All user reviews for the Ibanez RG1570

Japanese manufacturing by Team Jcraft Ibanez
Low pro edge easel
Channel wizard 24 cases, flat profile, but less than 90 years of Sabre sries
So 5 parts, rosewood key
Rglage Volume, Tone slecteur 5 positions,
two doubles and a single micro Ibanez (DiMarzio lineage from the perspective of sound reproduction)

USE

The handle is extraordinary. Very quickly, some less flat sleeves has about Ibanez (I've already said about sries "Sabres" of yesteryear), said handle highway, but I think it s 'is not a term pjoratif, I think it is a perfect inning, allowing the game with today's techniques, however, I am not in the GNE for a "blues"
Ergonomics is perfect, easy access to treble, balance guitar
The sound is just fabulous with these original pickups.
I get all the sounds I want. I have good amps and effects essential that all good guitarist must possder, but that said, branch live in an amp, it sounds!
So the double neck is very "round" and ....... Warm, you can play jazz! and yes this guitar is ultra versatile despite its identity "Mtal"
The intermediary position is very strat, and the double bridge is perfect for the big Rock, Hard Rock etc ..;
The characteristic of this guitar is its versatility Makeover

SONORITS

This is an excellent guitar whose configuration allows any play, it's pretty amazing. It possde his own character, his personality Ibanez sound, which is not a neutral sound nor cold as we sometimes hear, rather it DLivre sonorits warm, round with double neck, slamming with more intermediary position and micro plant, and also very prcises for big sound with the neck pickup.
The pickups are excellent qualities, at first, given the excellence of the violin, I envisioned a mics upgrade, or use I aperois me it is useless. The Ibanez sound is nice and easy to work, they are micro less "Marqus" some Seymour Duncan, for me, it's even more, somewhere, I'd say it's professional.
I get really any sound I want.
And without any complex, one can go on directories Les Pauls and Strats, with the comfort and more.
The "Floyd Rose" Ibanez poses no particular problem, it does not eat the sound, sustain level test performed in comparison with the reference number Les Paul, the Iba is not Largu .dropoff window
For me, this accessory if I have not dmentiel use the "Vai" brings me more, and even a srieux more, it's so good and useful to make use of a trmolo moreover, holds well the agreement.

NOTICE GLOBAL

I use it for two years, I appreciates more. If I have to have one guitar, it will be this one. I have other guitars, more chres are no better.

All is well in this guitar and especially the quality for money .... Let me explain .. It is worth 1/3 the price of a Jem, yet it shares the same handle exactly without the tree of life, but it's the same race, the same acastillage and vibrato, only differs vritablement microphones, or microphones that RG 1570 are very close to those of the Jem is a monster versatility.

Aside from finishing details, for 700 euros, Ibanez offers the true sister of Jem that it is sold over 2100 euros!

Jem I know because I have a year! And I bought this for RG 1570 mnager my Jem, well, I'm no frustration combl play this RG.

Quality ratio hell prices, ask questions about the pricing policy of manufacturers. It seems that in each, there are "bugs" as is, items that are very Honoapiilani proposs of prices by other report.

The RG 1570 is the pearl of the Ibanez catalog! Srieuse guitar for any guitarist. 10/10 everywhere.

I've been playing for about 3 years now. I'm mostly in to progressive rock and blues.

This was one of a handfull of Ibanez's at the store. They had two of these, mirage red and blue, mine is blue. Cost was about 1000$ or so.

The Edge trem on this thing is absolutely amazing, rarely goes out of tune etc, even after some real crazy trem work. The Wizard II neck feels just right, not too thin or anything.

The stock pickups were somewhat dull from the start. So after 1/2 year after purchase I replaced the whole set with Duncans - CC, APS-2, APH-1. That made a world of difference. Now this instrument really sings. I also re-did the wiring, so that now it is possible to split either one of the humbuckers alone. Also the rings for the trem arm need replacing quite often.

It's a quality instrument. Absolutely no paint or fretting flaws, everythings is top of the notch.

