All user reviews for the Vox Tonelab

Deja dtailles

USE

It is very easy to use. Read the manual (which is very well done by matter) is not essential but recommended! The edition of the sounds is a dconcertante ease, it's not even funny

SOUND QUALITY

The sounds are very warm, powerful and dtaills. Nothing wrong, even the distorses are nikelles! I often saves models and I do all my grates with the same simulator.

NOTICE GLOBAL

It's been 6 months since I use it. If you had to make another choice, would it without hesitation. For models, it really is THE possder simulator. After, you need a good sound card and a good PC for derriere (For my part I am working on CuBase with Eridol FA-66). I do not use it on amp, so I can not say anything about it.

pretty blue metal box that exudes health, here seems sturdy and is here. not rackable, damage but few actually are. all functions are editable on pc, well done. technology mixed digital / analog since part is managed by a 12AX7 tube. the connection is simple but fairly complete, we regret that the digital output is available at optical format, the grafted external bottom bracket is in RJ45 format that leaves you no choice as I pedal vox do not have and which I also going well.

UTILIZATION

use home studio, next to my pod2. VOX has also taken over it when I do not use both at the same time, you'll understand that I prefer. the grip is immediate, however, do not overlook the manual as it is packed with information on the allocation of a specific function and directly related to the type of modeled amp. thereby easily found sounds that are looking for. we regret the lack of an effects loop.

SOUND QUALITY

I do not know all the amps modeled perfectly by VOX, but to use home-studio illusion is good. I do not use very little built-in effects, the reverbs are correct. I put 8/10 because of the way I use it, then on stage I think it is better to connect to an amp very neutral style "Tech21", or directly on the console.

OVERALL OPINION

compared to pod2, we play in the same league, although is much easier to use. I find the overall sound quality better than my POD, that said here is subjective. the quality / price ratio today if you find the occas is very good, clear I'm happy with my choice.

Amp simulations and digital multi-effects with a lamp at the end of treatment to simulate the saturation of a floor lamp power.
See the doc for details, but the effects are very diverse and broadly cover all conventional needs.
Fully editable sounds are on the machine but also on PC editor.
The housing is made of metal and design very seriously. It exudes quality. It sits on a desk. Too cumbersome in a pedalboard or head amp it finds its place on a table ... this is the only regret. If there was a rack version I probably would not let this machine.
The connection is very complete with analog and digital output and possibility of adaptation differs depending on the destination (receiver, table, hp simulation on / off). Input and midi output to connect a foot controller or sequencer.

UTILIZATION

The knobs are very nice and good quality, large enough to make editing easier and provide a PC.
The manual is well written but we do very little consulted because the machine has a very good ergonomics.

SOUND QUALITY

The sims sound great but the machine has its own sound identity. I considered it as a more or at the time I was playing with.
The effects are really all very good qualities, including the effects of modulation (the vibe is terrible).
I had the chance to play on Pod and pro Behringer V-amp, both very good also. The Tonelab is a step up in my opinion ... but that's just my opinion.

OVERALL OPINION

This is an excellent machine in terms of sound can adapt to all configs. Too bad its the packaging makes it so inconvenient on stage.
If you find one for 100 € it will be one of the best quality / price of your life little guitar

Everything has been said on the technical level.

UTILIZATION

This is especially a machine super simple to set up: Turn the knobs, you safeguard and hop ... I use it on my desk at home or the VC12 pedal on stage. It's sturdy and finally almost more practical than large Tonelab SE, which offers the same service but is not so convenient at home.

SOUND QUALITY

For my part, I use a VOX AD30VT home and I had a AD120VT for rehearsals. With the Tonelab, I found the same type of sound: it's digital, but it is still relatively warm and dynamic (living?) Lamps are widely help.

OVERALL OPINION

I do not use it anymore because I use a POD HD500 to a Tech21 PE but I'm keeping my Tonelab still and VC12. Pod offers a multitude of opportunities that did not Tonelab but not the nice grain of the little blue box.
I much preferred the Vox Tonelab ST with which I've never been satisfied with the sounds and whose usability is worse. I also have a Digitech RP250 allows stuff and does not sound bad but still much more digital and less warm.

I will not go over well in the opinion Describes previous ones (this is not a new product!)

