All user reviews for the ENGL E335 Screamer 50 Head

50Watt
all lamps
2 channels, 2 modes per channel
An equalization
loop
etc. ....
fairly complete

UTILIZATION

the manual?
what manual? bought second-hand

rather simple. no fuss

SOUNDS

the sound is German Arch

it's clean, it does not bleed
it goes from clean to metal as straight but it's clean
not really sound like vintage despite low gain mode

but it sends the proper way

we just play with everything even if it lacks a little warmth
it is a matter of taste. I love it.
The crunch is nice
there is a side in the sound classy

OVERALL OPINION

used 2 years
sold for money matters ...
in my top 3 amp with my Engl Steve Morse
Laney VC30 and my

Lamp 50w amp, two 6L6 power and three 12AX7 preamp in
1 guitar input
Parallel effects loop
output hp 8hom 1x16 or 2x8 or 2x16 or
line output with HP simulator XLR with level control
Twice footswich classic + a special jack for the pedal Z5
knobs for gain in the order clean, lead gain, bass, mid, treble, lead pressence, reverb, master and master lead.

UTILIZATION

It is a four channel amp, clean, crunch, lead and lead ultra switchable with switch type marshal
Z5 or pedal a lot more convenient!
Question sonoritèe is heaven guitarist worshiper saturations hot coarse-grained
I went to a Marshall JCM 900 4102 for this amp without turning much gain definition and attack, the possibilities of adjustment are extensive, but the knob of a pressence is handled with parsimony!

SOUNDS

J'officie punkometalostoner training in the band's sound has become more and pressence nettetèe
EXCELLENT amp very Polivalente

OVERALL OPINION

For an affordable price, the beginning of luxury!

Read above (always same)

UTILIZATION

Simple configuration to an all time EQUAL which can be effective in both saturated clear that the lack of an equalization deuxime
I makes me a rglage idalie the clear channel / crunch and then another on channel lead / heavy lead eventually and I keep a central rglage the previous two, which leaves me a clear and a perfect lead in casi waiting to buy pedals to EQUAL in the loop!
not really need the manual for setting the vls I turn the screws on the rear of the head at the far right to get a boost too DCAL (too hard) to go solo!

SOUNDS

I made the funk-rock fusion and it is the total growing!
I use a strat us with two single and one double with an Epiphone Les Paul with DiMarzio PAF upgrade and evolution dp158 paf joe
must be a setting for micro scratching of my guitars do not have the same ragissent fawn.
his palette is broad asser with this amp from clean crystal clear and flapping in the tufts and the more saturated in all its forms, it's hot but not as much as an amp more "vintage"

OVERALL OPINION

I've had two weeks that's all I use it fresh with 2 * 12 in Mount engl vintage 30 and adpotte serious, I could not Exceeds 4 to master and it djas untenable then 100 watts are not really useful part to play in a room of 5000 people so this amp is the dynamic
I had an amp mi60 in 1968 with a channel which channel but in fact it is a rebadge orange amp because the amp before 1970 English / American n'tait not imported into France is therefore franais Mount a box and they make the amp qqs year with spices dtach German and English, the day I'm spar jamma I find this quality of his !
Then I switched to pod2 with classic 50/50 power amp and 4 * 12 line 6
then the fender pro reverb, then to Marshall JCM2000 TSL and finally that of the Bonnheure screamer.
I will finally stop losing money in amps which I do not satifont! in addition it provides good mouth at the small stack. here I have read many reviews and threads on this combo or head and I made a good choice indniablement by buying it if you can DCID has, the better! !

All adj t said ...
I put 9 of principle for the reverb ...

UTILIZATION

Cot use is extremely simple:
1 SETTING THE gain for the bright / crunch, 3 for the lead (gain, presence and volume), and a common eq (very effective).
For those who love the eq spar,
Well, the reverb is still anecdotal (I have a multi-purpose).
For cons, the great class is the switch. Each channel is separate and can even switch the volume gnral in hi or low.
Just go a reproach, the rglage rate effect which is the rear.