All in all the price went 1/3 higher from the original purchase, including the upgrades to make it great instead of just good. I'd say this is a intermediate/pro level instrument. It's not everyone's cup of tea, but it is a nice guitar.

This review was originally published on http://www.musicgearreview.com

I bought this guitar at Sam Ash for $550. I've had a Fender Strat for a while because it was my first guitar and I held on to it for a while, but it was horrible for playing metal riffs so I had to upgrade.

First of all the looks are amazing. I have the guitar in silver and with the black pickups and dark fretboard it looks absolutely amazing. It truly is a beautiful guitar and the fact that it is primarily a hard rock/metal guitar makes it even better. Once you get everything about the guitar set to your liking,(there are alot of customizations you can make along the lines of bridge positioning, pickup height, etc.) it feels great in your hands. For fast palm muting and straight metal riffage I recommend raising the left side of the bridge, so the low E string doesn't rattle, and lowering the right side, for fast soloing. It comes with the Ibanez Wizard neck which is so thin you might not feel it when you're playing, which is good. Also the stock pickups are good for metal tones.(I have mine hooked up to a Boss Metal Zone and it sounds great.)

When I took it out of the box I wasn't aware that you could tweak everything about the guitar using allen wrenches, so when I played it for the first time the low E string had a horible rattle and I got really pissed, wondering how a metal guitar could have a bad low E string. But after reading the manual, I realized that I could raise the bridge, so problem solved. The bridge is also really sensitive to palming so if you are a beginner to metal style playing, take it easy on the bridge and don't push too hard with your palm or your root notes will raise in pitch and sound really bad (I think this can also be tweaked but I haven't tried it yet.) Other than that its a smooth ride.

The quality is incredible. It feels like a professional guitar and just holding it made me want to be a better guitarist. The customization options, while seeming complicated at first, really give you the chance to set up the axe the way you like, which is great for a more experienced guitarist. Great sound as well.

The bottom line is this: if you are a more experienced guitarist and are looking for a great metal axe (and have $550 laying around) go for this right away. The looks, customization and sound are all you'll need to shred for years. If you are a beginner, but still looking for a good metal guitar, go for a cheaper ibanez model, like the rg370.

This review was originally published on http://www.musicgearreview.com

This is the upgraded model from the famous RG570. To be honest, it's not that much different from the RG570 except for a few minor things. The most notable would be that this is made in the new Prestige factory. The guitar features a basswood body, a maple neck with a rosewood fretboard, 24 jumbo frets with dot inlays, an Edge Pro tremolo, two humbuckers, one volume, one tone and a five way switch.

UTILIZATION

The fretwork on this is superb, and it's the main selling point of these newer guitars. The frets on these, while not quite as good as the Prestige, offer some semi-rounded fret ends that other guitar manufacturers don't seem to do. I was able to get some super low action on this. The necks on these aren't quite as thin as the original Wizard necks, but they're stil very slim. The bridge on this is the brand new (at the time) Edge Pro tremolo, and it works great. It doesn't have the locking studs, and it's a little stiffer than the original Edge or LoPro Edge, but it's still a very high quality bridge that can take tons of abuse and remain stable.

SOUNDS

These still have the same old bland IBZ pickups that are installed in all of standard production line Ibanez guitars. They're not that great, and I recommend you replace them with real DiMarzios. The bridge pickups in these are a bit thick sounding, and that's great for basswood, but it's not that clear or dynamic. I find that regular production DiMarzios sound a lot better in these than these IBZ pickups do. The neck pickup I always found to be a touch bright in these, and turning the tone knob down doesn't really seem to solve the issue. The guitar has a five way switch that gives you lots of different sounds which is real cool, and I wish more guitars would feature these extended controls as they're easy to implement.

OVERALL OPINION

The guitars are very high quality, and I actually prefer these over the RG570 models. You can get these super cheap, and I find the fretwork to be a lot more consistent than on the previous models. If you're going to keep these, one thing I'd recommend would be replacing the pickups with some real ones. Also, if you can spend the extra 40 bucks, you can get some locking studs in these to make the trem as good as the old ones.

