All user reviews for the Line 6 POD XT

there is a bank and sound effects pre-programmed into the machine. There remains a multitude of banks to create their own sounds.
The knobs are those like a standard amp: drive, bass, middle, treble, presence, volume, reverb, and headphone volume control.
a knob to select the type of amp and one for the effects.
It is a multi-effects, so around the screen we find the panel button to set sounds and effect, the tuner.
POD when connected to the computer, ask to make software updates, as well as download some software, like line6 Monkey just for the update.
In connection, there is an output for headphones, of course input for guitar, 2 outputs for connecting HP directly above (left / right), a plug for the pedal, USB for connection to the computer, and finally MIDI in and out

UTILIZATION

The manual is entirely in English, which makes it difficult to use for non-bilingual like me, but the creation is done quite easily, even with little knowledge of English!
I personally find the manual if it is in English is useless.
The grip is rather intuitive, if not touching little by little, we quickly use.

SOUND QUALITY

For sound, I would say that it is very good, although I always play with headphones.
Some sound banks are useless, as in many multi-effects, creating his own a lot of patience, because to move a hair on his changes.
By downloading the software Line6 Edit, the ability to create and set sounds directly from the pc

OVERALL OPINION

I have for some years now, I believe 2006.
I was looking for a multi-effect with drum machine, and the ability to register and create music.
So I was disappointed to discover that there was no drum machine. The software to create their own music (RiffWorks) is no longer being marketed, I think.
Not that I do it again this choice because it's not really what I wanted, but at the time my English was not what it is today (typical English)
Otherwise it's a great multi-purpose, if we want to bother with an amp, just create his own sound, plug in the pod on the sound system, and off you go!

- Almost all FX guitar
- Ditable via pc
- Non-rackable
- Technology full numrique
- 1 in / 2 out / implmentation midi / headphone / Owner 'in for footswitch line6 (can control it via pdalier noon.

UTILIZATION

trs simple Dhaka. reading the manual, however, is only recommended as there are several fawn to use: direct a mixing desk, in an amp, etc. as an insert. we must understand what we do and how rgler POD in consquent.
the manual is clear trs, INTERESTED to read easily.
The edition of the presets is easy and clear (if you read the manual)

Over the years I have used diffrent in context:
- Live (Loop Insertion head amp) and twelve o'clock CONTRL via pdalier
- Repeated (in guitar amp)
- Home studio as an audio interface
- Now I use it for home recording (went into an audio interface), especially for models, sometimes I use a pre-amp analogue enters the pod: I use simulation as part of HT POD.
- Repeating table in a mix (in troubleshooting)

This is truly the Swiss Army knife of guitarist: good has it all.
But excel in any field: for the "live" there's more. for recording also.

SOUND QUALITY

The effects work.
The amp simulation + HP is good: trsraliste with some configs, crdible less in others: we must choose with your ears.
ism is the variable: trs good on the amp simulation I find less INTERESTED simulation of the pedals.

OVERALL OPINION

used for several years (since its release)
the +: easy, convenient, fast rgler, robust, lightweight and small, use varies: live, home studio, audio interface, HP simulation only, to play with headphones
the -: cblage in "web", simulation of pedals tjs not convincing. some not so good amp simulation.

The report quality price is correct: I have for many years and never thought myself Spare: even if I use less pdt certain times it continues I to help.

It really is the tool of guitarist everything.

really something to do everything ...
Tens of amp tones, effects, reverb, and super nice for direct recording via USB.
CHARACTERISTICS for it is better to go for a ride SURT line6 site, it will always be more complete than the description I could do ...

UTILIZATION

use fairly simple approach Premire.
APRS, if you want to get into the heart of the bte, it's more fun to connect it to PC and download the software from line6 edition of (free) sounds to work. little more fun, line6 offers free online, a database of sounds Tlcharger, couraging by users, piecewise class, group, ...

SOUND QUALITY

The effects are really good quality.
It can reproduce sounds really worked hard enough, with a stratum of pink floyd, for example, money can be programmed with the rhythm and the echo delay that goes well, it trsraliste, the m me that the original sound of Gilmour, Same on pieces with type violoning dire straits, you can cut the attack mdiator and delay the sound arrives. distos the trs are more than good.
in fact you can really do anything with this thing. but the PC is needed for programming easier.

OVERALL OPINION

I kept it 4 / 5 years, I silent rev happy, he served me for group play, RPET, work home ... I'm just s deal to finance another project, but if I were to buy this type of hardware, I do it again the same choice without hsiter.