SOUNDS

The friends, in terms of sound, adpote ... I play in the small 2x12 is going well and I can tell you it's not the speaker of tata.
Other precision before, I (like everyone else) a marshall. Cest is that you are going to see some REFERENCE ...
As for the Line6, I laugh !!!!! (It was me instead of a prt marshall, well, c'tait worse, but hey ... the tastes and colors ...).

The clear, beautiful with a small chorus + delay ... was flowing like water over the christal!
The small switch to turn on bright, all pass the sauce wah wah, and we go the shears ... (Personally, I love a little funky little rhythm, and tufts wahwahtes).

The Crunch: well it all beaaauuuuut. Everything is subtle in this mode (it's not really a channel), and depending on the attack, um ... Get the baby blues!

We will go the kids to bed and attacked the big piece: A lead trs nice for those who do not mind too trononneuse. It's hot, round, and especially one keeps one's prcis trs.
The sound of the guitar is prserve (well in my humble opinion).

And "last but not least," the general mchant lead (going to say but not runny and greasy, even not), standard ... there are no words to dcrire what I felt when I made my first chord. My great-aunt silent good-sister would have dcoiffe t!
Once again super prcis. Marshall had one before and I thought that my perfect sweep taient ... bin and now I know that there is still work!
An old palm mute and PAN! all windows on the ground, the neighbor who bangs against the wall opposite the type who finds himself with the slip on the head, a real treat. No, is not to say, Marshall cot is the # @ & !!!!! (Wonder how they could become as bad and more importantly why do they continue to sell as much).

In short, it's a plane, a modern sound (yeah, it's not done to the vintage!) And has done everything for me, whatever the style (jazz, rock or metal).

I put 9 because I have a VHT dj jou ... (OK, so it's not the same price, but it's not a reason).

OVERALL OPINION

Beautiful ...
Originally (I know my life do not INTERESTED but I tell you when the same), I just wanted to add a baffle in the ass and the marshall Gillou said "try the quick Engl you tell me the news. "
Bon ben I go (Engl, I know, what's that thing, since when they make music ... in short the Teutonic type not convinced at all).
Get Connected, and the encounter of the 3rd kind ... with all the comments I made above.
In 5 minutes, I screwed up the trash marshall (finally time to sell) and I bought.
In addition to the look is excellent (the faade mirror class, the speaker, it's tough, all chrome logo and not just old white plastic, the grid protection cabinet, well it is a real protection ...
In short, the report qualitprix (ah has, I like to report qualitprix) unbeatable.

Small addition APRS have the test bte scne on the 2x12 really brings a lot! I played the combo to compare and I have ben a bit of t ...
So 100% for the stack!

Do I have found my stuff DEFINITIONS? not ... I said I tried a VHT dj, so when I'd be a millionaire, well I Achteras before, well I think I'll stick with this stuff.

Gillou thank you ...

All Tube amp head (4 and 2 12AX7 5881wxt (6L6 military))
50w
4 channel
reverb (spring)

In faade:
between Gain clean, bright switch (more slammin makes clear), lead Gain, bass, mid, TREB, prsence (only for lead), reverb, lead volume, switch hi / lo gain switch clean / lead, master volume, standby power and

On the back:
power supply, making for the Z5 (6 footswitch functions), two footswitch jacks for two-way (or other type Marshall), effects loop with a ratio knob, two 8 ohms speaker outputs in parallel, two speaker outputs 16 ohm s series, line out (XLR) with level knob

The head is short format made to accommodate the vertical 2x12 of the brand, it is more lgre (17kg), which is not bad, when we see some head that will scratch in the 30 kg, and we know we also carry a loudspeaker.
The big regret in ENGL, it never provide the footswitch, and when you see the price of gear even when it's bad, I would have lach 100 over the purchase if the Z5 had t supplied with, but the 150 is more that I need to get it out, meanwhile I still have my old H & K makes the fs2 taf

