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Acbx
Published on 03/10/05 at 07:22
Polyphonic 4 octaves, without CONTRL of expressiveness, but with pedals "sustain". Two "gnrateurs" paramtres adjustable sound, but without true freedom prtendre crative or research. More gnrateur a low on the lowest note.
The first section offers a gnrateur "violins" Symphony 8 '+ 4' stackable with attack and mute trs largely modular.
The deuxime gnrateur is a section 8 '+ 4' with a gnrateur classic ADSR envelope, but very comprehensive and unfortunately redclenche each new button presses (one note redclenche plays any agreement required). A solution frquente the era.
The sections "strings" and "synthquot, each with an output spar. Apprciable!
UTILIZATION
Synth done for scne. Hyper simple manipulation, we can move from the other in two seconds.
SOUNDS
The two synths and string sections can be modified sparment, to produce layers of violins varied forms trs (trs sailed and missed) with piano, harpsichord, or brass ensemble ( trs's good "brass" analog!).
The sound of "ground" is one of the best in the history of analog synth: warm, full, gnreux, vibrant, velvety and so on. The rglages can satisfy both a musician popular dance (waltz by Strauss!) That the musician "hovering" (JM Jarre, Tangerine Dream, etc.).
A switch used to switch all the synth-wave "edge" (ear) instead of the "sawtooth" which radically changes the universe of sound.
Another switch allows you to make the layers of violins dphasage trs slow, giving her a "turning point" trs slowly, such as "phasing" slow, giving the following rglages sounds great organ, of beating reed keyboard instrument, etc..
OVERALL OPINION
A condition not to ask him what he can not do this synth is the effect on scne. He has a sound that "fills" the sound space tremendously. Regrettable limits of the envelope of the synth part is transcended by an undeniable richness. He knows how to apprcier.
The first section offers a gnrateur "violins" Symphony 8 '+ 4' stackable with attack and mute trs largely modular.
The deuxime gnrateur is a section 8 '+ 4' with a gnrateur classic ADSR envelope, but very comprehensive and unfortunately redclenche each new button presses (one note redclenche plays any agreement required). A solution frquente the era.
The sections "strings" and "synthquot, each with an output spar. Apprciable!
UTILIZATION
Synth done for scne. Hyper simple manipulation, we can move from the other in two seconds.
SOUNDS
The two synths and string sections can be modified sparment, to produce layers of violins varied forms trs (trs sailed and missed) with piano, harpsichord, or brass ensemble ( trs's good "brass" analog!).
The sound of "ground" is one of the best in the history of analog synth: warm, full, gnreux, vibrant, velvety and so on. The rglages can satisfy both a musician popular dance (waltz by Strauss!) That the musician "hovering" (JM Jarre, Tangerine Dream, etc.).
A switch used to switch all the synth-wave "edge" (ear) instead of the "sawtooth" which radically changes the universe of sound.
Another switch allows you to make the layers of violins dphasage trs slow, giving her a "turning point" trs slowly, such as "phasing" slow, giving the following rglages sounds great organ, of beating reed keyboard instrument, etc..
OVERALL OPINION
A condition not to ask him what he can not do this synth is the effect on scne. He has a sound that "fills" the sound space tremendously. Regrettable limits of the envelope of the synth part is transcended by an undeniable richness. He knows how to apprcier.