
AUDIO RECORDING - ultimate guide (100 episodes) - Or how to become a pro sound engineer ;)
LearningOnce the mastering series is finished and now that the mixing guide is (finally!) arriving the end, it's only natural that Audiofanzine asked me to extend this tale told backwards with a new series d…

MIXING IN A HOME STUDIO - ultimate guide (150 episodes) - A Guide To Mixing Music
LearningGiven the good response our "Mastering at Home" series received, yours truly has put himself to the task of doing a similar guide dedicated to recording and mixing.

HOME MASTERING - ultimate guide (22 episodes) - Become a master in mastering. In your bedroom.
LearningAfter more than 20 weeks, the time has finally come for the last installment in our series dedicated to mastering at home. Today we won't be making any miraculous revelations. Instead, we'll give you…

THE LOUDNESS WAR (12 episodes) - Why and how levels are always higher. And how to fix this madness.
LearningVolume, more volume! Yes, but at what price? This series of articles will review the origins of the volume race, the physical considerations, new standards and tools, and their impact on public healt…

Talking music production with renowned producer, engine… - Power to the Music
LearningWhether it's producing, tracking, mixing or mastering—Bob Power has done it. He's been around long enough to have seen the changeover from analog to digital, the demise of the record industry, the ri…

Recording yourself - The ultimate guide to audio recording - Part 47
LearningYou probably all know that technical tasks are mainly processed with one hemisphere of your brain while the artistic domain is handled by the other one. For reasons I won't get into here, it just so …

An interview with renowned mastering engineer Greg Calbi - Masterfully Done
Interview / PodcastGreg Calbi has had quite a run as a mastering engineer — 43 years, to be precise — and he's still going strong. He’s mastered over 8,000 albums during that time, many of them classics.

The hour of truth for your mix - A guide to mixing music - Part 121
LearningDear friends, I know the closer we come to the end the more impatient you get. What do we have left after the delicate automation phase? Well, quite a few things and not particularly easy ones. In th…

Engineer Nathan Hamiel on the art of mastering - The Human Factor
LearningMastering, like mixing, is an art form that requires good musical judgment and entails a great deal of decision-making. Just ask engineer Nathan Hamiel (pronounced “Hamel”), who does both mixing and …

That's an Order! - How to create a dynamic and engaging song order for your album or EP
LearningLet’s face it: Albums are not what they used to be. I’m not talking about the music (although there are some who would make that argument), and I’m not talking about the production. I’m referring to …

How to track and mix your project so it has a cohesive … - Give Your Album its Own Sonic Signature
LearningA cohesive sonic signature helps make an album, EP or other multi-song project more appealing to listeners. If you listen to a classic album, whether it's Pink Floyd’s “Dark Side of the Moon,” The Be…

Metering and Correction Software - The Loudness War - Part 11
LearningIn this, the penultimate installment in our series discussing the consequences of volume on music, sound and human ears, we look at tools for measuring loudness.

New Standards - The Loudness War - Part 10
LearningIn this installment, we'll discuss the consequences of volume on music, sound and human ears.

Play It By the Rules - The Loudness War ─ Part 9
LearningIn this new installment we'll continue discussing the consequences of volume on music, sound and human ears.

It Can Happen to Anybody - The Loudness War - Part 8
LearningThis is the next installment in our article series dedicated to the race for volume, its consequences on music, sound and human ears.

Mastering and remastering - The Loudness War - Part 7
LearningHere's the latest installment in our series of articles dedicated to the race for volume, and its consequences on music, sound and human ears.

Parallel Compression - A guide to mixing music - Part 36
LearningIn this week's chapter, we'll tackle a specific use of compression you have surely heard about before, not least in our series of articles dedicated to mastering. I'm talking about parallel compressi…

Compression Has Consequences - The Loudness War ─ Part 6
LearningIn this new installment we'll continue discussing the consequences of volume on music, sound and human ears, and we'll see how digital technology has enabled the reduction of dynamic range in recorde…

Top Australian engineer Klaus Hill on mixing, mastering… - Hybrid Mixing from Down Under
Learning“I've always mixed people's records,” Klaus Hill says, “it's just something I've always been very good at.” In the eleven years since he moved from England, Hill has established himself as one of the…

Weighing the pros and cons of DIY mastering - So You Want to Master Your Own Album?
LearningFor a long time the mastering process was a mystery for most musicians, even those with studio skills. But thanks to all the information now available online, it's a lot easier to learn about how mas…

Subway + Radio = Ouch - The Loudness War ─ Part 5
LearningIn this new installment in our race for volume, we'll see how changes in music listening have fueled the loudness war, and we'll look at radio's role in the escalation.

Understanding your Ears - The Loudness War - Part 4
LearningAfter discussing volume in the previous article, this time we'll focus on your ears.

Louder Doesn't Mean Better - The Loudness War - Part 3
LearningIn this installment, we'll look at the consequences of the loudness war on music, sound and human ears.

Compression in the Volume Wars - The Loudness War - Part 2
LearningToday we'll continue our series on the volume wars. This time, we'll focus on mainly on compression.

A multitalented producer/engineer who masters all his p… - Joey Sturgis Has it Covered
LearningFor bands on the alternative metal scene who have an album to record, Joey Sturgis is the closest thing to a one-stop shop. He’s a producer, songwriter, guitarist, as well as a tracking, mixing and …