UTILIZATION

the manual is well done and I think we must take the time to read it to understand the rglages diffrent of amp simulations. In particular we need to understand the rle of VR as diffrent gain simultaneously.
What j'apprcie, the possibility to make his rglages very easy on BCAN directly without using a computer.
With practice I manage really find the sound I want (I use the machine for 6 years).
However I do not use the presets are a few exception prs really bad.
Another regret the rglages effects (including pedals) are a bit limited.
NB: I use the VC4 and it pdalier supplmentaire comfort.

SOUND QUALITY

Honntement I am satisfied with the ToneLab trs. Once tamed though the operation and there is little DIFFERENT rglages prs what we want with this simulator. This gives the sounds of trs trs good quality in all registers and all the amp modeling.
I use the ToneLab mainly for recording, the work pieces.
I use it with a lag roxanne (pr Algam of 2003), with my strato Standard Fat Start customizes Southwestern (Seymour Duncan + Miscellaneous Amendments) + electro-acoustic (using the simulation of black face) when I n 't have time to catch live acoustic. The color of the positions is diffrent respects, it was the dynamics for a simulation, I love this machine.
Unlike what some prtendent this simulator is also effective for clean sounds and crunch sounds for even more saturated and heavy sounds.
But we must understand the importance of rglages (DIY same) for each amplifier including the gain according rle of VR simulations (read the instructions!)

OVERALL OPINION

I use it for 6 years

I tried the korg, digitech ... I use also for its portability only the pocket pod (no pictures! I prfre and by far the ToneLab)

I regret the prsence the SPDIF sotie that no use of me (my audio interface does not have spdif connection. I will prfr XLR output jack and more. The factory presets are generally not good (too busy / bad rglages ..)

I also regret the impossibility of chain multiple effects (excluding modulation) and choose the order of effets.MAis in fact it's really an amp simulator (and less than a mutieffets) and c ' its quality is probably the Premire.

What I love most: the quality of the amp simulations and effects (including compressor, wah, Treble Boost, Tube OD, Fat OD). The possibility to direct the SETTING THE fawn prcise without using a PC interface, the possibility of using a pdalier.

To emphasize the strong and the quality of manufacture (box knob, LED screen rtro clear ...)

The desktop version is really IDAL for the home studio.

I love this machine and it crashes I'll try to do rpar or buy a used (NB: outside sites musicos or sell cars on ebay internet style or boncoin, can still be found in musik productiv although the machine is no longer manufactured by vox / korg)

I feel that the successor to the original including ToneLab ST and EX are less good (more than mutieffets really amp simulator? And more competitive in the register?).

The original tone lab and desktop version pdalier (the SE) would they be going on hardware to become "cult" of the simulation (the same way as the original tube screamer for example) ?

This is a digital amp modeler. This thing cannot, unfortunately, be updated through a Mac or PC, however a MIDI controller can be purchased to control it more efficiently. This unit is not rackable. It has MIDI connections as well as a 1/4" input and output, and comes with a power adapter, though I'm not sure off the top of my head what voltage it is. This thing models a wide variety of amplifiers, mostly of the tube variety but with a few solid-state thrown in for good measure.


UTILIZATION

Setting up the sounds on this amp modeler couldn't be much easier. I think that is one of the obvious strengths of these machines. Dial up amp type, punch in volume and gain and EQ settings, and then you are pretty much good to go. I think this would be better used for direct line-in recording, as opposed to through an amplifier. The manual will explain how to run everything pretty well, I don't think anybody will be left confused as to how to work it.


SOUND QUALITY

I don't think that there is much difference in quality between guitars with this guy. This is mainly because I don't think it sounds very good in particular. Of course, it's better than most affordable plug-in amp modelers, and it's better than the average outboard amp modeler also. But I've always felt that those machines were lacking. I would only recommend this for those who, for whatever reason, can only record direct.


OVERALL OPINION

I like the ease with which one can find a tone that they like, and I also like a few of the amp imitations as they aren't too bad. But for the most part, this hasn't done anything to shake my stubborn anti-digital amp stance. Only the insanely expensive plugins have really worked for me, and even then, they were only impressive when recorded with other MIDI or digital instruments. If this is what you plan on doing, try it before you buy it, because I'm not sure it's the best way to go.

Hi!
There's so many good reviews for the beast that I do not see the point of adding a more descriptive, especially as the Tonelab Desktop no longer manufactured, I think is just to express the pleasure I took to play with this unit.