The RG1570 is the successor to the very famous and successful RG570. It features a basswood body, maple neck and rosewood fretboard. The guitar is equipped with the (then) new Edge Pro floyd, a five way blade switch, volume knob and tone knob. The guitar is a Prestige guitar, so the neck is a five piece neck and ~1mm thicker than the original Wizard.

UTILIZATION

The formula for the RG hasn't changed since the 80s, and it doesn't have to. Everything is pretty much standard affair when comparing this to other RGs. It's built like a rock, but this time, it has the new Prestige neck. The Prestige fretwork is absolutely glorious. You an achieve sick action, and the fret ends felt nicely beveled so you don't snag your hand going up and down the neck. The all access neck joint gives you easy access to the higher frets, and the lower horn rarely gets in your way when doing solo riffs.

SOUNDS

Some people hate basswood, but I love it for lead tones. The stock pickups are weak, but I quickly replaced them with an Air Norton and Steve's Special. I then replaced the switch with a 3 way and completely disconnected the middle pickup as I wasn't using it. The guitar was pretty much set up exactly like John Petrucci's Ibanez models were. The Air Norton gives one of the best lead tones ever, and the Steve's Special sounded tight, clear and articulate. DiMarzios really jive well with basswood guitars.

OVERALL OPINION

Overall, I recommend checking out either the 570 or the 1570. All of these are great guitars that are more geared towards the shred guitarist. Anybody looking for a higher performance guitar owes it to him or herself to at least try one of these guitars and see why they're so popular.

Japan
24 Jumbo frets Pickups EMG 85 (neck) 81 (bridge) and S1 (central)
Ibanez Floyd
5-way switch, 1 volume and 1 tone
Ibanez Wizard II Neck

UTILIZATION

Handle very fast and very easy especially for solos. With good access to the 24th and no problem Frisse along the sleeve. The ergonomics are very good: not too heavy despite a large thickness and stability at stake as sitting upright. For sound I have to say now that I have two active EMG pickups my sound is absolutely huge, but I changed the pickups because the bases ... they were average.

SOUNDS

Guitarist of trash and metal in general sound and look of the scratches and it suits me perfectly fits perfectly with my Marshall Valvestate 8080 (May would be even better on a t ^ te Mesa Boogie Dual Rectifier but ... ). By putting a good amount of bass and treble and midrange and little by going with the neck pickup tone background gives her a very aggressive (type metallica).

OVERALL OPINION

For 1 year I use it and I did not always find fault: it's really a super skyscraper!
Good quality / price ratio: especially not to buy the top model: the pickups are really bad dimarzios better to buy the lower model (just change the pickups) and replace two doubles. I think in this price range it surpasses BC Rich Jackson and others.

- Japan
- 24 cases
- Micros V7 - S1 - V8
- Floyd
- Volume
- Ring

UTILIZATION

Channel end trs enjoyable and fluid. Access in acute is very easy.
Lgre guitar.

SOUNDS

Versatile guitar.
I play on Hughes & Kettner Attax 100 with a Boss CE-5.
I get a good sound trs that satisfies me: crystal and a little fat distortion.

OVERALL OPINION

I have the MRR (Metal Red): one that is "black" in the picture but in fact it has glitter red (or blue for the other: MRB).
What I like most is the comfort of play

Making Japanese-
-24 Jumbo Frets
-2 Humbuckers V7 (Neck), V8 (Bridge) and a simple S1, all Ibanez
Floyd-Edge Pro
knob-Volume and Tone slecteur micro positions 5
Channel 3pc Wizard Prestige with a white stripe in rear, saddle strings on Block.
-2 Colors Available
Newfoundland normally book in a rigid tui Ibanez Prestige Team J. Craft

UTILIZATION

-The handle is enjoyable trs, trs end, good ergonomics, fairly quick, not too broad
Accs-very easy to acute
Personally, my weight does not dplait, trs trslgre, ergonomics is good, no matter the height to which the guitar is.
-It is easy to get a good sound, good sound trs see if amplification follows ... Later I may be replacing the pickups with EMG for even better sound, but for now the sound suits me much.