UTILIZATION

One equal, but appear different balance for light / crunch and lead / lead heavy, efficient, starting from a qual trs right (all at noon) we arrive quickly trs awesome sound , and features bright and a little more presence rajoutent to facilitate the work.
The manual provided is in English and German, but logically it is doing well without trs.
To switch the CHANNELS I would strongly recommend the Z5 o cannal each is activated by a switch if you use a spar FS "standard" (Z4, Marshall, H & K, ...) then you have to operate two of a sudden switch to go from crunch Lead (for example) (but could sell them with those of FS ***: angry

SOUNDS

L it fits everything from bright funky slap for the algorithms, a stratum, based on bright and it runs itself. A nice bluesy crunch well, no problem there excle. A big metal riff in Palm Mute, hyper right flawless, pfff daily life. A good big one solo adffriser Marty Friedman is the only was going on.

He can do everything
And with ease, please.

The sound clear enough slamming and dynamic trs, trs It clearly indicates the guitar and spcificits with my old Jackson Alder and Duncan, I was entitled to clear slammin trs and shiny, with my Explorer and DiMarzio pickups, it has both prcis and hot, and with my Les Paul with DiMarzio is the kingdom of light roudouillard who asks that any attack has cruncher STRID mdiator or increase the volume of the guitar.

The crunch: Wonderful! Full of vibrant, bright enough too (it's not clear that the channel overdrive) mlodieux wish, I love it with my Les Paul, I have no problem out sounds close the great big rock 80's (JCM800 Marshall + Les Paul, like Ozzy, Guns, ...), or beautiful sounds well Bleusy

The lead: Well that's where I spend most of time even when, a growl, a scream ... gnial is, quite simply, one of the most beautiful I've ever distos given t hear, and that Global Warming is a more rounded that the channel clean / crunch, turn the gain knob and admire, heavy fawn 80's (Maiden, Motorhead), here, a big doom was also going through the death of ... was not meant to be? not but tell you gentlemen in ENGL did for a? No?

The heavy lead: the same with more gain, boost a solo, go down into the abyss of the largest distos, there is the old and the troisime just made an attack in the belief that Airbus had Traver's window switch

Grain level I place it away from the trs JCM800 with acute and less noisy mediums over prsence in the low gain and a package of precision and more (a little cooler too).

What I like is that it feels good particulirement the grain of the guitar, where some tend to erase a bit

You can find samples on this site: Rock Solid Amps (http://www.rocksolidamps.com/main.php)

APRS retubing my new lamp config is:

V1: Electro Harmonix 12AX7
V2: Sovtek 12AX7 LPS
V3: Sovtek 12AX7 LPS
V4: Sovtek 12AX7 WB
V5 & V6: Tung Sol 5881

This course has small changes in sound:
- Clean, warm crunch rounder and a bit faster and smoother Manir
- Crunch, ditto
- Lead, more gain, more than a grain ar warmer
- Heavy Lead, ditto

Finally I won heat, rounded in gain, it also has a hair blow the whistle in the high mids, which is not frocment an evil, even a grain a bit more close to a JCM800, the versatile and more precision.
I opt for the baffle for ENGL 412 Standard, which is not the cheap home ENGL cabinet, but rather to baffle fate Screamer and other Thunder, as it can bring out all quality and cuts the excs of mediums you can put any qual noon and really sculpt the sound by playing the knob.

OVERALL OPINION

For me it is a standard in France too mconnu Unfortunately, the little amp lamp that can suit almost anyone, "the anti Marshall" by exclence (no polmique, if we want to give me a good old JCM800 I take too).
It is easily found around 1000 and this award should not go without, it is really great stuff, easy, tough (ach alleumand Z '!), More than enough power to cover almost all situations , 1.5 no problem to the master to be heard has a JCM2000 TSL100 cot 3 to master ... )
on the other hand in ENGL they have a bad habit of not providing the Footswitch with their amps, it is necessary to invest in a pair of two-way FS (type Marshall) in the Z5 (available has approx 150).

