Feature articles and reviews on audio and music

Granted, the techniques you saw last time are not exactly meant for beginners. That said, I think they allow you to get results that easily compensate for the headaches that thinking about the "routing" needed to carry them out entails. Today we'll look into a concrete use case.

The present article closes the mini-series we started with article 39 focusing on the use of voicings within the most common cadences. And we'll finish studying voicings based on added-tone chords looking at the interrupted cadence and rhythm changes. Let's go!

Second part dedicated to trying to solve the question of whether you should record an electric guitar with or without effects.

Today we'll tackle a rather delicate topic: Should you record with or without effects?

With this article we close the chapter on voicings within the framework of cadences by seeing how you can add tones to the cadence chords in the previous articles.

Today we will discuss direct recording an electric guitar.

Oh, the sound of tape! That "something" that so many people miss in digital recordings. Although there are plug-ins that do just that...

In the previous article we discussed some examples for three types of cadences: seventh chord progressions based on the circle of fifths, the perfect cadence and the plagal cadence. And we also looked at examples of voice movements within these different cadences.

This week I will show you a technique that is pretty widespread when it comes to recording electric guitar (but not only), namely: double-tracking!

Speaker emulators seem to be highly in demand right now, mainly as a solution to record yourself and play live, benefiting from the sound of a tube amp. There are obviously lots of software tools to do that, but hardware solutions are becoming more and more popular.