UTILIZATION

Although "it may, what I appreciate is the ease of editing presets with Amp-like interface .... it's simple and very effective. The editor soft to his interest, but However, I prefer to fiddle with the knobs that the mouse ...
I think we are much in this case.
The manual is very clear, very helpful at first but soon it will be happening.
The chromatic tuner is a real plus.

SOUND QUALITY

there are several effects section. I personally have given up the first (only Wha is of real interest for my taste, but I'm not the pedals .... not serve).
Everything else (delay, reverb and modulation) is very good.
A lot of momentum and heat. At the time of purchase, I could compare it with a POD (I think the XT) and the same guitar .... and I am left with the Tonelab ....

When I bought the Tonelab, I was happy owning a copy strat red Hohner ST Special (autographed by Mark Knopfler anyway). Before I had a ZOOM GFX-707, then you can imagine the difference? ... it was a pleasure, but I'm tired quickly, because the guitar was really not up to par.

Part I then played on an Ibanez SA160 QM. It was much better (the guitarist was playing better too ). But again, I'm tired of the sound of this guitar. I was two fingers to change the pickups.

But since February, I did purchase a Fender Classic Player 60 '. And I rediscovered the joy of playing with the Tonelab. I've probably shed a tear or two. For me who lives in an apartment, I plug the Tonelab on my sound card, I put on my headphone (AG Studio 240) and the riffs déouler becomes a joy. The couple Start + Tonelab is made for the blues, it's clear .....
For a long time, I no longer use the presets on the machine. I made two or three well-chosen presets, and I go out ...
Even recently, I only turn based on a preset amp "boutique" with a short delay and a tad of reverb spring.
This is already enough magic with the neck pickup of my Start, but also experimented with putting a small BOSS SD-1 between the stratum and the Tonelab ......
This is sheer bliss!! simulation amp reacts very well. Harmonic everywhere, crunchy sound at will.

OVERALL OPINION

Purchased in 2004 if my memory is good.
I do not part with it!
I am thinking to buy a power amp to play live with (like Tech 21 Power Engine 60).
I have not tested the latest versions with pedals .... but there's no reason for it to be as good (a priori).

A very nice machine ....

- Light Electro-Harmonix (triode)
- 96 programs (+ shipping and soft to backup PC via MIDI)
- 22 modliss effects (Ibanez TS7, Pro Rat etc ...)
- 16 amps, choice, modliss (sr good Vox, Fender, Marshall Plexi, JCM 800, 900, Rectifier, Soldano ...)
- 10 MODELS DSurround modlises
- Headphones
- Optical digital output for recording numrique
- MIDI I / O.
- LCD (optimal readability, VISULAS paramtre of any changes).

UTILIZATION

Ultra easy to use. Everything is in paramtrable faade. You turn the knobs, and rings IMMEDIATE.

SOUND QUALITY

Trs large variety of sounds, from vintage to modern, from clean to dirty trash and trs. Trs really versatile. All modlisations (amp simulator and HP) are usable, and all the effects (distos, Univibe, good reverb, time limit plates etc ...)
I got no dchets.
I plug a Telecaster and an SG sound, sound, sound!

OVERALL OPINION

I use it for 3 weeks, and I fell in love. I replaced my Pod 2 with no intention of rutiliser so the VOX sounds better: both warmer and more Dfine (the SETTING THE Presence and Treble Boost .. yum).
Really gnial for direct recording. Excellent also connected to a receiver.
In short, I can not compare it with the Pod XT that I do not know (in the same price range), but much better than the Pod 2 in any case (which remains a good choice when trs m sr me well).
I have also an AC30, and I found the headphone the same sensations ...
I would do as you have understood the same choice!

See newcs

UTILIZATION

Good very easy to use ...
you turn a knob to select an amp, one for the speaker
rule on bass, mid, treble, gain, master volume and then add an effect
Rotary, a delay but there is a reverb simulation pedal as the pedal acoustic
a good overdrive or distortion pedal to ...
so for example it could be cool to choose a fender amp, fender and a speaker overdrive pedal (which simulates a Tubescreamer) and you will approach the sound of a rather famous bluesman

small drawback though: When you recall a patch it can not save its settings to know ... the buttons of course does not move when changing patch

(L Hop. .. I add a lil fix this last sentence ... in fact ... you can tell the origin of LCD displays that can turn a button and it puts on the position the selected patch

SOUND QUALITY

Excellent!
I think c is mainly the interest of the ToneLab.

