Motu Track16 Review - Sweet Little Sixteen
Written testTrack16 is the latest addition to Motu's range of audio interfaces. The numerous features announced by the manufacturer are very appealing. Let's see how they translate in the real world!
Universal Audio Apollo Review - One Small Step for Men...
Written testUniversal Audio is a brand like no other in the pro audio world. The company has been competing in the hardware market for over 50 years with preamps, compressors and channel strips. But it has also …
RME Fireface UCX Mini-Review - An RME On My iPad
Written testOn the first day of winter NAMM RME launched its new audio interface: the Fireface UCX — RME UFX's little brother. The Fireface UCX includes iPad support. Here is a snapshot review of the Fireface UC…
Roland Quad Capture Review - Roland Does the Quad
Written testBest Value awardDo you want a small sound card with a high quality sound, clever features, a good construction, and an affordable price? If you do, follow me to give Roland's Quad Capture a try. If you need even mor…
AVID M-Audio Fast Track C600 Review - C600 Straight Up
Written testWith connections on the side and on top, the brand new Fast Track C600 breaks with the typical M-Audio rack and half-rack design. Have manufacturers decided to fight their battle based not only on fe…
Apogee Duet 2 Review - The Duet at its Apogee?
Written testAbout four years ago, Apogee launched a digital audio FireWire interface called Duet that offered two analog ins and outs. In the meantime, competitors have brought out some very interesting products…
AVID Mbox Pro 3 Review - The New Mbox
Written testAVID, formerly Digidesign, took advantage of last year's re-branding to present the third generation of its digital audio budget interfaces: the Mbox series. Today, we'll give the Mbox Pro a try, the…
RME Babyface Review - USBaby
Written testMost manufacturers have been adding compact audio interfaces to their product range for several years, and now is time for RME and its Babyface. Many mobile musicians and sound engineers have been ea…
RME FireFace UFX Review - Weapon of Massive Recording
Written testSix years after the FireFace 800, RME hits the external audio interface market again with a new flagship product: the FireFace UFX, which doesn't really replace its big brother — it outright and blat…
Focusrite Saffire Pro 24 DSP Review - A Jewel Called Saffire
Written testThe FireWire digital audio interface market is somewhat saturated with products like the M-Audio ProFire610 or the TC Electronic Impact Twin which we already tested here at AudioFanzine — now is the …
Line 6 POD Studio UX2: The Test - Back in Black
Written testWell known for its guitar amp simulators, Line 6 has recently updated its Toneport range of audio interfaces, and renamed it POD Studio while they were at it. Let's take a look at the new UX2 and se…
Zoom Stack Package: The Test - Tube or not tube
Written testThough the concept may not be original, Zoom has come out with an interesting interface that provides guitarists and bassists with an intuitive software/hardware setup, but with a twist: an integrate…
M-Audio Profire 2626: The Test - M-Audio Strikes Again
Written testBest Product awardWith no fewer than 26 inputs, 26 outputs, 8 integrated Octane microphone preamps, and ProTools M-Powered compatibility, the latest interface from M-Audio aims to find its niche in the category of int…
M-Audio's Fast Track Ultra: The Test - Ultra affordable
Written testM-Audio recently presented their latest addition to the Fast Track family: the Ultra, a USB audio interface with 4 Octane preamps, integrated effects, and advanced routing. Is it a worthy successor …
E-MU's Tracker Pre - The Test - E-MU Tracker Pre USB 2.0
Written testIn a world of myriad low-cost audio interfaces, E-MU has made a bold move with it’s new Tracker Pre USB 2.0. Though somewhat similar to it’s predecessor, the 0202 USB 2.0, the Tracker Pre has created…
