Fender Excelsior - "Standing the Test of Time."
Strange amp, straight out off the sales floor from a local music store, Excelsior sounds fine at lower volumes (< 1/2) with just about anything with an output jack. Bright switch, volume, tremolo; ef…
Marshall 4101 JCM900 Dual Reverb [1990-1999] - "Modern marshall sound combo"
Funk, rock, prog... HEAVY beast. You don t really want to carry it around too much. works great live. Clean is never really clean with those but a very nice bluesy crunch to start with. The ov…
Fender Blues DeVille 410 Reissue - "great tone and reverb"
I used to play funk and blues. Moving towards more jazzy and songwriting. It's a great amp for live even if it s a bit loud for small venues. It s a 4x10 so it takes space but it s not too hea…
Mad Professor Old School 21RT - "Old school sounds...Effectivelly"
This vintage sounding amp, fully handcrafted in England and conceptualized in Finland, has the following features: - Preamp tubes: 4 x ECC83/12AX7 - Poweramp tubes: 2 x 6V6 - Power: 21 Watts - Po…
Fender Vibrosonic Reverb - "Punchy Fender Vibrosonic Reverb"
I purchased this vintage Fender tube amp (circa 1972) in the mid-80s and enjoy it tremendously to this day. Over the years it has had the usual work done (replacing dried up capacitors, new tubes, e…
Marshall DSL401 - "Full Marshall Sound. "
I traded a Fender Bass Amp for this. The bass amp had a value of $400. Since I never played the bass, I believe I came out on top. This amp is awesome. And every one of my friends that hear it ca…
Peavey Classic 50/410 - "Very Nice Amp- Great Value"
First, the review posted by iamqman here is dead on, this amp has a beautiful warm clean with a mild EL84 overdrive on Channel 2. Very much targeted at country and mild rock applications (great tones…
Fender Vibro Champ "Blackface" [1964-1967] - "Versatile. Surprisingly loud when overdriven."
I got this amp in an equipment trade. Since it's a small amp, I expected to use it primarily for practice. It's about 14″ x 17″ x 7 1/2″. Six watts, eight inch speaker. Two inputs. Simple control…
Hiwatt SA-212 Custom 50 212 Combo - "Big amp and great sound for a huge enjoyment ! "
- What musical styles do you use this amp for? It's a clean sound machine, with very clear sounds till high power levels thanks to its legendary headroom. A perfect amp to play with a packed p…
Marshall DSL40C - "The best Marshall in a long time, a very versatile tone monster and a future classic"
I play mainly progressive rock and fusion however I also amuse myself with classic rock, blues and metal. This DSL40c came after a long string of amps, most of them good in their own right, that for …
Fender Deluxe "Tweed Narrow Panel" [1955-1960] - "Awesome!"
I used in in the studio. It was used on a track with my Artisan LP. It's perfect for all styles ranging from jazz to grunge. It's still a rather fragile amp (but it's also quite simple, so easy to…
Ampeg J-20 - "Why the hell didn't this amp turn into a best seller ?"
Why didn't this amp ever turn into a best seller ? First, I think the reason lays in this amp's history. No one ever associates Ampeg with guitar amps anymore. Still, in the golden age of rock'n'r…
Marshall JCM602 [1997-2000] - "It rocks"
It's a tube amplifier with two EL34 power tubes and four 12AX7 for the preamp section. Power is 60W, can rock really hard when pushed. 2 Celestion Heritage speakers which work very well with it, gre…
Carlsbro VAC 15 - "A sweet find in the tweed amp department."
Always known Carlsbro to do cheaper sounding amps, I've been told they're no longer manufactured in Britain. This had promises of an alternative to a Vox AC15 or 'British Tweed Amp' - clean tone …
Cornford Roadhouse - "Cornford - British Boutique Quality"
CORNFORD ROADHOUSE - hand built British amp 2xEL34 3x12AX7 30w 1x12 V30 speaker - gives Marshall/VOX classic 60s tones+ modern idiom. The Combo cabinet is expansive with the ability to tandem othe…