Universal Audio 8110 - "Octo-pre-GOD!"
This is an analog unit with the typical xlr and trs connections. Unlike the 4110, this unit sadly does not have the instrument input. UTILIZATION Utilization is super simple- pre and post gain and …
Universal Audio 6176 - "Modern Clarity with Old School Vibe"
The 6176 is a composite two of universal audio’s finest pieces: the preamp of the 610 series coupled with the compression of the 1176. This is an analog unit with tube circuitry- not to be confused w…
TL Audio 5001 4-Channel Tube Mic Preamp - " it heats up a lot"
translated12AX7WA a lamp for the input gain (which gives the drive) 12AX7WA a lamp output. 4entrées instrument (guitar, Rhodes, keyboards) on the front. 4entrées 4sorties and XLR on the rear. UTILIZAT…
img Stage Line DIB-100 - " Workhorse, reliable."
translatedPassive DI Box transformer steel "indestructible." An unbalanced input jack 6.35: IN with a direct exit LINK. A 600 Ω XLR, balanced Attenuator 0 / -20 / -40 dB ... and of course Ground Lift! …
JDK Audio MP-R20 - " API style!"
translatedI quote: Dual mic preamp with 54dB of gain Analog VU meter for output level display High impedance instrument input with 54dB front façade gain The peak indicator pad button attenuates the mi…
Behringer Ultragain Pro MIC2200 - " not to buy ........"
translateda lamp you wonder what it's used!! neither more nor less than PREAM of mic or line corrections are bad you wonder what they do ...... good to finish if you have a little more than average will see so…
RME Audio OctaMic II - "No ADAT, argl :-( (("
translated8 channel mic pre with analog to ADAT and AES / EBU 24-bit 192 KHz. - Signal - fabulous noise: 130 dB on analog outputs (without intervention of the converter) and 110 dB maximum in case the sound…
Focusrite Liquid Channel - "Convulation and modeling .."
translatedThe Focusrite Liquid Channel hosts a true analog preamp, followed by a preamp and compressor section (40 choices for each) using techniques convulation and a digital equalizer modeled on the ISA 110 …
Focusrite VoiceMaster Platinium - " preamp has dedicated voice"
translatedTransistor preamp has a dedicated voice A complete class preamp section (line / mic / instrument, adjustable low cut, 48v, attenuator, inverter) expander saturation compressor eq De-Esse…
Phonic A6200 Supreme DI - jacko_shi's review
translatedSix DI channels in 1U Complete connectivity, all functions are there. For each channel: input combo jack / XLR balanced XLR output on the front or the 1/4 "TRS jack on the back. attenu…
Behringer Ultragain Pro MIC2200 - " poor value for money"
translatedAnalog "has lamps". UTILIZATION detented potentiometers facilitate studio use. This is a preamp everything easier. SOUND QUALITY there's breath. The coloring is not huge, but transparency is …
Trident S80 producer box - " Ringworm of the engineers in cold blood"
translatedpreamp / EQ super complete non rackée UTILIZATION Configue simple Obtaining sound depends on the rate of gain induced under the source, then refining the EQ, this will vary greatly depending …
SPL GoldMike - " Good and simple"
translated- Class A tube preamp - Inputs XLR, XLR or TS - Dynamic range 111 dB - 48 V phantom power - Button phase inversion - Attenuation 30db - Filter treble - Boost frequency of 1.5 kHz to 20 …
Behringer Tube Ultragain MIC200 - " There is plenty to do with!"
translatedThis is a digital preamp. The lamp is a preamp, nothing to do with a tube guitar amppli example! It is only there to attract the public, and to the breath. Connectors: An input jack and XLR, as …
Behringer Tube Ultragain MIC200 - " Hmm ..."
translatedWe will not repeat all the caractéristqies is already done and done well. We will be brief. As a preamp tube is not only brief but highly questionable: I confirm, we will soon look a little gain o…