It's a tremolo numrique module which has the advantage of operating stro my knowledge this is the only format on the market pedals, Tap Tempo, also works in mono.
2 inputs / 2 outputs (LR)
The controls are very simple:
DEPTH-SPEED-PEAK-SHAPE-mode switch and OPTO-BIAS-PAN Describes the sound.
Speed (Speed) and depth (Depth) of trmolo and its form (shape) that can rule on a fawn potentiomtre progressive and not a switch. And rglage dnom PEAK which to perform all necessary trmolo the peak signal and the effect has acclre as you force the game or in any case the volume in between the pedals, guitar is fun but use it s'aperoit that it is not easy matriser is a bonus scratch manic effect but must lean on and place in the composition of the pieces, in contrast to the keyboard or other type moog analog synth is highly efficient since it CONTRL prcisment the volume so the effect .
SETTING THE The speed is either the potentiomtre either the TAP Tempo therefore foot beating time on the pedals to synchronize the rhythm effect (a hand or a kick take but works well)
A switch has three modes of operation: OPTO / BIAS / PAN, the first two modes are formulations of trmolos clbres type fender or marshall and vox I did not know but personally I prfre REFERENCE luder nicks and concentrate on the sound in both cases is beautiful and trs musical bnfique ultra clean sound is the guitar sounds like a vintage trs guitar BangBang Nancy Sinatra for those who know ..... The troisime PAN is of course the panoramic mode Restitut signal fawn much more neutral than the first two (see completely neutral), but a left jab and a right cut the fawn more or less marked e with the DEPTH and in an envelope more or less with the Deutsche SHAPE is what attracted me how to play the keyboard pan with the effect of Peak ....... a serious work ....
Note if you want a non trmolo pan and you plug it troisime neutral mode in single color and more vintage and each of the two cts trmolo panorama mode is a mono.
Overall everything is said in conclusion I am so glad I recommend TRS especially keyboards, Rohdes For a Wurlitzer or the pedals seems to me that the fondamenale be as sustain pedals at the feet of the musician. For Moog and Juno, or the organ combos is a tool that opens new avenues of expression for the guitar's register Jazz verysoftBlues apprcier the formulation for many vintage trs fine ... I do not know if I think it's an unnecessarily sharp trmolo who want to make noise.