I have supper but a lgre fragility of the original power tubes (Sovtek 5881WXT logically), which posted a loss of power APRS beautiful one and a half (a must hold at least normally three years), and APRS what I could gather on the net, I'm not the only gaffe so.

I found my sound, good greasy in a Gibson amp lgremant Teutonic Anglo-Saxon effects qq well chosen ... the happy (except for my banker, but he's going to be seen)

I do not m'toffe while t said.

I put 8, 1 point less for satan Footswitch not included, and 1 point less for the legalization common. Personal drang she did not at all, but can be a little Gnant when the channel is changed during a frquent pieces.

I did not have jack for Hp blind, that is with either the head or the cabinet (ENGL) may be so consider buying one.

UTILIZATION

Everything is clear as crystal!
As I mentioned, equalization is common but not at me drang.
This is my taste dernire effective (but since I have no exprience of other amps, I can not judge relement), and allows tural Polivalente. This is something j'apprcie particulirement in this amp, it allows me to tease sounds very violent (and even hardcore death ... if so!), Trashy, vintage, rock, heavy. .. and so on of the best.

The BTE has a master gnral, a clean volume (which serves as a kind of gain for the crunch, which somewhat restrictive as it may cause Difference in volume between the channel clean / crunch) and a volume lead. This allows a perfect control volume between DIFFERENT channels (exeption clean / crunch so ..).

The balance of the effects loop is damn effective my taste (tested with an MXR Kerry King signature).

This amp also sounds trs trs very low volume, I use 90% of the time apart, so well soundproofed you hear the upstairs neighbors snore, I can not be more explicit!

SOUNDS

This is the one between the heart of the matter.

Many people consider this head unable to produce sounds for extreme metal. C'tait and also my fear by buying ... I do not dcu t quite the opposite!

Clean: I'm no expert, but seems to me to clean trs good compared what I heard. Bright function allows you to add a cot at his relatively crystalline russi.

Crunch: I do not have nearly that channel, simply because I do not really need for what I play. But it is a good channel trs, funk blues go see it well trs.

Lead 1: tration, the Lead 2 is the one with more gain .. But personally I find it's own personali this channel! Perfect for rock sounds. Turn down the knob prsence of income and you're 40 in Rear!

Lead 2: The channel that I use most. HUGE! It rpond 95% my expectations. AIM, however I gain a bit more, or 5% of .. The sound is ultra prcis, incisive, the palms mute .... haaaaa .. the must! For those who find this too shy to distortion of mtal assilim and I play the grind, the trash, hardcore, the crust, black .. nikel and password! Obviously this is not a powerball, yet ..
I could connect a qualo 10 bands (MXR K. King), putting an end to the max balance, it seemed to hear a bass drum cot from us so there was low ..
I possge an ENGL 1X12 cabinet "and a V30 ... yahama pacifica! I was able to connect to a dean hardtail top quality, ba a bug sounds. I can not imagine rendering a scraper and mics a little more aggressive and with a 4X12 "I am convinced we can reach new heights.

OVERALL OPINION

I use this amp for 4 months just prs (dja..).
In my exprience Contents amp is low, I could hear that the modes oven, 5150, the Valvestate, rock reverb, and other XXX.
The purchase of this amp silent a little risk I do not regret my choice, however, absolutely not and I do not think the trs change before long.

The ratio quality price is finally right trs I think, 930 + 360 cabinet head.
T. purchased ... . From what I saw amrement regret that I had a pb on my amp, hello stress for a grate from Germany ..

Exellent amp!

This is a 50W tube amp with 2 sounds and 2Level earnings combined. Included reverb, effects loop .. in short I believe that everything has already been said anyway ..

UTILIZATION

Config pretty simple I would say (more than a mesa in any case to find "his" sound). Equalizer common channels but it does not sin. The manual is very good even if it is read infrequently (hehe). The most difficult (for me anyway) was to spread the sound levels between channels for consistency when switching from one to another. Let me explain: the sound is clear say in 3 (random) and the clear sound higain should be at level 4, the next five and the last (which is a little less punchy) at 6 .. and ben get there is not cotton at the beginning because in reality we do not rule that the volume of both channels at the same time .. so it takes some time for a good assimilation. But it's not superhuman nor ..

