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The best Behringer Guitars reviews

The reviews Audiofanzine members found the most helpful.
  • Behringer Compressor/Limiter CL9
    moosers's review

    The Behringer CL9 is a compressor/limiter pedal that is suitable for use with any electric instrument. I've only tried the CL9 with electric guitar, which is what I would think most users would be looking at the CL9. The CL9 has got 1/4" connections for input and output and can run on either a nine volt battery or power supply. It isn't rack mountable in any way as it is stomp box. UTILIZATION The make up of the Behringer CL9 does make it extremely easy to use. Most compression pedals will have a similar configuration, so if you're familiar with compression and the parameters that are most often seen with them, you'll be able to use this pedal without needing to know anything further about it. The parameters that it has in the form of knobs include those for level, sustain, and attack time. No manual is necessary considering how easy this pedal is to use. SOUND QUALITY While it's easy to use, that's unfortunately where the good features end with the Behringer CL9. The tone quality of the CL9 makes it an unusable pedal in my opinion. While it definitely sounds like compression, it's the type of compression that although makes your sound glossy, really kills your tone more than anything. I like using compression on my guitar in many situations to give me an extra boost, but this pedal really does the exact opposite. I can't recommend using the CL9 in any situation. OVERALL OPINION The price of the Behringer CL9 certainly will make it an attractive option for those interested in a compression pedal, but I'd advise you to be highly wary of it. I wouldn't recommend not trying it out, but in my opinion there are a vast array of compression pedals out there to choose from that are more worthy than this one. It isn't like it will even cost you all that much more money to get a legit compression pedal either. If you are serious about your sound quality, there is no excuse to go with the Behringer CL9.

    by moosers 2 5/28/10
    View the review page ›
  • Behringer Vintage Tube Monster VT999
    Audiofanzine FR's review

    (Originally written by manorhead/translated from Audiofanzine FR) Overdrive pedal/tube preamp with noise gate Controls: gain, bass, mid, high, volume. Rather bulky metal construction. If you open it, you'll see that it could have been much smaller, because there is almost nothing inside. UTILIZATION No need for the user's manual (it's as easy as a tube preamp). The only negative point is that you'll have to play with your screwdriver a long time if you want to replace the tube... especially when you want to close the pedal again... SOUND QUALITY The distortion sound is not bad. Used as a preamp the clean sound is awful and the noise gate is mediocre. The distortion sound is not bad nor good. I've tried it in several setups with different guitars and amps, and it's never bad but the sound just doesn't cut through. With a bass guitar the sound is fat and interesting. I tested the unit with the original tube and with a Sovtech and I couldn't hear a difference. I think the tube doesn't play an important role in the sound of this pedal. OVERALL OPINION I've only owned it for a short time but I think I will use it more with a bass than with a guitar. I like the idea of the integrated switchable noise gate, even if this one isn't good. I also like the preamp function of the unit with its 3-band EQ. I like the distortion sound with a bass. I don't like: the size and the poor sound... for much more money, you get much better products (it's not new). For the price, you get an average tube preamp that allows you to add warmth to a bad solid-state amp and a bass distortion pedal. This is no high-class product but competitor products cost twice as much...

    by Audiofanzine FR 4 12/12/08
    View the review page ›
  • Behringer Ultrastack BG412H
    « Behringer BG412H Angled Cab »

    I bought mine from Musiciansfriend.com for about $250 including tax and the shipping, the shipping added in like an extra $50, but it's worth it! This cab is great, it can handle up to 400 watts! It gets very loud. Your tone comes through very nicely with this cab. I use Peavey amps, I have a few Peavey heads and cabs, I ordered the Behringer cab because I ordered another Peavey Head and was low on $, so I found a Behringer cab. I am so impressed with this cabinet, I am ordering a few more now, I like them better than a few of my Peavey cabs. I ordered 3 more of the Behringer 4x12 cabs, 2 straight, and 1 more angled one, they should arrive in a day or so. Don't think this is just some crappy, cheap cab, this thing is better than many cabs I've played through. It weighs much more than most of my other cabs, and since I ordered more, I am gonna have to get some more help bringing these things around. I think they weigh about 103 pounds, most cabs weigh in the area of about 75-85 pounds. A few extra pounds is worth lugging around, because these amps are worth every penny! Also, I replaced the wheels, the stock wheels are pretty annoying. When I order my 1st Behringer cab, 1st off, UPS screwed up my delivery a few times, 2nd, one of the speakers inside were dead, sent it back, musiciansfriend sent me a new one no charge, the even paid S&H, but once again, UPS screwed up my delivery. It took me a while to get my cab, but it was worth the wait. These things are tough, I just wouldn't be kicking in the grill or anything. They weigh about 103 pounds, so they are very tough, built nice and strong. You see the price and think, "they are probably cheap crappy amps," I don't care if you don't buy them, they are like my secret weapons. They came out with a brand new head, the LX1200H, I already ordered two of them, they are on the way. I tried one of the new heads already, you want versatility and great sound, literally, check them out. Behringer has become my secret weapon. I can't wait till my Behringer heads come in, everyone is going to be asking what I use, only the people who read this review will know. And yes, I've played through more amps than most people, Marshall sucks, they are overated and overpriced, Fender is good, but not good enough, Peavey is awesome, I own a ton of Peavey amps, no complaint with them. I've played through a bunch of other amps too, I just wouldn't spend so much $ on most of them. Trust me, check out Behringer, they are secret weapons! This review was originally published on http://www.musicgearreview.com

