All user reviews of 5/5 for the Peavey ValveKing 112

Oops, erreur.cet notice is for the 212 and not the 112 !!!!!

t said anything adj
missing perhaps a line output

USE

Super simple, I try the plug-and-play and is the cas.pour my zic style, 3 sound enough.

SONORITS

For rock is bon.le its clear aime.faut is hot as I say that I spend the hybrid to the all-lamps ...
the boost is a more apprciable for virtually have a 3rd channel.
the other guitarist plays on Hot-Rod with a Les Paul, and now I pierce the mix without pb, which n'tait not the case with my hybrid amp 100W ...
I play on a 93 std roxanne with mini-humbuckers Di-Marzio

NOTICE GLOBAL

Less than 600 euros in store, pedal offered, 5 year warranty: very good quality-price ratio.
has not perhaps not worth the 2000 amps but to do good large single rock, I was going very well.
on the other hand, it is heavy cow !!! I'll probably install grips on the side

Tube amp 50W
1 reverb, Gain! and a knob to change the grain of the U.S. / British (ditto Blackstar)

UTILIZATION

The config is very simple, the manual I have opened by acquired conscience before making lamps and HP

SOUNDS

Personal I need a large range of sound, light fenderien the cleaner through the prog rock, punk, metal see so I struggled a bit to find an amp capable of fulfilling these conditions for a price very reasonable.
Originally this is good, even very good, but it is so subjective ... I'm a perfectionist and I chose to go in search of the Supreme grain ....

I changed the lights for a grain a bit more flexible but very biting, I had the Mesa so I am not deprived. HP missing for my taste tolerance in high and low frequencies, I cracked my uis a CELESTION 100 € (yes ... anyway)

And then it sounds graaave .......... I put 10 after my original mod but already it was worth a good 8. I can live and breathe the beast, it vibrates, it whines, it sings, it feedback .....

PS / I wallow on Fender Jaguar HH (grose saturation) and an Ibanez quarter average fund range
PS2 / the selector grain U.S. / UK, well it's still subtle eh, do not be surprised, Blackstar better managed this find.

OVERALL OPINION

I've had more than a year, I had the Bugera Marshall (lamps and transistor), the Crate, Fender (but nothing to do, Fender knows nothing about the distortion that rips off her pants ! lol) and VOX
Even config origin, quality price ratio is very good, it's tough, it sounds and you can play with at home without a good sound without flatten the neighbors wall. For rehearsal or small concert is also nickel, the guy does not let p'ti dismantled over other instrumentals and password bnickel frequency, not boiled anything ...
It is oriented for those who want to gain but again, the clean channel is a pleasant surprise
The footswitch is cheap, I thought it would be six months but it is actually super tough ...

Under 16 Ohm 50 Watt
A speaker 12 "ValveKing
Lamps: 2 x 6L6GC and three 12AX7 x
Two channels indépandants (Footswitchable)
EQ thomann separated by channel
Lead channel controls: gain / volume boost (Footswitchable)
Output for external speaker
Adjustable reverb
Effects loop
Resonance switch
Amp simulation class A / B
Dimensions: 464 x 543 x 260mm
Weight: 21 Kg
Optional footswitch

UTILIZATION

Operation is extremely easy! 2 channels with two different equalizers and checking feet, we would not have been happier for that price. In addition, the manual provided the setting that offers to find her close to the limit quality of the amp fairly easily.

SOUNDS

The amp excels on the clean channel, it has no identity as a Fender or Marshall for example, which makes finding a sound that goes from slamming (with BRIGHT engaged) in his very fat. On the lead channel, the receiver allows amplitude of its lower (it is impossible to get such extreme saturations screamo) but it is very good for saturations less extreme kind rock n 'roll. The resonant switch and unnecessary and choice class A / AB quickly forgotten by the fact that he has the back of the beast. A gain boost and volume can affect the channel but will saturate quickly banished by the precision lost by their activation. The presence of an effects loop is noted as an optional footswitch unfortunately very expensive.

OVERALL OPINION

I use it for a month and I'm thrilled, of course we saw the ultimate in sound but the price was also a world of difference! I advise anyone who finds the lamp and to those who make the scene on a budget. Unnecessary to take such power to play at home, a 15 W suffirai ample.
That choice I will ever share the quality / price competition that literally explodes.