SOUNDS

Very versatile, the sound is crystal clear and crunch on the stroke of pick, the crunch (clear hi gain) is just as nice a little to the white stripes, the low gain lead is my favorite, very punchy, it carves very well and has a wide range of use, both the good old rock, to sound "iron maiden" and the more modern sound, but more airy than a mesa for example. The lead hi gain, lack of energy (it can also be scratching my, eh, I do not know ..) but I use very little except when I want to make big palm mute and tool for example. Here I put 8 in the fourth channel a little soft.

OVERALL OPINION

I use it for one month, almost every day on a 1960A with the earplugs of course .. hehe
Ben and I like it a lot. the sound is like I said very versatile so we always found there. I tried the mesa, the fender, and line 6 (argl). But this one fits me like a glove.
I do it again this choice and value for money is very good.

All Tube amp head, 4 x 12AX7, 2 x 6L6GC
Power 50 watts
4 channels, clean, crunch, soft lead, heavy lead
VLS (boost asset for each channel)
reverb
various outputs hp 4, 8 or 16 ohms
XLR output for connection to a mixer
connector for connection of footswitch (2 Z-4 or a Z-5)

UTILIZATION

Extremely simple configuration, the basic sound with all the knobs of the legalization noon, is simply phnomnal the rverbe is more than sduisante including clean sound, the manual is in English but very s simple to implement, after all.

SOUNDS

This is supposedly an amp typ mtal, but let me tell you that this name does not suit him because it is my opinion trs versatile, from jazz to shred, everything goes, for me it a versatile amp of choice.
O From the moment you plug a good scratch, such as a PRS custom 24, we get all the sounds we DSIR, this amp captures the powerful sound of the microphones, the nuances and less subtlety of this instument exception. In the clean sound is slamming desire, envy Fender nothing away from l. The crunch is a crancked or plutt rgal, we almost take for the great Jimi. In soft lead, playing a little on the legalization navigating in the waters of Carlos Santana, Brian May or Eric Johnson, with the rounded characters. In terms of heavy lead, then the lchez horses, a serious tear, shred the instrumental that is j'apprcie particulirement prtic wonder. A lil pump stroke and the VLS other areas you are available, in fact, it is a boost that dvastateur dnature not the original sound, and which gives a little more neck *****, IDAL out of the mix live.

To lead the clean throw nothing on this amp.

Small BMOL prsence the mark too sharp, but the good you have to play the knob to compensate for prsence

OVERALL OPINION

I have since May 2008 and I do lche addition, the production design is strong evidence to really "Kolossal", and sounds are falling, there was talk of Mesa for rf mtal differences, but the Engl Screamer my opinion is just as capable of taming this style, and it is also much easier to configure a report qualitprix Mesa Relva that the anecdote, 2 times cheaper than a basic boogie (the Express 5:25)
Before I take many express Vox AC30 excellent but temperamental with pedals and especially the orange mosntrueux trs typ in the same distortion but too British, the Hughes and Kettner too steep, Mesa Dual Rectifier a big scam for the price, fender
blues, clean sound that leaves nothing to offer, the Laney VC30 which lacked personality ... With the Screamer 50, I have everything I need power and versatility.
Per account, the sale of optional pdalier is a shame Mr Engl, while many other brands provide it with the amp. But good to take advantage of this amp was not the choice you have to break the piggy bank

I will not add more masses.
what I like: simplicity, strength, spring reverb, power, respect for guitars and effects pedals (including OD and distortion), the effects loop, Lineout output, the Made in Europe (yes, still)
what I like least: the equation not 100% reactive, the look (it's really not very nice :-(), the price of the Z5 (essential live)

my group of pop-rock, rock begins to turn, and the other guitarist is equipped 3xrecto Mesa, I had an amp more powerful and more fleshy than my Fender SCXD
I still like a 2x12 cab "(with V30 now and G12T75) I went on a head
I admit not having tried the masses, but I wanted a relatively modern one, while a lamp and below the kilos €

