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learningSynthetic scales from tetrachords of altered modes - Pa… - Harmony Basics - Part 68
In the previous article you learned that Lydian tetrachords were absent from the modes of the melodic minor scale. But since we really like the oddest combinations, I suggest we wrap up this brief re…
learningHeadphone mix for the singer - Part 4 - The ultimate guide to audio recording - Part 99
In this fourth part you'll learn how to fine-tune the cue mix for the singer by improving the ordinary in no time.
reviewArturia AudioFuse 8PRE audio interface review - Love & 8
Just over two years ago, French manufacturer Arturia first stepped into the world of audio interfaces. More recently at NAMM 2019, the Grenoble-based company announced two new models, one of which th…
reviewAntelope Discrete 4 Synergy Core review - When Antelope goes for greater Synergy
About a year and a half ago, Antelope released the Discrete, a new range of Thunderbolt & USB interfaces including discrete preamps, their famous FPGA module as well as the stack of audio effec…
learningBlack Friday / Cyber Monday Sales at Sweetwater - Everyday is Black Friday this week at Sweetwater
Fort Wayne-based retailer Sweetwater is launching a giant week-long Black Friday / Cyber Monday sale. As partners, we are listing the best offers you’ll get online on music instruments and audio gear…
learningSynthetic scales from tetrachords of altered modes - Pa… - Harmony Basics - Part 67
Last time we started exploring the tetrachords of the altered modes in general and the synthetic scales created from the tetrachords of the melodic minor scale in particular. You saw that apart from …
learningHeadphone mix for the singer - Part 3 - The ultimate guide to audio recording - Part 98
After the brief detour last week to discuss a less conventional way to handle the cue mix, today we'll go back to the more traditional way, that is the use of a good ol' pair of headphones. We'll dis…
learningSynthetic scales from tetrachords of altered modes - Pa… - Harmony Basics - Part 66
After having reviewed in our last article the synthetic scales resulting from the taking apart of natural modes and the redistribution of their tetrachords, let's see what you get when you do the sam…
learningHeadphone mix for the singer - Part 2 - The ultimate guide to audio recording - Part 97
Last week I mentioned the preposterous idea of using a speaker instead of headphones to send the cue mix to the singer. This obviously entails the mic picking up a lot of bleed, however as I implied …
learningSynthetic scales from natural modes - Harmony Basics - Part 65
In the previous article I introduced synthetic scales, which made us dig up an element of scales and modes which we had already touched upon before: tetrachords. So before we move on I think it's imp…
