Behringer V-Ampire LX110

Behringer V-Ampire LX110

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V-Ampire LX110, Modelling Combo Guitar Amp from Behringer in the V-Ampire series.

3 user reviews
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Behringer V-Ampire LX110 tech. sheet

  • Manufacturer: Behringer
  • Model: V-Ampire LX110
  • Series: V-Ampire
  • Category: Modelling Combo Guitar Amps
  • Added in our database on: 03/28/2007

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Behringer V-Ampire LX110 user reviews

Average Score:3.7( 3.7/5 based on 3 reviews )
 2 reviews67 %
 1 user review33 %

iamqman's review"Hurts my ears"

Behringer V-Ampire LX110
The is Behringer's attempt at the amp modeling. These amps are very cheap and terrible sounding. At least the Line 6 my ears can tolerate the tone for a few seconds. The tone of this amp is so bad I just couldn't take it. My ears flat out couldn't handle the frequencies this amp produced.

This amp almost looks like the Line 6 modeling amps. You have a 10 inch Bugera speaker and that will tell you pretty much all you need to hear from this amp. I woulnd't even call this thing an amp. It is computer that makes noise out of a speaker. You just happen to plug a guitar into it.


Factory specs:
45-Watt digital modeling workstation with 16 classic amp and cabinet models
Original heavy-duty 10'' BUGERA dual-cone full-range speaker for faithful sound reproduction
100 memory locations—easily editable and storable
24-bit stereo multi-effects processor including first-class stomp box simulations
Amp/speaker simulation, compressor, noise gate, EQ, modulation effects, delay and reverb simultaneously or in any combination
modulation and pitch bend effects
Extremely low-noise instrument input ensures maximum guitar signal integrity
Stereo RCA Auxiliary input for line-level signals (CD, soundcard, monitoring, etc.)
Remote preset selection and tuner activation (footswitch FS112 included) and remote Wah or continuous FX control (pedal FCV100 optional)
Super-precise and adjustable auto-chromatic tuner
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany


I physically couldn't tolerate this box for any amount of time. Behringer has not been the most industry standard in quality products and this amp thing is just more of the same. You get a number of amp models and effects but it is so bad that even at low practice volumes it is terrible.

Doesn't mater what guitar you play through this thing it sounds insanely processed. You will not be able to dial in a usable tone for even practicing at home. At least the Line 6 stuff you can listen to for a decent amount of time. This amp you can't listen to for more than a few minutes.


These amps have been discontinued. The used market is the only way to go at this point. I would suggest never buying this amp. The tone is virtually none existent. You cannot find a usable tone in this amp no matter what effects you layer it with.

I would recommend if you must buy an amp modeler to go with the PEavey or Roland stuff. Their stuff is more audibly manageable. This amp needs to be tossed in the fire.

Daltonion's review"Affordable yet Inspiring"

Behringer V-Ampire LX110
This piece contains a 10" bugera dual-cone full-range speaker with a 45 watt digital modeling system which delivers clear mids and highs and surprisingly robust, chugging lows. This can definately play alongside a drumset and bass in a garage or basement and still cut through, although further amplification of mids and high wouldn't hurt.

Plug-ins include headphone and auxilary.

Includes 16 Cabinets and 7 effects with complete versatility. You can use just one.. or any combination. I sat and experimented with the sound I wanted for a riff for hours just because all the vibes I found were so cool in their own way.


The effects are simply inspiring. I can't plug into this thing, play, and ever dislike what I play unless I TRY TO SUCK. Truly a beautiful behringer delay, giving off water-related vibes. Try a distorted reverb and soar like a bird out of a fountain. Maybe you have a junker for a guitar, well, tune your strings and plug into this to be literally in awe. One can faithfully say this amp has both the ability to make cheap guitars sound good AND stay true to the tones produced by finer products.


I primarily used a Les Paul and the plexi cabinet with this fella with some Noise Gate and reverb to get a full, temple-ish, sound from aggressive rythmic chord plucking. I also enjoy some slow, drawn out, single notes coated in light distortion with delay or reverb to bring egyptian vibes and temple de ja vu's. Depending on your guitar model and overall setup the EQ might help you sculpt your sound a little more precisely.


