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kant
Published on 12/16/12 at 14:31
From the time that I expected it to be by reference number AF, it was necessary that I stick a notice!
19-4U (5U prvoir for the rear connectors)
Among 2 phono and 2 line among RCA
1 post and 1 back effect on RCA
a record output and a monitor output on RCA
A stro master output to mono RCA or XLR with a screw that serves as the attenuator (limiter) to calm the DJ too deaf
EQ bass mid high (with kill switch) panoramic (not balance then you will understand) and gain between the 2 channels
Crossfade with punch in and punch out on each channel
A pre-listening headphones
This table possde a fairly new diagram. Dj no phono / line switch is that if you sent a CD and vinyl on the same track, the 2 sources will be shuffled (beware mishandling). Moreover the stro incoming signals are to be somms traits in mono to routing to stro bus (rec, monitor, master). The panoramic thus serves the summons sent the signal stro leftmost or rightmost while keeping the totality of the signal. It also has panoramic particularity of not playing on the low frequencies, which proves to be very useful not to lose power when one wants to give an effect "rotary speaker".
USE
19 "4U for 2 channels is rather spacious. So room between the knobs to work even with sausage Morteaux instead of fingers. Hip-Hop DJs, go your way. Your 2 MK2 will be too loignes the 70mm faders too long, and the curve of the crossfade is very very soft.
on the other hand for techno is ideal.
The curves of the faders are ADAPTS to mix gently.
The gain only feature on the tracks is sufficient either on among lines or phono.
Punch in and punch out keys (to bypass the crossfade) are gadgets that are not found on mixers today.
The beautiful view -meter blue LEDs indicates the level post EQ for each channel. No VU meter output.
SONORITS
We can not talk about big slap in the output console. Besides, if the screw attnuation was a good idea, it is useless on this console.
The EQ is very effective and everyone take great band frequency drives (rather large Q).
NOTICE GLOBAL
It's been over 15 years that I know of that table. I had had a First in 1996 or 97. It was worth SECOND 4500Fr then in 1999 or 2000 for 2000Fr. Besides the SECOND n'tait not quite the same (diffrente screen printing, led red saturation instead of blue). Before I was mixing on the TSB Gemini. Since I mix on DJM, Xone ...
I may be wrong but I think it was the first (if not the One of the first) to propose minus infinity on EQ and the era I found agnial.
This table was entirely t think for techno DJ (no between micro, kill function on the EQ, 70mm faders).
+ She has the mouth
+ Quality flexible faders (never a grsillement for all these years)
+ Manufacturing quality (made in UK)
+ Originality mimic the era well suited for techno evenings
- The external power supply that can easily dbrancher
- 10.5V AC transformer (not really a standard)
- Lack of output level
- Line / phono switch missing
You all know a grateux who always has his first guitar and do not want to get Sparer even if he does not play it. Well voil that represents the table for me ...
19-4U (5U prvoir for the rear connectors)
Among 2 phono and 2 line among RCA
1 post and 1 back effect on RCA
a record output and a monitor output on RCA
A stro master output to mono RCA or XLR with a screw that serves as the attenuator (limiter) to calm the DJ too deaf
EQ bass mid high (with kill switch) panoramic (not balance then you will understand) and gain between the 2 channels
Crossfade with punch in and punch out on each channel
A pre-listening headphones
This table possde a fairly new diagram. Dj no phono / line switch is that if you sent a CD and vinyl on the same track, the 2 sources will be shuffled (beware mishandling). Moreover the stro incoming signals are to be somms traits in mono to routing to stro bus (rec, monitor, master). The panoramic thus serves the summons sent the signal stro leftmost or rightmost while keeping the totality of the signal. It also has panoramic particularity of not playing on the low frequencies, which proves to be very useful not to lose power when one wants to give an effect "rotary speaker".
USE
19 "4U for 2 channels is rather spacious. So room between the knobs to work even with sausage Morteaux instead of fingers. Hip-Hop DJs, go your way. Your 2 MK2 will be too loignes the 70mm faders too long, and the curve of the crossfade is very very soft.
on the other hand for techno is ideal.
The curves of the faders are ADAPTS to mix gently.
The gain only feature on the tracks is sufficient either on among lines or phono.
Punch in and punch out keys (to bypass the crossfade) are gadgets that are not found on mixers today.
The beautiful view -meter blue LEDs indicates the level post EQ for each channel. No VU meter output.
SONORITS
We can not talk about big slap in the output console. Besides, if the screw attnuation was a good idea, it is useless on this console.
The EQ is very effective and everyone take great band frequency drives (rather large Q).
NOTICE GLOBAL
It's been over 15 years that I know of that table. I had had a First in 1996 or 97. It was worth SECOND 4500Fr then in 1999 or 2000 for 2000Fr. Besides the SECOND n'tait not quite the same (diffrente screen printing, led red saturation instead of blue). Before I was mixing on the TSB Gemini. Since I mix on DJM, Xone ...
I may be wrong but I think it was the first (if not the One of the first) to propose minus infinity on EQ and the era I found agnial.
This table was entirely t think for techno DJ (no between micro, kill function on the EQ, 70mm faders).
+ She has the mouth
+ Quality flexible faders (never a grsillement for all these years)
+ Manufacturing quality (made in UK)
+ Originality mimic the era well suited for techno evenings
- The external power supply that can easily dbrancher
- 10.5V AC transformer (not really a standard)
- Lack of output level
- Line / phono switch missing
You all know a grateux who always has his first guitar and do not want to get Sparer even if he does not play it. Well voil that represents the table for me ...