OVERALL OPINION

I use it for 3 weeks.
its level: Genial on amp and also the headphones (for cool evenings and nights)
I compared with a pod when purchasing: both sounded very good
but I have found the ToneLab a little warmer in its sound.

Usage: c is easy, it sounds right now ... and thousands of its best ... Despite the small defects in the recall of patches and display settings patch recall. (All the same trick with the origin of LCD displays see above)

Good quality / price excellent! A choice to make ... no regrets ...

Same other notices
I pdalier VC12 to fly ... (a volume pedals, an expression pedals, switch to banks / presets and tuner)

UTILIZATION

None of this pb ct: it is simple and clear

SOUND QUALITY

Even if I did not test many other things, I'm super happy with the machine. The range of sound is very large (if you stay in the area sounds like "lights" of course) and it sounds good.
It's very practical to work with headphones with great sound (even if it is not the goal!)
Just two minor complaints:
- No usb ports
- I have a little taton at the connection in my head tube 100 HK:
In the effects loop, a feedback whatever the output level of the ToneLab and attnuation HK.
Using only the power amp tube 100, the sound is muffled, almost inaudible.
Finally, I have to plug it in between the skyscrapers SERIES (lag roxanne) and the head. So, the pre-amp HK recolors some sound, even if it is not catastrophic clean channel ...
AIM I can by-pass the amp simulations to use the effects only (all other parameters can be set off except l. I am left to find a simulation as neutral as possible in order to use the wah with the sounds of my head ... HK
Otherwise, the VC12 is a great pdalier, solid and functional and I find it necessary to use the ToneLab on scne. It is just a bit expensive ...:-(

OVERALL OPINION

I have the whole lot for a week and I m'clate: clear sounds with distorted sounds, nothing is thrown away.

APRS taton have some level of connections, I think now have found a config adquate (IDAL will tinker switch to by-pass the ToneLab and enter directly into the head of amp).

I keep just my two complaints:
- No usb port
- No possibility to bypass the amp simulations

Nothing more than what is said ds product description
= bulk) effects efficient, no strange effects unusable sometimes found on multi-effects pedals (like ZOOM = GX700) and say that I was before!)

UTILIZATION

Configuration is very simple! is also a key product
it is used basically as an amp knobs
the record is clear, well done and fast, I would say even friendly (we want to read it, which is the case tjrs qd dballe on the gear and you quickly want to try the tt plug beast!)
I think the machine is intuitive, turn the knobs on the tests made on its fate
rl short a pleasure to use (unlike the decision-head small multi effects with their instructions 300pages ... see photo): o)

SOUND QUALITY

To start recall that I am not a pro or a professional sound effects ... then commits more than me ...
I was looking for my guitar effects, pedals and more I hesitated and then I went to a prampli, I do not necessarily looking for a significant amount of effect but rather a quality of effect (ds distortion reverb chorus delay ...)
Briefly, I have the beast for 2 days and jsuis ever fallen in love! you turn you are doing tests on a tt sounds and what a pleasure to change tower speaker amp a button!
2 modes princiapux = manual =) you and you do a tamper your sauce and a way prselectionn: with backups qqs INTERESTED =) CARLOS you press and you sound like a miracle happens in your ears santana ... well after left that make the guitar scream! if there are good preselection tt depends on your style (funk clapton angus jazz police ...)
special attention to the Rotary (effect) branch with the headphone! (= O is the effect turns to his résumé) a gem!
short ts effects st adjustable wish ...
most, if you like playing in the evening or at night is to put the headset (Stereo) and use the VOx =) amazing quality!
I use the info to Vox with Ibanez S Classic and a Marshall JCM900 4102 100W lamp
but the Vox is working with other amps a little less powerful
I stop right there is too much to say ...

OVERALL OPINION

I saw a dmo last weekend I broke down and I ordered it for 510 euros (a bit expensive at first and then qd means what comes out of the amp is r alise that it was a great deal)
the small problem is that the pedals is not sold with (you have to install a rigid panel to be able to handle the beast in repeated and / or concert) the pedals should cost between 170 and 200euros (for more later)
I would do if the members choose?? I wonder also pk I have not done before, and especially what I do here then I could go back to my bb ... you guessed the VOX Tonelab, it's more that 'indispensable!

Almost everything!
except:
. HP output without simultaneously
. Output numrique
. split outputs like a V-Amp without simultaneously with a HP (with amp for live)
. intelligent pitch (should not RVer)

UTILIZATION

Trs simple, no menus the c. ..

could be a even more simple, but pretty good CDJA ....