The amp is 50 watts lamps, "" 150 watts>> is that the reverb, but it sounds too good.

UTILIZATION

The config is super simple, the sound is amazing, really arvle the quality of my guitars (REAL REAL stratocaster and les paul, imitations begin m'nerver ...). No need for manual, everything is clear.

SOUNDS

To play the Led Zeppelin is the perfect amp, as much as heavy metal blues, everything is nikel, but this stuff is demanding I explain, I test with an Ibanez Ergodyne, and I t see how the sound is mdiocre, it is greedy and wants the guitars up to its capabilities. Not to be used with a guitar 300 euros, you lose time, money, and most of you would.

OVERALL OPINION

I use it for the past four months, everything I like in this amp, I am a lover of Jimmy Page, and this amp is made for me but it can not please everyone, large mtaleux Marshall will address or mesa boogie.
Before, j'tais on line6 and I felt the difference, especially at the price, 500 euros for this stuff, it's almost free.
If I had not slammed all my tunes, I'll buy another

Combo All Tube 50 W

Vintage Spring Reverb

UTILIZATION

Simple Config

Take your time to find such a beautiful sound saturated; many possibilities with the various rglages (a knob rear to switch from Class A / B). Effects loop on the front, practice. Pdalier option: o (to change the channel and engage the boost.

SOUNDS

It's hot, it's beautiful, it lights at all what!
The cleans sounds are sublime, agrments a little chorus and time limit is the top ...

Once fully saturated rgl sound is simply bouriffant is pchu while maintaining the precision of sound. It finds its expression with a quality guitar, I play on the vintage (Tele Deluxe 76): it is impressive. I also have guitars latest issue: with a Variax, makes a really good, like a PRS Santana SE.
Personally, the saturated background does not suit me, but it's a matter of taste.

OVERALL OPINION

Bought a month ago at 435 euros on line effects, I use it coupled with a Line 6 Spider 112 in a crunch sound with Stereo Chorus Ibanez, a boss digital delay and a Rocktron Metal Planet for sounds trs saturated. This config is perfect for me, I really found the sound I was looking for!

I regret that the switch is optional ...

Overall, this amp is a Russianness, especially at the price at which it is found, the report is exceptional qualitprix

All-tube amp (3 x 12AX7 and 2 x in pramp 6L6GC power), 50W, 2 instrument inputs, an effects loop, a HP Output 8 ohms, a jack for the footswitch (not livr.deux CHANNELS with EQ on each channel. The clean channel possde a bright switch which is actually a boost of up mdiums priori, and which also has the effect of increasing Whereas the volume of the channel when it is engaged.
Distortion channel for an SETTING THE gain more, and two switches: a gain boost (which also necessarily acts on the volume), and a boost in volume that is noticeable only when the channel e voume saturated is at least 12.
An on / off switch and a standby.
Therefore quite complete, t must have a line out with possibly an HP emulation for transplanting. But hey, with a red box, the problem is rsolu. The footswitch does have fun too, the DDI MODEL possde LED indicator for channel and for the boost. The reverb is not switchable with the footswitch (thus only changing the channel, and gain boost / L channel volume saturated as it would make a nice t deuxime footswitch to act only on the gain boost, or boost the volume, and to bypass the reverb.

UTILIZATION

The configuration is fairly simple. 3-band EQ on each channel. The subtle will be in the possibility of rglage Class A / AB switch and a small varying rponse HP to bring out more or less bass.
This gives her her very easy. The trs rglages are basic, but effective.
No big surprise rglage in fact so. Knob on the rear to "drag" Class A Class AB changes the rendering, but I personally do not touch anymore (Class AB background)
Note that the volume is effective rglage ds dpart, no abrupt jump (which is sometimes the case and makes the amp unusable in an apartment)

