Feature articles and reviews on audio and music

This week we'll begin discussing one of the most important topics of this series: vocal recording. As you will see in this brief introduction, recording vocals correctly doesn't just mean putting up your best mic with the ideal preamp in the right environment... Far from it.

In the previous article you saw the rules for the Phrygian, Lydian and Mixolydian modes. Today we'll look at the Aeolian and Locrian modes.

Third and last part of this interlude dedicated to dialog within the framework of a record production. Today we will look at this topic from the point of view of the home studio loner.

Second part of this brief interlude dedicated to dialog within the framework of a record production. Last week I probably put the cart before the horse and this article should've certainly been published before, but inspiration wanted it to be another way. Anyway, as the old saying goes: better late than never.

Four years after our first poll on the topic, few things have changed in the world of audio editors, at least according to our French readers.

Before we start another chapter of this ultimate recording guide, I decided to write this article inspired by some comments to previous articles...

In the previous article we started to discuss the specific rules that apply to the different harmonic modes. Today we'll continue with the Dorian, Lydian and Mixolydian modes. If you just took up reading the series, I recommend you to refer to article 46 to understand better what I'm talking about here.

This time we'll look briefly into a recording technique which is as old as can be. In fact, chances are you already know it, but a brief reminder never hurt anybody. Besides, it will be the perfect occasion for newbies to discover this powerful function that lies at the core of every single modern DAW.

In the previous articles we began to study the different means to identify modes. As we continue our way into the depths of modal harmony, today we'll start discovering the harmonic rules that determine these modes.

In today's article you'll see how to put into practice the recording by parts technique so that the end result is as natural as possible.