Studio & Home Studio articles
Glue It Down with Reverb - A guide to mixing music - Part 80
Today I'll focus on the sixth bus of my personal reverb mixing setup. As I told you before, this bus is aimed at producing the so-called "glue" effect. In other words, the more or less signal you send from each of the tracks towards this bus, the more coherent the overall mix should sound.
Choosing Reverb Sounds - A guide to mixing music - Part 79
Today we'll follow up on the previous article by discussing the presets for five of the nine reverb buses of the template I proposed.
Getting Down to Work with Reverb - A guide to mixing music - Part 78
We have been discussing reverb for quite some time now, although in a more or less theoretical way. I know it can get a bit frustrating but, trust me, it was necessary. Now that we are done with all the theory, it's time to move on to more practical things. Hallelujah my friends, the fun begins!
The Importance of Contrast in a Mix - A guide to mixing music - Part 77
Today I'll close the brief parenthesis I opened last week. And I'll do that tackling a notion that is crucial when it comes to mixing, namely...
Of Width and Depth - A guide to mixing music - Part 76
I feel a bit compelled to add a brief parenthesis after what I wrote at the end of the previous article. So, in the next couple of articles I will not limit myself to working with space but rather to the mix as a whole.
More About Compressing Reverb - A guide to mixing music - Part 75
Today we'll continue exploring the use of reverb and dynamics processing by looking at post-reverb compression.
Reverb Meets Compression - A guide to mixing music - Part 74
Today we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove quite useful for controlling the reverberated signal.
Gated Reverb - A guide to mixing music - Part 73
In this new episode we'll address the strange marriage between reverbs and gates.
Sculpting Reverb with EQ - A guide to mixing music - Part 72
With this article we'll close the study of spectral control of reverberation by looking at post-reverb EQ.
Why You Need a Dedicated Digital Audio Editor - For some common audio editing tasks, a digital audio editor is often better than your DAW
When it comes to music-production software, DAWs get all the glory. And for good reason: You use them for all the glamorous parts of the process, such as tracking, overdubbing and mixing. Conversely, digital audio editor applications are relegated to the grunt work, and don’t get talked about as much. Nevertheless, if you don’t have an audio edito…