SOUNDS

-The sound is just be my style of music, I'm plutt tourn mtal, heavy or extreme, and the sound is fine. I would also prciser the sound of this guitar should have just about every style I play both blues, punk or mtal and sound for me always, you just have to rglage good on the amp ...
-I play without effects, and I played on one head and one MG 100 HDFX MG412A baffle and the sound made suits me perfectly.
-The sound is good on any trs rglage.
-All sound of this guitar I like.

OVERALL OPINION

I use it for only two days ago and I am sure DJ is a real rgal. I think I will keep it long and if I have to buy one I think I probably resume the same.

The only thing I blame peus this guitar, it may be the lack of color, see a troisime quatrime color (mirage always) should be even more I think, even if the Mirage Blue color suits me much. Otherwise I find the violin trs trs good. The hard thing about tui I liked, I think it aid me in my choice.

I try several guitars before buying it, as Jackson RR3, or BC Rich Zombie and that is the dernire I try and I do not regret having chosen it plutt than others.

The report price is plutt good quality, as I said above, this guitar is excellent, the tui included with rigid silent, I pay 859 and I think it's plutt a good price for the quality of this guitar.

Exprience with this choice I would do probably, I advise all those who want to pass up a notch suprieur the low end and want a versatile guitar.

- This guitar is a guitar made in Japan ... SERIES beautiful violin even if it's not a gibson! Mine is blue with purple reflections mtal. The varnish is fragile so be careful!
- There are 24 jumbo frets us comfortable trs (discussed later ...). There are three microphones: the double V7 in the neck position, the simple position intermdiaire S1 and finally the double V8 in the bridge position (config MSM).
- The bridge has the license Pink Floyd: it grows perfectly blends into the treble and bass. Ngatif single point of this type of bridge ... is the change of strings. It takes forever change compared a normal bridge.
- There is a volume pots and one for the bass and treble. The microphone has slecteur 5 position.
- The handle is of type Wizard (curve or hollow with rosewood fingerboard so very nice for comfort.
- I put 9 because it is a good guitar gnral trs.

UTILIZATION

- Ah the handle ... Here we go again As I said above the handle .. ben: it's what Ibanez's quick, comfortable prcis and trs. Ideal for taping.
- Access in acute is not difficult.
- The guitar has a trs good ergonomics in terms of shape but I find it a bit heavy ... but good.
- Here I'll put a little 9 because there is no better handle on Ibanez. 9 because I am demanding and that nothing is perfect.

SOUNDS

- I was playing punk, now I play the new mtal! But I changed scratching I do not play it ... well almost.
- I play on a small Marshall amp and a AVT50 pdalier Boss ME50.
- I find the small RG versatile enough! We obtain the desired sound quickly. In his clear, the microphone position intermdiaire the S1 is not bad at all. I find her quite round. For crunch, I recommend the bridge pickup position and intermediate (between S1 and S8). Finally saturated the V8 is quite a good job: his incisive and prcis. My amp does not reproduce the exact sound of the RG because it's Marshall. Same advice when I chang of the microphones because they do not like her or forcment you dig the sound with a good amp ... try it!
- The score will be 7 because the pickups are Ibanez (not the champions of micro ...) but when even a good versatile sound.

OVERALL OPINION

- This will make 4 years that I have! No dfaillance up l!
- I love its shape sexy! It is very easy take in hand, guitarists beginners will be met. Its versatility, rapidity and comfort are the CHARACTERISTICS of the RG! Floyd the application a little getting used to but nothing mchant. Too bad the varnish has s'enlve some places ...
- I tried Washburn, Peavey (dsol. ..), Fender and I think the RG has no worries come at the price it was sold o!
- It's coming! The quality-price ratio is simply great for the mileu end! I sell mine because I dsormais a IC400 iceman!
- But in hindsight I do not regret the purchase at all! I would do this choice because I pass trs good times with him! I needed something else to go ... Farewell RG snif!
- Overall rating ... 9! Vive RG

-> Guitar made in Japan
-> 24 frets, HSH configuration of micro, the neck pickup is a V7, the microphone is a central
S1 and the bridge pickup and an Ibanez V8
-> The vibrato is an ibanez edge pro-working the same way and (for my taste) as
well as a floyd rose
-> The settings could not be more simple: 1 tone, 1 volume and a 5-way switch
-> The handle is a great wizard (very flat profile)

! ATTENTION TO PAINT IS VERY FRAGILE!

