the third, it is more than enough, not a big breath and stro DEFINITIONS engaged on an acoustic guitar. TonePort UX2 in, even finding ... I expect to see this with my twin Q APRS noon but, strangely I am confident. I prfre is that for the price, it was a pair of good quality microphones suspensions, a rglette coupling, and cherry, a good quality carrying case for storage. .. Frankly for 160, it is believed RVer. The sound is good trs, trs clean, the breath I still looking, they are equipped with a attnuateur-10dB and a low-cut effective enough to limit the large round burr to a power jumbo guitar ... I do not see objectively what might blame them. Trs a good deal, as often with T-bone. Next month I order 2 SC1100, the SCT2000 2 months, and I would be quiet. It complte my current fleet consists of a Z5600a, a JM37, two SM57, a beta 58, and a ATM10a. The worst is that it is the cheapest mics of the lot, and there are really excellent ... GO, a big 10/10 ...

Most: Condenser Microphone, cardiovascular capsule, complete with lines. filter and-10dB low cut, with frequency response for each microphone!
Delivered in a briefcase, with slider to couples XY and ORTF.

The -: I'm careful with my gear, I managed to break the suspension of a screw! (Metal poor quality ...)
These microphones are supposed to be paired ... their output level is not the same, and differences on some frequencies audible at times ...

OVERALL OPINION

I use this relationship for three months for over-head battery (in association with an SM57, a Sennheiser E604 Beta52A and 3).
For the price and quality comparison of the other mics on drums, I was expecting a report cymbals, ride, charlet sad ... and not at all.
These microphones reprennet much bass (cut with the switch and filter later) and are very accurate in the treble, and the lens of cymbals and especially the spring charlet good without being too aggressive (what I did not expect for the price!)

For the price, a pair of microphones bluffing! (Too bad the suspension is so fragile)