All user reviews for the Vox AD100VT

What type of amplification (lamp, transistor, ...)? : 2
- What is the DLivre power? 100watts rms
- What connection? jack
- What are the rglages the effects ?. look at the manual! ; )dropoff Window

USE

I find it great! I have 30 watts 30vt is repeated a little lightweight (normal, a 30w) but recording, live sound card, it is impcc! not breathe, nothing!
the use is simple, the fact malgres well lean on to get a cool sound!

SONORITS

I love all the sounds, again, on the site or have vox can listen to the demos, for once, the sounds are identical to reality!

NOTICE GLOBAL

Minimum: 2 channels ... you can mess with a "pseudo" 3rd by preparing a sound without saving
on channels "write"
I remake this choice without worry
c is a very good compromise for all, with a very wide range of sounds!
I would not mind rises the 30 hp vintage 100watts and at least a further 3 channels available!

Well I decided to post my opinion on this beast.

What to remember:

- 100watt
- Amp simulation with a lamp in the preamp (if I remember correctly)
- A slew of famous amp simulations, a slew of effects (I used mostly reverb and flanger are pretty good) and the ability to program two channels manually.
- At the rear of a button thingy handy power level so as not to break the ears and still have a good sound
- Footswitch, send, return, external speaker (pinaise when I passed by this output to return to the facade of the great concert loudspeakers were automatically logged out Oo I hope it's just that mine was hacked ... weird)

UTILIZATION

The configuration is not complicated, the equipment must be tested to find its sound and it makes the rest of the job alone. I've never had a manual and it would have been useless, I use mainly amp simulations, handy for me since I started with and I was immediately a good sound without too I dig.

SOUNDS

"Will it fit your style of music?" XD It suits all this amp, it can do everything from clean to metal and punk rock that I do is perfect like that, I have a knob all the sounds I want

I play only with guitars equipped with humbuckers, an Epiphone Les Paul Junior (95euros for that quality Oo I ressaute above as soon as I can afford at least a scratch that I'm not afraid to fuck up in concert ^ ^), a squier jaguarmaster, a Viking with Westone wilkinson humbucker (not bad) and a gibson sg special. To me this sounds great config. I also offered a Fulltone overdrive (lack of footswitch oblige ...) and I think it's my best stuff for now ^ ^

Basically I'm never disappointed with the sound, I would move to something more personal way of looking, but the amp does all sound very easily / quickly.

OVERALL OPINION

I use it for 2 years now, this is the only amp I've had so far and I am leaning toward the all-tube (electronics is ruined, the amp still works but I have plenty of its parasites that oscillate between a honeycomb in flight, a series of noisy gas, effects that I think would work well in techno ... well even when I put the guitar volume to zero I have these weird noises and I do not see how I could fix it so I want to move the lamp / solder / son to be able to hack it myself since I'm an electrician ^ ^)

Good of the game more or less:

+:
- No worries of power for any concert / snooze
- Versatility!
- Easy to get good sound
- Good effects
- Look cool (I love the front grill overlap I think the amp into a cabinet with a very special look ^ ^)

-:
- It weighs a ton Oo I'm really sick of me peter back
- Mail: @ yeah I expected but I'm not there ^ ^
- The speaker out that disconnects the internal speakers

Finally, super good deal for the price, I recommend it to anyone who starts or who does not want to dig to find a sound, it should be ideal for jams provided they are muscular like Rambo .. .
Personally I would do more this choice but I spent some time with this amp and I'm not disappointed, if I could see myself two years ago before I buy, I would push again to buy; )

For my part I use the AD100VT (100w), I think CHARACTERISTICS are more or less the same as the other models (ad60, AD15 ...) transistor amplifier with pre-amp a lamp (12AX7). It is equipped with a standard connector, an input device in front, a headphone jack (the speaker breaks the circuit), a LineOut, a speaker out (it seems that a well with a spit deuxime pregnant! ?) an effect loop and a footswitch between. Good for the rear knob level that allows to enjoy all the gain volume "bedroom". The rglages are simple and made of the effects are "classic" (reverb, delay good, I find autowah infficace, ...)...

UTILIZATION

Bte any configuration! Ms too! This amp is packed with effects, simulators, etc etc ... but scnique use the switch does not allow a large farm, a MIDI controller handy t have the choice of simulation and effects! With a controller like the FCB1010 Behringer ...
You can have the sound on, adpote enough (but hey, I am a former user of V-amp so it can be the result of board on amp gives me that impression ?!!). The manual is clear but not need to Polytechnic to understand this amp in the first quarter of an hour of use!