UTILIZATION

yes, it is easy to use, it is his strong point and as already stated the manual is useful and well done
there are 2 x 2 channels 4 and thus possibility, which is pretty good, although I do not use them all

SOUNDS

So I play pop-rock, rock, often saturated
her clear of all beauty! especially with single or with electro-acoustic (my Crafter SAT where the mixture piezo/P90 sounds exceedingly well on this amp) - the "bright", warm, open, clear ....
However, playing doubles with only two strings on it crunch a little fast for my taste
crunch: I do not, I can not find the crunch that I keep my Fender for blues or classic rock
channel saturated nickel, exactly what I was looking for with the gain at noon and the presence in the 1 / 4 (otherwise it fuze too much for my taste like honeycomb)
with simple (Fender MIJ) or double (PRS SH2 and SH4) is really very, very good, very modern, very couillu, powerful, bcp harmonic
For my part I do not exceed half the gain and it already sends harsh!
saturated lead channel I do not use it almost as a group since I am in this group rhythm and the sound is too hairy and rough, but fun for me to do solos, it is very very enjoyable: D either with single or double well hairy

OVERALL OPINION

I am happy with my choice, even though I know that a guitar is never 100% satisfied of his gear and his constant search for: D
say that at present, since the music I play, my role in the group and I made the scene, it suits me perfectly
after, the tastes and pain ...

He also pushed me to buy a PRS with humbuckers, I who played with the simple and the P90, it made me switch on the side "rock" of strength and they are a beautiful couple

as my local is quite isolated I find myself using it only after my moods and I must take pleasure bcp
but it sounds hard anyway: D

Amplifier tubes with a power of 50 W at 230 V.

Tubes:
- Pr-amplification: 3x ECC83
- Amplification: ECC83 1x / 2x 6L6

Connections:
- 1x effects loop with knob of shuffled
- 1x XLR line out with level knob
- 2x Stereo jack inputs (for type footswitches ENGL Z4)
- 1x COM (for ENGL Z5 footswitch type)
- 1x physical spring reverb
- HP 2/2x outputs 8 or 16 ohms
- 1x input (no dec)

Other:
- 18 Kg on the scales
- 580 * 270 * 270 mm dimensions
- Bnisterie robust Paisse
- Look pretty modern

UTILIZATION

"One branch has sent."

I could notice résumé with this sentence but it would be cruel not to argue. It's a fawn aisment mdium brutal and more like a clear erased. Art and Manir refine the frequencies and to balance the volume between the clean channel and the channel is saturated, however, later.

The manual is in English about him. I suggest you read it (as with any electrical device for that matter) because important information about the use and conservation of an amplifier tubes are layers. There are also tips give the designer so for me, this book is clear, concise and complete.

Parenthse small, the Z5 footswitch ENGL is not given in both senses of the word. It is not provided and score an average of 170 euros. For use in live, I find, however, it is essential! Too bad, it's a cot to consider if you compare the prices of many heads to make scne.

SOUNDS

It is a childlike simplicity, or at least in appearance. This head accepts without flinching two guitars diamtralement opposed (in loccurrence, a Stratocaster and an SG) while maintaining their essence. Each knob has a vritable effect and progress is smooth.

Enter the heart of the matter: the sound. Many dynamics and headroom.

Ct clean, crunch sound that does not even high volume. Clean and tidy, it will be most guitarists, but one can criticize his lack of characters. The switch "bright" has a small effect and will add a strong crystalline apprciable ct.

The crunch channel is trsrussi. There are a vintage ct and dynamic dcidment, caractrise this amp. Tampering in a little knobs on the guitar, one approaches the blues without the IOTC.

In terms of saturation, there's something there also. We feel that the yrside me. You put everything noon (or midnight for Metall) and you have a big sound amp tubes. The lead channel is prcis and efficient, which is not really the case of lead + high, the last channel. Certainly, the attack will give you a prolapse but its fuzz you will lower the gain.