Here I put 9 of the varnish really thin ...

UTILIZATION

-> Ah, the handle is both strong and weak points of this guitar because it is very
flat but a little wider than the sleeves that can be used to seeing, I
find it perfect, so much so that I can do without! So it depends on the
likes
-> Access to treble is very good
-> Many people find it a bit heavy but I found great weight, I
11 hours of music a day it There's little time and I did not have to complain, the weight is well distributed, and the shape is great I think
-> With the original pickups, it's pretty easy to get a good sound easy because it Y'a
few adjustments so we branch and the sound is there ... But this guitar it intended
especially rock and metal, but it is possible to play the blues and some jazz
with the right settings ... versatile in my taste

On this point I have almost nothing to say my taste is a near perfect 10!

SOUNDS

-> I play mostly rock / metal so the original pickups are well suited, however,
playing a bit of everything and knowing the sound I wanted, I replaced the pickups with *
DiMarzio (in order starting from the neck: Air Norton, Vintage 54 and Steve's Special) and
there is the pure happiness!
-> I'm currently playing on a Peavey Bandit 112 but I will soon acquire a head Laboga
mr hector on which I tried the guitar, it is only of happiness: p
-> With origins microphones, the sounds are all very good, however the pickups
still quite runny compared to a DiMarzio or EMG, however, they are very good, the microphone
handle is great for bluesy solos coupled with a little micro central bright arpeggios
follies (try the radiohead's foot) single central microphone is also very
good (with some adjustments Another Brick in the wall is superb) the neck pickup coupled
gives us the central flapping sound (great for sweet home alabama) and micro
handle is great for metal and palm mutes are pretty cool!
-> I prefer no sound and do not hate no more ...

Here I put 9 because perfectionism (I insist it's still good)

OVERALL OPINION

-> I'm using it now for a year and a half and never made me wrong good (except
varnish but I repainted ...)
-> What I like most is the comfort and face I changed the pickups to get my
signature sound and I repainted it and somehow the guitar of my dreams ...
-> I have tried many model (ESP, Jackson ... etc) and this price is
the one I prefer
-> I find tremendous value for money!
-> I probably would do the same choice!

Dj t say everything, but to be synthetic:
- Made in Japan
- 24 Jumbo frets
- 2 humbuckers V7 (Neck), V8 (Bridge) and a single S1 (Ibanez)
- Ibanez Edge Pro Floyd
- Block-Strings
- Metal knobs for volume and Tone slecteur micro positions 5
- Manche Wizard 3
- Ibanez Prestige Hard Case

Finishing my remarkable MODEL

UTILIZATION

- The neck is excellent.
Trs flat and broad, it is IDAL for big paws of mtalleux!
Also playing on an old Stratocaster Japan 80 years, with the frets a little worn,
I think those of Iba flush a lot when I switch from one another ...
Normal you say!
- Accs remarkable for acute
- Ergo great. Although balance.
- Single point me ESG: the positioning of microphones. The config MSM bothers me a bit because the single middle ESG me sometimes a little bit. It is not uncommon that my mdiator over ripe. I remove the song or demean ... Matter of habit that said ... Bcp qd I play it, a password.
- We take the guitar, we galre grant because of the floyd and block-rope and hop, was immediately a good sound.

SOUNDS

- The sounds are excellent dj basic ...
I changed the pickups for Seymour ... It carrment deadly now.
For the large Rock or Mtal is really exploded!

- I tested it on small machines (Roland Cube, Fender GDEC) and Marshall on the big studio ... Each time, the sound is by appointment! The sound is still a bit cold, but prcis and powerful. With a little fat one disto all that Global Warming is really not bad. With the new set of microphones, it's really nice!

7 for the basic sound - 9 with Seymours -> It's been a 8 of average!