This is the new POD:
Numrique amp simulator with an LCD screen now.

UTILIZATION

The LCD screen facilitates the rglages paramtres and menu navigation are simple trs.
We can mmoriser of rglages amp configurations and / chaining effects (memory 64).
64 total memory for programs.
Finally it is easy to name them.

The manual in French are friendly and well trs document (photo amp and pedals).
For the download:

https://www.line6.com/pdf/manuals/FR/PODxt% 20ManualF.pdf

SOUND QUALITY

Spend 2 to POD PODxt is simple. It is true that initially, the sound of XT seemed electrical and digital compared to the sound of POD 2.
In fact the POD 2 fucks treat for the eyes to the point that the purists say that the serious invasive taient, swelling. The distortion amp for silent Hi gain, overpowering.

PODXT is the finesse and refinement.
The 15 rverbes are beautiful. The gain is compared to the standard POD 2.
The effects are beautiful and better than my Boss GX700).

The amps are finally clear sound ralistes:
Defines more hotter than before, more ...
Finally a real Fender Twin Reverb which allows for the sound Dire Straits. Not before.
The Fender Deluxe and the Vox AC 30 TB are trsralistes.

The distorted sounds are more consistent with those dlivrs by the original amps.
One feels a net diffrence between characters of all the amps, they perform all necessary fawn with guitar playing.
Change poistion micro or even have a guitar on his consquence, much more than before.

Some (forum US) have repproch cracking of the numrique (harsh, videos).
In fact we should not overload the input.

To get sound that kills change The argument 'micro virtual miking' (of 4).
Some amps that seem Triqui SM57 microphone with a gain in volume, size and lose Aiges with the SM57 off (apart from the axis).

For résumé: subtlety
It has many more possibilities that are ancestors but at first it is less easy to have the 'big sound'. Refining the rglages then it returns the POD 2 in the 18 meters!
The POD 2 or you say you approach the sound of your idol (or whatever you have in your head) PODXT can take a leap forward in quality.

This effect could be the rack and saw the much more expensive professional quality effects.

OVERALL OPINION

I have my PODxt for 1 month.
I immediately find every day.
560 is expensive but it's not a toy unlike the color of this pair of red ass baboon might suggest!
FYI POD mean bean!

My POD (2.1) I do not miss at all and still be a matter for the price.

My only regret:
The LCD display shows weakness. A vertical black line appears another time. Dj I read a similar default on the forums for PODXT United States but also the Vetta.

A rsoudre emergency line6 mister! Thank you

See the website

UTILIZATION

Very simple, much simpler than the pod or the pod pro, since the screen is much larger and clearer.

SOUND QUALITY

I think it is important to clarify one thing before you judge the sound quality of such apareil: a pod is made to record guitar tracks, or the limit to play through headphones without disturbing the neighbors. There is no point in plugging a pod of an amp trying to get closer to the simulated amps, it's not made for that, and the result is generally disappointing.

For those who have tried to make the sound of an amp with a (of) micro (s), and want to find a way of recording, it is clear that the pod is a revolution, and the Pod XT goes even much further. In general there are a wide variety of grains from one model to another on the XT. Sounds gross (no effect) really seem more realistic and more malleable. Overall, the sounds are much easier to mix because they are less draft, finer and more dynamic.

The models of pedals are a great source of additional opportunities, and quality of sound is also the appointment.

The sound output via USB works impeccably well, and that's more ennorme! Especially for those who only records of the guitar: it avoids having to buy a very good sound card. With a pod XT and a laptop you have all your recording studio at hand ...

I have all the space I need at home, and the equipment to record amps, but frankly I do not see how I made to do better than with a pod!

When the effects, they are really impressive, but I do not see the interest to record a track with the reverb or delay?? But it's nice to settle its sound with minimal background.

OVERALL OPINION

I do not see what you can ask for?? Having said that's what I told myself after buying a pod pro 2 years ago and a half

All vintage: Distortion channel (almost xculisevement) amp and modulation effects only (CE1 chorus of the very old boss, delay, flange, etc ...)
Tap Tempo interresting
Modeling amps laugh about it all a adj lamp (and even as we put a headphone)
effects are modeliss vieeeeeeeeeeeeeuuuuuuuuuuuuuuux level modeling effects and you can feel the cold trs numrique especially the headphone.
So Bad Bad Bad ...

