Kawai MP8 II - " Unavoidable"
translatedI use it for a year and a half. I played on acoustic pianos, digital also, with the Roland RD600 that I appreciated also. It appears with this piano, which I'' ve tasted better: a touch worthy of ins…
MXR M78 Custom Badass '78 Distortion - "It's alright"
MXR Custom Badass '78 Distortion Pedal Features at a Glance: Hot-rodded classic circuit gives you huge distortion tones Roars with both amp stack tones and old-school pedal distortion …
Boss FRV-1 '63 Fender Reverb - "Surprisingly very good"
BOSS FRV-1 Fender 1963 Spring Reverb Guitar Effects Pedal Features: Re-creates the legendary sound of the 1963 Fender Reverb via COSM technology Easy operation with three classic controls…
Mojave Audio MA-200 - "Worth it?"
Mojave Audio MA-200 Tube Condenser Mic Features: Large-diaphragm tube condenser mic Full, warm reproduction for vocals, piano, acoustic instruments, drum overheads, orchestra, and spot mi…
AKG C 214 - "A budget mic?"
Capsule: One Inch Large Diaphragm Condenser Sensitivity: 20 mV/Pa (-34 dBV) Frequency Range: 20 to 20,000 Hz Equivalent noise level: 13 dB-A (IEC 60268-4) Polar Pattern: Cardioid …
Morgan Amplification AC20 Head - "Great great awesome"
Volume and cut controls Bright switch Hand selected hand made Coupling Capacitors Mercury Magnetics transformers Cathode Bias 2 12AX7 2 EL84 GZ34 rectified Dimensions - Head - 17w 9.75h 7.5d…
Diezel Herbert - "It's like a vh4 but not really...or is it?"
Model: Herbert Output: 180 W Channels: 3, with second master and mid-cut up to 6 voicings Loops: 1 parallel, 1 insert loops, 1 switchable insert loop midi in & thru / phantom - power Equaliza…
Pigtronix Tremvelope - "Usable weirdness"
Sine and Sawtooth Wave Options Mono or Stereo with Panning Output Switchable Envelope Control for LFO Variable Envelope Sensitivity and Acceleration Speed and Depth increase or de…
Matchless NH-112 Nighthawk - "No tone needed!"
Power: 15 Watts Channels: One Channel Controls Ch.1: Volume, Tone Switch, Master Volume Power Tubes: 2 x EL84 Preamp Tubes: 1 EF86, 1 x 12AX7 Rectifier Tube: 1 x 5AR4 Features: Dual inputs – h…
Pigtronix Class A Boost - "boost for your boosts"
Discreet “Class A” FET transistor audio path Boosts Instrument or Line Level inputs Max output before clipping: 8.0V p-p Up to 20db of CLEAN boost 20Hz - 20KHz frequency response …
Gibson Les Paul Studio - " Okay ... but turn the microphones"
translatedEverything is here ... and French: http://www.guitare-gibson.com/gibson-les-paul-studio UTILIZATION The most ergonomic of my Gibson. It is lightweight (3.4kg) and well balanced. A real pleasure…
Epiphone Casino [1995-?] - " a good half box"
translatedKnown. UTILIZATION Channel pleasant, light guitar not too big. SOUNDS Good for crunch or clean sound, especially rhythmic arpeggios ... Fender Frontman OVERALL OPINION Good points, the …
Gibson Les Paul Standard 2008 - dadavv's review
translatedGibson American, of course with easel "tune-o-matic" tailpiece and "Stop bar" I tried a "Stetbar" vibrato but he did not agree, then return the gizmo to the dealer. 22 frets with technology "Ple…
American Audio VSM4 - " Very good product"
translatedI use it for a little over a year. I tried before I decided to buy this product for less controllers "pro" style or some of Hercules at Vestax. This controller is really interesting on its four…
Klotz La Grange - " Good cable, simple, reliable and good value qulité price."
translated- - - I use these jacks for a few less now, having had enough of the yellow cable that eat up the treble and never last long. We pay more here, but you pay the quality. Since I'm using none …