This piece is so inspiring to say the least. If you can find one I guarentee you won't be let down. Any of the V - Amp series amps are ideal for musicians looking to mold authentic sounds at surprisingly powerful volumes without spending too much. If you desire more or different effects, you can get different Behringer amps with different V-Amp workstations and still rock with the 10" bugera. Overall, a powerful and inspiring piece of equipment.

SlapKid's review (This content has been automatically translated from French)"Breathtaking!"

Behringer V-Ampire LX110
This is my little last 3 years I have been waiting for (besides my specimen freshly landed in Toto date of mid-2008, Bebert put them on standby for 2 years then, perhaps for legal reasons go figure) not less.

Mine is red, beautiful but not too easy to read good ...
First, zero residual noise, noiseless vacuum.
HP 10 inches largebande 4 ohms, provides all kinds of uses (eg, electro, since the preamp is switchable for use as the effects and égalo) and greatly simplifies the choice of amp simulations seen that s' not occupy the box.

Headphone jack quality (try another brand to see it day and night) and, brace yourself in true stereo! Ping pong delay, reverb dimensional, it is sumptuous.
Aux stereo cinch plug for footswitch please (going up or down the 100 presets) plus expression pedal jack (for wah or global assignment is to mix delay etc.).
It's Christmas and I really even talking about the 99 roros paid ridiculous!


You have groups for the amps, and effects, plus buttons for the compressor-gate-bass-treble, and the tuner to remain accurate and very readable as far as color.
It's simple to use, provided that span overall entry is proposed, which is essential to me (you change your guitar and adjust just that level, and everything works at its best). Why badgers competition does not offer this setting they eh?

The encoders have a right ring of LEDs to indicate where one is, there is also great and no right not to do so (badgers competition).
They also have two events, because they sink in more turn (to double-amp effects, and access the 2nd parameter setting that is either the volume or effect according to feedback, sustain, threshold etc.) and c is great to work with this little amp.

The two bands equalizer is well made in that it offers a choice of frequency allocation, a bit like a semi-parametric. For the electro is very useful, but also for low and high frequencies of a substrate by a report that lespaul quite different.

It's pretty straightforward, nothing to do with vypyr, and above all effective.
I criticize the manip just to save a preset, we fastoche magnifier.

Another point to use if you make changes on a preset without saving and you turn off the amp, well, on again you find yourself exactly where you were. So long as you do not change the preset is on hold, and it is convenient to experiment.


This is nothing compared to sounds that delivers the baby, it is both artful and speaking.
The distos are dynamic, with a grain super (modern-savage beast gain) and the clean sounds are warm and not clinical (and less dynamic). I have not yet tested crunch, but the plexi is striking as it crunches.
In bypassing the preamp, everything else is available (effects, egalo, comp-gate, input sensitivity) and what a gas for electro! I use a folk and classical lag t66dce chet atkins epiphone and it makes very good, especially the headphone.
Because the small HP does not expect miracles of course. The speaker's cool to play without effects, it has a nasty little side roots cool.

The compressor is very good (Dynacomp model) which is not common. The reverbs are great because not too long but with great relief. The gate I'm using it yet, my guitars do not make noise (no fender ...). Modulations bin octave apart which is also limit I never use them, regardless of the equipment elsewhere.


Of course it's been 2-3 weeks, but I LX210 is less well thought ptit in this together (it is noon and cons stereo, that's why I bought it).
I love the freshness and spontaneity of the LX110 to use.
And the headphone is royal. So we may very well connected via the phones out on a sound and stereo sound hello there!
For the electro is so good that I'll sell my kustom sienna35 who has no reason to be present.

I use AKG K240 studio headphones for info.

In short, rush over there was I would say this amp is simply phenomenal!
My little marshall mg15fxnew is much less fun to experiment, especially at each change in guitar again adjust volume and gain more back for each channel, in addition to the blind. on the other hand with his pedals (50 roros more ...) is to pass the Royal Channel 4 review, but here we are already at double the price of the lx.
Level I mention it because it is right the opposite, namely pan in the tr ... no class but with an attitude much more rock than the lx. So perhaps it is you need and not much class W and licks.
I tested the box on my LX110 Marshall 412 (celestion g12-75t) 4 ohms and I'll let you know for Watts Bebert ... Patience coming soon!

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  • Behringer V-Ampire LX110

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Other names: v ampirelx110, vampirelx110, v ampire lx 110, LX110, LX 110

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