UTILIZATION

Manual is fun level is well explained clear efforts have contributed t at the manual (?)
Editing sounds is easy just press on the type of effect you want and then turn the wheels, it's nice ...
The utilastion on scne is impossible without adding 300 euros for pdalier (abuse)
What is a multi purpose (either studio or mobile) without a pdalier?

SOUND QUALITY

I have a good laugh Lorqui I received my PODXT, the amp sounds not like the amp deficits on the manual. I have a Dual Rectifier and luckily my amp saturation is not like the shabby little overdrive about the POD.
The effects are trs trs trs cold and lifeless (thank you the numrique) while the effects are all seffets vintage (but what did you ????)
In short the shit

OVERALL OPINION

I kept the POD one week and I demand my money back because for a POD effective it must be more pedals (BAM! 700euros, one of the most expensive in the market), and especially above ca do but really not worth an all-tube amp, the POD does not sound DEFINITIONS is like a synth that makes the piano ... Do not plan to buy if you do not want to be disappointed and economiss one more year to buy you an all-tube, whatever brand you will not be disappointed (compared to POD).
For the effects of even if you want quality effects pedals Invista only in simple (yes it's more expensive, bulkier and less convenient) to have real effects and quality of infinite rglages any and everything.
In short (and I'm not the only one to think) POD is for incidental scratch with no ear ...

Everything is for the characteristics https://www.line6.com/PODxt/fr/features.htm

UTILIZATION

The PODxt al avatage to be small so can be useful and easy transport, so I use the usb to connect my computer with a software guitar port (a true revolution for the home studio), the local and live with The pedal Behringer FC1010, the cheapest in the market and frankly c is the top, 100% compatible with PODxt.
The PODxt is connected directly to PA / console to be really effectively, the gain is enormous ny it no problem, and sounds serious!
the manual is clear and unambiguous, the programming of preset is very easy, but the beginning is a little lost ac is certain pke bcp parameters comes into play in order to make a good sound. Otherwise no problem c is really great the possibilities are immense!

SOUND QUALITY

Must keep mind that al is a PODxt amp simulator with all the basic effects such as chorus, flanger reverb Deley ... etc (the reverbs are of very high quality!). Once that was understood as a simulator that was c (so that will never be a true force) and although it falls on his ass pke allucinante the quality is! C is difficult to say with words seriously There is a range of amps madness and all are good and very different, clean sounds are really good and heavy distortion I find giant. We suggest that you say it with the sound of words, here is an example of his that I've realis with the PODxt and that I've put on this forum some time ago https://fr.audiofanzine.com/apprendre / mailing_forums / index%% 2Cidtopic 2C32338.html
Personally j arrives create all the sounds of which I am in need. The basic PODXT presets are bad and does not enhance the quality of the monster, but once the buttons are on Trifouille quickly realized the possibilities available to us. Finally I adore my PODxt what he gives me everything I need is j, for chorus and rhythm are either bright or saturated.

OVERALL OPINION

J uses the PODxt for 5 months and I m tired on the contrary, I take pleasure has tampered with my sounds, and when I reach the local ca pleased that even after five months, my colleagues are still compliments on my sound (I'm in a funk training). I prefer the PODxt? Well I would say its size (kel happy to carry a thirty amp in one hand) and his character, he pke n miss but then not at all. The report quality price is really honest, the quality is really the appointment. Before buying the PODxt I am well informed on the subject by reading a ton of paper on the net, and listening to a maximum of sonsque I could find I do not regret I would do without ESIT.
Conlusion: PODxt al advantage of s 100% integrated in a home studio, (I also work with 2 or dj we fesons experimental music in the studio), it s uses direct sound (or connect to USB and Sinch a computer), not an AC amplifier is unnecessary and n is not the goal anyway pke if c is to put on a big amp, a very good buy as big amp. Ideal for home studio when you love to ca music with headphones, something impossible with a large all-tube. The quality of recording is nikel, frankly I'm really happy with my purchase.

True, for CHARACTERISTICS better go home Line6 ...

UTILIZATION

The use is generally pretty simple I think.

I will cit that the points that I think ngatifs because everything else is pretty plustt:

- Missing the Possibility of affecting what you want as an external switch for the expression pedal (a is the set off of any effect of a value for SPECIFICATIONS anything (as silent as possible with my GT3 ...))
- Not enough memory available for use as I did, there would have to double! But on the other cot is so easy to make backups of the computer with!