SOUND QUALITY

The effective numriques +, although suprieur Line6 despite their true pany marketing.

Some rponse the game like a real amp, which does not exist in other vendors
of 'vaporware' on DSP.

use of live amp without Q-tips in the ears of the diffrence Pod2 XT and I had and sold with relief.

I use it with an LP and my music-man plutt to model and play with headphones (I have 4 amps lamps).

OVERALL OPINION

Good machine
good price quality ratio
I tried everything at the moment is the ultimate in simulation numrique even if sometimes there are some other neat stuff.
It is still a little 'hard' ear ...

Ah! computer obsolescence ....

Amp simulator modlisation beautiful, combining digital and light (a real one!), With analog and SPDIF.
96 programmable pRSET (but some factory presets are top. Among the presets are found prrglages that ring directly as Santana, Police, Queen, U2, Hendrix, etc.).
16 amps + 10 HP + 10 + effects pedals modlises modulations and reverbs + + dlais ... everything is very simple to handle and sounds right away.
Can be programmed sounds, or act on the fly like an amp with knobs for EQ, gain, saturation and prsence.
Submitted to the bte flat. It is convenient, but for live, one must pedals.
There is a tuner function.

UTILIZATION

The manual is kind of really nice, and in French. All fawns, there is really no need to spend hours. The operation is comprhensible IMMEDIATE and there are sounds now!

SOUND QUALITY

Sounds ... sounds ... they are superb!
It can scan all styles, from clean Dfine best to trash the dirtiest, through all shades of crunch, blues, grunge, etc..
Whatever the sound, it is always quite friendly and Dfine (lamp really works!), Even the sounds of the most metal. Frankly, I do not see much of the intrt vritable amp!
As most effects are excellent ... I can not see well either the trs intrt to have additional pedals!
My guitar is a PRS Tremonti. I've mostly home studio, so direct connection-to-disk mainly.

OVERALL OPINION

I bought the Tonelab this morning. I'm really excited.
I tried the Pod XT Pro, but compared the sounds seem thinner, less rich, more "imitation" in fact, while with Tonelab was immediately a big sound trs, tr s prcis.
J'hsitais a little too fearful stain Vox type, but no problem, the sound palette is very wide rev.
In addition, the Casing is trsrussi, a beautiful blue brushed mtal all, with enough guts Retailer of quality of knobs and the light that lights on top !
Before I had a Boss GX 700. Difference is the norm! There's really no comparison! I make music for quite some years, and I do not often t as impressed (or as instantanment) with the Tonelab?

Features attractive at first sight, at first listen but also sorry to rock the house with all the posts positive reviews ... but ca not break bricks that gear
the lamp heats up a lil bit c is true
pretty blue right?

UTILIZATION

The use is simple c is true
knob like "chicken knob" for tube amp
Manual nice and clear
handling high-speed

SOUND QUALITY

Ben is the only c ca fishing
APRS frankly the first days of ecstasy ... I find trs-term average sound
psdeudo the heat of the lamp output s avere a frosty morning in the land of Eskimo
the sound is typ .. trs trs simulation so cold
However, for some interesting sounds s approach of any guitarist
but the overall disappointing trs, a branch of a fender hot rod or lamps on a tascam usb sound card on PC (my guitar: a mexico tl) ca I do not mystified

OVERALL OPINION

I have the utils six months and I have the Largu fast (taken in a mesa f30 ...)
j used it before a boss me 33 and I think modeling is n not my cup of thbr /> the ToneLab is an interesting choice if n is not discarded by the coldness of her and if we find a good price (ToneLab SE having arrived)
all this will not replace a good tube amp, the guitar live with 2 / 3 good pedals so if c was a remake ... ever

It's an amp simulator numrique accompanied by a lamp (which can give warmth to the sound especially clear). Sounds are ditables tlchargeable via software on the site of Vox, but they are also manually directly on the BTE. Little more than anyone else does: this machine is equipped with a tuner very nice! For other spcificits go to the Vox site says everything is there!

UTILIZATION

The use is really nice, the knobs turn (like a real amp!), No gas plant with 36,000 buttons and sub menus! Short! We quickly understand the use and it's really a plus (especially compared to the Pod XT which I think is more complicated to use. That said, I find ergonomic level Vox really well thought out!