OVERALL OPINION

Many amplifiers are passs in my ears. I have a Blackstar HT-1R, a Blackstar HT-5H, a Marshall JMP 100W and a Peavey 5150. I can not count how many heads and combos I test RPET and hardware sold.

I can say that I finally found what I wanted. You will say "you are looking for what?". Well I wanted an amp capable of:
- To produce a clear sound with nice headroom high volume without cruncher,
- Out of this ultra saturated sound clean without flinching and without effect pedals,
- To be transported without losing an arm and a vertbre.
Mission accomplished.

If I had to keep a strong point, it would lead its channel gain + low precision of any evidence. With respect to the main weak point, it would be the sharing of legalization that could more than GNER. For my part, I have substantially the same legalization in clear and saturated NEG not so.

A good quality / price and therefore I think if c'tait again, I would not hsiter the head. My sound is, however, the limits of the caricature. This means that I like the clean sound of Ska and his ultra-heavy metal. For my style, this amp is perfect but if you are a purist or a bluesman jazzeux demanding, does not rvez, even if this one's head can approach such as that the there will excel ever! Versatility of course, but the weaknesses are l.

Head lamp 50 watt amp. Bought used, I do not know if she does Retube but I do find it extremely powerful. Good notable point in the connection, availing Pramper XLR output and an effects loop, both with knob gain.
The rglages are the basics: Engl bet seems more on the qualitative and earplugs options flamboyant in every way to sell products (fawn Line 6 without any mchancet).
Overall, it sniffs the hardware Designed to be reliable, efficient and sustainable as a motorcycle in East Germany.

UTILIZATION

L we will recognize each other on a good amp: you touch anything, it connects, and rings. I did not have the manual but it will pass without much problem. Note the presence of a rverb (not always presents the amp heads) and a 3 band eq. One can tinker with the channels for clear sound, a boost and 2 sounds more or less saturated (function clean / lead and a kind of boost equalizer for high / low). There is also a button for snapping sound advantage. Personally, if I had a criticism to this amp, it would surely I can not find the super rglages francs when compared with Fender Reverb is a little slimy and eq a little soft. On ct compare it with amps that are worth twice its price is already an honor ...

SOUNDS

This amp should be done all my style, I had a vox AC30 front (neodog HP) and I do not regret even if vox is very good too. I play it with a Fender Stratocaster and a Gibson Lespaul Studio.
The clean sound is very nice, very clean, it has its own identity that is free or not will appreciate. Overall what we do is quite incisive and slamming, the sound is very dynamic and well out of the mix. On my strata, snapped the ropes without giving the staining medium rather type fender, and without the flat ct Marshall.
Saturation is fuzzy enough I think, I used little personal I prefer to work with the sound of pedals (Proco Turbo Rat, T-Rex Mudhoney ...). It will give a good crunch typ blues but this time we regret a little Fender because the attack is quite imprcise particularly high level. APRS is a bit to go but I ct modern flat less (it is an opinion eh).

OVERALL OPINION

I use it for a year now, we had advised me the opportunity presents itself and I seized it.
We'll start with the least:
- The maneuverability a bit overrated (we have the impression that tinkering with the sound to work as a surgeon)
- The distortion (not ugly at all but rather rough ct)

Pros:
- DYNAMIC! we do not know if it is in standby or not, must look at the button. on a fender, we hear ...
- Suddenly, the sound is very clear and pretty clear (if you like it).
- We sound a bit more personal than the JCM or twinreverb Mr Toulemonde

I tried a lot of stuff, I think SuperSonic go on a one day because I love that sound. But try out the other heads ENGL is the stuff srieux is the kind of product or it has exactly value for money, the price reflte level of quality and we pr eng that has to be had!

You can listen that will output a direct Pramper (!) On the track "Closer"
https://myspace.com/flangerslive
Guitar: Gibson Les Paul