SOUND QUALITY

Then l: for me is the strong point, if a lil thing that makes a sound like that, cgnial, you plug in a ring full of DIFFERENT styles, for all I did it ' is great, I did a bit of Mao and it's great! And scne (because I find my returns as gniaux), c frankly nickel!
But no more j'n'utilise preset home because they do not interest me, I get what I want modeled as her, is really what interests me.

OVERALL OPINION

To put the thing, I spend a Boss GT3 comboFender on a line6 pod of amplified speakers.

My config scne today:
Scratches elec -> PODXT
Scratching sound -> GT3 (using acoustic and control Pramp PODXT)
PODXT GT3 + -> Returns Contact CX (amplified speakers) -> PA

It's a little gas plant but it works well trs,
Report quality price I think it is not misplaced but the accessories!
I'm happy with my choice.

See features on the site of line6

UTILIZATION

The handling is super simple. The sounds are easy to program. The manual is particularly useful because it is in french, over there any indications on the origin of emulated amps and effects on the machine (with the photos as a bonus!)
The advantage and the machine can be updated via internet (version 1.04 is also recent)

SOUND QUALITY

The amp models are effective. To my taste there are too many (32 I think). The effects are good (chorus flanger etc. ..) but do not expect ultra synthetic effect ..... that is to say that the pedals are simulated years old pedals 60/70. There is also no big distos crazy powerful for metal.
Connection to the PC via the USB port is very useful because you can program the software on his guitar port and send the pod.
avoid also plug it into an amp, it sounds better live ....

OVERALL OPINION

I have this small beans for 3 months. It is true that it's very convenient for the studio. I plug it directly into the sound card and it sounds great, the sounds of it there.
against latency by désagréble is felt if one plugs into the USB port, that's why I connect directly to the card.
I do not think that this unit is self-sufficient for fadas sound. I even when the couple with some effect, and another sound module (such as AmpliTube example)
I paid € 425 and I think overall, it's not too expensive for what it is.
As against the pedal, line 6 does not care a bit of our mouths by offering its first pedalboard was € 250 (and the other € 450) which is ultimately one of the most multi-purpose masonry of this range.
I would do this only choice for the studio (the issue of ease and efficiency)
I advised against by for metal (unless you pair it with the pedals that tear)

See features on the site of Line 6.

UTILIZATION

Overall, the handling is very fast. It takes about an hour to go around the beast. The manual is very well done, it is therefore essential and goes (with a touch of humor as a bonus ...). Daily use is easy and intuitive selection of the amp, the speaker, microphone, selection effects, etc ... and of course to the editing of each parameter. Of course the screen is always handy for that.

SOUND QUALITY

Before acquiring the POD xt I had no idea how to turn my machine! I have tried in the store most of what exists (V amp, Pod, Tonelab, etc ...) and frankly, for me, none of these machines can not be reached from each other! and then the price and the possibilities of Pod xt made the difference. Once in my home studio, I could really use it and see a little more detail the possible actions. Well in the end, it's a purchase that I am not about to miss! indeed, it stands up very well in all registers (clean, crunch and saturated) and the effects are of very good quality and all usable. Very complete. A special mention for heavy distortion that can be very metal! (Contrary to what I heard ...)

OVERALL OPINION

I use it for a month now and I am delighted. Finally, I would say that the usb is ultra convenient, especially for the updater beast! (With version 2.0 is available for new amps, speakers and other parameters bcp useful!) Editor available on PC (or mac) is very convenient! is not fully set up with the POD. Finally, we can share lots of sounds via the Internet, which is a little nicer.

that's good!

. 32 MODELS damplis legendary and classic
. 22 & 4 MODELS MODELS DSurround microphones
. 49 MODELS deffets of pedals and studio
. Routing Options
. 64 memory
. I / O USB numriques
. Chromatic tuner incorporbr />. Full MIDI Support

UTILIZATION

Not so simple to beginners, but within hours we quickly the system to program good presets. The manual is full rev, it just serve to clarify many of the beginners point for those who have a little trouble. Mthode programamation of the manual directly on the POD may be - fast but more efficient as it was in real time the sound is chosen, for me mthode PC Programming is good for importing presets right out of the line 6 website.
I takes only 9 because it yavait probably another way of programming some good practice but the + I quibble a bit!