SOUNDS

It is ideally suited my style of music. Currently, I play in a formation which contains the classic rock of the years 60-70 (Many Elvis). It does rev well clear. However my personal style is much more Hard Rock, Pop or rock, and again it is Submitted. In my opinion, he can get away in a few prs all styles, except possibly a distortion rather shoot or it will come easily limitations.
The clean channel can possibly saturate lgrement in class A if there are enough microphones pchus (such as those of my gibson), otherwise it offers a nice range of sounds hot enough, which become trs chattering when the bright is engaged. Transcribed trs well the subtleties of the game, a real treat.
The channel is saturated sound ... clear ... saturation grows enough (to love) but lacks a bit of got my DEFINITIONS. I prfre in crunch. I added a Vox Bulldog in order to have sound DIFFERENT saturated and good quality but the channel of the amplifier is saturated trs exploitable even when.
My preferences is therefore clear sound of this amp vritablement surprised me (I tried gallant a store H & K 20th Anniversary trs good in short, a classic 30 I prcis are fewer and too much power at once, and I also test on my Hot Rod collgue, pretty clear sound with ValveKing can approach, but mid-able saturation).
The sound has a saturated trs got my nice crunch. But sounds more saturated ACDC or Iron Maiden style, he trs fine.

OVERALL OPINION

I use it for about 3 weeks. I replaced the spring reverb by Accutronics Belton of my old Bandit (totally compatible, in fact, the Belton is a reproduction of the cheap Chinese amricaine). I use also the old footswitch top of my Bandit 112, a nickel market, but not led. I ordered a footswitch H & K in Thoman (half the price of peavey), it should work, otherwise I will leave a complment mind before June 2006. I donnt Entire satisfaction. I have yet to connect the HP bricoller interspersed in a red box as a given that the HP is directly connected by two rows of terminals directly reread the amp, so no output jack for the internal HP .
Trs so versatile.
Report quality unbeatable price I think. Well worth amps 650E. Then, from an amp 1200E, must see. Try any fawn if possible reliability levels we will see, I asked a rparateur for the moment no returns (compared to the classic 30 who had known her some dboires output).
With the experience: I would do without this choice problem, considering the price, was not worth the shot without it. I spar with my Vox AD60-VT (modlisation) gain in indniable DEFINITIONS and dynamic, but certainly must then buy effects.

T says it all!
enough for the room, apartment, house the RPET and even small concerts
for larger rooms need a transplant and balance in the micro mixer

the BMOL: football switches qd same shit lol
small photo:
http://perso.orange.fr/teambiohazard/all.JPG

UTILIZATION

Config pretty simple when you know well his pedals and his guitar
even beginners when it's going to do a quick trs hand
the rear knob "texture" (Class A / B -> A) deserves attention that the switch of the same "resonance" that alters the damping of the membrane of HP in a factory preset is A good sound that sends easily.

SOUNDS

It will be my style of metallica has ehndrix through clapton satriani van halen and
I t bluff by the quality of clean crunch ca not even 10! what is more (and less for some I concd) live the "clean headroom" peavey home (it is especially the 6L6 own too)
timer (which sends a progressive charge lamps ignition) is also gnial: no "CLOC" in the HP qd it goes into standby / on

saturations ranging from the crunch with the gain saturation extreme skiing and a gain boost. ca ca prcis still does not bleed! it will still add an equalizer when you type in the very heavy metal for the saturation is certainly modern, but my taste in difficult digging mediums (personal opinion)
In contrast, the harmonics are superb and this amp is versatile trs trs

OVERALL OPINION

For three months now I do not regret this purchase, I heard everything and anything about this serie component cheap ... collapse frequency drives ...
I had more positive ngatif echo and I heard these echoes many APRS my purchase I set out to buy a JCM 800 for OCCAZ only was the MODEL 100W as the use was the main apartment was not even evisageable!

I tried several MODELS and I fell in love for a quality price report copy (lai prfr at 30 or 50 classic question of feeling that's all)
Peavey offers a 5 year warranty which is not ngligeable either.

APRS is much like any sr must try, it is far from Marshall and other fender is a grain that I love and which will not please everyone forcment my personal love that's why this note j'attibue APRS you!

This is an all-tube amp:
3 12AX7 preamp and 26L6GC in power, all brand Sovtek for a total power of 50W.
Two inputs, the second removes the signal 10 db. We can connect two guitars at once, but both have their level reduced by 10 db.
2 channels,
Clean: Volume, 3-band EQ, bright switch to boost treble.
Saturated: Gain, Volume, 3-band EQ, Gain Boost switch 2 and Boost Switch.
Master Reverb
effect send and return
The rear speaker output (into 16 ohms I think), switch Tight / Loose HP to emulate a closed or open, potentiometer type of power of the lamps to go from Class A to A / B.
+ Classics interuptor ON / OFF and STANDBY.
The optional footswitch (and quite expensive there ...) is not really effective, no switch for the reverb and the sound is muted during the passage from one channel to another.

