Of Width and Depth - A guide to mixing music - Part 76
LearningI feel a bit compelled to add a brief parenthesis after what I wrote at the end of the previous article. So, in the next couple of articles I will not limit myself to working with space but rather to…
More About Compressing Reverb - A guide to mixing music - Part 75
LearningToday we'll continue exploring the use of reverb and dynamics processing by looking at post-reverb compression.
Reverb Meets Compression - A guide to mixing music - Part 74
LearningToday we'll see how to make reverb and compression work together. At first sight it might seem weird to want to compress a reverb. And yet a compressor placed before or after the reverb can prove qui…
Gated Reverb - A guide to mixing music - Part 73
LearningIn this new episode we'll address the strange marriage between reverbs and gates.
Sculpting Reverb with EQ - A guide to mixing music - Part 72
LearningWith this article we'll close the study of spectral control of reverberation by looking at post-reverb EQ.
Why You Need a Dedicated Digital Audio Editor - For some common audio editing tasks, a digital audio editor is often better than your DAW
LearningWhen it comes to music-production software, DAWs get all the glory. And for good reason: You use them for all the glamorous parts of the process, such as tracking, overdubbing and mixing. Conversely,…
Reverb Damping - A guide to mixing music - Part 71
LearningToday we'll continue our study of frequency control applied to reverberation by addressing damping. Usually, if you have given enough care to choosing your starting preset, you shouldn't need to twea…
Reverb and EQ - A guide to mixing music - Part 70
LearningWhen it comes to reverberation, spectral content is crucial. Processing at the frequency level can happen at three distinct points in the audio path: before, during or after reverberation. Today, we'…
Early Reflections - A guide to mixing music - Part 69
LearningIn the last article, we discussed reverb time, which, in the end, corresponds more or less to the duration of the reverb tail. Today we'll take a look at what happens on the other side of the reverbe…
It's Reverb Time - A guide to mixing music - Part 68
LearningToday we'll dive into reverb time, a most crucial parameter that needs to be handled cautiously.
How to Use Pre-Delay - A guide to mixing music - Part 67
LearningNow that you've chosen the best reverb presets, the time has come to tinker with the parameters so you can adjust them to best fit your needs. In this article, we'll focus on a very important reverb …
How to track and mix your project so it has a cohesive … - Give Your Album its Own Sonic Signature
LearningA cohesive sonic signature helps make an album, EP or other multi-song project more appealing to listeners. If you listen to a classic album, whether it's Pink Floyd’s “Dark Side of the Moon,” The Be…
A Handy Rule for Choosing Reverb Presets - A guide to mixing music - Part 66
LearningMy goal today is to try to make it even easier for you to choose your starting reverb preset...Yes, I know, it's starting to feel a bit like an obsession, but your choice in this regard is so importa…
How to Use the Pink Noise Trick - A guide to mixing music - Part 65
LearningDespite everything I've told you, you might still be having some trouble trying to decide which preset is the best starting point for your song. Even more so considering that software makers are usua…
It's Just a Matter of Feeling - A guide to mixing music - Part 64
LearningBy now, after several articles dealing with the different reverb types, you ought to be able to determine which families match better the goals you have in mind. Now it's up to you to decide which pr…
Mixing with Room Reverb - A guide to mixing music - Part 63
LearningThis week we'll finish our overview of the different reverb families addressing the biggest one among them: rooms.
Mixing with Chamber and Ambience Reverb - A guide to mixing music - Part 62
LearningToday we'll look into chamber and ambience reverbs.
Don't Spit the Bit - How to make the right choices when it comes to session bit depth
LearningYou have a number of options when it comes to the bit-depth of your DAW or other digital audio recording session including 16-bit, 24-bit, or 32-bit floating point. But do you know why you’d choose o…
Mixing with Plate and Hall Reverb - A guide to mixing music - Part 61
LearningAs we continue looking at the different reverb families, we'll focus this time on plate and hall reverbs.
Customize Your DAW - How to personalize your DAW to fit your work style
LearningYour DAW is your most important piece of software — the heart of your studio. Most DAWs offer a lot of features that you can customize to fit your taste and the way you work. Since you use your DAW s…
Mixing with Spring Reverb - A guide to mixing music - Part 60
LearningRegardless of whether your reverb is algorithmic or convolution, chances are the plug-in you use provides different types of reverb. And, in my view, the choice of reverb type is crucial to get the e…
A review of the PreSonus R80 studio monitors - True Blue
Written testPreSonus recently added to its growing line of studio monitors with its new R-Series, active near-field monitors that feature AMT tweeters, and come in two sizes, the R80 (8” woofer) and the R65 (6.5…
Reverb: Pre- or Post-Fader? - A guide to mixing music - Part 59
LearningAs we saw in the previous article, it's often better to use reverbs on auxiliary buses. Consequently, it's only logical to ask yourself about the best way to send a signal to those aux buses.
Reverb In or Aux? - A guide to mixing music - Part 58
LearningBefore you start working with reverb, you need to set up a couple of things. That's why this week we'll look into the different routing options available and examine their advantages and disadvantage…
Reverb Don'ts - A guide to mixing music - Part 57
LearningIn this episode we'll point out a couple of things to avoid when dialing in reverb settings.