SOUND QUALITY

Whatever style you are looking for the have no doubt it is forcment in this machine is the same versatility! There is something for all tastes. I use my amp pricinpalement simulations alone (Mesa Boogie, Soldano, ...), because I play punk prinicpalemen nomtal the dc I bathe in bliss with these simulations are reproduced perfectly! ! For those who seek to have the big sound with a nice little range of effects without breaking the bank I highly recommend it because it is well worth it!
Today it always has impressed me!

OVERALL OPINION

He followed me for three months now and I can not have me Sparer! I'm addicted! It must be said that having a sound quality cete that price is compltement halucinant! Personally it is plugged into the loop of my Marshall and here must MG100dfx serious! The only slight snag is that it does not come with a footswitch so we have to make the purchase ultrieurement because it runs out quickly trs! Again for those who seek the sound without breaking the bank with as bonus effects trs good one seocnde Do not hesitate! Bought the run!

Other users have expressed on this dj ...

UTILIZATION

Using fairly simple.
Editing sounds fairly intuitive.
The manual (in English, since I live in GB) is clear and quite funny. Enjoyable walk, you know.

SOUND QUALITY

Drive sound:
Unlike what was said Floood a little lower, I find that the creature offers big sounds and good metal trs Varis. Whether you want a big sound death, a black distortion, or sound the Marilyn Mansion, I think there are ways ... I got good sound in a little over an hour, and given the number of functions that I have not yet explored, there must be a way to build a big sound convincing trs. I thought I should add a distortion pedal for a metal sound, but the POD is dbrouille trs well alone. I bought the Dime Disto prvision in, but I did not ultimately need, and the pedals since pionce in a closet!
In short, our view proves Difference at least the perception of sound depends on the people (I know, this is not an Discoveries), and once again it is ESSENTIAL to try before purchase.
The sound changes completely depending on whether any change of head. speakers or microphones, the number of possible combinations and used the recording is amazing.

Its clear
I am not a specialist in, but it is also possible to get a flattering rsultat trs.

In the end, I who gave little importance to her for my compositions, prfrant to focus on riffs and arrangements, I now a lot of time rgler the sound of the POD, as the rsultat not be flattering - and inspiring. I have not yet registered with DEFINITIONS, but I think thanks to POD, my little songs go much gain in quality.

OVERALL OPINION

Given the number of possible combinations heads + + microphone + speaker effects, I think everyone will be able to find happiness at the cost of a little research.
I do not have any ide if the simulations are Fidler MODELS or not the original amp, but I do not care compltement! The sound of POD is good, it's the principal.
Report quality more than acceptable: given the number and quality of sound offered by the machine is a bargain. Highly recommended for fans of home-studio owners good and beautiful guitar parts.

My little regret:
- Line6 presets, which are often quite ugly and does not refltent capabilities of the machine. With some rglages adquate, POD is much better than a! Small correction three months APRS: um, finally, the presets are not so bad ... Provide a basis for carving out his own sound.
- Not enough memory for user presets, but it seems that the upgrade of the machine available on the net correct this default.
- AIM I can connect a simple expression pedals, instead of buying the big pdalier Line6.

- Multi effects modlisations.
- MODEL 32 damplificateurs.
- MODEL 22 DSurround.
- MODEL 4 microphones.
- 49 MODELS deffets of pedals and studio.
- Optional routing.
- 64 memory.
- Compressor and Noise Gate studio.
- Stompbox: Fuzz, Overdrive, Distortion, Autoswell, autowah, etc.
- Modulation: Chorus, Flanger, Phaser, Tremolo, Leslie Effect, etc.
- Dlais: Analog, Tape, Multi heads, Sweep Echo, Invers Ping Pong, etc.
- Rverbe: Spring, Room, Hall, Chamber, Plate, Cavern
- 1/4in outputs +4 dBu / -10 dBu.
- Converters 32-bit A / D and D / A.
- MIDI IN and OUT / THRU.
- RJ-45 for pdalier.
- USB connector for I / O numriques.
- Headphone output.
- Chromatic tuner incorporated.
- Full MIDI Support.

UTILIZATION

POD XT V.2 + PACKS!

Connection very simple! You plug the guitar (or any other sound sources) and connects his dcoute Systm (sono in preferences). Trs Use intuitive, you sail without much problem in DIFFERENT the menus. Careers News denfant made easy with the GuitarPort software: It CONTRL PC via the XT with a damn good interface and trs clear, all are possible rglages Submitted in same window be. And all this nothing quen connecting to the PC XT with a USB cable (included): POD can then be used as a sound card (ASIO driver) for senregistrer nimporte on what squenceur software! ! The updates with the XT is a free software that search on the site of LINE 6 and informs us about the drivers that lon has the latest version available, etc.