UTILIZATION

No frills, this amp goes to the point. It comes easily to find their sound, even if the pots do not allow a real fine tuning, you have to play with the switch and potentiometer class. For my part, I am almost always in class A, for a more modern sound.

The manual is not really necessary. There are two examples for each channel, but rather anecdotal.

SOUNDS

The clean sound is pretty convincing, still crisp and clear on the 3 / 4 of the stroke volume, beyond, you get a sound that CRUCH some of the attacks, a treat! I really ask myself questions about the usefulness of the bright switch, which makes the sound loud and not exactly pleasant. At the same time, I play on a copy of Start 'that does not sound great, so it's best to try with a scraper.

The channel is more saturated at ease in a little distortion and overdrive register, but it has a lot of weaknesses in overdrive blues and other type crunch, especially in large distos. I play mostly metal and I must admit that even with the gain to 10, and boost, it is more of a compromise that the real big sound.
I bought a tube distortion pedal to compensate for these shortcomings, and while there, hide your grandmother is a vamp secured, the sound of metal, the real one that smells of beer and sweat!
Joking aside, for distos rock is nickel, the rest by investing in a pedal, it really has a sound deposit.
Power level is enough to play in his room, it's more than enough to repeat (the drummer does not get along if we play up the volume ...) and adequate for small concerts.

OVERALL OPINION

make it 6 months I use this amp, and there's nothing to say is good stuff. All those who are tested are in agreement with me.
The price is ridiculous for a tube amp, thank you China. One thing for sure is that it's the lamp, while the lamp, and it shows. The sound is much better than the best transistor amps I tried dozens of amps I know what I mean.
I think for young guitarists like me, this amp is the opportunity to play on the gear quality without breaking the bank. A quality / price ratio that is well worth the 9 / 10 I give this amp.

The bte: 2 3 12AX7 6L6
50w that sound, two channels, an effects loop, reverb does everything said below, no master! (-1 Hop)

UTILIZATION

It's a great amp, great for work at home, strong enough to live on.
the manual is clear, but useless ... Just spend some time finding a good sound

SOUNDS

I play mostly Grunge (Alice In Chains, Soundgarden) and the heavy old (Black Sabbath, Led Zep) and this amp fills me, I sometimes parfoit to play metal (BLS, Dream Theater, Metallica, Pantera, Sepultura) follows but is better to have a good distortion.

first the clean: not expect a crunch Marshallian albeit with a micro high-output tone zone like we can make out a slight crunch. the lens is clean, clear, really great! (Parcontre always leave the bright otherwise -> Sound boiled)

the distortion: some say it's actually a swarm of bees, I find it really good, you can switch between the guns and ACDC Van Halen, Maiden, Soundgarden.
I have no problem for the grunge I have my first edition Little Big Muff, Digitech Grunge and my trash / heavy my Shred Master Marshmall.
ptite an OD 855 of Ibanez (tube screamer like) and nikel password.

I like this amp's versatility, its hot, its very special grain and dark.

OVERALL OPINION

This is a great amp, I've since its release, no problem, it's turie.

this is my first all-tube, and he convinced me.
a lot of people think it is a cheap version in 5150 I half of 5150 agree not so cheap!
I intend to do Retube JJ ECC83 in V1, JJ or Svetlana 12AX7 in v2 and v3 in EHX 12AX7 and JJ put two power

-2x 6L6 tube amp to power the preamp 3x12AX7
-50 Watts potato
Class-A or A / B (50 or about 25 watts)
Texture-key at the back and a spring reverb

UTILIZATION

Configuration-simplissime (the manual for morons take new ... in English for me more ...)
"I have a small guitar Ltd EC 50 I am delighted that it becomes trash crunch ... crunch that even clean as a pig on my marshall remains crystalline is magical <3
I think the manual was not used much ...

SOUNDS

-The amp can do almost everything! it's great! I play in a band or you play just a little bit of everything and anything so it suits me: p
As mentioned above, I use an LTD EC 50 it sounds with the fire of God I am so happy!
In clean-get a great lens with my neck pickup and saturated with all the blues crunch through the saturated rock to the very large metal distos
"I love all the sounds especially the metal I took a big slap compared to my marshall MG 30 ...