SOUND QUALITY

I put him 8 / 10 mid-level sounds, but MRIT more in the style you like! Let me explain:

- Clean sounds or crunch: 10/10, is not the picture is really well made trs (nothing to do with the sound of pan from the Pod XT! No, no I'm not pro-Vox but I say what I think because I tried the Pod too!). The lamp is pre-amplification trs good job to find a warmth to the sound! Go try it I'm sure you will agree.

- Heavy distortion: 6 / 10, is the good and less good (in spite of the lamp). Rock bottom for sounds in the acute (good for solos, some styles of play) the Vox Tonelab plutt is doing well. L o EHJV, well ... it is precisely that lack of PCHE. Distortion level is really way, the big sounds and then add a refrain of distortion pedals becaufe this is really me most dsappoint force to use the Tonelab ... Impossible to give a big sound saturation worthy of the Metal Tanks. Too bad ... However it tight deadlines that the trs good hardware for the price.

In résumé: Slashed mtal of very heavy, you will be due, I think will go your way and can be on the Pod XT (the latter giving all of the same sounds much more "synth ticks "that Vox's ear.) other more eclectic: blues, rock, country ... There you will not regret it.

I use a Music Man LUKE 2 (with piezo) and I must say that the crunch and clean sounds are fantastic! The DIFFERENT tones of the guitar pickups are really well made (although it's numrique) and the Personal in my guitar is not lse by Vox (unlike the Pod that pr not feel the true sound of the guitar it even). In my opinion the natural sound of my guitar is better made with the Vox with the Pod. That said, there are sounds of simulation Lukather on the net for the Pod XT with the scratches!

The sounds are pretty saturated as indicated above for the rock, but hey, Vox could have done better I think on that!

OVERALL OPINION

I use the Tonelab for the past six months and I did not enocre lass! Y adj enough stuff to it and then all dpend of his game!

As said, this is a hardware + rel: Global Warming is the lamp that sounds clear and well-crunch (some clean sounds with the piezo ... mmmhhh!)

But - more on: heavy distortion (which lack EHJV for mtaleux heavy! So Heavy going in!)

Compared to the Pod XT is its direct competitor, when I tried cte cte two simulators amp, the Vox I immediately made a better impression in terms of color and sound gnral made its ear (especially with headphones). The finish is also more pro Vox with its case mtal blue is much better figure than the plastic shell of the pod.

Report QualitPrix: worth it! Go ahead without problem for about 500 it's all good! Pdaliers two are optional. For my part I took the little (5 buttons at the bottom instead of on the big 12!). The icing on the gteau my dealer offered it to me! (Having said that I had not bought the Vox right now!)

Else if my purchase silent again: Yes Obviously for this product line!

7 for features because it could have effects over and above finer tuning parameters, but the effects are good presents, and when the simulator manufacturers will put their digital output worthy of the name? (48 khz, 96)

UTILIZATION

Very easy to use too simple can be made into very quickly turn to a studio camera, but even when 8

SOUND QUALITY

I IT CAN BE USED with JS1 and strat I notice the previous type are crunchy rock and bluffing are warmer than those of aures devices, although the lamp comes to play its role but also the expertise in the matter of vox when the sounds they are clean without the road I would have loved more colorful sounds like crunch, and for large distos I do not think that Vox can lay something not been bluffing deu.
8 for sounds that are missing (large distos etc ...) but 10 sounds crunches and other rocailleries

OVERALL OPINION

I IT CAN BE USED for 3 weeks I plan to keep long (there is a max for sale Used) I like the particular sound less electronic than autres.J have had a pod that I sold I found the sounds great but too naked in the synthetic compound.

I switched to a GENESIS 3 and I'm surprised not to hear more about because for me it is the most versatile tous.Les sounds are more realistic than the pod, sounds beautiful clear Y'a also with the grain crunch really different and very large American distos. The effects are large and super qualit.La warp function (mixture of 2 amps) is extrordinaire it helps forge original colors

On aillleurs is the only major complaint that I do in ToneLab I find that different amplifiers have the same grain the same color
I had people who sell second-hand and they are the lack of deus polyvanlece
in fact the ToneLab is a simile of Vox amps (I think) but it has to that I love
to try before you buy!
All good music!