SOUNDS

For now has for me but I used only the "sound" of the amp even him. I go through the loop with an effects processor and I use just those of the amp. I play an Ibanez PF150 dj that sounds good so the only clean satisfy me well! For distortion, I increase the gain a little swelling and I all with the Fabtone (Danelectro) ... The presets are nice rock, classs with "eras" (60's, 80's ...) and cleans but the sounds are Mtal too sandy and lack of grain!

OVERALL OPINION

The +: some nice sounds
The -: No MIDI control amp a bit heavy ...
The ratio quality price is clearly seen the possibilities of the amp! I think selling it ...

100-watt amplifier modeling, with a tube preamp (12AX7). It offers 11 types of amp sound crystal-clear to clear his big fat distortion. He spent 15 aisaiment (not 0.15) thanks to a 100 watt power limiter on the back of the amp.

He owns a guitar input: o), an output for an external speaker, a headphone jack and a system "send return" to insert your personal effects. That's all you can expect from an amp of this power. At you one need more?

-For the settings, this complicates ca. basically there are two parties:
- - 1: the "amp", with a selector of the modeled amp, comes next, a "gain," volume "," treble "," medium "," low ". It's 5 settings react differently depending the receiver chooses
- - 2: the "effect", with a selector for the 11 built-in effect, and three knob, also assigned differently according to their effects.

It performs its job and does it well. The power limiter is a real plus

UTILIZATION

The configuration-is it simple? Do you get a good sound easy?
yes, but ....
The setting is simple you get a very good sound quickly. but if you really want to refine the sound, keep in mind that the settings are different depending on the chosen modeling, certainly not a great difference, the button sets the medium medium, but sensitivities varrient.

the use of effect, for its part, more complicated. one button is used to set three parrametre (a combination of two buttons provides access to other functions of the potentiometer) we would have preferred three potentiometers.

I repeated, but this famous power selector is really great, have a big power amp and push it generated a riot without your neighbor .....; o)

SOUNDS

This amp can do everything (modeling requires) Personal I play blues, reggea, ska and big rock, it ensures all but just to be metal. I play it with a Rickenbacker (360), a Gibson Les Paul Custom and I made a (typed telecaster), he embellishes all.

I fiddled a lot of equalization and uses regularly for at least 6 models, might as well say that I exploited in every corner. I do not use purpose on the other hand to go a little reverb. They range from crystal clear sound with a fat, clear sound of a big distortion through the ultradynamique crunches, no problem. is the momentum of aillieur impresses with all the blows. the light attack string sound clear, silk and more aggressive crunch as the true all-tube amp. ca, and even with the limiter on 15w. Immagine a 15w amp with the response and the dynamics of a stack all lamps!

the best modeling, if you had to choose one it would be the vox AC30TB, but it's still an opinion PERSONAL.

OVERALL OPINION

You would have understood, I like that versatility and quality of modeling. Purists will always find a fault, does the series "Valvetronix" revolutionized the world of modeling. and obviously the power limiter does not limit the sound quality (on a pert little acute towards the end but the momentum remains intact). only negative, the effect settings, maybe I find it difficult because I do not serve me?!

If you are looking for a powerful amplifier are enough to make a small scene and discreet enough to repeat in your room, if you are looking for strength and versatility, you've found! and for a price! (for fan effect of all types prefer the 120w has a real effect section)

I do not regret this choice and has to keep it long.

I have nothing to add.

UTILIZATION

- With regard to the choice of Modelia amplic'est simple: You turn and listen, and if it's not what we wanted so we still turns pretending to nothing .. For after effects is the same system except that it is a small LED that blinks to indicate the rate of change or the intensity to a chorus / flanger and delay for example. Us once we understand it (which, for any person normally constituted, is very fast), we control the amp.

SOUNDS

- At the time I had no real style ... I was looking for and I needed an amp that is unusual enough power for repeated small rooms but I can plainement enjoy at home the night for example. Its function of power setting is really very useful (at least it was for me) going from a 100w maximum 0W minimum using the knob located deriere the amp and maintaining sound quality.

- The lamp heats up slightly but the sound at high volume recess that feels!
- It covers every style quasimment except for all that is metal but to be somewhat of Metallica's going good anyway. If not for her it's not all it also depends on what he thinks fit and I promise to be a strat-type because for clean sounds and the blues is very good.

