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linn134
Published on 12/10/07 at 00:11
Value For Money :
Excellent
Design * ULN
* 4 new IMP "Invisible Mic Preamps"
* 130 dB dynamic range for up to 24 bit, 192 kHz
* Gain range up to 60 dB
* Distortion 0.0007% (20 Hz to 20 kHz)
* 3-band EQ with low cut filter dbrayable on all mono channels
* 12 line inputs symtriques "High Headroom" switch with +4 / -10 level on channels Stereo
* Amps oprationnels 4580
* A dpart effect post-fader per channel for external effects processors
* LED peak on all mono channels
* Main mix outputs over output spares control room, headphones and magnto stro
* Between magnto assignable to main mix or control room outputs and headphones
* Function FX To Control Room for the cost of the effect signal via headphones and control room outputs
* Power supply 48 V fantme dbrayable for electrostatic microphones
* Master Fader ALPS 60 mm logarithmic potentiomtres closed
* External power supply for noise suppression and excellent rsiduels rponse impulse
* Chssis steel
This mixer is (presumably) not rack except hack.
No automation, or MIDI sync, much less of memory or presets scnes CONTRL: it's small, simple and cheap.
For features I do not have much repprocher him. The report features / trs price is good.
UTILIZATION
Easy and clear is the key word of these mixers, either in Behringer, Phonic, Tapco ... Everything is done for the use or IMMEDIATE.
It was all hand door, without inconsistency or dsordre particular, the knob, a master fader and taken plutt many places. Minimum: no switch on / off, she gets along well with the monitors that the switches are placed on the rear face! Not at all practical.
The manual is not used much, but if you like franais or broken English gnez do not read it!
In use, the UB1202 fills all done its mission without too dnaturer dmriter and without the sound ... read on.
Price / ergonomics correct.
SOUNDS
- The console is transparent?
To be frank and honnte is correct. It does not sound DGRAD unduly and will not magnify it. As of references, an M3 TLAudio will give you fat and harmonics in addition to the price scale of its quality. Trs a good vintage equalizer can provide you with some rather large rglages extreme ...
So for a modest price, let's be reasonable and do not push too much and pramps equalizer. It's pretty normal.
- Introduced she breath?
If you play with meekness the rponse is no.
With cblage cohrent and softs rglages it does not blow.
- The qualiseur is it effective?
It is effective for sure.
But it is not "musical" as they say of some, or absolutely Fidler as mastering EQ paramtriques. The shims are frquences "little prs", rendering is decent but not one extreme precision.
Similarly, the TO and implementation based on the phantom power supply gnrent do not hum or particulire repisse.
OVERALL OPINION
- How long have you use it?
A rule of thumb, at least three years. It will mix rps, served prmixer samplers and synths, t used as central monitoring ... she saw the little!
- What is the particular feature you like best and least?
Frankly, I bought it because it stuck to the price that I could put in a secondary tool. It's not my main console, even if today it plays the rle temporarily, and I did not make absolute confidence as I would with an Allen or a Trident. So I like its good qualitprix / features.
I do not dislike the lack of switch ON / OFF and I would have AIM one second headphone jack.
But these are minor shortcomings that in the end.
For comparison, I also had the Phonic MM1202 (which served me prmixer two samplers for percussion) and both are close trs. To say that one is better than the other seems to me questionable as they are close in every way. I think she is not trs moves away from Yamaha of the same size and costs approaching.
A little of the correct mixer for reasonable use and reasonable. It will complete its mission srieux provided they do not ask the moon: it is neither a Mackie or an Allen.
* 4 new IMP "Invisible Mic Preamps"
* 130 dB dynamic range for up to 24 bit, 192 kHz
* Gain range up to 60 dB
* Distortion 0.0007% (20 Hz to 20 kHz)
* 3-band EQ with low cut filter dbrayable on all mono channels
* 12 line inputs symtriques "High Headroom" switch with +4 / -10 level on channels Stereo
* Amps oprationnels 4580
* A dpart effect post-fader per channel for external effects processors
* LED peak on all mono channels
* Main mix outputs over output spares control room, headphones and magnto stro
* Between magnto assignable to main mix or control room outputs and headphones
* Function FX To Control Room for the cost of the effect signal via headphones and control room outputs
* Power supply 48 V fantme dbrayable for electrostatic microphones
* Master Fader ALPS 60 mm logarithmic potentiomtres closed
* External power supply for noise suppression and excellent rsiduels rponse impulse
* Chssis steel
This mixer is (presumably) not rack except hack.
No automation, or MIDI sync, much less of memory or presets scnes CONTRL: it's small, simple and cheap.
For features I do not have much repprocher him. The report features / trs price is good.
UTILIZATION
Easy and clear is the key word of these mixers, either in Behringer, Phonic, Tapco ... Everything is done for the use or IMMEDIATE.
It was all hand door, without inconsistency or dsordre particular, the knob, a master fader and taken plutt many places. Minimum: no switch on / off, she gets along well with the monitors that the switches are placed on the rear face! Not at all practical.
The manual is not used much, but if you like franais or broken English gnez do not read it!
In use, the UB1202 fills all done its mission without too dnaturer dmriter and without the sound ... read on.
Price / ergonomics correct.
SOUNDS
- The console is transparent?
To be frank and honnte is correct. It does not sound DGRAD unduly and will not magnify it. As of references, an M3 TLAudio will give you fat and harmonics in addition to the price scale of its quality. Trs a good vintage equalizer can provide you with some rather large rglages extreme ...
So for a modest price, let's be reasonable and do not push too much and pramps equalizer. It's pretty normal.
- Introduced she breath?
If you play with meekness the rponse is no.
With cblage cohrent and softs rglages it does not blow.
- The qualiseur is it effective?
It is effective for sure.
But it is not "musical" as they say of some, or absolutely Fidler as mastering EQ paramtriques. The shims are frquences "little prs", rendering is decent but not one extreme precision.
Similarly, the TO and implementation based on the phantom power supply gnrent do not hum or particulire repisse.
OVERALL OPINION
- How long have you use it?
A rule of thumb, at least three years. It will mix rps, served prmixer samplers and synths, t used as central monitoring ... she saw the little!
- What is the particular feature you like best and least?
Frankly, I bought it because it stuck to the price that I could put in a secondary tool. It's not my main console, even if today it plays the rle temporarily, and I did not make absolute confidence as I would with an Allen or a Trident. So I like its good qualitprix / features.
I do not dislike the lack of switch ON / OFF and I would have AIM one second headphone jack.
But these are minor shortcomings that in the end.
For comparison, I also had the Phonic MM1202 (which served me prmixer two samplers for percussion) and both are close trs. To say that one is better than the other seems to me questionable as they are close in every way. I think she is not trs moves away from Yamaha of the same size and costs approaching.
A little of the correct mixer for reasonable use and reasonable. It will complete its mission srieux provided they do not ask the moon: it is neither a Mackie or an Allen.