The tone lab is a good amp simulator. The sounds are decent (sometimes even more than adequate) even when it differs from its competitors in that are better or are "formats" and articulate better (must see a pod on the correct position: a joke, no distortion ...). However, it is very far from its original amps modeliss: there is a resemblance but the limits are quickly atteintes.Mais I wish m ' insurgents the lamp is absolutely worthless: it is not connected !!!!- do not think that warmed the sound, it does not fits securely in assembling electronic audio tone lab (if you look closely the light comes from behind the lamp, not the lamp itself). For this argument marketting foireux: June 1 and no more MRIT

UTILIZATION

Operation is simple, as long as we sit a minute to read the manual, and that does not make a chilly manips.toutefois the tone lab would have gained in value if he had been given a foot switch more complete, especially a left-handed configuration to choose to buy (and I know I'm far from the only one left foot) manages the feeling is the worst time.

SOUND QUALITY

The sound quality of tone lab is relative: even better than a pod or another amp modeling. Those who seek distortion and clean sounds are met with the bitter taste, however, have in always sound as cold as death, or in the throat section equa distos.la is not the best in the world and it sometimes struggles to find a pleasant sound: the high gain us too garish, the grinder is bloated and lacking of treble, and 80 fr end up with a great mere.on crunch is far from the original! (nothing to do, no similarity). dtachent Only the effects of the lot, with a reference to the octave and the echo, which for once are connected after the "preamp" (no loss or alteration of signal). Basically, the sound is not realistic, but for lack of blackbirds, thrushes we eat ....

OVERALL OPINION

For the price, you can not say much, but nothing beats a REAL AMPLI.et then end up with a dozen different types of amps causes more embarrassment than anything else, especially when the sounds are difficult to hoist acceptable.si level is tinkering on his computer, why not, but live or repeating ', sorry but nothing transpires of the craft: it is very true, but it is worth turning to moche.Mieux a distortion pedal efficient when we do not have the pesos to get a head lampe.regardez tommy victor and the group PRONG! a distortion pedal plugged into an amp 100w Valvestate! and nothing ..... a repeat: a hard! not you break your head, and have a look at dod, digitech or Danelectro (a cheaper)

Modeling combo amp brand AC15 AC30 ...
Saturation + (comp, treeble Boost, Tube OD, Fat OD ...)
+ Modulations (tremolo, rotary, flanger, chorus, phaser ...)
+ Delay (standard, step, multi-head) with tap timer
+ Reverb (3 types)
Tube preamplifier (12AX7) + A / D conversion (if atsinbloodshed! The lamp brings warmth and grain, though!)
96 editable presets programs / backups
S / P DIF (fiber)
Stereo Audio Out - Line Switch / Amplifier
Controllable pedal VC4

This box actually contains all the features and probably electronics upstairs préamplication-amps VOX Valvetronic. This mail has probably been studied more by the Japanese KORG (parent company) by the English from VOX.

UTILIZATION

Easy and intuitive (French manual)
Editing presets is clever.
Ergonomics well studied

Option to pass quickly, the control pedals VC4 (170 Euros)

SOUND QUALITY

The sound is extrordinaire. To listen absolutely.
Natural loadings are perfectly rendered. This gives an AC30 sound for cheap!
Used with a Start or a Sheraton, no disappointment.
Used directly connected to my DTD or an acoustic guitar amp. His faithful in both cases.

OVERALL OPINION

Bought new a year ago 490 euros, 350 euros less than now.
One regret, we would like to share but there is only one entry ... The solution: Buy two!
Finally I will say to those who find it does not replace an amp, they trimbalent their combo ... Sport is good for you. Is not atsinbloodshed?

See product manufacturer

UTILIZATION

Intuitive like a traditional amp with effects and more
can be plugged into an amp that is for designers to be able to use the studio as repetition

SOUND QUALITY

As the pod is on the stereo bleuff and its effects
clear my sound seems a little worse than the pod but distos are better even if there is room for improvement although I do not have the test on an amp

OVERALL OPINION

I haven t been able to test in integral because I have the test in the store but it seems a little gadjet
j I prefer investing in a preamp digitech as a lamp found a little more grain but light c is less vintage but if you want the vintage we take a vox ac 30 with analog effects pedals electro harmonix
versatility for designers to the detriment of its

See other post

UTILIZATION

See below

SOUND QUALITY

Jai hsit between pod length and tone lab. Those who say that the two vox is suprieur DEFINITIONS in terms of sounds, the effects are more ralistes, the vox behaves more like a real amp o must tinker buttons and effects for the sound. The Pod has over the sound right away, but it is more artificial, more numrique.