OVERALL OPINION

"I have the beast for 3 weeks
-The thing that kills it is the potential versatility of the amp is foolproof!
"I tried a Randall and a fender peavey I opted for the most versatile ...
Super-value! We can play in groups as with or without the neighbors sweat ... it unhurriedly
For a lamp-it is really the great class ... so yeah I would do the selection again!

Amp tt lamps refer to the notice above for more details

UTILIZATION

I for my part I have really taken the time to read the manual for the advice he gives about chaufage lamps and other stuff I did not know because this is my first amp lamp tt! ! In short what I found interresting that is in the manual it gives factory settings and frankly they are terrible then honestly take the time to read it!

SOUNDS

So the debate is binding so I have a predominant style of music that is funk or rock or blues and yes I play or at least I 'm trying to play the hendrix, rhcp what I like basically! Well actually I understand it, in most guitarists' s absolutely want to reproduce their sound and not try to find his own sound! I justify myself: you play live in front of your teacher and then they tell you "that is not bad" but when you were in the chorus nikel much as in rhythmic riffs but it lacks one thing and the fair that is the interpretation, how you feel the song? And there's your sound that will make a difference in your guitar amp of your belongings! everything that you have chosen these products and not another! For that I would put it 10 not marshall the sound of fender or peavey but of it can be great for some but not me she conveint perfectly!

OVERALL OPINION

it's been 6 months that I use it! Before buying it I have to try a fender hot rod, a Marshall JCM, a blues junior watss 15 (he has a pattate!), A h & k, a line 6, a vox ADV50 ... I wanted to see short and he came in my budget so I have taken! But just one last thing a modeling amps are not worth a tt lamp while you were making as a 30 watt or 50 or even 15 you do not care, that is a lamp and a transistor and not just for that There are many who are jealous so it worth to save and do not forget it is your sound that makes the difference and that we want to hear from you! for that value for money of paevey is a good alternative! And yes I do it again this election because that is the sound that I wound and not another!

- What kind of amplification (lamp, transistor ,...)?
=> Any amplification lamp, with 12AX7 pre-amp and amp 6L6 GC.

- What is the power dlivre?
=> 50 watt lamps, as a mouth that trs fort!
- What connection?
=> Effects loop between being protected between high gain and low gain between.

- What are the rglages the effects?
=> Two channels indpendants slctionnables foot.
Indpendant EQ for each channel.
Gain / volume boost with the main channel contrlable pdalier.
Capacity external speaker.
A speaker Valve King 12 ".
Rverbe with CONTRL level.
Slecteur of CONTRL of rponse speaker (rsonnance).
CONTRL variable simulation of amplifiers Class A / B.
Dimensions (HxWxD): 18.25 "(464mm) x 21.38" (543mm) x 10.25 "(260mm)
Weight: 44.5 lbs (20.23 Kg)

UTILIZATION

Configuration quite simple but it takes a few before you get trying to find a good sound, especially with the hot violin ...
The manual is not used much, it just teaches people do not possdant amp lamp before it is heat, but gnral we know before buying ...

SOUNDS

This amp should all styles, except mtal really nag o death and will miss potato in distortion.
It dmarque particulirement in the old middle gain rock sounds like acdc, Dire Straits, Deep Purple ... If you are looking for modern hi-gain, is dead (except with pedals).
To reassure some, it can send the metallica no problem on the gun's too.
The reverb is good but do not push it too much, if not become a "lousy".
In low gain, the sound is great for blues.
The clean is exceptional for an amp of this price is the strong point of this amp.
on the other hand I advise you to remain in Class A / B, class A is not famous.
I personally always play between the hi-gain, the sound is edgier and more than caractriel between the low-gain

OVERALL OPINION

In short a trs good amp to play rock of 60's and 70's.
Good in blues.
Mtal nag / death: forget ...
At that price it's the best I could test, hybrid transistors and lamps included.

See above!

UTILIZATION

Too easy to use.
We do not need the manual at all (besides it is in English) to get by!
It is easily the expected. But I suggest you stay in Class A.
50w enough (a good potato)!

