Studio & Home Studio articles
- 02/23/16Getting started
Reverb Meets Compression - A guide to mixing music - Part 74
Today we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove quite useful for controlling the reverberated signal.
- 02/21/16Getting started
Gated Reverb - A guide to mixing music - Part 73
In this new episode we'll address the strange marriage between reverbs and gates.
- 02/16/16Getting started
Sculpting Reverb with EQ - A guide to mixing music - Part 72
With this article we'll close the study of spectral control of reverberation by looking at post-reverb EQ.
- 02/11/16Getting started
Why You Need a Dedicated Digital Audio Editor - For some common audio editing tasks, a digital audio editor is often better than your DAW
When it comes to music-production software, DAWs get all the glory. And for good reason: You use them for all the glamorous parts of the process, such as tracking, overdubbing and mixing. Conversely, digital audio editor applications are relegated to the grunt work, and don’t get talked about as much. Nevertheless, if you don’t have an audio edi...
- 02/09/16Getting started
Reverb Damping - A guide to mixing music - Part 71
Today we'll continue our study of frequency control applied to reverberation by addressing damping. Usually, if you have given enough care to choosing your starting preset, you shouldn't need to tweak this parameter...although, you never know.
- 02/07/16Getting started
Reverb and EQ - A guide to mixing music - Part 70
When it comes to reverberation, spectral content is crucial. Processing at the frequency level can happen at three distinct points in the audio path: before, during or after reverberation. Today, we'll focus on pre-reverb EQ.
- 02/02/16Getting started
Early Reflections - A guide to mixing music - Part 69
In the last article, we discussed reverb time, which, in the end, corresponds more or less to the duration of the reverb tail. Today we'll take a look at what happens on the other side of the reverberation with the early reflections.
- 01/31/16Getting started
It's Reverb Time - A guide to mixing music - Part 68
Today we'll dive into reverb time, a most crucial parameter that needs to be handled cautiously.
- 01/26/16Getting started
How to Use Pre-Delay - A guide to mixing music - Part 67
Now that you've chosen the best reverb presets, the time has come to tinker with the parameters so you can adjust them to best fit your needs. In this article, we'll focus on a very important reverb parameter: pre-delay.
Give Your Album its Own Sonic Signature - How to track and mix your project so it has a cohesive and memorable sound
A cohesive sonic signature helps make an album, EP or other multi-song project more appealing to listeners. If you listen to a classic album, whether it's Pink Floyd’s “Dark Side of the Moon,” The Beatles' “Abbey Road,” Nirvana's "Nevermind," or countless others, you'll notice a sonic consistency throughout each one. You might think sonic cohesi...