In thor, cest pretty much everything but just visit the forum to see quune package deal with the problem of post XT: big problem of latency, updates borked or impossible , GuitarPort rcalcitrant, not recognized by the PC XT, etc.

Personally, I dont have any problem with my POD while cest trs trs fine as it is for firmware updates, The installation of the various drivers or The installation of packs.

Large black dot in the POD (or stroke of marketing LINE 6), for use live, invest in one of pdalier CONTRL, as the best 320 Shortboard ... It's a bit expensive for what it is, but it is compulsory for every game "live" (there is an alternative else pdalier LINE 6 but I havent tried)

9 / 10 because of mandatory dun pdalier Lachat, otherwise it would MRIT October 1 because I never had a problem nai OF USE with the POD.

SOUND QUALITY

(Test with Ibanez IC-300 team in DiMarzio + Peavey Triple XXX or sound add-on packs + POD XT)

You have to see this machine as a simulator with dampli Intgr effects. Not hear the strength of the XT is the quality of the simulations, while the effect is somewhat less convincing. Then, whether modlisations (amp, effects, mic, speaker or other) Fidler are the originals, they sen fout! It sounds wonderful and all that cest Quon asked!

The pRSET are good but do not do justice to the XT because everyone has a system that damplification diffrent: some connection with sound, else in entredun combo, which (despite DIFFERENT the output format of the XT) gives his best ALTR, cest to be able to test his stuff and for several tens of minutes to identify what it is capable of.

Before I plugged in between guitar combo, but when I tried to menregistrer live sound t compltement DIFFERENT! I only the User Submitted records (via USB to PC) and in this configuration cest quil dbrouille is the best!

The three packs for about LINE 6 (V.2 firmware required) are relatively well, even if the FX JUNKY Relva more gadget quautre thing. CLASSIC AMP pack is nice, there are damn good for modlisations damplis of legends. The METAL PACK is, I think most of the three INTERESTED: from good modlisations trs, trs Fidler Daprai some users and it catches up with the shortcomings of amps m tal Submitted lorigine the XT.

9 / 10 because modlisation nalready not perfect (I think) but when the XT dlivre same great sound.

OVERALL OPINION

I ending for the User from 2 years and t he branch of diffrent Manir: between combo amp from power, a sound system and the config seems to me that the best Careers News for him is in the home studio. Warning! I do not say quil does nothing in the other config, but only the best of it dlivre itself in a live sound system. Since ending for a year I only the User Registration, jen draws good rsultats trs.

When I bought this era lai, jen has had the 860 with a bit expensive pdalier it's true, but it's profitability by the fact of free updates, and c when same is a great tool!

9 / 10 because I can not put 9.5/10.

Small preamp comprehensive enough to make demos with effects like reverb, chorus etc ...
Digital Technology
for details see sheet manufacturer

UTILIZATION

The use is quite intuitive given the versatility
j have not seen the manual because I did try the in-store

SOUND QUALITY

When you try to start it is quite pleasantly surprised but we are bleuff the effects in stereo
Lorqui the effects are removed clean sounds are ok but the crunch and saturation are disgusting and unpleasant to listen and I think very far from the simulated sounds
Fortunately, there are effects that correct for cut corners

OVERALL OPINION

I find that it does not deserve the praise that we did and we are very far from the grain lamp
in my opinion it is better to buy a boss gt3 OCCAZ which sells around 200 th and remains more comprehensive but is more complicated to settle
n this unit is not serious enough to put that price

Gand as his brother the "POD" any court!
simulator tube amps (32 in total ... I'm not!) + multi-effects (chorus, reverb, delay, etc.).
Guitar input
Stereo output
MIDI IN / OUT

UTILIZATION

More complicated than its big brother the first pod of the name, but is still editable. That said there are many more possibilities!

choice of amps, speakers (2x10 ", 2x12", 4x12 etc..), the position of microphones, type of microphones, effects etc..

SOUND QUALITY

Like its big brother
good in the studio for models and other prod album or even a pro
but still very bad in concerts or sound cold and hard stride ears, this with the patch that kills at home ... What do you want?

but I will note this because, as it newer than the pod, line 6 would of course correction!

OVERALL OPINION

Nice little multi-effects with preamp (simulate) that sounds at home (that is)
limited use for registration!

ditto for the note