    by MGR/Steve 1 12/10/04
    View the review page ›
  • Behringer Blue Devil GX112
    « Behringer GX 112 Blue Devil »

    Bought from local music store (Allen Music) in Paducah, Ky. for $229.00 to replace a small practice amp. The Blue Devil has plenty of power for practice or a small gig! Still easy to carry, but has great bass response and volume to spare. The 99 preset effects are very good. The clean channel is fantastic! I would put it up against any $1000 amp! The distortion channel is a little weak if you like to use a heave crunch. A good distortion box in the clean channel is the best way to go with the Blue Devil. It is very rugged and easy to carry. Haven't had it long, but seems to hold up well. Fantastic value for the price. I've never seen a unit with so many features for anywhere near this price! This review was originally published on http://www.musicgearreview.com

    by MGR/Robin Steele 1 1/31/04
    View the review page ›
  • Behringer V-Ampire LX110
    « Affordable yet Inspiring »

    This piece contains a 10" bugera dual-cone full-range speaker with a 45 watt digital modeling system which delivers clear mids and highs and surprisingly robust, chugging lows. This can definately play alongside a drumset and bass in a garage or basement and still cut through, although further amplification of mids and high wouldn't hurt. Plug-ins include headphone and auxilary. Includes 16 Cabinets and 7 effects with complete versatility. You can use just one.. or any combination. I sat and experimented with the sound I wanted for a riff for hours just because all the vibes I found were so cool in their own way. UTILIZATION The effects are simply inspiring. I can't plug into this thing, play, and ever dislike what I play unless I TRY TO SUCK. Truly a beautiful behringer delay, giving off water-related vibes. Try a distorted reverb and soar like a bird out of a fountain. Maybe you have a junker for a guitar, well, tune your strings and plug into this to be literally in awe. One can faithfully say this amp has both the ability to make cheap guitars sound good AND stay true to the tones produced by finer products. SOUNDS I primarily used a Les Paul and the plexi cabinet with this fella with some Noise Gate and reverb to get a full, temple-ish, sound from aggressive rythmic chord plucking. I also enjoy some slow, drawn out, single notes coated in light distortion with delay or reverb to bring egyptian vibes and temple de ja vu's. Depending on your guitar model and overall setup the EQ might help you sculpt your sound a little more precisely. OVERALL OPINION This piece is so inspiring to say the least. If you can find one I guarentee you won't be let down. Any of the V - Amp series amps are ideal for musicians looking to mold authentic sounds at surprisingly powerful volumes without spending too much. If you desire more or different effects, you can get different Behringer amps with different V-Amp workstations and still rock with the 10" bugera. Overall, a powerful and inspiring piece of equipment.

    by Daltonion 1 7/2/11
    View the review page ›
  • Behringer Overdrive Distorsion OD100
    « Overdrive and distortion combined »

    This is just a ripoff of the Boss OD-2. It contains both overdrive and distortion, and you can combine the two different sounds with a single knob. There's a level, tone, color and drive knob. UTILIZATION Unlike the Boss counterparts, I'm not exactly sure how well these will stand up to touring. Where as the Boss products are known to be able to survive a nuclear holocaust, this pedal is still new. The casing itself isn't too bad, and it seems like it could take some abuse without much of an issue. It's ridiculously easy to set up, and you shouldn't even need to read the manual as to how to run this thing. That said, I have never read the actual manual, so I can't comment as to how well it's written. SOUND QUALITY The pedal itself is interesting in that it combines both overdrive and distortion circuits via a unique "color" knob. The color knob allows you to dial in the amount of overdrive or distortion you're looking for, and this is separate from the gain control. The sound is not too bad. It can boost an amp nicely, but I find that each setting is a compromise. The pedal can be a bit boxy sounding in stock form, and that's one of the biggest problems I have with it. When it's on, it has that kind of pedal sound and feel. Some might like it, but I never could jive with it enough to add it to my rig. OVERALL OPINION If you're a fan of the Boss OD-2 pedal, you'll enjoy this. It's not built to the same quality as the Boss stuff, but it's available at a fraction of the cost. I'm not a fan of clone pedals like this, but considering they're not made anymore, this is one of the few clones I can forgive.