- Great sound pallete clear quality
- Distos different but for me the highlights are clean sounds

OVERALL OPINION

I used it for 1 year. it was perfect. But:

- Yes it is heavy and the climb to the fourth floor of a house rept and down after it ... chaint. But there are around wrists and the advantage of playing in groups is that we are more to carry the stuff. In addition it creates links ...^^

The value for money is not bad because it's a modeling amp so we buy it for that. Because otherwise there is thunder Engl Classic 30 and 50 of OCCAZ for that price ...

With the experience and the same budjet: not since I found my sound and now it's all light.

Well everything has already been said above

UTILIZATION

Simple, few worries about changing channels but nothing nasty. In fact the big problem is power ... then you certainly know when you buy the amp is a big 100W very heavy (35kg?) But still not you expect that. If you want to sound correct and that you live with your parents, forget the city ... it's an amp in concert or rehearsal. "

SOUNDS

Well, the interesting part. This is an amp that can do everything, from blues to metal no worries. With all the amps available, and if you know the amp and adjust your guitar, you will find your happiness. I play with an Ibanez RG 2550 Prestige with EMG 81/85 installed, along with some effects. Those proposed are good, no faults, but not great either. I was talking about the power level just now and I'm only half satisfied: it is effectively the volume down, but you lose any cons: the treble, bass, saturation ... It sounds great with good volume (I've never pushed fully, in rehearsal, I already covers the drummer with 1 / 2 or 2 / 3 of the power level ...).

OVERALL OPINION

It's been a year since I use it, I tried a similar amp (Line 6, Marshall ... all to modeling) is the one I preferred: its hot accurate and not digital or disgusting as the other two. I like his versatility, I do not like the behavior of the power level. Value for money extra, especially used. Yes I do it again this choice without hesitation.

This amp is a digital amp with some tubes in the pre-amp, or so the salesman told me when I bought it. It actually is better than any digital amp I've heard at recreating the sound of a tube amp. There's plenty of effects built into the amp, like delay, chorus, rotary chorus, compression (the compression is particularly good), reverb, auto-wah, and a few others. The amp modeling is pretty diverse, ranging from incredibly clean to the point of sounding sterile, and ridiculously distorted and everything in between. I found myself doing a decent Neil Young and Crazy Horse impression (circa Rust Never Sleeps) one minute and immediately sounding similar to Pat Metheny just by flicking the switch. There is a footswitch, generally sold separately. There's an external speaker connection as well.

UTILIZATION

The amp is easy to use for the most part. It will take some time to go through all the sounds it offers, and finding your favorites will be hard work. Getting a good sound tends to be a matter of patience, as there is a lot to choose from. The effects are really an enigma at first. The manual helps explain them pretty well, but the effects are still pretty tough to get used to. There are two buttons and two knobs that control all of the effects, and the functions for each effect are different. It can get pretty confusing after awhile. Sometimes good sounds are there (like the aforementioned Crazy Horse sound) but there's certain things you're just not going to get out of this amp, no matter what the dudes at Guitar Center tell you.

SOUNDS

The sound would suit my style of music more if it didn't crap out on me shortly after I bought it. I realized at one point that it wasn't picking up quiet frequencies, and therefore it wouldn't sustain for very long (not only that, but it would decay rather viciously once it reached the threshold of quiet sounds.) I use it with a '67 Strat reissue and it can sometimes sound pretty sick, especially when you are going for some JAMC or Sonic Youth-sounding, feedback drench noise-fests. Sometimes it can get a good bluesy tone if it's warmed up nice. Don't expect to really be able to stretch out as a player, because the aforementioned sustain problems will frustrate you to no end. I particularly like the AC30TB and UK 80's settings. The boutique overdrive is sometimes cool for heavily distorted lead playing. The reverb is good, but some of the other effects are lame (auto-wah is dumb, tremelo could be better, rotary reverb is a cheap knock-off).

OVERALL OPINION

I've had this amp for about two years, and I get more and more frustrated with it all the time. I didn't want to shell out for a Fender Hot Rod, and now I'm paying for it. I hate how it kills the sound of my brilliant guitar, and I hate the sustain problem. I tried getting it fixed and they told me they couldn't do anything about it at the store I bought it from. I tried some of the other tube amps, liked them, but couldn't afford them, so I went with this. HUGE MISTAKE! It's pretty cheap when it's on sale, but that doesn't make it worth it. Don't buy it.