Cot case, Vox has chosen to dmarquer pod: sturdy aluminum case, vintage buttons, lamp apparenteil printing is much better than the pictures o any ceremonial matt. I find beautiful in real life a little too srieux qd Similarly, the opposite of that pod picture shines red red dun lvres and who is in fact true matt plastoc Taking DALiM is weird, cot vox a kind of noon to 4 or 5 pin plug DALiM avoid the wild? ... Lalime and a switch on / off

Cot's in fact, sest pass the opposite of what jattendais: I thought that would be nazes presets and Quil had to do everything manually by tinkering. Error, there are good pRSET trs! And when jai wanted to tinker on my same, jtais paramtrage away from the program!

The presets from guitarists are known or pieces, and their names are the implied most of the time: carlos, jimi fuzz, heaven, Joshua, angus, police

Ct amps, I think like everyone else that sounds clear and crunch are great. They are clean, feed qd we want (the preset clean edge is round and full with strathum). Ds register Dire Straits, Pink Floyd, stonesil sen out really well.

Ct big distortion, cest trs also good, we can do good led zep, guns, kravitzMais overall, while its lack of even a few dpaisseur short, the lack Indeed lamp power / 4 HP heavy but the sounds are imitated all the same. Ct mga disto, cest less, the thrash / Nu mtal going so well.

The main strength trs EST dlais and the reverbs that sublime! Bcp profondeurVraiment trs trs beautiful. The effects are no exception, beautiful chorus, tremolo also beautiful in rotary speaker Stereo sound only the flanger mtalliquedommage

The point ngatif my taste the cest navigationpas easy to juggle boutonsqui not motorissPar former, a patch pre-registration is done with a Vox amp AT30et well it will not match the position of the receiver button .. Lon if that turns this switch, it takes the value of the trs contextebref not user friendly

Finally, trs BCAN good, sounds trsdfinis that respect sound of the guitar base. He excels in the light / crunch, especially the good effects trs dlais / rev, a beautiful little navigation rch.

OVERALL OPINION

See above

Describes the site builder and the other posts.
The lamp is connected.
I do not see a place for Electro Hamonix décor ...
It's just clear from below, because it is not shining strong enough to itself.
It is used in the simulation stage "power amp tube" (Systm Valvetronix).
And Systm is by far the best in its modlisation lamp.

UTILIZATION

Operation is very simple:
you turn the knobs and that's it!
There is a repre indicating the original value of each patch rglage, so it is not lost.
the manual is clear, too "MIDI" I got, but at least it is not rbarbatif!
Banks are double factory, so you can use half as a "personal" and keep the other as a factory REFERENCE.
We do not need to get lost in endless menus ...

SOUND QUALITY

The effects are nice enough and for most uses.
The effects sound very "vintage" to be cohrents with the rest.
The big positive from competition (VAMP2, Pod, GT6 ...) is called the momentum!
L o concurrency makes it sound like all the guitars on the same preset means the nuances and the attacks on the Tonelab!
This is the day and night!
When the gain, we can have a major trs, but be aware that on simus "high gain", do not put too much VR gain when the gain is the main lev otherwise the signal is compress too.
That is why some say it is not for the mtal, but that is wrong!
I bought it for, among other things, and I am satisfied.
As for his rock / blues, it's by far the best modlisation trs.

OVERALL OPINION

I have for some time, and it took me a few days to understand how total.
What I like most: the possibility to have everything on hand in my apartment for the sound, and also be able to plug into a PA or a guitar amp, see trip!

The report qualitprix dfrise!
There is nothing as comprehensive for the price.

POD, V-amp 2, the GT-6: distos ring "sound box mdium-high" as a low-end transistor pedals!
The gross gain is not everything, if not just push anything back.
It's great to have more effects and simus, but it is still necessary that a sound ...
I think when the court has played and will Tonelab Submitted as an obviousness.
Unless you love the distos sounding "transistor in a box"

Deja Retailer

UTILIZATION

It's very simple I think all will scratch like a home with an interface containing the same characteristics as the amps.

SOUND QUALITY

LA! it's important!

It''s for me the best existing simulator. (I had a PODXT, and unfortunately I knew my Canger against a vox tone lab! And yes ...) and you are simply thinner, more dynamic, much gain (if so turn the pots you'll see!)

Anyway that's happiness!

OVERALL OPINION

Good vis a vis the Line 6 is not photo, Vox is cheaper and offers a better product!

Behringer VAMP2 and is 3x cheaper ion pardons: D