    by Hatsubai 1 6/21/11
    View the review page ›
  • Behringer Blues Overdrive BO100
    « Boss BD-2 clone »

    Behringer has recently released a line of pedals that are Boss copies. This one is a copy of the famous Boss Blues Driver (BD-2). It features a level, gain and tone knob. UTILIZATION Unlike the Boss counterparts, I'm not exactly sure how well these will stand up to touring. Where as the Boss products are known to be able to survive a nuclear holocaust, this pedal is still new. The casing itself isn't too bad, and it seems like it could take some abuse without much of an issue. It's ridiculously easy to set up, and you shouldn't even need to read the manual as to how to run this thing. That said, I have never read the actual manual, so I can't comment as to how well it's written. SOUND QUALITY The sound is very reminiscent of the Boss Blues Driver. For those that don't know, the Blues Driver is like a lower gain tube screamer. It works awesome with lower gain amps when you wanna push it into that sweet overdrive sound without having it go crazy and hectic like most tubes creamers can get. There is less of a mid-hump than the tube screamer, and I think this one works better for the rhythms where as tube screamers tend to work nicely for solo boosting. Pretty much, if you've experienced a Boss Blues Driver, you've experienced this pedal. OVERALL OPINION If you're cheap, just buy the Boss product. While this pedal isn't bad, it's mainly just a copy of what's already out there. You can find the Blues Driver cheap enough on eBay to where it doesn't make much of a difference when it comes to choosing between this or the Boss counterpart. I'm also not a huge fan of supporting clones. That said, there's nothing inherently wrong with the pedal. It seems sturdy enough to withstand touring, and it sounds good enough to where it could fit in most rigs without a problem.

    by Hatsubai 1 6/21/11
    View the review page ›
  • Behringer X V-Amp
    Audiofanzine FR's review

    Originally written by Lenoir on Audiofanzine FR. You get everything you need in a compact footboard housing. Everything is very basic and plug and play. Guitar, X V-amp, phones/amp/hifi system and that's it. UTILIZATION Very easy to use if you read the manual. Editing sounds is not as easy and fast as with several dedicated stompboxes, but you can get a good result if you take the time. And unlike a pedalboard, you don't lose your settings unintentionally! SOUND QUALITY Good effects, considering the price. Especially the reverb, modulation and pitch effects. Of course, the simulations are not very faithful but they do sound similar... From clean to high gain over crunch, you get everything. There is a one second latency (no signal) when you recall another simulation. The problem can be easily solved by creating two presets using the same amp but different gain settings. And who changes the amp during a song? OVERALL OPINION I've been using it for one year. I'm very satisfied. The things I like most: + Value for money More than unbeatable: incredible... + Endless possibilities Spend enough time with the device and you'll be able to do anything. + The gain/volume/expression pedal. The things I like least: - Construction quality. Don't get too wild with it! - One-second signal drop-off when you change simulations (can be easily solved). If it gets broken tomorrow, I would buy it again. You can certainly find better products (from Line6, for example) but they are much more expensive.

    by Audiofanzine FR 1 12/30/10
    View the review page ›
  • Behringer USB-GUITAR iAXE393
    Audiofanzine FR's review

    (Originally written by renaud91240/translated from Audiofanzine FR) Good, ergonomic and well-balanced Strat-type guitar (with a slightly thicker body) considering its incredible price! UTILIZATION The neck is a bit too thick but it is still pleasant to play with, for a Strat copy. The machine heads don't seem to be very durable but for the price you can buy one every couple of years! The sound is huge in USB mode, as if you had three different amps. I tested it with Cubase and the sound isn't quite professional but good enough for an amateur. Hardware limitations belong to the past with such a guitar (tons of effects and amps )! SOUNDS As I said before, the guitar is very versatile thanks to the three different amps included! OVERALL OPINION I haven't found anyone with a negative opinion about this guitar. It is not a famous brand guitar but its value for money is great.

    by Audiofanzine FR 1 11/2/08
    View the review page ›
  • Behringer Acoustic Modeler AM100
    « A workable excellent pedal . »