OVERALL OPINION

- I for 2 years now.
Buy APRS trying any type of MODELS ...
Maid in the store have had the APRS hands.

- I like the handle ergonomics gnrale, it's the balance.
- I do not like the combination of MSM with microphones all together.

- Unbelievable quality / price

- It would do it again, I would take one of her older sisters, like 3120, with a double and two config DiMarzio of SERIES. That said, for the wallet, RG1570 + set of Seymour <RG3120

The RG1527 is the successor to the very famous and successful RG570. It features a basswood body, maple neck and rosewood fretboard. The guitar is equipped with the (then) new Edge Pro floyd, a five way blade switch, volume knob and tone knob. The guitar is a Prestige guitar, so the neck is a five piece neck and ~1mm thicker than the original Wizard.

UTILIZATION

The formula for the RG hasn't changed since the 80s, and it doesn't have to. Everything is pretty much standard affair when comparing this to other RGs. It's built like a rock, but this time, it has the new Prestige neck. The Prestige fretwork is absolutely glorious. You an achieve sick action, and the fret ends felt nicely beveled so you don't snag your hand going up and down the neck. The all access neck joint gives you easy access to the higher frets, and the lower horn rarely gets in your way when doing solo riffs.

SOUNDS

Some people hate basswood, but I love it for lead tones. The stock pickups are weak, but I quickly replaced them with an Air Norton and Steve's Special. I then replaced the switch with a 3 way and completely disconnected the middle pickup as I wasn't using it. The guitar was pretty much set up exactly like John Petrucci's Ibanez models were. The Air Norton gives one of the best lead tones ever, and the Steve's Special sounded tight, clear and articulate. DiMarzios really jive well with basswood guitars.

OVERALL OPINION

Overall, I recommend checking out either the 570 or the 1570. All of these are great guitars that are more geared towards the shred guitarist. Anybody looking for a higher performance guitar owes it to him or herself to at least try one of these guitars and see why they're so popular.

Everything has been said, I let you watch the previous opinions.
I just want to temper the advice on color: I ordered mine in RB (which looks roughly the metallic blue on the catalog), when I received it, it was purple sequined ... I know it's funky (in the sense of the word) and it fits well with my MXR Carbon Copy sequined green, but still a guitar hard-rocker/métalleux fucks it wrong ... You may say, I'm lucky, because as it has almost eight years, the varnish is super fragile and she saw a lot of things, it has lots of pets big and purple glitter all becomes so gradually in natural finish ...

UTILIZATION

The handle is extra fine, in order to more easily shredder, it is fairly well balanced, access to ultra-sharp is easy, but at the same time it is made for that.

SOUNDS

Good vacuum, the sound of the guitar is almost non-existent at the same time, given the amount and type of wood, one would expect.
Once connected, the silly sounds really pretty in contexts hard rock or metal. Sounds clean "metal 80's" full of chorus and flanger sound a lot, because they are just not correct. When properly adjusted, the vibrato works very well, you dive bombings and whatnot from our friends in tight pants zebra.
Of course, with a large high gain amp, it does very well, although his favorite sounds is metal / prog (the old Dream Theater, Symphony X, etc.). And sounds 80's thrash.

OVERALL OPINION

I've had almost eight years, and unfortunately it ages rather poorly, the varnish of the body cracks all over. At the same time, I was not particularly careful with the scraper. The price / quality ratio of the time was not too bad, I can not speak vis-à-vis the current market. Now in hindsight, I would probably choose a guitar with more character, although it filled me for a few years ...

Channel fine enough

UTILIZATION

Access to Acute very easy

SOUNDS

We hear too often the word versatility, here it is for the hard of any kind and that's what we want, do not think it's going to do with marroon 5

here it is for the distortion,

I know there is the simple to the center, but personal, I had him down almost to the max that it hinders my favorite pick, so it's a little too far for many rang:-s even clean

Otherwise it's prestige in the series Ibanez (not Mess it), not aesthetic effect, so here you pay the sound and playability, you pay no graphics and flashy.

OVERALL OPINION

Do not look for versatility