SOUNDS

I am not a professional but I can say I love all at once.
My first amp c a peavey 15w transistor then the Difference is clear.
I play in a band: pop, rock, funk should have all that jattend.
The clean sound is too good c of the crystal / distortion for I find it efficient trs (warm / round) I enjoy has played on this amp.
I had not blame him it is sufficient (power) if you jou group (I hsiter but frankly with the 212 c too powerful).
on the other hand I will buy a Zoom G9 2TT. C as a good J'espre shuffled with the V112. In short I will tell you ...

OVERALL OPINION

I have been using for 6 months now ... rpeter
I love his serious face and a little mchante (all black) is that it is quite nice: large c ...
No regrets for audio, c vraimen what I expected.
Frankly when I see the price of other amp I going crazy all lamps.
Trs is affordable for the quality I had a 450E in 5150 in Thionville (I fai the pub).
I recommend it to all the world for that matter the other guitarist in one too.
A remake, YES !!!!!

50 all-tube amp w ...
Simple 2 input connector (high gain low gain) in an effects loop SERIES ...
Rglages more sophisticated:
2 channels: an effect clear + bright and saturated and a boost or boost volume
each channel has its equalization
On the back of the amp a knob to switch from Class A Class AB amplifier, and another button to adjust the speaker rponse ... basically allows a amliorer the r response of the amplifier noise level "low"

UTILIZATION

The config is no particular pb
I like the bcp's clear that I found rather enjoyable, warm and musical
The channel is more saturated dlicat rgler my opinion, you get a great overdrive on THE FIRST half of the saturation is more messy then ... I think the boost is cataclysmic (um I'm not hardos metalheads ...) for me is exploitable sat on THE FIRST half of the knob on clean channel and boost ...
Manuel sufficient

SOUNDS

It is ideally suited to the style of music I play: pop / rock ... I'm not a fan of distortion pedals I bought a Boss distortion of
I play with my Vigier Excalibur, I am satisfied with the sound obtained trs
The clean sound is warm trs, trs serious mdium some nice ...
I use the sound rather like a saturated overdrive .. I use almost no boost ..

OVERALL OPINION

I use it for about 1 month
I love the clear sound bcp, power, rponse and dynamics of the amp
I tried different amp in the same price range mainly transistors amps ..
I consider excellent price quality ratio ke ...
I would do without this choice pb ...

50W all-tube
Speakers 16 Ohm
Possibility to add a cabinet through an outlet on the back of the amp
Line 2 input: High Gain / Low Gain
A knob adjusts the rear of the receiver class or class A or A / B (I personally leave it on A / B when I'm high volume, the amp in my Ragit mieu ...)

UTILIZATION

Extremely simple configuration ... You turn the knob and the sound changes ... ^ ^

This is obtained her ass easily, especially on the Mids, who can sound hollow trs, trs or Submitted (We go from black album metallica the good old rock full of mids without problem .. .) Grain of the amp sounds more punk rock than heavy metal to me ...

I put the manual in direct recycling to the store to buy APRS ^^...

SOUNDS

Well then, I type a lot in the Rock / Hard Rock and especially in the metal genre of Shadows Fall up to Metallica, In Flames ... And I never had to worry about finding a good sound. Parcontre, expect to mount the volume up to half for a good sound, it was down more or less beautiful ... But that's all lamp eh! I play guitar with a low range (200 euros) Type Fender Start (copy), and I get a respectable sound trs! I test with a gibson SG faded ... Oula a vamp! This small ValveKing has it when he gets angry! ^ ^

The sound is not saturated's richest market has ... sounds more acute than anything else, but it's one that I love (a gain lev, you can get a ultra-aggressive attack with this amp! is a rgal: P) If the nickel-chrome is clean, rich, and fat both crystaline ... This is happiness! Even if I board not thoroughly test the channel!

OVERALL OPINION

I use this amp since ending for four months, and I would resume this amp without hsitation if mine ever break. The report is extraordinary qualitprix (remember that it's all light!). I just assay peavey prs every transistor in the same price range, and a few more fender laney ... The silent ValveKing the best! Personal saturated channel is for me the best functionality! I play heavy metal, even without the''activated''gain boost ... (I confess that if A becomes draft). In short, a good first amp trs lamp new in this area! Scne for the RPTES or apart, this amp can do anything. Even if he may be accused of having a more or less interesting low volume, this little lamp''King''has it all!