    Many people don't like Behringer pedals, but I like this one . And I own , both , a Boss AC 2 and AC3 . People complain about it being house in a plastic casing or it's hard to access the battery compartment . I put the Behringer AM100 Acoustic Modeler in one of my loops in a a Decibel Eleven Loop Expander to be activated not by my foot , but activated by my MIDI Controller, I added a Boss GE-7 band Eq with it to simulated a Nylon String guitar and it works magnificently. Features 1. A Mode Switch to have a choice of Standard, Large, Piezo or Bright . If I flick the switch to Large with my Boss GE-7 band Eq, I can achieve a great Nylon String guitar for songs like Diary Of A Madman, Mother Earth / Revelation, Holy Wars ( Punishment Due ) or Fade To Black . 2. A Level knob to dictate how much this pedal affects your sound . 3. Enhance knob to add more treble to the signal . 4. The Resonance knob to add more lower mids and bass to the signal . I use a Detuner, Chorus from my Digitech RP-12 and 2112 SGS to simulate a 12 string guitar and the AM100 does a very good job to make it sound like an 12 Acoustic guitar to play songs like Can't Kill Rock n Roll or Dead Or Alive on stage or at rehearsal . The AM100 blended in my set up much better than my Boss AC2 or AC3 . I also used this pedal to enhance my Ovation to get rid of the excess treble and made it sound more like a large Jumbo Acoustic guitar .

    by Diary Of An Axeman 12/30/23
    View the review page ›
  • Behringer Vintager AC112
    « Pawn Shop prize »

    I've been looking for an amp for home so I don't have to crank up my 50 Watt Marshall Super Lead, but I didn't want to sacrifice too much tone. I also wanted an amp that works well playing blues and rock. I saw this amp in a pawn shop and had no knowledge of it at all. When I asked about the $50. price tag, they said it had a volume issue. I left but turned around and went back in to check it out further. Sure enough I plugged in and the clerk said "see?" It barely made a sound. Then I saw that the master volume was on 1/4. I turned it up and shook the windows. I said I'll take it!. I've been gigging and rehearsing with this amp and I love it. Tonally it's easy to dial in a sound. it holds up after hours of playing and the DSP effects are not thin in a club setting. I'm playing a Strat most of the time. The first time I plugged my LP into it I was thrilled with the amazing tone! Thanks Behringer!!! If I lost this one, I replace it in a heartbeat, and wouldn't wait for a $50. deal. As it's been said the Jensen is sweet. I only wish it had a speaker out to go into my 4-12 Celestion-loaded Duncan cab. I can only imagine what that must sound like!

    by Phil Domagala 12/1/19
    View the review page ›
  • Behringer Ultrastack BG412V
    « Excellent speaker for the money »

    I bought this ultra heavy speaker box in 2007 for around AU $450 because I had heard good things about them. I've used it on a Vox valvestate as an extension speaker and then a Bugera 333 Infinium head. I also own two original Rola Celestion greenbacks from the early 70's. I have also owned Marshall 1960A quads in 12 and 10 inch configurations and a 2 x 12 Marshall box. Why did I give it 5 stars? Compared to my original 70's greenbacks, they have a similar frequency response except that the greenbacks have stronger upper mids which are quite nasal. Greenbacks also have very tight low end whereas the Behringer's bass and treble are a bit softer. Now, there's a caveat on this review. My understanding is that the Behringer cab is made of chipboard whereas my greenback enclosure is made of ply and pine. My experience is that chipboard takes away some of the high end and makes the low end less refined (something to do with how the sound reflects inside the cab and absorption of frequencies). I bet if I put the Behringer (i.e. Bugera) speakers in a plywood cab that the sound would improve somewhat. But the cab sounds pretty good as is. In fact, I like that the speakers take away the harshness of my valve amp. The original greenbacks are great but the nasal upper mid range reminds me too much of Marshall in your face sound. I like even mellow tones that stand out but don't overpower. With some EQ-ing, I can dial the upper mid range back in. Not quite the same as a greenback but in a mix no one can tell the difference. If you want the standard Marshall chugga-chugga in your face, go for a Marshall quad. If you want death metal, go for an Engl cab. But if you want a pleasant all-round tone that does rock, fusion, crunch, overdrive and clean sounds well, then this is a great cab. Considering the price, you can't lose. Although I haven't opened up this cab (which is unusual for me), it appears to be well built but it's bloody heavy. Then again, it's been in my studio for 11 years and last time I moved, removalists did the back breaking work for me. Bugera, which is owned by Behringer, now make quad boxes. They go for around AU $460. The speakers in the Bugera cabs are called 'Turbo Sound'. I have no idea whether they are the same speakers just rebranded. If you come across a Behringer version and you're into jazz, rock and fusion, this is a great cab.

    by Zig99 4/23/18
    View the review page ›
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